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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78D2D0 it is the complementary color #872D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78D2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78D2D0 shade: #7DD2CB, #8EE4DE, #9FF6F1, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78D2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78D2D0 shade: #78D2D0, #67C0BD, #56AEAA, #459C97 and #348A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78D2D0 shade: #79D2D0, #79D2B8, #79D2A0, #79D288 and #82D279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78D2D0 shade: #79D2D0, #79BCD2, #79A4D2, #798CD2 and #7979D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78D2D0 shade matches the following richer shades: #79D2D0, #6AE0DE, #5CEFEB and #4DFDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78D2D0 shade: #79D2D0, #87C3C2, #96B5B4, #A4A7A6 and #B29899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78D2D0 shade: #79D29F, #79D2B7, #79D2CF, #79BDD2 and #79A5D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78D2D0 shade: #3EBAB7, #5AC8C5, #79D2D0, #98DCDB and #B7E7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78D2D0 shade: #78D2D0, #8879D2 and #D2AB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78D2D0 shade: #78D2D0, #CF79D2 and #D2CF79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78D2D0 shade: #78D2D0, #8879D2, #D2797C and #C3D279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78D2D0 shade: #78D2D0, #A279D2, #D2797C and #A8D279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

Complementary color

CMYK 0 / 67 / 65 / 47

HEX #872D2F

RGB 135 45 47

HSL 358.67, 0.5%, 0.35%

LAB 32.33, 38.57, 19.85

 

CMYK 40 / 0 / 3 / 18

HEX #7DD2CB

RGB 125 210 203

HSL 175.06, 0.49%, 0.66%

LAB 78.91, -27.38, -4.64

 

CMYK 38 / 0 / 3 / 11

HEX #8EE4DE

RGB 142 228 222

HSL 175.81, 0.61%, 0.73%

LAB 85.26, -27.29, -5.29

 

CMYK 35 / 0 / 2 / 4

HEX #9FF6F1

RGB 159 246 241

HSL 176.55, 0.83%, 0.79%

LAB 91.52, -27.2, -5.91

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

CMYK 46 / 0 / 2 / 25

HEX #67C0BD

RGB 103 192 189

HSL 177.98, 0.41%, 0.58%

LAB 72.4, -27.4, -6.78

 

CMYK 51 / 0 / 2 / 32

HEX #56AEAA

RGB 86 174 170

HSL 177.27, 0.35%, 0.51%

LAB 65.87, -27.35, -6.07

 

CMYK 56 / 0 / 3 / 39

HEX #459C97

RGB 69 156 151

HSL 176.55, 0.39%, 0.44%

LAB 59.23, -27.22, -5.3

 

CMYK 62 / 0 / 4 / 46

HEX #348A84

RGB 52 138 132

HSL 175.81, 0.45%, 0.37%

LAB 52.48, -26.97, -4.45

 

CMYK 42 / 0 / 1 / 18

HEX #79D2D0

RGB 121 210 208

HSL 178.65, 0.5%, 0.65%

LAB 78.88, -27.15, -7.38

 

CMYK 42 / 0 / 12 / 18

HEX #79D2B8

RGB 121 210 184

HSL 162.47, 0.5%, 0.65%

LAB 78.24, -32.81, 4.55

 

CMYK 42 / 0 / 24 / 18

HEX #79D2A0

RGB 121 210 160

HSL 146.29, 0.5%, 0.65%

LAB 77.7, -37.87, 16.58

 

CMYK 42 / 0 / 35 / 18

HEX #79D288

RGB 121 210 136

HSL 130.11, 0.5%, 0.65%

LAB 77.24, -42.25, 28.55

 

CMYK 38 / 0 / 42 / 18

HEX #82D279

RGB 130 210 121

HSL 113.93, 0.5%, 0.65%

LAB 77.41, -41.87, 36.52

 

CMYK 42 / 0 / 1 / 18

HEX #79D2D0

RGB 121 210 208

HSL 178.65, 0.5%, 0.65%

LAB 78.88, -27.15, -7.38

 

CMYK 42 / 10 / 0 / 18

HEX #79BCD2

RGB 121 188 210

HSL 194.83, 0.5%, 0.65%

LAB 72.68, -15.53, -17.73

 

CMYK 42 / 22 / 0 / 18

HEX #79A4D2

RGB 121 164 210

HSL 211.01, 0.5%, 0.65%

LAB 65.96, -2.58, -28

 

CMYK 42 / 33 / 0 / 18

HEX #798CD2

RGB 121 140 210

HSL 227.19, 0.5%, 0.65%

LAB 59.41, 11.16, -38.17

 

CMYK 42 / 42 / 0 / 18

HEX #7979D2

RGB 121 121 210

HSL 240, 0.5%, 0.65%

LAB 54.44, 22.42, -46

 

CMYK 42 / 0 / 1 / 18

HEX #79D2D0

RGB 121 210 208

HSL 178.65, 0.5%, 0.65%

LAB 78.88, -27.15, -7.38

 

CMYK 53 / 0 / 1 / 12

HEX #6AE0DE

RGB 106 224 222

HSL 178.98, 0.66%, 0.65%

LAB 82.73, -33.6, -9.19

 

CMYK 62 / 0 / 2 / 6

HEX #5CEFEB

RGB 92 239 235

HSL 178.37, 0.82%, 0.65%

LAB 87, -39.6, -9.73

 

CMYK 70 / 0 / 2 / 1

HEX #4DFDF9

RGB 77 253 249

HSL 178.64, 0.98%, 0.65%

LAB 91.08, -44.19, -11

 

CMYK 42 / 0 / 1 / 18

HEX #79D2D0

RGB 121 210 208

HSL 178.65, 0.5%, 0.65%

LAB 78.88, -27.15, -7.38

 

CMYK 31 / 0 / 1 / 24

HEX #87C3C2

RGB 135 195 194

HSL 179, 0.33%, 0.65%

LAB 74.87, -19.37, -5.68

 

CMYK 17 / 0 / 1 / 29

HEX #96B5B4

RGB 150 181 180

HSL 178.06, 0.17%, 0.65%

LAB 71.44, -10.69, -3.01

 

CMYK 2 / 0 / 1 / 35

HEX #A4A7A6

RGB 164 167 166

HSL 160, 0.02%, 0.65%

LAB 68.23, -1.25, 0.13

 

CMYK 0 / 15 / 14 / 30

HEX #B29899

RGB 178 152 153

HSL 357.69, 0.14%, 0.65%

LAB 65.14, 9.8, 3.05

 

CMYK 42 / 0 / 24 / 18

HEX #79D29F

RGB 121 210 159

HSL 145.62, 0.5%, 0.65%

LAB 77.67, -38.06, 17.08

 

CMYK 42 / 0 / 13 / 18

HEX #79D2B7

RGB 121 210 183

HSL 161.8, 0.5%, 0.65%

LAB 78.21, -33.04, 5.05

 

CMYK 42 / 0 / 1 / 18

HEX #79D2CF

RGB 121 210 207

HSL 177.98, 0.5%, 0.65%

LAB 78.85, -27.4, -6.89

 

CMYK 42 / 10 / 0 / 18

HEX #79BDD2

RGB 121 189 210

HSL 194.16, 0.5%, 0.65%

LAB 72.97, -16.05, -17.31

 

CMYK 42 / 21 / 0 / 18

HEX #79A5D2

RGB 121 165 210

HSL 210.34, 0.5%, 0.65%

LAB 66.23, -3.13, -27.57

 

CMYK 67 / 0 / 2 / 27

HEX #3EBAB7

RGB 62 186 183

HSL 178.55, 0.5%, 0.49%

LAB 69.16, -33.99, -8.46

 

CMYK 55 / 0 / 1 / 22

HEX #5AC8C5

RGB 90 200 197

HSL 178.36, 0.5%, 0.57%

LAB 74.52, -31.95, -8.04

 

CMYK 42 / 0 / 1 / 18

HEX #79D2D0

RGB 121 210 208

HSL 178.65, 0.5%, 0.65%

LAB 78.88, -27.15, -7.38

 

CMYK 31 / 0 / 0 / 14

HEX #98DCDB

RGB 152 220 219

HSL 179.12, 0.49%, 0.73%

LAB 83.43, -21.41, -6.34

 

CMYK 21 / 0 / 1 / 9

HEX #B7E7E5

RGB 183 231 229

HSL 177.5, 0.5%, 0.81%

LAB 88.39, -15.74, -4.11

 

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

CMYK 35 / 42 / 0 / 18

HEX #8879D2

RGB 136 121 210

HSL 250.11, 0.5%, 0.65%

LAB 55.65, 26.32, -44.02

 

CMYK 0 / 19 / 42 / 18

HEX #D2AB79

RGB 210 171 121

HSL 33.71, 0.5%, 0.65%

LAB 72.37, 7.62, 31.09

 

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

CMYK 1 / 42 / 0 / 18

HEX #CF79D2

RGB 207 121 210

HSL 297.98, 0.5%, 0.65%

LAB 63.01, 46.84, -31.96

 

CMYK 0 / 1 / 42 / 18

HEX #D2CF79

RGB 210 207 121

HSL 57.98, 0.5%, 0.65%

LAB 81.68, -11.2, 42.99

 

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

CMYK 35 / 42 / 0 / 18

HEX #8879D2

RGB 136 121 210

HSL 250.11, 0.5%, 0.65%

LAB 55.65, 26.32, -44.02

 

CMYK 0 / 42 / 41 / 18

HEX #D2797C

RGB 210 121 124

HSL 357.98, 0.5%, 0.65%

LAB 60.63, 34.95, 13.57

 

CMYK 7 / 0 / 42 / 18

HEX #C3D279

RGB 195 210 121

HSL 70.11, 0.5%, 0.65%

LAB 81.33, -18.61, 42.31

 

CMYK 43 / 0 / 1 / 18

HEX #78D2D0

RGB 120 210 208

HSL 178.67, 0.5%, 0.65%

LAB 78.83, -27.39, -7.45

 

CMYK 23 / 42 / 0 / 18

HEX #A279D2

RGB 162 121 210

HSL 267.64, 0.5%, 0.65%

LAB 58.05, 33.57, -40.07

 

CMYK 0 / 42 / 41 / 18

HEX #D2797C

RGB 210 121 124

HSL 357.98, 0.5%, 0.65%

LAB 60.63, 34.95, 13.57

 

CMYK 20 / 0 / 42 / 18

HEX #A8D279

RGB 168 210 121

HSL 88.31, 0.5%, 0.65%

LAB 79.5, -28.85, 39.61

 

Description

Color code: HEX #78D2D0 | qconv.com Color code: HEX #78D2D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 210 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 210 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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