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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78D26B it is the complementary color #872D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78D26B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78D26B shade: #7DD266, #8EE479, #9FF68C, #B0FF9F and #C1FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78D26B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78D26B shade: #78D26B, #67C058, #56AE45, #459C32 and #348A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78D26B shade: #78D16B, #93D16B, #AFD16B, #CBD16B and #D1BC6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78D26B shade: #78D16B, #6BD179, #6BD195, #6BD1B1 and #6BD1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78D26B shade matches the following richer shades: #78D16B, #6CE15B and #60F14B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78D26B shade: #78D16B, #83C27A, #8FB28A, #9BA29A and #A793A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78D26B shade: #AFD16B, #94D16B, #78D16B, #6BD178 and #6BD194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78D26B shade: #47B337, #5BC84B, #78D16B, #95DB8A and #B1E5AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78D26B shade: #78D26B, #6BCBD1 and #D16BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78D26B shade: #78D26B, #6B78D1 and #D16B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78D26B shade: #78D26B, #6BCBD1, #C46BD1 and #D1726B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78D26B shade: #78D26B, #6BACD1, #C46BD1 and #D1906B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

Complementary color

CMYK 9 / 70 / 0 / 42

HEX #872D94

RGB 135 45 148

HSL 292.43, 0.53%, 0.38%

LAB 36.3, 52.21, -38.4

 

CMYK 40 / 0 / 51 / 18

HEX #7DD266

RGB 125 210 102

HSL 107.22, 0.55%, 0.61%

LAB 76.93, -45.96, 45.21

 

CMYK 38 / 0 / 47 / 11

HEX #8EE479

RGB 142 228 121

HSL 108.22, 0.66%, 0.68%

LAB 83.24, -45.87, 44.01

 

CMYK 35 / 0 / 43 / 4

HEX #9FF68C

RGB 159 246 140

HSL 109.25, 0.85%, 0.76%

LAB 89.48, -45.73, 42.82

 

CMYK 31 / 0 / 38 / 0

HEX #B0FF9F

RGB 176 255 159

HSL 109.38, 1%, 0.81%

LAB 93.13, -41.63, 38.39

 

CMYK 24 / 0 / 30 / 0

HEX #C1FFB2

RGB 193 255 178

HSL 108.31, 1%, 0.85%

LAB 94.34, -33.33, 30.71

 

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

CMYK 46 / 0 / 54 / 25

HEX #67C058

RGB 103 192 88

HSL 111.35, 0.45%, 0.55%

LAB 70.38, -46.89, 43.78

 

CMYK 51 / 0 / 60 / 32

HEX #56AE45

RGB 86 174 69

HSL 110.29, 0.43%, 0.48%

LAB 63.9, -46.77, 44.95

 

CMYK 56 / 0 / 68 / 39

HEX #459C32

RGB 69 156 50

HSL 109.25, 0.51%, 0.4%

LAB 57.34, -46.41, 45.91

 

CMYK 62 / 0 / 78 / 46

HEX #348A1F

RGB 52 138 31

HSL 108.22, 0.63%, 0.33%

LAB 50.69, -45.66, 46.37

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 30 / 0 / 49 / 18

HEX #93D16B

RGB 147 209 107

HSL 96.47, 0.53%, 0.62%

LAB 77.8, -37.61, 44.11

 

CMYK 16 / 0 / 49 / 18

HEX #AFD16B

RGB 175 209 107

HSL 80, 0.53%, 0.62%

LAB 79.49, -27.35, 46.56

 

CMYK 3 / 0 / 49 / 18

HEX #CBD16B

RGB 203 209 107

HSL 63.53, 0.53%, 0.62%

LAB 81.49, -16.36, 49.44

 

CMYK 0 / 10 / 49 / 18

HEX #D1BC6B

RGB 209 188 107

HSL 47.65, 0.53%, 0.62%

LAB 76.43, -3.19, 43.44

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 49 / 0 / 42 / 18

HEX #6BD179

RGB 107 209 121

HSL 128.24, 0.53%, 0.62%

LAB 76.14, -48.16, 34.68

 

CMYK 49 / 0 / 29 / 18

HEX #6BD195

RGB 107 209 149

HSL 144.71, 0.53%, 0.62%

LAB 76.62, -43.27, 20.81

 

CMYK 49 / 0 / 15 / 18

HEX #6BD1B1

RGB 107 209 177

HSL 161.18, 0.53%, 0.62%

LAB 77.22, -37.39, 6.76

 

CMYK 49 / 0 / 2 / 18

HEX #6BD1CD

RGB 107 209 205

HSL 177.65, 0.53%, 0.62%

LAB 77.95, -30.65, -7.2

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 52 / 0 / 60 / 12

HEX #6CE15B

RGB 108 225 91

HSL 112.39, 0.69%, 0.62%

LAB 80.62, -58.11, 54.42

 

CMYK 60 / 0 / 69 / 5

HEX #60F14B

RGB 96 241 75

HSL 112.41, 0.86%, 0.62%

LAB 84.95, -68.24, 65.52

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 32 / 0 / 37 / 24

HEX #83C27A

RGB 131 194 122

HSL 112.5, 0.37%, 0.62%

LAB 72.77, -34.19, 29.99

 

CMYK 20 / 0 / 22 / 30

HEX #8FB28A

RGB 143 178 138

HSL 112.5, 0.21%, 0.62%

LAB 69.12, -19.67, 16.63

 

CMYK 4 / 0 / 5 / 36

HEX #9BA29A

RGB 155 162 154

HSL 112.5, 0.04%, 0.62%

LAB 65.86, -4.03, 3.28

 

CMYK 1 / 13 / 0 / 34

HEX #A793A9

RGB 167 147 169

HSL 294.55, 0.11%, 0.62%

LAB 63.3, 11.49, -8.79

 

CMYK 16 / 0 / 49 / 18

HEX #AFD16B

RGB 175 209 107

HSL 80, 0.53%, 0.62%

LAB 79.49, -27.35, 46.56

 

CMYK 29 / 0 / 49 / 18

HEX #94D16B

RGB 148 209 107

HSL 95.88, 0.53%, 0.62%

LAB 77.85, -37.26, 44.19

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 49 / 0 / 43 / 18

HEX #6BD178

RGB 107 209 120

HSL 127.65, 0.53%, 0.62%

LAB 76.12, -48.32, 35.17

 

CMYK 49 / 0 / 29 / 18

HEX #6BD194

RGB 107 209 148

HSL 144.12, 0.53%, 0.62%

LAB 76.6, -43.46, 21.31

 

CMYK 60 / 0 / 69 / 30

HEX #47B337

RGB 71 179 55

HSL 112.26, 0.53%, 0.46%

LAB 64.85, -54.05, 51.87

 

CMYK 55 / 0 / 63 / 22

HEX #5BC84B

RGB 91 200 75

HSL 112.32, 0.53%, 0.54%

LAB 72.26, -54.85, 51.76

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 32 / 0 / 37 / 14

HEX #95DB8A

RGB 149 219 138

HSL 111.85, 0.53%, 0.7%

LAB 81.23, -37.31, 33.05

 

CMYK 23 / 0 / 26 / 10

HEX #B1E5AA

RGB 177 229 170

HSL 112.88, 0.53%, 0.78%

LAB 86.15, -27.71, 23.49

 

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

CMYK 49 / 3 / 0 / 18

HEX #6BCBD1

RGB 107 203 209

HSL 183.53, 0.53%, 0.62%

LAB 76.34, -26.7, -11.75

 

CMYK 0 / 49 / 22 / 18

HEX #D16BA2

RGB 209 107 162

HSL 327.65, 0.53%, 0.62%

LAB 58.68, 46.7, -11.22

 

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

CMYK 49 / 43 / 0 / 18

HEX #6B78D1

RGB 107 120 209

HSL 232.35, 0.53%, 0.62%

LAB 53.13, 19.33, -47.58

 

CMYK 0 / 49 / 43 / 18

HEX #D16B78

RGB 209 107 120

HSL 352.35, 0.53%, 0.62%

LAB 57.49, 41.42, 11.45

 

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

CMYK 49 / 3 / 0 / 18

HEX #6BCBD1

RGB 107 203 209

HSL 183.53, 0.53%, 0.62%

LAB 76.34, -26.7, -11.75

 

CMYK 6 / 49 / 0 / 18

HEX #C46BD1

RGB 196 107 209

HSL 292.35, 0.53%, 0.62%

LAB 58.84, 50.64, -37.99

 

CMYK 0 / 45 / 49 / 18

HEX #D1726B

RGB 209 114 107

HSL 4.12, 0.53%, 0.62%

LAB 58.65, 36.5, 20.57

 

CMYK 43 / 0 / 49 / 18

HEX #78D26B

RGB 120 210 107

HSL 112.43, 0.53%, 0.62%

LAB 76.77, -46.87, 42.55

 

CMYK 49 / 18 / 0 / 18

HEX #6BACD1

RGB 107 172 209

HSL 201.76, 0.53%, 0.62%

LAB 67.45, -10.7, -25.21

 

CMYK 6 / 49 / 0 / 18

HEX #C46BD1

RGB 196 107 209

HSL 292.35, 0.53%, 0.62%

LAB 58.84, 50.64, -37.99

 

CMYK 0 / 31 / 49 / 18

HEX #D1906B

RGB 209 144 107

HSL 21.76, 0.53%, 0.62%

LAB 65.41, 20.4, 29.52

 

Description

Color code: HEX #78D26B | qconv.com Color code: HEX #78D26B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 210 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 210 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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