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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78CEE4 it is the complementary color #87311B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78CEE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78CEE4 shade: #7DCEDF, #8EE0F2, #9FF2FF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78CEE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78CEE4 shade: #78CEE4, #67BCD1, #56AABE, #4598AB and #348698

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78CEE4 shade: #77CEE4, #77B0E4, #7793E4, #7877E4 and #9677E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78CEE4 shade: #77CEE4, #77B0E4, #7793E4 and #7777E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78CEE4 shade matches the following richer shades: #77CEE4, #6AD6F1 and #5CDDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78CEE4 shade: #77CEE4, #84C6D7, #91BECA, #9EB6BC and #ACAFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78CEE4 shade: #77E4C0, #77E4DD, #77CEE4, #77B1E4 and #7794E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78CEE4 shade: #32B5D6, #54C1DD, #77CEE4, #99DAEB and #BCE7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78CEE4 shade: #78CEE4, #A277E4 and #E4CE77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78CEE4 shade: #78CEE4, #E477CE and #CEE477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78CEE4 shade: #78CEE4, #A277E4, #E48D77 and #B8E477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78CEE4 shade: #78CEE4, #C377E4, #E48D77 and #98E477

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

Complementary color

CMYK 0 / 64 / 80 / 47

HEX #87311B

RGB 135 49 27

HSL 12.22, 0.67%, 0.32%

LAB 32.76, 35.6, 32.42

 

CMYK 44 / 8 / 0 / 13

HEX #7DCEDF

RGB 125 206 223

HSL 190.41, 0.6%, 0.68%

LAB 78.36, -20.39, -16.18

 

CMYK 41 / 7 / 0 / 5

HEX #8EE0F2

RGB 142 224 242

HSL 190.8, 0.79%, 0.75%

LAB 84.73, -20.47, -16.64

 

CMYK 38 / 5 / 0 / 0

HEX #9FF2FF

RGB 159 242 255

HSL 188.13, 1%, 0.81%

LAB 90.82, -21.97, -14.23

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

CMYK 51 / 10 / 0 / 18

HEX #67BCD1

RGB 103 188 209

HSL 191.89, 0.54%, 0.61%

LAB 71.86, -20.04, -18.51

 

CMYK 55 / 11 / 0 / 25

HEX #56AABE

RGB 86 170 190

HSL 191.54, 0.44%, 0.54%

LAB 65.31, -19.77, -18.03

 

CMYK 60 / 11 / 0 / 33

HEX #4598AB

RGB 69 152 171

HSL 191.18, 0.43%, 0.47%

LAB 58.66, -19.38, -17.51

 

CMYK 66 / 12 / 0 / 40

HEX #348698

RGB 52 134 152

HSL 190.8, 0.49%, 0.4%

LAB 51.89, -18.82, -16.95

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 48 / 23 / 0 / 11

HEX #77B0E4

RGB 119 176 228

HSL 208.62, 0.67%, 0.68%

LAB 69.88, -4.63, -31.86

 

CMYK 48 / 36 / 0 / 11

HEX #7793E4

RGB 119 147 228

HSL 224.59, 0.67%, 0.68%

LAB 61.99, 11.83, -44.16

 

CMYK 47 / 48 / 0 / 11

HEX #7877E4

RGB 120 119 228

HSL 240.55, 0.67%, 0.68%

LAB 54.85, 28.66, -55.49

 

CMYK 34 / 48 / 0 / 11

HEX #9677E4

RGB 150 119 228

HSL 257.06, 0.67%, 0.68%

LAB 57.35, 35.9, -51.36

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 48 / 23 / 0 / 11

HEX #77B0E4

RGB 119 176 228

HSL 208.62, 0.67%, 0.68%

LAB 69.88, -4.63, -31.86

 

CMYK 48 / 36 / 0 / 11

HEX #7793E4

RGB 119 147 228

HSL 224.59, 0.67%, 0.68%

LAB 61.99, 11.83, -44.16

 

CMYK 48 / 48 / 0 / 11

HEX #7777E4

RGB 119 119 228

HSL 240, 0.67%, 0.68%

LAB 54.78, 28.43, -55.61

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 56 / 11 / 0 / 5

HEX #6AD6F1

RGB 106 214 241

HSL 192, 0.83%, 0.68%

LAB 80.46, -23.61, -22.69

 

CMYK 64 / 13 / 0 / 0

HEX #5CDDFE

RGB 92 221 254

HSL 192.22, 0.99%, 0.68%

LAB 82.46, -25.77, -26.6

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 39 / 8 / 0 / 16

HEX #84C6D7

RGB 132 198 215

HSL 192.29, 0.51%, 0.68%

LAB 76.19, -16.61, -15.1

 

CMYK 28 / 6 / 0 / 21

HEX #91BECA

RGB 145 190 202

HSL 192.63, 0.35%, 0.68%

LAB 74.26, -12.03, -10.88

 

CMYK 16 / 3 / 0 / 26

HEX #9EB6BC

RGB 158 182 188

HSL 192, 0.18%, 0.68%

LAB 72.47, -6.92, -5.82

 

CMYK 2 / 0 / 0 / 31

HEX #ACAFAF

RGB 172 175 175

HSL 180, 0.02%, 0.68%

LAB 71.23, -1.05, -0.38

 

CMYK 48 / 0 / 16 / 11

HEX #77E4C0

RGB 119 228 192

HSL 160.18, 0.67%, 0.68%

LAB 83.56, -39.81, 7.95

 

CMYK 48 / 0 / 3 / 11

HEX #77E4DD

RGB 119 228 221

HSL 176.15, 0.67%, 0.68%

LAB 84.29, -33.01, -6.29

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 48 / 22 / 0 / 11

HEX #77B1E4

RGB 119 177 228

HSL 208.07, 0.67%, 0.68%

LAB 70.15, -5.17, -31.43

 

CMYK 48 / 35 / 0 / 11

HEX #7794E4

RGB 119 148 228

HSL 224.04, 0.67%, 0.68%

LAB 62.26, 11.25, -43.74

 

CMYK 77 / 15 / 0 / 16

HEX #32B5D6

RGB 50 181 214

HSL 192.07, 0.67%, 0.52%

LAB 68.45, -23.65, -26.59

 

CMYK 62 / 13 / 0 / 13

HEX #54C1DD

RGB 84 193 221

HSL 192.26, 0.67%, 0.6%

LAB 73.05, -22.83, -23.29

 

CMYK 48 / 10 / 0 / 11

HEX #77CEE4

RGB 119 206 228

HSL 192.11, 0.67%, 0.68%

LAB 78.27, -20.46, -19.03

 

CMYK 35 / 7 / 0 / 8

HEX #99DAEB

RGB 153 218 235

HSL 192.44, 0.67%, 0.76%

LAB 83.4, -16.36, -14.88

 

CMYK 22 / 5 / 0 / 5

HEX #BCE7F2

RGB 188 231 242

HSL 192.22, 0.68%, 0.84%

LAB 89.04, -11.48, -9.93

 

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

CMYK 29 / 48 / 0 / 11

HEX #A277E4

RGB 162 119 228

HSL 263.67, 0.67%, 0.68%

LAB 58.49, 39.02, -49.48

 

CMYK 0 / 10 / 48 / 11

HEX #E4CE77

RGB 228 206 119

HSL 47.89, 0.67%, 0.68%

LAB 82.9, -3.66, 45.82

 

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

CMYK 0 / 48 / 10 / 11

HEX #E477CE

RGB 228 119 206

HSL 312.11, 0.67%, 0.68%

LAB 65.08, 53.44, -26.31

 

CMYK 10 / 0 / 48 / 11

HEX #CEE477

RGB 206 228 119

HSL 72.11, 0.67%, 0.68%

LAB 86.97, -23.35, 50.39

 

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

CMYK 29 / 48 / 0 / 11

HEX #A277E4

RGB 162 119 228

HSL 263.67, 0.67%, 0.68%

LAB 58.49, 39.02, -49.48

 

CMYK 0 / 38 / 48 / 11

HEX #E48D77

RGB 228 141 119

HSL 12.11, 0.67%, 0.68%

LAB 67.18, 30.71, 25.69

 

CMYK 19 / 0 / 48 / 11

HEX #B8E477

RGB 184 228 119

HSL 84.22, 0.67%, 0.68%

LAB 85.51, -31.66, 48.28

 

CMYK 47 / 10 / 0 / 11

HEX #78CEE4

RGB 120 206 228

HSL 192.22, 0.67%, 0.68%

LAB 78.31, -20.24, -18.96

 

CMYK 14 / 48 / 0 / 11

HEX #C377E4

RGB 195 119 228

HSL 281.83, 0.67%, 0.68%

LAB 62, 47.97, -43.71

 

CMYK 0 / 38 / 48 / 11

HEX #E48D77

RGB 228 141 119

HSL 12.11, 0.67%, 0.68%

LAB 67.18, 30.71, 25.69

 

CMYK 33 / 0 / 48 / 11

HEX #98E477

RGB 152 228 119

HSL 101.83, 0.67%, 0.68%

LAB 83.7, -42.89, 45.65

 

Description

Color code: HEX #78CEE4 | qconv.com Color code: HEX #78CEE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 206 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 206 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 10 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 10% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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