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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78CE4C it is the complementary color #8731B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78CE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78CE4C shade: #7DCE47, #8EE05A, #9FF26D, #B0FF80 and #C1FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78CE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78CE4C shade: #78CE4C, #67BC39, #56AA26, #459813 and #348600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78CE4C shade: #77CE4B, #9ACE4B, #BECE4B, #CEBA4B and #CE974B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78CE4C shade: #77CE4B, #54CE4B, #4BCE65, #4BCE88 and #4BCEAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78CE4C shade matches the following richer shades: #77CE4B, #71E038 and #6BF326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78CE4C shade: #77CE4B, #7DBB5D, #83A970, #899683 and #8F8395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78CE4C shade: #BECE4B, #9CCE4B, #79CE4B, #56CE4B and #4BCE63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78CE4C shade: #519B2B, #62BC33, #77CE4B, #90D76B and #A8DF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78CE4C shade: #78CE4C, #4BCEBA and #CE4BAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78CE4C shade: #78CE4C, #4B79CE and #CE4B79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78CE4C shade: #78CE4C, #4BCEBA, #A04BCE and #CE4B5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78CE4C shade: #78CE4C, #4BBACE, #A04BCE and #CE5E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

Complementary color

CMYK 25 / 73 / 0 / 30

HEX #8731B3

RGB 135 49 179

HSL 279.69, 0.57%, 0.45%

LAB 38.9, 56.86, -52.85

 

CMYK 39 / 0 / 66 / 19

HEX #7DCE47

RGB 125 206 71

HSL 96, 0.58%, 0.54%

LAB 75.42, -47.45, 57.31

 

CMYK 37 / 0 / 60 / 12

HEX #8EE05A

RGB 142 224 90

HSL 96.72, 0.68%, 0.62%

LAB 81.73, -47.63, 56.49

 

CMYK 34 / 0 / 55 / 5

HEX #9FF26D

RGB 159 242 109

HSL 97.44, 0.84%, 0.69%

LAB 87.96, -47.7, 55.5

 

CMYK 31 / 0 / 50 / 0

HEX #B0FF80

RGB 176 255 128

HSL 97.32, 1%, 0.75%

LAB 92.71, -45.56, 52.72

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

CMYK 45 / 0 / 70 / 26

HEX #67BC39

RGB 103 188 57

HSL 98.93, 0.53%, 0.48%

LAB 68.86, -48.35, 55.63

 

CMYK 49 / 0 / 78 / 33

HEX #56AA26

RGB 86 170 38

HSL 98.18, 0.63%, 0.41%

LAB 62.4, -47.82, 55.76

 

CMYK 55 / 0 / 88 / 40

HEX #459813

RGB 69 152 19

HSL 97.44, 0.78%, 0.34%

LAB 55.86, -46.93, 54.86

 

CMYK 61 / 0 / 100 / 47

HEX #348600

RGB 52 134 0

HSL 96.72, 1%, 0.26%

LAB 49.23, -45.58, 52.68

 

CMYK 42 / 0 / 64 / 19

HEX #77CE4B

RGB 119 206 75

HSL 99.85, 0.57%, 0.55%

LAB 75.18, -49.05, 55.32

 

CMYK 25 / 0 / 64 / 19

HEX #9ACE4B

RGB 154 206 75

HSL 83.82, 0.57%, 0.55%

LAB 76.99, -36.85, 57.81

 

CMYK 8 / 0 / 64 / 19

HEX #BECE4B

RGB 190 206 75

HSL 67.33, 0.57%, 0.55%

LAB 79.38, -22.67, 61.07

 

CMYK 0 / 10 / 64 / 19

HEX #CEBA4B

RGB 206 186 75

HSL 50.84, 0.57%, 0.55%

LAB 75.29, -5.89, 57.11

 

CMYK 0 / 27 / 64 / 19

HEX #CE974B

RGB 206 151 75

HSL 34.81, 0.57%, 0.55%

LAB 66.34, 12.76, 47.24

 

CMYK 42 / 0 / 64 / 19

HEX #77CE4B

RGB 119 206 75

HSL 99.85, 0.57%, 0.55%

LAB 75.18, -49.05, 55.32

 

CMYK 59 / 0 / 64 / 19

HEX #54CE4B

RGB 84 206 75

HSL 115.88, 0.57%, 0.55%

LAB 73.89, -58.79, 53.52

 

CMYK 64 / 0 / 51 / 19

HEX #4BCE65

RGB 75 206 101

HSL 131.91, 0.57%, 0.55%

LAB 73.92, -57.6, 41.6

 

CMYK 64 / 0 / 34 / 19

HEX #4BCE88

RGB 75 206 136

HSL 147.94, 0.57%, 0.55%

LAB 74.46, -51.68, 24.53

 

CMYK 64 / 0 / 17 / 19

HEX #4BCEAC

RGB 75 206 172

HSL 164.43, 0.57%, 0.55%

LAB 75.21, -43.81, 6.43

 

CMYK 42 / 0 / 64 / 19

HEX #77CE4B

RGB 119 206 75

HSL 99.85, 0.57%, 0.55%

LAB 75.18, -49.05, 55.32

 

CMYK 50 / 0 / 75 / 12

HEX #71E038

RGB 113 224 56

HSL 99.64, 0.73%, 0.55%

LAB 80.24, -59.27, 67.54

 

CMYK 56 / 0 / 84 / 5

HEX #6BF326

RGB 107 243 38

HSL 99.8, 0.9%, 0.55%

LAB 85.69, -68.48, 77.33

 

CMYK 42 / 0 / 64 / 19

HEX #77CE4B

RGB 119 206 75

HSL 99.85, 0.57%, 0.55%

LAB 75.18, -49.05, 55.32

 

CMYK 33 / 0 / 50 / 27

HEX #7DBB5D

RGB 125 187 93

HSL 99.57, 0.41%, 0.55%

LAB 69.96, -37.02, 41.1

 

CMYK 22 / 0 / 34 / 34

HEX #83A970

RGB 131 169 112

HSL 100, 0.25%, 0.55%

LAB 65.26, -23.71, 25.34

 

CMYK 9 / 0 / 13 / 41

HEX #899683

RGB 137 150 131

HSL 101.05, 0.08%, 0.55%

LAB 60.58, -8.36, 8.44

 

CMYK 4 / 12 / 0 / 42

HEX #8F8395

RGB 143 131 149

HSL 280, 0.08%, 0.55%

LAB 56.33, 8.03, -7.99

 

CMYK 8 / 0 / 64 / 19

HEX #BECE4B

RGB 190 206 75

HSL 67.33, 0.57%, 0.55%

LAB 79.38, -22.67, 61.07

 

CMYK 24 / 0 / 64 / 19

HEX #9CCE4B

RGB 156 206 75

HSL 82.9, 0.57%, 0.55%

LAB 77.11, -36.09, 57.97

 

CMYK 41 / 0 / 64 / 19

HEX #79CE4B

RGB 121 206 75

HSL 98.93, 0.57%, 0.55%

LAB 75.27, -48.41, 55.44

 

CMYK 58 / 0 / 64 / 19

HEX #56CE4B

RGB 86 206 75

HSL 114.96, 0.57%, 0.55%

LAB 73.95, -58.31, 53.61

 

CMYK 64 / 0 / 52 / 19

HEX #4BCE63

RGB 75 206 99

HSL 130.99, 0.57%, 0.55%

LAB 73.89, -57.88, 42.54

 

CMYK 48 / 0 / 72 / 39

HEX #519B2B

RGB 81 155 43

HSL 99.64, 0.57%, 0.39%

LAB 57.43, -43.04, 49

 

CMYK 48 / 0 / 73 / 26

HEX #62BC33

RGB 98 188 51

HSL 99.42, 0.57%, 0.47%

LAB 68.61, -50.35, 57.56

 

CMYK 42 / 0 / 64 / 19

HEX #77CE4B

RGB 119 206 75

HSL 99.85, 0.57%, 0.55%

LAB 75.18, -49.05, 55.32

 

CMYK 33 / 0 / 50 / 16

HEX #90D76B

RGB 144 215 107

HSL 99.44, 0.57%, 0.63%

LAB 79.38, -41.31, 46.01

 

CMYK 25 / 0 / 37 / 13

HEX #A8DF8C

RGB 168 223 140

HSL 99.76, 0.56%, 0.71%

LAB 83.44, -32.47, 35.13

 

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

CMYK 64 / 0 / 10 / 19

HEX #4BCEBA

RGB 75 206 186

HSL 170.84, 0.57%, 0.55%

LAB 75.57, -40.31, -0.6

 

CMYK 0 / 64 / 16 / 19

HEX #CE4BAD

RGB 206 75 173

HSL 315.11, 0.57%, 0.55%

LAB 53.14, 62.12, -26.1

 

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

CMYK 64 / 41 / 0 / 19

HEX #4B79CE

RGB 75 121 206

HSL 218.93, 0.57%, 0.55%

LAB 51.41, 11.12, -48.72

 

CMYK 0 / 64 / 41 / 19

HEX #CE4B79

RGB 206 75 121

HSL 338.93, 0.57%, 0.55%

LAB 51.31, 55.61, 1.97

 

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

CMYK 64 / 0 / 10 / 19

HEX #4BCEBA

RGB 75 206 186

HSL 170.84, 0.57%, 0.55%

LAB 75.57, -40.31, -0.6

 

CMYK 22 / 64 / 0 / 19

HEX #A04BCE

RGB 160 75 206

HSL 278.93, 0.57%, 0.55%

LAB 48.21, 56.52, -53.42

 

CMYK 0 / 64 / 54 / 19

HEX #CE4B5E

RGB 206 75 94

HSL 351.3, 0.57%, 0.55%

LAB 50.64, 53.14, 17.26

 

CMYK 42 / 0 / 63 / 19

HEX #78CE4C

RGB 120 206 76

HSL 99.69, 0.57%, 0.55%

LAB 75.24, -48.64, 54.96

 

CMYK 64 / 10 / 0 / 19

HEX #4BBACE

RGB 75 186 206

HSL 189.16, 0.57%, 0.55%

LAB 70.22, -25.27, -19.44

 

CMYK 22 / 64 / 0 / 19

HEX #A04BCE

RGB 160 75 206

HSL 278.93, 0.57%, 0.55%

LAB 48.21, 56.52, -53.42

 

CMYK 0 / 54 / 64 / 19

HEX #CE5E4B

RGB 206 94 75

HSL 8.7, 0.57%, 0.55%

LAB 53.64, 42.99, 32.26

 

Description

Color code: HEX #78CE4C | qconv.com Color code: HEX #78CE4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 206 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 206 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 63 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 63% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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