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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C92D it is the complementary color #8736D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C92D shade: #7DC928, #8EDB3B, #9FED4E, #B0FF61 and #C1FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C92D shade: #78C92D, #67B71A, #56A507, #459300 and #348100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C92D shade: #77C82D, #A1C82D, #C8C42D, #C89B2D and #C8712D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C92D shade: #77C82D, #4EC82D, #2DC836, #2DC860 and #2DC889

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C92D shade matches the following richer shades: #77C82D, #77DB19 and #76EF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C92D shade: #77C82D, #78B441, #79A055, #7A8C69 and #7A787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C92D shade: #C8C52D, #A1C82D, #78C82D, #4FC82D and #2DC835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C92D shade: #4F841E, #63A626, #77C82D, #8CD648 and #A1DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C92D shade: #78C92D, #2DC89C and #C82DB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C92D shade: #78C92D, #2D78C8 and #C82D78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C92D shade: #78C92D, #2DC89C, #7D2DC8 and #C82D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C92D shade: #78C92D, #2DC5C8, #7D2DC8 and #C8302D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

Complementary color

CMYK 36 / 74 / 0 / 18

HEX #8736D2

RGB 135 54 210

HSL 271.15, 0.63%, 0.52%

LAB 41.91, 61.71, -66.07

 

CMYK 38 / 0 / 80 / 21

HEX #7DC928

RGB 125 201 40

HSL 88.32, 0.67%, 0.47%

LAB 73.73, -47.37, 66.39

 

CMYK 35 / 0 / 73 / 14

HEX #8EDB3B

RGB 142 219 59

HSL 88.88, 0.69%, 0.55%

LAB 80.03, -47.92, 66.77

 

CMYK 33 / 0 / 67 / 7

HEX #9FED4E

RGB 159 237 78

HSL 89.43, 0.82%, 0.62%

LAB 86.25, -48.29, 66.52

 

CMYK 31 / 0 / 62 / 0

HEX #B0FF61

RGB 176 255 97

HSL 90, 1%, 0.69%

LAB 92.4, -48.54, 65.89

 

CMYK 24 / 0 / 55 / 0

HEX #C1FF74

RGB 193 255 116

HSL 86.76, 1%, 0.73%

LAB 93.5, -40.93, 59.31

 

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

CMYK 44 / 0 / 86 / 28

HEX #67B71A

RGB 103 183 26

HSL 90.57, 0.75%, 0.41%

LAB 67.15, -48.11, 63.66

 

CMYK 48 / 0 / 96 / 35

HEX #56A507

RGB 86 165 7

HSL 90, 0.92%, 0.34%

LAB 60.7, -47.06, 61.26

 

CMYK 53 / 0 / 100 / 42

HEX #459300

RGB 69 147 0

HSL 91.84, 1%, 0.29%

LAB 54.17, -45.57, 56.83

 

CMYK 60 / 0 / 100 / 49

HEX #348100

RGB 52 129 0

HSL 95.81, 1%, 0.25%

LAB 47.53, -43.73, 51.34

 

CMYK 41 / 0 / 78 / 22

HEX #77C82D

RGB 119 200 45

HSL 91.35, 0.63%, 0.48%

LAB 73.17, -48.76, 64.31

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82D

RGB 161 200 45

HSL 75.1, 0.63%, 0.48%

LAB 75.5, -33.21, 67.32

 

CMYK 0 / 2 / 78 / 22

HEX #C8C42D

RGB 200 196 45

HSL 58.45, 0.63%, 0.48%

LAB 77.25, -15.05, 69.98

 

CMYK 0 / 23 / 78 / 22

HEX #C89B2D

RGB 200 155 45

HSL 42.58, 0.63%, 0.48%

LAB 66.45, 6.41, 60.12

 

CMYK 0 / 44 / 78 / 22

HEX #C8712D

RGB 200 113 45

HSL 26.32, 0.63%, 0.48%

LAB 56.37, 29.26, 50.49

 

CMYK 41 / 0 / 78 / 22

HEX #77C82D

RGB 119 200 45

HSL 91.35, 0.63%, 0.48%

LAB 73.17, -48.76, 64.31

 

CMYK 61 / 0 / 78 / 22

HEX #4EC82D

RGB 78 200 45

HSL 107.23, 0.63%, 0.48%

LAB 71.63, -60.53, 62.31

 

CMYK 78 / 0 / 73 / 22

HEX #2DC836

RGB 45 200 54

HSL 123.48, 0.63%, 0.48%

LAB 70.96, -65.98, 58.39

 

CMYK 78 / 0 / 52 / 22

HEX #2DC860

RGB 45 200 96

HSL 139.74, 0.63%, 0.48%

LAB 71.36, -61.18, 40.74

 

CMYK 78 / 0 / 32 / 22

HEX #2DC889

RGB 45 200 137

HSL 155.61, 0.63%, 0.48%

LAB 72.01, -53.73, 20.58

 

CMYK 41 / 0 / 78 / 22

HEX #77C82D

RGB 119 200 45

HSL 91.35, 0.63%, 0.48%

LAB 73.17, -48.76, 64.31

 

CMYK 46 / 0 / 89 / 14

HEX #77DB19

RGB 119 219 25

HSL 90.93, 0.8%, 0.48%

LAB 78.84, -56.97, 74.12

 

CMYK 51 / 0 / 97 / 6

HEX #76EF06

RGB 118 239 6

HSL 91.16, 0.95%, 0.48%

LAB 84.79, -64.91, 81.16

 

CMYK 41 / 0 / 78 / 22

HEX #77C82D

RGB 119 200 45

HSL 91.35, 0.63%, 0.48%

LAB 73.17, -48.76, 64.31

 

CMYK 33 / 0 / 64 / 29

HEX #78B441

RGB 120 180 65

HSL 91.3, 0.47%, 0.48%

LAB 67.29, -38.56, 50.95

 

CMYK 24 / 0 / 47 / 37

HEX #79A055

RGB 121 160 85

HSL 91.2, 0.31%, 0.48%

LAB 61.54, -26.76, 34.71

 

CMYK 13 / 0 / 25 / 45

HEX #7A8C69

RGB 122 140 105

HSL 90.86, 0.14%, 0.48%

LAB 56, -13.18, 16.6

 

CMYK 2 / 4 / 0 / 51

HEX #7A787D

RGB 122 120 125

HSL 264, 0.02%, 0.48%

LAB 50.75, 1.77, -2.47

 

CMYK 0 / 1 / 78 / 22

HEX #C8C52D

RGB 200 197 45

HSL 58.84, 0.63%, 0.48%

LAB 77.52, -15.56, 70.22

 

CMYK 20 / 0 / 78 / 22

HEX #A1C82D

RGB 161 200 45

HSL 75.1, 0.63%, 0.48%

LAB 75.5, -33.21, 67.32

 

CMYK 40 / 0 / 78 / 22

HEX #78C82D

RGB 120 200 45

HSL 90.97, 0.63%, 0.48%

LAB 73.21, -48.43, 64.37

 

CMYK 61 / 0 / 78 / 22

HEX #4FC82D

RGB 79 200 45

HSL 106.84, 0.63%, 0.48%

LAB 71.66, -60.29, 62.35

 

CMYK 78 / 0 / 74 / 22

HEX #2DC835

RGB 45 200 53

HSL 123.1, 0.63%, 0.48%

LAB 70.96, -66.06, 58.74

 

CMYK 40 / 0 / 77 / 48

HEX #4F841E

RGB 79 132 30

HSL 91.18, 0.63%, 0.32%

LAB 49.81, -34.86, 46.23

 

CMYK 40 / 0 / 77 / 35

HEX #63A626

RGB 99 166 38

HSL 91.41, 0.63%, 0.4%

LAB 61.71, -41.93, 55.31

 

CMYK 41 / 0 / 78 / 22

HEX #77C82D

RGB 119 200 45

HSL 91.35, 0.63%, 0.48%

LAB 73.17, -48.76, 64.31

 

CMYK 35 / 0 / 66 / 16

HEX #8CD648

RGB 140 214 72

HSL 91.27, 0.63%, 0.56%

LAB 78.54, -45.64, 60.45

 

CMYK 27 / 0 / 52 / 13

HEX #A1DD6A

RGB 161 221 106

HSL 91.3, 0.63%, 0.64%

LAB 82.02, -38.19, 49.87

 

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

CMYK 78 / 0 / 22 / 22

HEX #2DC89C

RGB 45 200 156

HSL 162.97, 0.63%, 0.48%

LAB 72.41, -49.41, 10.96

 

CMYK 0 / 78 / 9 / 22

HEX #C82DB6

RGB 200 45 182

HSL 306.97, 0.63%, 0.48%

LAB 48.93, 72.28, -38.01

 

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

CMYK 78 / 40 / 0 / 22

HEX #2D78C8

RGB 45 120 200

HSL 210.97, 0.63%, 0.48%

LAB 49.69, 5.17, -48.11

 

CMYK 0 / 78 / 40 / 22

HEX #C82D78

RGB 200 45 120

HSL 330.97, 0.63%, 0.48%

LAB 46.33, 64.62, -4.85

 

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

CMYK 78 / 0 / 22 / 22

HEX #2DC89C

RGB 45 200 156

HSL 162.97, 0.63%, 0.48%

LAB 72.41, -49.41, 10.96

 

CMYK 38 / 78 / 0 / 22

HEX #7D2DC8

RGB 125 45 200

HSL 270.97, 0.63%, 0.48%

LAB 38.56, 61.32, -65.79

 

CMYK 0 / 78 / 56 / 22

HEX #C82D59

RGB 200 45 89

HSL 342.97, 0.63%, 0.48%

LAB 45.47, 61.95, 13.05

 

CMYK 40 / 0 / 78 / 21

HEX #78C92D

RGB 120 201 45

HSL 91.15, 0.63%, 0.48%

LAB 73.52, -48.83, 64.65

 

CMYK 78 / 1 / 0 / 22

HEX #2DC5C8

RGB 45 197 200

HSL 181.16, 0.63%, 0.48%

LAB 72.67, -36.27, -12.54

 

CMYK 38 / 78 / 0 / 22

HEX #7D2DC8

RGB 125 45 200

HSL 270.97, 0.63%, 0.48%

LAB 38.56, 61.32, -65.79

 

CMYK 0 / 76 / 78 / 22

HEX #C8302D

RGB 200 48 45

HSL 1.16, 0.63%, 0.48%

LAB 45.06, 58.67, 39

 

Description

Color code: HEX #78C92D | qconv.com Color code: HEX #78C92D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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