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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C92C it is the complementary color #8736D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C92C shade: #7DC927, #8EDB3A, #9FED4D, #B0FF60 and #C1FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C92C shade: #78C92C, #67B719, #56A506, #459300 and #348100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C92C shade: #77C82C, #A2C82C, #C8C52C, #C89A2C and #C8702C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C92C shade: #77C82C, #4DC82C, #2CC834, #2CC85E and #2CC889

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C92C shade matches the following richer shades: #77C82C, #77DC18 and #76F004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C92C shade: #77C82C, #78B43F, #79A153, #798D67 and #7A797B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C92C shade: #C8C32C, #A4C82C, #7AC82C, #50C82C and #2CC831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C92C shade: #4F851D, #63A624, #77C82C, #8CD647 and #A1DE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C92C shade: #78C92C, #2CC899 and #C82CB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C92C shade: #78C92C, #2C7AC8 and #C82C7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C92C shade: #78C92C, #2CC899, #7A2CC8 and #C82C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C92C shade: #78C92C, #2CC8C8, #7A2CC8 and #C82C2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

Complementary color

CMYK 36 / 74 / 0 / 17

HEX #8736D3

RGB 135 54 211

HSL 270.96, 0.64%, 0.52%

LAB 41.99, 61.94, -66.52

 

CMYK 38 / 0 / 81 / 21

HEX #7DC927

RGB 125 201 39

HSL 88.15, 0.68%, 0.47%

LAB 73.73, -47.42, 66.67

 

CMYK 35 / 0 / 74 / 14

HEX #8EDB3A

RGB 142 219 58

HSL 88.7, 0.69%, 0.54%

LAB 80.02, -47.98, 67.1

 

CMYK 33 / 0 / 68 / 7

HEX #9FED4D

RGB 159 237 77

HSL 89.25, 0.82%, 0.62%

LAB 86.24, -48.36, 66.89

 

CMYK 31 / 0 / 62 / 0

HEX #B0FF60

RGB 176 255 96

HSL 89.81, 1%, 0.69%

LAB 92.4, -48.62, 66.28

 

CMYK 24 / 0 / 55 / 0

HEX #C1FF73

RGB 193 255 115

HSL 86.57, 1%, 0.73%

LAB 93.49, -41.02, 59.74

 

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

CMYK 44 / 0 / 86 / 28

HEX #67B719

RGB 103 183 25

HSL 90.38, 0.76%, 0.41%

LAB 67.14, -48.14, 63.88

 

CMYK 48 / 0 / 96 / 35

HEX #56A506

RGB 86 165 6

HSL 89.81, 0.93%, 0.34%

LAB 60.69, -47.08, 61.4

 

CMYK 53 / 0 / 100 / 42

HEX #459300

RGB 69 147 0

HSL 91.84, 1%, 0.29%

LAB 54.17, -45.57, 56.83

 

CMYK 60 / 0 / 100 / 49

HEX #348100

RGB 52 129 0

HSL 95.81, 1%, 0.25%

LAB 47.53, -43.73, 51.34

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 19 / 0 / 78 / 22

HEX #A2C82C

RGB 162 200 44

HSL 74.62, 0.64%, 0.48%

LAB 75.56, -32.85, 67.7

 

CMYK 0 / 1 / 78 / 22

HEX #C8C52C

RGB 200 197 44

HSL 58.85, 0.64%, 0.48%

LAB 77.52, -15.59, 70.51

 

CMYK 0 / 23 / 78 / 22

HEX #C89A2C

RGB 200 154 44

HSL 42.31, 0.64%, 0.48%

LAB 66.19, 6.92, 60.24

 

CMYK 0 / 44 / 78 / 22

HEX #C8702C

RGB 200 112 44

HSL 26.15, 0.64%, 0.48%

LAB 56.14, 29.75, 50.71

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 62 / 0 / 78 / 22

HEX #4DC82C

RGB 77 200 44

HSL 107.31, 0.64%, 0.48%

LAB 71.6, -60.82, 62.57

 

CMYK 78 / 0 / 74 / 22

HEX #2CC834

RGB 44 200 52

HSL 123.08, 0.64%, 0.48%

LAB 70.93, -66.27, 59.06

 

CMYK 78 / 0 / 53 / 22

HEX #2CC85E

RGB 44 200 94

HSL 139.23, 0.64%, 0.48%

LAB 71.32, -61.61, 41.66

 

CMYK 78 / 0 / 32 / 22

HEX #2CC889

RGB 44 200 137

HSL 155.77, 0.64%, 0.48%

LAB 71.99, -53.85, 20.55

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 46 / 0 / 89 / 14

HEX #77DC18

RGB 119 220 24

HSL 90.92, 0.8%, 0.48%

LAB 79.14, -57.38, 74.54

 

CMYK 51 / 0 / 98 / 6

HEX #76F004

RGB 118 240 4

HSL 91.02, 0.97%, 0.48%

LAB 85.09, -65.28, 81.56

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 33 / 0 / 65 / 29

HEX #78B43F

RGB 120 180 63

HSL 90.77, 0.48%, 0.48%

LAB 67.27, -38.73, 51.78

 

CMYK 25 / 0 / 48 / 37

HEX #79A153

RGB 121 161 83

HSL 90.77, 0.32%, 0.48%

LAB 61.81, -27.5, 36.08

 

CMYK 14 / 0 / 27 / 45

HEX #798D67

RGB 121 141 103

HSL 91.58, 0.16%, 0.48%

LAB 56.18, -14.44, 17.96

 

CMYK 1 / 2 / 0 / 52

HEX #7A797B

RGB 122 121 123

HSL 270, 0.01%, 0.48%

LAB 50.97, 0.78, -0.96

 

CMYK 0 / 3 / 78 / 22

HEX #C8C32C

RGB 200 195 44

HSL 58.08, 0.64%, 0.48%

LAB 76.98, -14.59, 70.03

 

CMYK 18 / 0 / 78 / 22

HEX #A4C82C

RGB 164 200 44

HSL 73.85, 0.64%, 0.48%

LAB 75.69, -32.05, 67.86

 

CMYK 39 / 0 / 78 / 22

HEX #7AC82C

RGB 122 200 44

HSL 90, 0.64%, 0.48%

LAB 73.3, -47.8, 64.79

 

CMYK 60 / 0 / 78 / 22

HEX #50C82C

RGB 80 200 44

HSL 106.15, 0.64%, 0.48%

LAB 71.69, -60.11, 62.69

 

CMYK 78 / 0 / 76 / 22

HEX #2CC831

RGB 44 200 49

HSL 121.92, 0.64%, 0.48%

LAB 70.92, -66.5, 60.07

 

CMYK 41 / 0 / 78 / 48

HEX #4F851D

RGB 79 133 29

HSL 91.15, 0.64%, 0.32%

LAB 50.13, -35.37, 46.9

 

CMYK 40 / 0 / 78 / 35

HEX #63A624

RGB 99 166 36

HSL 90.92, 0.64%, 0.4%

LAB 61.7, -42.04, 55.95

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

CMYK 35 / 0 / 67 / 16

HEX #8CD647

RGB 140 214 71

HSL 91.05, 0.64%, 0.56%

LAB 78.53, -45.71, 60.83

 

CMYK 27 / 0 / 53 / 13

HEX #A1DE69

RGB 161 222 105

HSL 91.28, 0.64%, 0.64%

LAB 82.29, -38.74, 50.67

 

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

CMYK 78 / 0 / 24 / 22

HEX #2CC899

RGB 44 200 153

HSL 161.92, 0.64%, 0.48%

LAB 72.32, -50.24, 12.45

 

CMYK 0 / 78 / 8 / 22

HEX #C82CB9

RGB 200 44 185

HSL 305.77, 0.64%, 0.48%

LAB 48.99, 72.99, -39.67

 

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

CMYK 78 / 39 / 0 / 22

HEX #2C7AC8

RGB 44 122 200

HSL 210, 0.64%, 0.48%

LAB 50.25, 3.83, -47.22

 

CMYK 0 / 78 / 39 / 22

HEX #C82C7A

RGB 200 44 122

HSL 330, 0.64%, 0.48%

LAB 46.29, 65.11, -6.12

 

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

CMYK 78 / 0 / 24 / 22

HEX #2CC899

RGB 44 200 153

HSL 161.92, 0.64%, 0.48%

LAB 72.32, -50.24, 12.45

 

CMYK 39 / 78 / 0 / 22

HEX #7A2CC8

RGB 122 44 200

HSL 270, 0.64%, 0.48%

LAB 38.04, 61.23, -66.67

 

CMYK 0 / 78 / 55 / 22

HEX #C82C5B

RGB 200 44 91

HSL 341.92, 0.64%, 0.48%

LAB 45.41, 62.39, 11.73

 

CMYK 40 / 0 / 78 / 21

HEX #78C92C

RGB 120 201 44

HSL 90.96, 0.64%, 0.48%

LAB 73.51, -48.88, 64.95

 

CMYK 78 / 0 / 0 / 22

HEX #2CC8C8

RGB 44 200 200

HSL 180, 0.64%, 0.48%

LAB 73.55, -37.75, -11.22

 

CMYK 39 / 78 / 0 / 22

HEX #7A2CC8

RGB 122 44 200

HSL 270, 0.64%, 0.48%

LAB 38.04, 61.23, -66.67

 

CMYK 0 / 78 / 78 / 22

HEX #C82C2C

RGB 200 44 44

HSL 0, 0.64%, 0.48%

LAB 44.61, 59.87, 39.08

 

Description

Color code: HEX #78C92C | qconv.com Color code: HEX #78C92C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 201 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 201 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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