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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C626 it is the complementary color #8739D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C626 shade: #7DC621, #8ED834, #9FEA47, #B0FC5A and #C1FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C626 shade: #78C626, #67B413, #56A200, #459000 and #347E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C626 shade: #77C526, #A2C526, #C5BD26, #C59226 and #C56726

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C626 shade: #77C526, #4CC526, #26C52A, #26C555 and #26C580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C626 shade matches the following richer shades: #77C526 and #78D813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C626 shade: #77C526, #77B239, #769F4B, #768C5E and #757971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C626 shade: #C5BD26, #A2C526, #78C526, #4DC526 and #26C528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C626 shade: #4D8018, #62A21F, #77C526, #8CDA3A and #A0E05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C626 shade: #78C626, #26C593 and #C526B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C626 shade: #78C626, #2678C5 and #C52678

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C626 shade: #78C626, #26C593, #7326C5 and #C52658

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C626 shade: #78C626, #26C5C2, #7326C5 and #C52628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

Complementary color

CMYK 38 / 74 / 0 / 15

HEX #8739D9

RGB 135 57 217

HSL 269.25, 0.68%, 0.54%

LAB 42.89, 62.09, -68.49

 

CMYK 37 / 0 / 83 / 22

HEX #7DC621

RGB 125 198 33

HSL 86.55, 0.71%, 0.45%

LAB 72.8, -46.43, 67.38

 

CMYK 34 / 0 / 76 / 15

HEX #8ED834

RGB 142 216 52

HSL 87.07, 0.68%, 0.53%

LAB 79.1, -47.07, 68.16

 

CMYK 32 / 0 / 70 / 8

HEX #9FEA47

RGB 159 234 71

HSL 87.61, 0.8%, 0.6%

LAB 85.34, -47.51, 68.17

 

CMYK 30 / 0 / 64 / 1

HEX #B0FC5A

RGB 176 252 90

HSL 88.15, 0.96%, 0.67%

LAB 91.5, -47.82, 67.7

 

CMYK 24 / 0 / 57 / 0

HEX #C1FF6D

RGB 193 255 109

HSL 85.48, 1%, 0.71%

LAB 93.43, -41.56, 62.28

 

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

CMYK 43 / 0 / 89 / 29

HEX #67B413

RGB 103 180 19

HSL 88.7, 0.81%, 0.39%

LAB 66.19, -47.13, 64.27

 

CMYK 47 / 0 / 100 / 36

HEX #56A200

RGB 86 162 0

HSL 88.15, 1%, 0.32%

LAB 59.72, -46.03, 61.48

 

CMYK 52 / 0 / 100 / 44

HEX #459000

RGB 69 144 0

HSL 91.25, 1%, 0.28%

LAB 53.18, -44.41, 56.05

 

CMYK 59 / 0 / 100 / 51

HEX #347E00

RGB 52 126 0

HSL 95.24, 1%, 0.25%

LAB 46.51, -42.6, 50.54

 

CMYK 40 / 0 / 81 / 23

HEX #77C526

RGB 119 197 38

HSL 89.43, 0.68%, 0.46%

LAB 72.22, -47.89, 65.46

 

CMYK 18 / 0 / 81 / 23

HEX #A2C526

RGB 162 197 38

HSL 73.21, 0.68%, 0.46%

LAB 74.67, -31.7, 68.58

 

CMYK 0 / 4 / 81 / 23

HEX #C5BD26

RGB 197 189 38

HSL 56.98, 0.68%, 0.46%

LAB 75.08, -13.04, 69.96

 

CMYK 0 / 26 / 81 / 23

HEX #C59226

RGB 197 146 38

HSL 40.75, 0.68%, 0.46%

LAB 63.81, 9.72, 60.06

 

CMYK 0 / 48 / 81 / 23

HEX #C56726

RGB 197 103 38

HSL 24.53, 0.68%, 0.46%

LAB 53.72, 33.07, 50.87

 

CMYK 40 / 0 / 81 / 23

HEX #77C526

RGB 119 197 38

HSL 89.43, 0.68%, 0.46%

LAB 72.22, -47.89, 65.46

 

CMYK 61 / 0 / 81 / 23

HEX #4CC526

RGB 76 197 38

HSL 105.66, 0.68%, 0.46%

LAB 70.6, -60.37, 63.38

 

CMYK 81 / 0 / 79 / 23

HEX #26C52A

RGB 38 197 42

HSL 121.51, 0.68%, 0.46%

LAB 69.83, -66.82, 61.21

 

CMYK 81 / 0 / 57 / 23

HEX #26C555

RGB 38 197 85

HSL 137.74, 0.68%, 0.46%

LAB 70.18, -62.58, 44.54

 

CMYK 81 / 0 / 35 / 23

HEX #26C580

RGB 38 197 128

HSL 153.96, 0.68%, 0.46%

LAB 70.8, -55.25, 23.69

 

CMYK 40 / 0 / 81 / 23

HEX #77C526

RGB 119 197 38

HSL 89.43, 0.68%, 0.46%

LAB 72.22, -47.89, 65.46

 

CMYK 44 / 0 / 91 / 15

HEX #78D813

RGB 120 216 19

HSL 89.24, 0.84%, 0.46%

LAB 77.96, -55.67, 74.35

 

CMYK 40 / 0 / 81 / 23

HEX #77C526

RGB 119 197 38

HSL 89.43, 0.68%, 0.46%

LAB 72.22, -47.89, 65.46

 

CMYK 33 / 0 / 68 / 30

HEX #77B239

RGB 119 178 57

HSL 89.26, 0.51%, 0.46%

LAB 66.56, -38.69, 53.49

 

CMYK 26 / 0 / 53 / 38

HEX #769F4B

RGB 118 159 75

HSL 89.29, 0.36%, 0.46%

LAB 60.92, -28.61, 38.99

 

CMYK 16 / 0 / 33 / 45

HEX #768C5E

RGB 118 140 94

HSL 88.7, 0.2%, 0.46%

LAB 55.5, -16.5, 22.05

 

CMYK 3 / 0 / 7 / 53

HEX #757971

RGB 117 121 113

HSL 90, 0.03%, 0.46%

LAB 50.27, -3.1, 3.86

 

CMYK 0 / 4 / 81 / 23

HEX #C5BD26

RGB 197 189 38

HSL 56.98, 0.68%, 0.46%

LAB 75.08, -13.04, 69.96

 

CMYK 18 / 0 / 81 / 23

HEX #A2C526

RGB 162 197 38

HSL 73.21, 0.68%, 0.46%

LAB 74.67, -31.7, 68.58

 

CMYK 39 / 0 / 81 / 23

HEX #78C526

RGB 120 197 38

HSL 89.06, 0.68%, 0.46%

LAB 72.27, -47.55, 65.53

 

CMYK 61 / 0 / 81 / 23

HEX #4DC526

RGB 77 197 38

HSL 105.28, 0.68%, 0.46%

LAB 70.63, -60.13, 63.41

 

CMYK 81 / 0 / 80 / 23

HEX #26C528

RGB 38 197 40

HSL 120.75, 0.68%, 0.46%

LAB 69.82, -66.94, 61.8

 

CMYK 40 / 0 / 81 / 50

HEX #4D8018

RGB 77 128 24

HSL 89.42, 0.68%, 0.3%

LAB 48.36, -34.18, 46.87

 

CMYK 40 / 0 / 81 / 36

HEX #62A21F

RGB 98 162 31

HSL 89.31, 0.68%, 0.38%

LAB 60.37, -40.97, 56.23

 

CMYK 40 / 0 / 81 / 23

HEX #77C526

RGB 119 197 38

HSL 89.43, 0.68%, 0.46%

LAB 72.22, -47.89, 65.46

 

CMYK 36 / 0 / 73 / 15

HEX #8CDA3A

RGB 140 218 58

HSL 89.25, 0.68%, 0.54%

LAB 79.63, -48.26, 66.68

 

CMYK 29 / 0 / 58 / 12

HEX #A0E05D

RGB 160 224 93

HSL 89.31, 0.68%, 0.62%

LAB 82.69, -41.16, 56.52

 

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

CMYK 81 / 0 / 25 / 23

HEX #26C593

RGB 38 197 147

HSL 161.13, 0.68%, 0.46%

LAB 71.18, -51.07, 14.06

 

CMYK 0 / 81 / 7 / 23

HEX #C526B8

RGB 197 38 184

HSL 304.91, 0.68%, 0.46%

LAB 47.9, 73.74, -40.83

 

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

CMYK 81 / 39 / 0 / 23

HEX #2678C5

RGB 38 120 197

HSL 209.06, 0.68%, 0.46%

LAB 49.35, 3.29, -46.95

 

CMYK 0 / 81 / 39 / 23

HEX #C52678

RGB 197 38 120

HSL 329.06, 0.68%, 0.46%

LAB 45.1, 65.77, -6.73

 

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

CMYK 81 / 0 / 25 / 23

HEX #26C593

RGB 38 197 147

HSL 161.13, 0.68%, 0.46%

LAB 71.18, -51.07, 14.06

 

CMYK 42 / 81 / 0 / 23

HEX #7326C5

RGB 115 38 197

HSL 269.06, 0.68%, 0.46%

LAB 36.1, 61.7, -68.12

 

CMYK 0 / 81 / 55 / 23

HEX #C52658

RGB 197 38 88

HSL 341.13, 0.68%, 0.46%

LAB 44.18, 63.01, 11.79

 

CMYK 39 / 0 / 81 / 22

HEX #78C626

RGB 120 198 38

HSL 89.25, 0.68%, 0.46%

LAB 72.58, -47.95, 65.8

 

CMYK 81 / 0 / 2 / 23

HEX #26C5C2

RGB 38 197 194

HSL 178.87, 0.68%, 0.46%

LAB 72.39, -38.66, -9.7

 

CMYK 42 / 81 / 0 / 23

HEX #7326C5

RGB 115 38 197

HSL 269.06, 0.68%, 0.46%

LAB 36.1, 61.7, -68.12

 

CMYK 0 / 81 / 80 / 23

HEX #C52628

RGB 197 38 40

HSL 359.25, 0.68%, 0.46%

LAB 43.37, 60.55, 39.85

 

Description

Color code: HEX #78C626 | qconv.com Color code: HEX #78C626 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 198 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 198 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 81% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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