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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78BD40 it is the complementary color #8742BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78BD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78BD40 shade: #7DBD3B, #8ECF4E, #9FE161, #B0F374 and #C1FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78BD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78BD40 shade: #78BD40, #67AB2D, #56991A, #458707 and #347500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78BD40 shade: #79BE41, #9BBE41, #BCBE41, #BE9E41 and #BE7C41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78BD40 shade: #79BE41, #57BE41, #41BE4C, #41BE6E and #41BE90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78BD40 shade matches the following richer shades: #79BE41, #77D32C, #75E718 and #73FC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78BD40 shade: #79BE41, #7BA956, #7D956A, #7F807F and #826B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78BD40 shade: #BCBE41, #9BBE41, #79BE41, #58BE41 and #41BE4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78BD40 shade: #52802C, #659F37, #79BE41, #8FC860 and #A4D37F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78BD40 shade: #78BD40, #41BE9F and #BE41AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78BD40 shade: #78BD40, #4179BE and #BE4179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78BD40 shade: #78BD40, #41BE9F, #8641BE and #BE4160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78BD40 shade: #78BD40, #41B8BE, #8641BE and #BE4741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

Complementary color

CMYK 29 / 65 / 0 / 25

HEX #8742BF

RGB 135 66 191

HSL 273.12, 0.49%, 0.5%

LAB 42.47, 51.87, -54.14

 

CMYK 34 / 0 / 69 / 26

HEX #7DBD3B

RGB 125 189 59

HSL 89.54, 0.52%, 0.49%

LAB 70.23, -41.18, 56.61

 

CMYK 31 / 0 / 62 / 19

HEX #8ECF4E

RGB 142 207 78

HSL 90.23, 0.57%, 0.56%

LAB 76.63, -41.44, 55.96

 

CMYK 29 / 0 / 57 / 12

HEX #9FE161

RGB 159 225 97

HSL 90.94, 0.68%, 0.63%

LAB 82.96, -41.58, 55.05

 

CMYK 28 / 0 / 52 / 5

HEX #B0F374

RGB 176 243 116

HSL 91.65, 0.84%, 0.7%

LAB 89.2, -41.63, 54.02

 

CMYK 24 / 0 / 47 / 0

HEX #C1FF87

RGB 193 255 135

HSL 91, 1%, 0.76%

LAB 93.71, -38.98, 50.89

 

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

CMYK 40 / 0 / 74 / 33

HEX #67AB2D

RGB 103 171 45

HSL 92.38, 0.58%, 0.42%

LAB 63.51, -42.22, 54.7

 

CMYK 44 / 0 / 83 / 40

HEX #56991A

RGB 86 153 26

HSL 91.65, 0.71%, 0.35%

LAB 56.91, -41.61, 54.29

 

CMYK 49 / 0 / 95 / 47

HEX #458707

RGB 69 135 7

HSL 90.94, 0.9%, 0.28%

LAB 50.23, -40.64, 52.43

 

CMYK 56 / 0 / 100 / 54

HEX #347500

RGB 52 117 0

HSL 93.33, 1%, 0.23%

LAB 43.44, -39.12, 48.12

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 18 / 0 / 66 / 25

HEX #9BBE41

RGB 155 190 65

HSL 76.8, 0.49%, 0.5%

LAB 72.35, -29.79, 56.98

 

CMYK 1 / 0 / 66 / 25

HEX #BCBE41

RGB 188 190 65

HSL 60.96, 0.49%, 0.5%

LAB 74.76, -16.19, 60.24

 

CMYK 0 / 17 / 66 / 25

HEX #BE9E41

RGB 190 158 65

HSL 44.64, 0.49%, 0.5%

LAB 66.35, 1.41, 51.47

 

CMYK 0 / 35 / 66 / 25

HEX #BE7C41

RGB 190 124 65

HSL 28.32, 0.49%, 0.5%

LAB 57.79, 20.06, 42.02

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 54 / 0 / 66 / 25

HEX #57BE41

RGB 87 190 65

HSL 109.44, 0.49%, 0.5%

LAB 68.92, -53.12, 52.3

 

CMYK 66 / 0 / 60 / 25

HEX #41BE4C

RGB 65 190 76

HSL 125.28, 0.49%, 0.5%

LAB 68.37, -57.13, 46.7

 

CMYK 66 / 0 / 42 / 25

HEX #41BE6E

RGB 65 190 110

HSL 141.6, 0.49%, 0.5%

LAB 68.81, -52.14, 30.55

 

CMYK 66 / 0 / 24 / 25

HEX #41BE90

RGB 65 190 144

HSL 157.92, 0.49%, 0.5%

LAB 69.44, -45.28, 13.32

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 44 / 0 / 79 / 17

HEX #77D32C

RGB 119 211 44

HSL 93.05, 0.65%, 0.5%

LAB 76.49, -53.18, 67.71

 

CMYK 49 / 0 / 90 / 9

HEX #75E718

RGB 117 231 24

HSL 93.04, 0.81%, 0.5%

LAB 82.38, -62.02, 77.22

 

CMYK 54 / 0 / 99 / 1

HEX #73FC03

RGB 115 252 3

HSL 93.01, 0.98%, 0.5%

LAB 88.58, -70.24, 84.36

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 27 / 0 / 49 / 34

HEX #7BA956

RGB 123 169 86

HSL 93.25, 0.33%, 0.5%

LAB 64.37, -30.23, 37.73

 

CMYK 16 / 0 / 29 / 42

HEX #7D956A

RGB 125 149 106

HSL 93.49, 0.17%, 0.5%

LAB 58.88, -16.66, 19.99

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 12 / 28 / 0 / 42

HEX #826B94

RGB 130 107 148

HSL 273.66, 0.16%, 0.5%

LAB 48.76, 17.31, -18.97

 

CMYK 1 / 0 / 66 / 25

HEX #BCBE41

RGB 188 190 65

HSL 60.96, 0.49%, 0.5%

LAB 74.76, -16.19, 60.24

 

CMYK 18 / 0 / 66 / 25

HEX #9BBE41

RGB 155 190 65

HSL 76.8, 0.49%, 0.5%

LAB 72.35, -29.79, 56.98

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 54 / 0 / 66 / 25

HEX #58BE41

RGB 88 190 65

HSL 108.96, 0.49%, 0.5%

LAB 68.96, -52.85, 52.35

 

CMYK 66 / 0 / 61 / 25

HEX #41BE4B

RGB 65 190 75

HSL 124.8, 0.49%, 0.5%

LAB 68.36, -57.25, 47.14

 

CMYK 36 / 0 / 66 / 50

HEX #52802C

RGB 82 128 44

HSL 92.86, 0.49%, 0.34%

LAB 48.78, -30.82, 39.45

 

CMYK 36 / 0 / 65 / 38

HEX #659F37

RGB 101 159 55

HSL 93.46, 0.49%, 0.42%

LAB 59.74, -36.95, 46.77

 

CMYK 36 / 0 / 66 / 25

HEX #79BE41

RGB 121 190 65

HSL 93.12, 0.49%, 0.5%

LAB 70.37, -42.57, 54.28

 

CMYK 29 / 0 / 52 / 22

HEX #8FC860

RGB 143 200 96

HSL 92.88, 0.49%, 0.58%

LAB 74.82, -36.21, 45.75

 

CMYK 22 / 0 / 40 / 17

HEX #A4D37F

RGB 164 211 127

HSL 93.57, 0.49%, 0.66%

LAB 79.62, -30.01, 36.7

 

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

CMYK 66 / 0 / 16 / 25

HEX #41BE9F

RGB 65 190 159

HSL 165.12, 0.49%, 0.5%

LAB 69.79, -41.71, 5.65

 

CMYK 0 / 66 / 10 / 25

HEX #BE41AB

RGB 190 65 171

HSL 309.12, 0.49%, 0.5%

LAB 49.09, 61.66, -31.41

 

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

CMYK 66 / 36 / 0 / 25

HEX #4179BE

RGB 65 121 190

HSL 213.12, 0.49%, 0.5%

LAB 50.12, 3.79, -41.66

 

CMYK 0 / 66 / 36 / 25

HEX #BE4179

RGB 190 65 121

HSL 333.12, 0.49%, 0.5%

LAB 47.12, 54.9, -4.48

 

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

CMYK 66 / 0 / 16 / 25

HEX #41BE9F

RGB 65 190 159

HSL 165.12, 0.49%, 0.5%

LAB 69.79, -41.71, 5.65

 

CMYK 29 / 66 / 0 / 25

HEX #8641BE

RGB 134 65 190

HSL 273.12, 0.49%, 0.5%

LAB 42.1, 51.91, -54.16

 

CMYK 0 / 66 / 49 / 25

HEX #BE4160

RGB 190 65 96

HSL 345.12, 0.49%, 0.5%

LAB 46.41, 52.37, 9.77

 

CMYK 37 / 0 / 66 / 26

HEX #78BD40

RGB 120 189 64

HSL 93.12, 0.49%, 0.5%

LAB 70.01, -42.57, 54.3

 

CMYK 66 / 3 / 0 / 25

HEX #41B8BE

RGB 65 184 190

HSL 182.88, 0.49%, 0.5%

LAB 68.84, -30.58, -12.77

 

CMYK 29 / 66 / 0 / 25

HEX #8641BE

RGB 134 65 190

HSL 273.12, 0.49%, 0.5%

LAB 42.1, 51.91, -54.16

 

CMYK 0 / 63 / 66 / 25

HEX #BE4741

RGB 190 71 65

HSL 2.88, 0.49%, 0.5%

LAB 46.76, 47.45, 28.97

 

Description

Color code: HEX #78BD40 | qconv.com Color code: HEX #78BD40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 189 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 189 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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