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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78AA39 it is the complementary color #8755C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78AA39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78AA39 shade: #7DAA34, #8EBC47, #9FCE5A, #B0E06D and #C1F280

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78AA39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78AA39 shade: #78AA39, #679826, #568613, #457400 and #346200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78AA39 shade: #79AC39, #98AC39, #ACA139, #AC8239 and #AC6339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78AA39 shade: #79AC39, #5AAC39, #3BAC39, #39AC56 and #39AC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78AA39 shade matches the following richer shades: #79AC39, #7BBF27, #7ED114 and #80E402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78AA39 shade: #79AC39, #779A4C, #75875F, #737471 and #716284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78AA39 shade: #ACA139, #99AC39, #7AAC39, #5CAC39 and #3DAC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78AA39 shade: #4E6E25, #648D2F, #79AC39, #8EC34C and #A2CE6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78AA39 shade: #78AA39, #39AC82 and #AC39A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78AA39 shade: #78AA39, #397AAC and #AC397A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78AA39 shade: #78AA39, #39AC82, #6B39AC and #AC3963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78AA39 shade: #78AA39, #39ACA4, #6B39AC and #AC3941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

Complementary color

CMYK 32 / 57 / 0 / 22

HEX #8755C6

RGB 135 85 198

HSL 266.55, 0.5%, 0.55%

LAB 46.61, 43.64, -51.55

 

CMYK 26 / 0 / 69 / 33

HEX #7DAA34

RGB 125 170 52

HSL 82.88, 0.53%, 0.44%

LAB 64.45, -33.16, 53.39

 

CMYK 24 / 0 / 62 / 26

HEX #8EBC47

RGB 142 188 71

HSL 83.59, 0.47%, 0.51%

LAB 70.99, -33.48, 52.76

 

CMYK 23 / 0 / 56 / 19

HEX #9FCE5A

RGB 159 206 90

HSL 84.31, 0.54%, 0.58%

LAB 77.43, -33.69, 51.84

 

CMYK 21 / 0 / 51 / 12

HEX #B0E06D

RGB 176 224 109

HSL 85.04, 0.65%, 0.65%

LAB 83.78, -33.81, 50.79

 

CMYK 20 / 0 / 47 / 5

HEX #C1F280

RGB 193 242 128

HSL 85.79, 0.81%, 0.73%

LAB 90.04, -33.87, 49.68

 

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

CMYK 32 / 0 / 75 / 40

HEX #679826

RGB 103 152 38

HSL 85.79, 0.6%, 0.37%

LAB 57.54, -34.33, 51.34

 

CMYK 36 / 0 / 86 / 47

HEX #568613

RGB 86 134 19

HSL 85.04, 0.75%, 0.3%

LAB 50.78, -33.69, 50.7

 

CMYK 41 / 0 / 100 / 55

HEX #457400

RGB 69 116 0

HSL 84.31, 1%, 0.23%

LAB 43.88, -32.77, 48.8

 

CMYK 47 / 0 / 100 / 62

HEX #346200

RGB 52 98 0

HSL 88.16, 1%, 0.19%

LAB 36.87, -31.2, 42.97

 

CMYK 30 / 0 / 67 / 33

HEX #79AC39

RGB 121 172 57

HSL 86.61, 0.5%, 0.45%

LAB 64.86, -35.25, 51.72

 

CMYK 12 / 0 / 67 / 33

HEX #98AC39

RGB 152 172 57

HSL 70.43, 0.5%, 0.45%

LAB 66.88, -22.82, 54.47

 

CMYK 0 / 6 / 67 / 33

HEX #ACA139

RGB 172 161 57

HSL 54.26, 0.5%, 0.45%

LAB 65.4, -8.57, 53.44

 

CMYK 0 / 24 / 67 / 33

HEX #AC8239

RGB 172 130 57

HSL 38.09, 0.5%, 0.45%

LAB 57.11, 8.35, 44.63

 

CMYK 0 / 42 / 67 / 33

HEX #AC6339

RGB 172 99 57

HSL 21.91, 0.5%, 0.45%

LAB 49.48, 25.73, 36.07

 

CMYK 30 / 0 / 67 / 33

HEX #79AC39

RGB 121 172 57

HSL 86.61, 0.5%, 0.45%

LAB 64.86, -35.25, 51.72

 

CMYK 48 / 0 / 67 / 33

HEX #5AAC39

RGB 90 172 57

HSL 102.78, 0.5%, 0.45%

LAB 63.32, -45.96, 49.63

 

CMYK 66 / 0 / 67 / 33

HEX #3BAC39

RGB 59 172 57

HSL 118.96, 0.5%, 0.45%

LAB 62.28, -54.08, 48.2

 

CMYK 67 / 0 / 50 / 33

HEX #39AC56

RGB 57 172 86

HSL 135.13, 0.5%, 0.45%

LAB 62.55, -50.8, 34.86

 

CMYK 67 / 0 / 32 / 33

HEX #39AC75

RGB 57 172 117

HSL 151.3, 0.5%, 0.45%

LAB 63.06, -45.12, 19.12

 

CMYK 30 / 0 / 67 / 33

HEX #79AC39

RGB 121 172 57

HSL 86.61, 0.5%, 0.45%

LAB 64.86, -35.25, 51.72

 

CMYK 36 / 0 / 80 / 25

HEX #7BBF27

RGB 123 191 39

HSL 86.84, 0.66%, 0.45%

LAB 70.61, -43.95, 63.78

 

CMYK 40 / 0 / 90 / 18

HEX #7ED114

RGB 126 209 20

HSL 86.35, 0.83%, 0.45%

LAB 76.12, -50.95, 72.8

 

CMYK 44 / 0 / 99 / 11

HEX #80E402

RGB 128 228 2

HSL 86.55, 0.98%, 0.45%

LAB 81.88, -57.96, 79.37

 

CMYK 30 / 0 / 67 / 33

HEX #79AC39

RGB 121 172 57

HSL 86.61, 0.5%, 0.45%

LAB 64.86, -35.25, 51.72

 

CMYK 23 / 0 / 51 / 40

HEX #779A4C

RGB 119 154 76

HSL 86.92, 0.34%, 0.45%

LAB 59.48, -25.67, 36.78

 

CMYK 13 / 0 / 30 / 47

HEX #75875F

RGB 117 135 95

HSL 87, 0.17%, 0.45%

LAB 53.96, -14.07, 19.41

 

CMYK 1 / 0 / 3 / 55

HEX #737471

RGB 115 116 113

HSL 80, 0.01%, 0.45%

LAB 48.67, -0.98, 1.51

 

CMYK 14 / 26 / 0 / 48

HEX #716284

RGB 113 98 132

HSL 266.47, 0.15%, 0.45%

LAB 44.11, 13.16, -16.69

 

CMYK 0 / 6 / 67 / 33

HEX #ACA139

RGB 172 161 57

HSL 54.26, 0.5%, 0.45%

LAB 65.4, -8.57, 53.44

 

CMYK 11 / 0 / 67 / 33

HEX #99AC39

RGB 153 172 57

HSL 69.91, 0.5%, 0.45%

LAB 66.96, -22.4, 54.57

 

CMYK 29 / 0 / 67 / 33

HEX #7AAC39

RGB 122 172 57

HSL 86.09, 0.5%, 0.45%

LAB 64.91, -34.87, 51.8

 

CMYK 47 / 0 / 67 / 33

HEX #5CAC39

RGB 92 172 57

HSL 101.74, 0.5%, 0.45%

LAB 63.41, -45.34, 49.74

 

CMYK 65 / 0 / 67 / 33

HEX #3DAC39

RGB 61 172 57

HSL 117.91, 0.5%, 0.45%

LAB 62.33, -53.65, 48.27

 

CMYK 29 / 0 / 66 / 57

HEX #4E6E25

RGB 78 110 37

HSL 86.3, 0.5%, 0.29%

LAB 42.62, -24.34, 35.92

 

CMYK 29 / 0 / 67 / 45

HEX #648D2F

RGB 100 141 47

HSL 86.17, 0.5%, 0.37%

LAB 53.99, -29.72, 44.05

 

CMYK 30 / 0 / 67 / 33

HEX #79AC39

RGB 121 172 57

HSL 86.61, 0.5%, 0.45%

LAB 64.86, -35.25, 51.72

 

CMYK 27 / 0 / 61 / 24

HEX #8EC34C

RGB 142 195 76

HSL 86.72, 0.5%, 0.53%

LAB 73.09, -36.27, 52.91

 

CMYK 21 / 0 / 48 / 19

HEX #A2CE6B

RGB 162 206 107

HSL 86.67, 0.5%, 0.61%

LAB 77.81, -30.82, 44.33

 

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

CMYK 67 / 0 / 24 / 33

HEX #39AC82

RGB 57 172 130

HSL 158.09, 0.5%, 0.45%

LAB 63.33, -42.25, 12.36

 

CMYK 0 / 67 / 2 / 33

HEX #AC39A8

RGB 172 57 168

HSL 302.09, 0.5%, 0.45%

LAB 44.98, 59.84, -36.3

 

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

CMYK 67 / 29 / 0 / 33

HEX #397AAC

RGB 57 122 172

HSL 206.09, 0.5%, 0.45%

LAB 49.21, -4.48, -32.7

 

CMYK 0 / 67 / 29 / 33

HEX #AC397A

RGB 172 57 122

HSL 326.09, 0.5%, 0.45%

LAB 42.92, 52.99, -11.7

 

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

CMYK 67 / 0 / 24 / 33

HEX #39AC82

RGB 57 172 130

HSL 158.09, 0.5%, 0.45%

LAB 63.33, -42.25, 12.36

 

CMYK 38 / 67 / 0 / 33

HEX #6B39AC

RGB 107 57 172

HSL 266.09, 0.5%, 0.45%

LAB 36.04, 45.71, -53.49

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 29 / 0 / 66 / 33

HEX #78AA39

RGB 120 170 57

HSL 86.55, 0.5%, 0.45%

LAB 64.19, -34.71, 51

 

CMYK 67 / 0 / 5 / 33

HEX #39ACA4

RGB 57 172 164

HSL 175.83, 0.5%, 0.45%

LAB 64.21, -33.5, -5.29

 

CMYK 38 / 67 / 0 / 33

HEX #6B39AC

RGB 107 57 172

HSL 266.09, 0.5%, 0.45%

LAB 36.04, 45.71, -53.49

 

CMYK 0 / 67 / 62 / 33

HEX #AC3941

RGB 172 57 65

HSL 355.83, 0.5%, 0.45%

LAB 41.34, 47.39, 21.47

 

Description

Color code: HEX #78AA39 | qconv.com Color code: HEX #78AA39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 170 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 170 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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