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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7884B7 it is the complementary color #877B48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7884B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7884B7 shade: #7D84B2, #8E96C5, #9FA8D8, #B0BAEB and #C1CCFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7884B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7884B7 shade: #7884B7, #6772A4, #566091, #454E7E and #343C6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7884B7 shade: #7783B6, #7C77B6, #8D77B6, #9E77B6 and #AF77B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7884B7 shade: #7783B6 and #7777B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7884B7 shade matches the following richer shades: #7783B6, #6679C7, #556ED8, #4464E9 and #3359F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7884B7 shade: #7783B6, #888EA5, #999894, #AAA283 and #BBAD72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7884B7 shade: #77A5B6, #7794B6, #7784B6, #7B77B6 and #8C77B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7884B7 shade: #4C598E, #5C6BA7, #7783B6, #929BC4 and #ADB4D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7884B7 shade: #7884B7, #B677B6 and #9DB677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7884B7 shade: #7884B7, #B67784 and #84B677

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7884B7 shade: #7884B7, #B677B6, #B6A977 and #77B677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7884B7 shade: #7884B7, #B677A3, #B6A977 and #77B68A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

Complementary color

CMYK 0 / 9 / 47 / 47

HEX #877B48

RGB 135 123 72

HSL 48.57, 0.3%, 0.41%

LAB 51.59, -2.92, 29.46

 

CMYK 30 / 26 / 0 / 30

HEX #7D84B2

RGB 125 132 178

HSL 232.08, 0.26%, 0.59%

LAB 56.16, 8.21, -25.06

 

CMYK 28 / 24 / 0 / 23

HEX #8E96C5

RGB 142 150 197

HSL 231.27, 0.32%, 0.66%

LAB 63.01, 7.8, -25.19

 

CMYK 26 / 22 / 0 / 15

HEX #9FA8D8

RGB 159 168 216

HSL 230.53, 0.42%, 0.74%

LAB 69.71, 7.43, -25.34

 

CMYK 25 / 21 / 0 / 8

HEX #B0BAEB

RGB 176 186 235

HSL 229.83, 0.6%, 0.81%

LAB 76.28, 7.09, -25.52

 

CMYK 24 / 20 / 0 / 0

HEX #C1CCFE

RGB 193 204 254

HSL 229.18, 0.97%, 0.88%

LAB 82.74, 6.79, -25.72

 

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

CMYK 37 / 30 / 0 / 36

HEX #6772A4

RGB 103 114 164

HSL 229.18, 0.25%, 0.52%

LAB 49.01, 8.58, -28.18

 

CMYK 41 / 34 / 0 / 43

HEX #566091

RGB 86 96 145

HSL 229.83, 0.26%, 0.45%

LAB 41.83, 9.23, -28.21

 

CMYK 45 / 38 / 0 / 51

HEX #454E7E

RGB 69 78 126

HSL 230.53, 0.29%, 0.38%

LAB 34.44, 10.02, -28.32

 

CMYK 51 / 44 / 0 / 58

HEX #343C6B

RGB 52 60 107

HSL 231.27, 0.35%, 0.31%

LAB 26.8, 11.06, -28.53

 

CMYK 35 / 28 / 0 / 29

HEX #7783B6

RGB 119 131 182

HSL 228.57, 0.3%, 0.59%

LAB 55.62, 8.07, -28.23

 

CMYK 32 / 35 / 0 / 29

HEX #7C77B6

RGB 124 119 182

HSL 244.76, 0.3%, 0.59%

LAB 52.79, 16.65, -32.6

 

CMYK 23 / 35 / 0 / 29

HEX #8D77B6

RGB 141 119 182

HSL 260.95, 0.3%, 0.59%

LAB 54.27, 21.77, -30.18

 

CMYK 13 / 35 / 0 / 29

HEX #9E77B6

RGB 158 119 182

HSL 277.14, 0.3%, 0.59%

LAB 55.93, 27.12, -27.48

 

CMYK 4 / 35 / 0 / 29

HEX #AF77B6

RGB 175 119 182

HSL 293.33, 0.3%, 0.59%

LAB 57.74, 32.59, -24.54

 

CMYK 35 / 28 / 0 / 29

HEX #7783B6

RGB 119 131 182

HSL 228.57, 0.3%, 0.59%

LAB 55.62, 8.07, -28.23

 

CMYK 35 / 35 / 0 / 29

HEX #7777B6

RGB 119 119 182

HSL 240, 0.3%, 0.59%

LAB 52.39, 15.2, -33.26

 

CMYK 35 / 28 / 0 / 29

HEX #7783B6

RGB 119 131 182

HSL 228.57, 0.3%, 0.59%

LAB 55.62, 8.07, -28.23

 

CMYK 49 / 39 / 0 / 22

HEX #6679C7

RGB 102 121 199

HSL 228.25, 0.46%, 0.59%

LAB 52.53, 14.47, -42.86

 

CMYK 61 / 49 / 0 / 15

HEX #556ED8

RGB 85 110 216

HSL 228.55, 0.63%, 0.59%

LAB 49.55, 23.15, -57.36

 

CMYK 71 / 57 / 0 / 9

HEX #4464E9

RGB 68 100 233

HSL 228.36, 0.79%, 0.59%

LAB 47.27, 32.64, -70.69

 

CMYK 80 / 64 / 0 / 2

HEX #3359F9

RGB 51 89 249

HSL 228.48, 0.94%, 0.59%

LAB 45.2, 43.35, -83.07

 

CMYK 35 / 28 / 0 / 29

HEX #7783B6

RGB 119 131 182

HSL 228.57, 0.3%, 0.59%

LAB 55.62, 8.07, -28.23

 

CMYK 18 / 14 / 0 / 35

HEX #888EA5

RGB 136 142 165

HSL 227.59, 0.14%, 0.59%

LAB 59.25, 2.78, -12.86

 

CMYK 0 / 1 / 3 / 40

HEX #999894

RGB 153 152 148

HSL 48, 0.02%, 0.59%

LAB 62.82, -0.39, 2.22

 

CMYK 0 / 5 / 23 / 33

HEX #AAA283

RGB 170 162 131

HSL 47.69, 0.19%, 0.59%

LAB 66.54, -2.25, 17.19

 

CMYK 0 / 7 / 39 / 27

HEX #BBAD72

RGB 187 173 114

HSL 48.49, 0.35%, 0.59%

LAB 70.64, -3.58, 32.14

 

CMYK 35 / 9 / 0 / 29

HEX #77A5B6

RGB 119 165 182

HSL 196.19, 0.3%, 0.59%

LAB 65.13, -11.14, -13.7

 

CMYK 35 / 19 / 0 / 29

HEX #7794B6

RGB 119 148 182

HSL 212.38, 0.3%, 0.59%

LAB 60.32, -1.74, -21

 

CMYK 35 / 27 / 0 / 29

HEX #7784B6

RGB 119 132 182

HSL 227.62, 0.3%, 0.59%

LAB 55.89, 7.49, -27.81

 

CMYK 32 / 35 / 0 / 29

HEX #7B77B6

RGB 123 119 182

HSL 243.81, 0.3%, 0.59%

LAB 52.71, 16.35, -32.73

 

CMYK 23 / 35 / 0 / 29

HEX #8C77B6

RGB 140 119 182

HSL 260, 0.3%, 0.59%

LAB 54.18, 21.46, -30.33

 

CMYK 46 / 37 / 0 / 44

HEX #4C598E

RGB 76 89 142

HSL 228.18, 0.3%, 0.43%

LAB 38.96, 9.95, -30.96

 

CMYK 45 / 36 / 0 / 35

HEX #5C6BA7

RGB 92 107 167

HSL 228, 0.3%, 0.51%

LAB 46.42, 10.7, -34.04

 

CMYK 35 / 28 / 0 / 29

HEX #7783B6

RGB 119 131 182

HSL 228.57, 0.3%, 0.59%

LAB 55.62, 8.07, -28.23

 

CMYK 26 / 21 / 0 / 23

HEX #929BC4

RGB 146 155 196

HSL 229.2, 0.3%, 0.67%

LAB 64.6, 5.93, -22.17

 

CMYK 18 / 15 / 0 / 17

HEX #ADB4D3

RGB 173 180 211

HSL 228.95, 0.3%, 0.75%

LAB 73.69, 3.98, -16.45

 

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

CMYK 0 / 35 / 0 / 29

HEX #B677B6

RGB 182 119 182

HSL 300, 0.3%, 0.59%

LAB 58.52, 34.86, -23.26

 

CMYK 14 / 0 / 35 / 29

HEX #9DB677

RGB 157 182 119

HSL 83.81, 0.3%, 0.59%

LAB 70.84, -19.51, 29.31

 

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

CMYK 0 / 35 / 27 / 29

HEX #B67784

RGB 182 119 132

HSL 347.62, 0.3%, 0.59%

LAB 56.88, 26.48, 3.14

 

CMYK 27 / 0 / 35 / 29

HEX #84B677

RGB 132 182 119

HSL 107.62, 0.3%, 0.59%

LAB 69.25, -28.65, 26.92

 

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

CMYK 0 / 35 / 0 / 29

HEX #B677B6

RGB 182 119 182

HSL 300, 0.3%, 0.59%

LAB 58.52, 34.86, -23.26

 

CMYK 0 / 7 / 35 / 29

HEX #B6A977

RGB 182 169 119

HSL 47.62, 0.3%, 0.59%

LAB 69.22, -2.88, 27.54

 

CMYK 35 / 0 / 35 / 29

HEX #77B677

RGB 119 182 119

HSL 120, 0.3%, 0.59%

LAB 68.54, -33.04, 25.85

 

CMYK 34 / 28 / 0 / 28

HEX #7884B7

RGB 120 132 183

HSL 228.57, 0.3%, 0.59%

LAB 56, 8.05, -28.2

 

CMYK 0 / 35 / 10 / 29

HEX #B677A3

RGB 182 119 163

HSL 318.1, 0.3%, 0.59%

LAB 57.83, 31.4, -13.41

 

CMYK 0 / 7 / 35 / 29

HEX #B6A977

RGB 182 169 119

HSL 47.62, 0.3%, 0.59%

LAB 69.22, -2.88, 27.54

 

CMYK 35 / 0 / 24 / 29

HEX #77B68A

RGB 119 182 138

HSL 138.1, 0.3%, 0.59%

LAB 68.91, -29.66, 16.12

 

Description

Color code: HEX #7884B7 | qconv.com Color code: HEX #7884B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 132 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 132 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 28 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 28% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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