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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787FCD it is the complementary color #878032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787FCD shade: #7D7FC8, #8E91DB, #9FA3EE, #B0B5FF and #C1C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787FCD shade: #787FCD, #676DBA, #565BA7, #454994 and #343781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787FCD shade: #7980CD, #8979CD, #A079CD, #B679CD and #CD79CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787FCD shade: #7980CD and #7979CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787FCD shade matches the following richer shades: #7980CD, #6A74DC, #5B67EB and #4C5BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787FCD shade: #7980CD, #888CBF, #9799B0, #A6A5A1 and #B4B292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787FCD shade: #79ADCD, #7997CD, #7980CD, #8879CD and #9F79CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787FCD shade: #424BB2, #5B63C2, #7980CD, #979CD9 and #B5B9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787FCD shade: #787FCD, #CD79C4 and #A2CD79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787FCD shade: #787FCD, #CD7980 and #80CD79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787FCD shade: #787FCD, #CD79C4, #CDC679 and #79CD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787FCD shade: #787FCD, #CD79AA, #CDC679 and #79CD9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

Complementary color

CMYK 0 / 5 / 63 / 47

HEX #878032

RGB 135 128 50

HSL 55.06, 0.46%, 0.36%

LAB 52.75, -7.69, 42.12

 

CMYK 38 / 37 / 0 / 22

HEX #7D7FC8

RGB 125 127 200

HSL 238.4, 0.41%, 0.64%

LAB 55.8, 17.07, -38.18

 

CMYK 35 / 34 / 0 / 14

HEX #8E91DB

RGB 142 145 219

HSL 237.66, 0.52%, 0.71%

LAB 62.61, 16.35, -38.09

 

CMYK 33 / 32 / 0 / 7

HEX #9FA3EE

RGB 159 163 238

HSL 236.96, 0.7%, 0.78%

LAB 69.28, 15.73, -38.05

 

CMYK 31 / 29 / 0 / 0

HEX #B0B5FF

RGB 176 181 255

HSL 236.2, 1%, 0.85%

LAB 75.76, 14.67, -37.1

 

CMYK 24 / 22 / 0 / 0

HEX #C1C7FF

RGB 193 199 255

HSL 234.19, 1%, 0.88%

LAB 81.51, 9.71, -28.13

 

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

CMYK 45 / 41 / 0 / 27

HEX #676DBA

RGB 103 109 186

HSL 235.66, 0.38%, 0.57%

LAB 48.72, 18.07, -41.43

 

CMYK 49 / 46 / 0 / 35

HEX #565BA7

RGB 86 91 167

HSL 236.3, 0.32%, 0.5%

LAB 41.61, 19.17, -41.67

 

CMYK 53 / 51 / 0 / 42

HEX #454994

RGB 69 73 148

HSL 236.96, 0.36%, 0.43%

LAB 34.33, 20.52, -41.99

 

CMYK 60 / 57 / 0 / 49

HEX #343781

RGB 52 55 129

HSL 237.66, 0.43%, 0.35%

LAB 26.87, 22.22, -42.35

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 33 / 41 / 0 / 20

HEX #8979CD

RGB 137 121 205

HSL 251.43, 0.46%, 0.64%

LAB 55.48, 25.26, -41.44

 

CMYK 22 / 41 / 0 / 20

HEX #A079CD

RGB 160 121 205

HSL 267.86, 0.46%, 0.64%

LAB 57.61, 31.81, -37.94

 

CMYK 11 / 41 / 0 / 20

HEX #B679CD

RGB 182 121 205

HSL 283.57, 0.46%, 0.64%

LAB 59.91, 38.36, -34.18

 

CMYK 0 / 41 / 0 / 20

HEX #CD79CD

RGB 205 121 205

HSL 300, 0.46%, 0.64%

LAB 62.56, 45.32, -29.86

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 41 / 41 / 0 / 20

HEX #7979CD

RGB 121 121 205

HSL 240, 0.46%, 0.64%

LAB 54.18, 20.98, -43.58

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 52 / 47 / 0 / 14

HEX #6A74DC

RGB 106 116 220

HSL 234.74, 0.62%, 0.64%

LAB 52.64, 24.94, -54.58

 

CMYK 61 / 56 / 0 / 8

HEX #5B67EB

RGB 91 103 235

HSL 235, 0.78%, 0.64%

LAB 49.4, 34.82, -68.3

 

CMYK 70 / 64 / 0 / 2

HEX #4C5BFA

RGB 76 91 250

HSL 234.83, 0.95%, 0.64%

LAB 46.87, 44.93, -80.85

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 29 / 27 / 0 / 25

HEX #888CBF

RGB 136 140 191

HSL 235.64, 0.3%, 0.64%

LAB 59.66, 10.22, -26.99

 

CMYK 14 / 13 / 0 / 31

HEX #9799B0

RGB 151 153 176

HSL 235.2, 0.14%, 0.64%

LAB 63.75, 4.05, -12.2

 

CMYK 0 / 1 / 3 / 35

HEX #A6A5A1

RGB 166 165 161

HSL 48, 0.03%, 0.64%

LAB 67.72, -0.39, 2.19

 

CMYK 0 / 1 / 19 / 29

HEX #B4B292

RGB 180 178 146

HSL 56.47, 0.18%, 0.64%

LAB 71.97, -4.72, 16.65

 

CMYK 41 / 16 / 0 / 20

HEX #79ADCD

RGB 121 173 205

HSL 202.86, 0.46%, 0.64%

LAB 68.29, -8.89, -21.67

 

CMYK 41 / 26 / 0 / 20

HEX #7997CD

RGB 121 151 205

HSL 218.57, 0.46%, 0.64%

LAB 62.17, 3.37, -31.06

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 34 / 41 / 0 / 20

HEX #8879CD

RGB 136 121 205

HSL 250.71, 0.46%, 0.64%

LAB 55.4, 24.99, -41.58

 

CMYK 22 / 41 / 0 / 20

HEX #9F79CD

RGB 159 121 205

HSL 267.14, 0.46%, 0.64%

LAB 57.51, 31.52, -38.1

 

CMYK 63 / 58 / 0 / 30

HEX #424BB2

RGB 66 75 178

HSL 235.18, 0.46%, 0.48%

LAB 36.75, 28.9, -56.08

 

CMYK 53 / 49 / 0 / 24

HEX #5B63C2

RGB 91 99 194

HSL 235.34, 0.46%, 0.56%

LAB 45.69, 23.92, -50.93

 

CMYK 41 / 38 / 0 / 20

HEX #7980CD

RGB 121 128 205

HSL 235, 0.46%, 0.64%

LAB 56, 16.81, -40.71

 

CMYK 30 / 28 / 0 / 15

HEX #979CD9

RGB 151 156 217

HSL 235.45, 0.46%, 0.72%

LAB 66.03, 12.07, -31.6

 

CMYK 21 / 19 / 0 / 11

HEX #B5B9E4

RGB 181 185 228

HSL 234.89, 0.47%, 0.8%

LAB 76.14, 7.55, -21.91

 

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

CMYK 0 / 41 / 4 / 20

HEX #CD79C4

RGB 205 121 196

HSL 306.43, 0.46%, 0.64%

LAB 62.2, 43.69, -25.34

 

CMYK 21 / 0 / 41 / 20

HEX #A2CD79

RGB 162 205 121

HSL 90.71, 0.46%, 0.64%

LAB 77.71, -28.67, 37.26

 

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

CMYK 0 / 41 / 38 / 20

HEX #CD7980

RGB 205 121 128

HSL 355, 0.46%, 0.64%

LAB 60.08, 33.53, 10.4

 

CMYK 38 / 0 / 41 / 20

HEX #80CD79

RGB 128 205 121

HSL 115, 0.46%, 0.64%

LAB 75.84, -40.3, 34.48

 

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

CMYK 0 / 41 / 4 / 20

HEX #CD79C4

RGB 205 121 196

HSL 306.43, 0.46%, 0.64%

LAB 62.2, 43.69, -25.34

 

CMYK 0 / 3 / 41 / 20

HEX #CDC679

RGB 205 198 121

HSL 55, 0.46%, 0.64%

LAB 78.9, -8.6, 39.4

 

CMYK 41 / 0 / 36 / 20

HEX #79CD83

RGB 121 205 131

HSL 127.14, 0.46%, 0.64%

LAB 75.68, -40.88, 29.06

 

CMYK 41 / 38 / 0 / 20

HEX #787FCD

RGB 120 127 205

HSL 235.06, 0.46%, 0.64%

LAB 55.66, 17.15, -41.24

 

CMYK 0 / 41 / 17 / 20

HEX #CD79AA

RGB 205 121 170

HSL 325, 0.46%, 0.64%

LAB 61.27, 39.34, -11.98

 

CMYK 0 / 3 / 41 / 20

HEX #CDC679

RGB 205 198 121

HSL 55, 0.46%, 0.64%

LAB 78.9, -8.6, 39.4

 

CMYK 41 / 0 / 24 / 20

HEX #79CD9C

RGB 121 205 156

HSL 145, 0.46%, 0.64%

LAB 76.15, -36.37, 16.54

 

Description

Color code: HEX #787FCD | qconv.com Color code: HEX #787FCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 127 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 127 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 38 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 38% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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