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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787F8500 it is the complementary color #87807A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787F8500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787F8500 shade: #7D7F8000, #8E919300, #9FA3A600, #B0B5B900 and #C1C7CC00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787F8500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787F8500 shade: #787F8500, #676D7200, #565B5F00, #45494C00 and #34373900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787F8500 shade: #798086, #797D86, #797986, #7D7986 and #807986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787F8500 shade: #798086, #797D86 and #797986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787F8500 shade matches the following richer shades: #798086, #64829B, #5083AF, #3B85C4 and #2786D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787F8500 shade: #798086, #8E7E71, #A27D5D, #B77B48 and #CC7A33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787F8500 shade: #798685, #798486, #798086, #797D86 and #797986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787F8500 shade: #52575B, #666B70, #798086, #8F9599 and #A4A9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787F8500 shade: #787F85, #817986 and #858679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787F8500 shade: #787F85, #867980 and #808679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787F8500 shade: #787F85, #817986, #867F79 and #7E8679

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787F8500 shade: #787F85, #857986, #867F79 and #7A8679

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #787F8500

RGBA 120 127 133 0

HSLA 207.69, 0.05%, 0.5%, 0

LABA 52.8, -1.32, -4.15, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #87807A00

RGBA 135 128 122 0

HSLA 27.69, 0.05%, 0.5%, 0

LABA 54.02, 1.53, 4.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7D7F8000

RGBA 125 127 128 0

HSLA 200, 0.01%, 0.5%, 0

LABA 53.06, -0.54, -0.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8E919300

RGBA 142 145 147 0

HSLA 204, 0.02%, 0.57%, 0

LABA 59.99, -0.69, -1.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9FA3A600

RGBA 159 163 166 0

HSLA 205.71, 0.04%, 0.64%, 0

LABA 66.76, -0.83, -2.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B0B5B900

RGBA 176 181 185 0

HSLA 206.67, 0.06%, 0.71%, 0

LABA 73.4, -0.97, -2.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C1C7CC00

RGBA 193 199 204 0

HSLA 207.27, 0.1%, 0.78%, 0

LABA 79.92, -1.1, -3.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #787F8500

RGBA 120 127 133 0

HSLA 207.69, 0.05%, 0.5%, 0

LABA 52.8, -1.32, -4.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #676D7200

RGBA 103 109 114 0

HSLA 207.27, 0.05%, 0.43%, 0

LABA 45.68, -1.19, -3.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #565B5F00

RGBA 86 91 95 0

HSLA 206.67, 0.05%, 0.35%, 0

LABA 38.35, -1.07, -2.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #45494C00

RGBA 69 73 76 0

HSLA 205.71, 0.05%, 0.28%, 0

LABA 30.76, -0.94, -2.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #34373900

RGBA 52 55 57 0

HSLA 204, 0.05%, 0.21%, 0

LABA 22.85, -0.8, -1.7, 0

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 10 / 10 / 0 / 47

HEX #797986

RGB 121 121 134

HSL 240, 0.05%, 0.5%

LAB 51.22, 2.73, -7.07

 

CMYK 7 / 10 / 0 / 47

HEX #7D7986

RGB 125 121 134

HSL 258.46, 0.05%, 0.5%

LAB 51.56, 4.18, -6.53

 

CMYK 4 / 10 / 0 / 47

HEX #807986

RGB 128 121 134

HSL 272.31, 0.05%, 0.5%

LAB 51.82, 5.28, -6.11

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 10 / 10 / 0 / 47

HEX #797986

RGB 121 121 134

HSL 240, 0.05%, 0.5%

LAB 51.22, 2.73, -7.07

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 35 / 16 / 0 / 39

HEX #64829B

RGB 100 130 155

HSL 207.27, 0.22%, 0.5%

LAB 52.99, -4.25, -16.81

 

CMYK 54 / 25 / 0 / 31

HEX #5083AF

RGB 80 131 175

HSL 207.79, 0.37%, 0.5%

LAB 52.99, -4.17, -28.48

 

CMYK 70 / 32 / 0 / 23

HEX #3B85C4

RGB 59 133 196

HSL 207.59, 0.54%, 0.5%

LAB 53.7, -2.26, -39.45

 

CMYK 82 / 38 / 0 / 15

HEX #2786D8

RGB 39 134 216

HSL 207.8, 0.69%, 0.5%

LAB 54.49, 2.02, -49.55

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 0 / 11 / 20 / 44

HEX #8E7E71

RGB 142 126 113

HSL 26.9, 0.11%, 0.5%

LAB 53.88, 3.89, 9.31

 

CMYK 0 / 23 / 43 / 36

HEX #A27D5D

RGB 162 125 93

HSL 27.83, 0.27%, 0.5%

LAB 55.22, 9.99, 22.94

 

CMYK 0 / 33 / 61 / 28

HEX #B77B48

RGB 183 123 72

HSL 27.57, 0.44%, 0.5%

LAB 56.78, 18.1, 36.99

 

CMYK 0 / 40 / 75 / 20

HEX #CC7A33

RGB 204 122 51

HSL 27.84, 0.6%, 0.5%

LAB 58.97, 26.34, 50.57

 

CMYK 10 / 0 / 1 / 47

HEX #798685

RGB 121 134 133

HSL 175.38, 0.05%, 0.5%

LAB 54.87, -4.94, -1.09

 

CMYK 10 / 1 / 0 / 47

HEX #798486

RGB 121 132 134

HSL 189.23, 0.05%, 0.5%

LAB 54.33, -3.6, -2.47

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 10 / 10 / 0 / 47

HEX #797986

RGB 121 121 134

HSL 240, 0.05%, 0.5%

LAB 51.22, 2.73, -7.07

 

CMYK 10 / 4 / 0 / 64

HEX #52575B

RGB 82 87 91

HSL 206.67, 0.05%, 0.34%

LAB 36.68, -1.07, -3

 

CMYK 9 / 4 / 0 / 56

HEX #666B70

RGB 102 107 112

HSL 210, 0.05%, 0.42%

LAB 44.96, -0.83, -3.46

 

CMYK 10 / 4 / 0 / 47

HEX #798086

RGB 121 128 134

HSL 207.69, 0.05%, 0.5%

LAB 53.19, -1.32, -4.14

 

CMYK 7 / 3 / 0 / 40

HEX #8F9599

RGB 143 149 153

HSL 204, 0.05%, 0.58%

LAB 61.34, -1.35, -2.86

 

CMYK 5 / 2 / 0 / 32

HEX #A4A9AD

RGB 164 169 173

HSL 206.67, 0.05%, 0.66%

LAB 68.96, -0.98, -2.68

 

CMYK 10 / 5 / 0 / 48

HEX #787F85

RGB 120 127 133

HSL 207.69, 0.05%, 0.5%

LAB 52.8, -1.32, -4.15

 

CMYK 4 / 10 / 0 / 47

HEX #817986

RGB 129 121 134

HSL 276.92, 0.05%, 0.5%

LAB 51.91, 5.64, -5.97

 

CMYK 1 / 0 / 10 / 47

HEX #858679

RGB 133 134 121

HSL 64.62, 0.05%, 0.5%

LAB 55.5, -2.83, 6.87

 

CMYK 10 / 5 / 0 / 48

HEX #787F85

RGB 120 127 133

HSL 207.69, 0.05%, 0.5%

LAB 52.8, -1.32, -4.15

 

CMYK 0 / 10 / 4 / 47

HEX #867980

RGB 134 121 128

HSL 327.69, 0.05%, 0.5%

LAB 52.18, 6.31, -2.01

 

CMYK 4 / 0 / 10 / 47

HEX #808679

RGB 128 134 121

HSL 87.69, 0.05%, 0.5%

LAB 55.09, -4.75, 6.23

 

CMYK 10 / 5 / 0 / 48

HEX #787F85

RGB 120 127 133

HSL 207.69, 0.05%, 0.5%

LAB 52.8, -1.32, -4.15

 

CMYK 4 / 10 / 0 / 47

HEX #817986

RGB 129 121 134

HSL 276.92, 0.05%, 0.5%

LAB 51.91, 5.64, -5.97

 

CMYK 0 / 5 / 10 / 47

HEX #867F79

RGB 134 127 121

HSL 27.69, 0.05%, 0.5%

LAB 53.63, 1.53, 4.2

 

CMYK 6 / 0 / 10 / 47

HEX #7E8679

RGB 126 134 121

HSL 96.92, 0.05%, 0.5%

LAB 54.93, -5.51, 5.99

 

CMYK 10 / 5 / 0 / 48

HEX #787F85

RGB 120 127 133

HSL 207.69, 0.05%, 0.5%

LAB 52.8, -1.32, -4.15

 

CMYK 1 / 10 / 0 / 47

HEX #857986

RGB 133 121 134

HSL 295.38, 0.05%, 0.5%

LAB 52.27, 7.12, -5.4

 

CMYK 0 / 5 / 10 / 47

HEX #867F79

RGB 134 127 121

HSL 27.69, 0.05%, 0.5%

LAB 53.63, 1.53, 4.2

 

CMYK 9 / 0 / 10 / 47

HEX #7A8679

RGB 122 134 121

HSL 115.38, 0.05%, 0.5%

LAB 54.62, -7.01, 5.5

 

Description

Color code: HEX #787F8500 | qconv.com Color code: HEX #787F8500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 127 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 127 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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