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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787ED84C it is the complementary color #8781274C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787ED84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787ED84C shade: #7D7ED34C, #8E90E64C, #9FA2F94C, #B0B4FF4C and #C1C6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787ED84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787ED84C shade: #787ED84C, #676CC54C, #565AB24C, #45489F4C and #34368C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787ED84C shade: #797FD8, #8C79D8, #A679D8, #C079D8 and #D879D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787ED84C shade: #797FD8 and #7979D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787ED84C shade matches the following richer shades: #797FD8, #6B72E6 and #5D66F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787ED84C shade: #797FD8, #878BCA, #9597BC, #A3A3AE and #B1B0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787ED84C shade: #79B2D8, #7998D8, #797FD8, #8C79D8 and #A579D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787ED84C shade: #3942C5, #5960CF, #797FD8, #999DE1 and #B9BCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787ED84C shade: #787ED8, #D879CB and #A5D879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787ED84C shade: #787ED8, #D8797F and #7FD879

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787ED84C shade: #787ED8, #D879CB, #D8D279 and #79D885

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787ED84C shade: #787ED8, #D879AF, #D8D279 and #79D8A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 13 / 0 / 5

HEX #787ED84C

RGBA 120 126 216 0.3

HSLA 236.25, 0.55%, 0.66%, 0.3

LABA 55.96, 20.93, -46.98, 0.3

 

Complementary color

CMYK 0 / 1 / 21 / 14

HEX #8781274C

RGBA 135 129 39 0.3

HSLA 56.25, 0.55%, 0.34%, 0.3

LABA 52.95, -8.95, 47.19, 0.3

 

CMYK 12 / 12 / 0 / 5

HEX #7D7ED34C

RGBA 125 126 211 0.3

HSLA 239.3, 0.49%, 0.66%, 0.3

LABA 56.07, 20.75, -43.97, 0.3

 

CMYK 11 / 11 / 0 / 3

HEX #8E90E64C

RGBA 142 144 230 0.3

HSLA 238.64, 0.64%, 0.73%, 0.3

LABA 62.85, 19.9, -43.81, 0.3

 

CMYK 11 / 10 / 0 / 1

HEX #9FA2F94C

RGBA 159 162 249 0.3

HSLA 238, 0.88%, 0.8%, 0.3

LABA 69.51, 19.16, -43.7, 0.3

 

CMYK 9 / 9 / 0 / 0

HEX #B0B4FF4C

RGBA 176 180 255 0.3

HSLA 236.96, 1%, 0.85%, 0.3

LABA 75.51, 15.23, -37.49, 0.3

 

CMYK 7 / 7 / 0 / 0

HEX #C1C6FF4C

RGBA 193 198 255 0.3

HSLA 235.16, 1%, 0.88%, 0.3

LABA 81.26, 10.25, -28.52, 0.3

 

CMYK 13 / 13 / 0 / 5

HEX #787ED84C

RGBA 120 126 216 0.3

HSLA 236.25, 0.55%, 0.66%, 0.3

LABA 55.96, 20.93, -46.98, 0.3

 

CMYK 14 / 14 / 0 / 7

HEX #676CC54C

RGBA 103 108 197 0.3

HSLA 236.81, 0.45%, 0.59%, 0.3

LABA 49.06, 22.02, -47.23, 0.3

 

CMYK 16 / 15 / 0 / 9

HEX #565AB24C

RGBA 86 90 178 0.3

HSLA 237.39, 0.37%, 0.52%, 0.3

LABA 42.01, 23.31, -47.53, 0.3

 

CMYK 17 / 16 / 0 / 11

HEX #45489F4C

RGBA 69 72 159 0.3

HSLA 238, 0.39%, 0.45%, 0.3

LABA 34.81, 24.88, -47.87, 0.3

 

CMYK 19 / 18 / 0 / 14

HEX #34368C4C

RGBA 52 54 140 0.3

HSLA 238.64, 0.46%, 0.38%, 0.3

LABA 27.47, 26.8, -48.23, 0.3

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 35 / 44 / 0 / 15

HEX #8C79D8

RGB 140 121 216

HSL 252, 0.55%, 0.66%

LAB 56.3, 28.99, -46.35

 

CMYK 23 / 44 / 0 / 15

HEX #A679D8

RGB 166 121 216

HSL 268.42, 0.55%, 0.66%

LAB 58.73, 36.12, -42.34

 

CMYK 11 / 44 / 0 / 15

HEX #C079D8

RGB 192 121 216

HSL 284.84, 0.55%, 0.66%

LAB 61.52, 43.58, -37.78

 

CMYK 0 / 44 / 1 / 15

HEX #D879D6

RGB 216 121 214

HSL 301.26, 0.55%, 0.66%

LAB 64.26, 50.24, -32.16

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 44 / 44 / 0 / 15

HEX #7979D8

RGB 121 121 216

HSL 240, 0.55%, 0.66%

LAB 54.76, 24.16, -48.89

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 53 / 50 / 0 / 10

HEX #6B72E6

RGB 107 114 230

HSL 236.59, 0.71%, 0.66%

LAB 52.81, 29.48, -59.93

 

CMYK 62 / 58 / 0 / 4

HEX #5D66F4

RGB 93 102 244

HSL 236.42, 0.87%, 0.66%

LAB 49.93, 38.69, -72.47

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 33 / 31 / 0 / 21

HEX #878BCA

RGB 135 139 202

HSL 236.42, 0.39%, 0.66%

LAB 59.78, 13.36, -33.02

 

CMYK 21 / 20 / 0 / 26

HEX #9597BC

RGB 149 151 188

HSL 236.92, 0.23%, 0.66%

LAB 63.47, 7.23, -19.38

 

CMYK 6 / 6 / 0 / 32

HEX #A3A3AE

RGB 163 163 174

HSL 240, 0.06%, 0.66%

LAB 67.3, 2.16, -5.68

 

CMYK 0 / 1 / 10 / 31

HEX #B1B0A0

RGB 177 176 160

HSL 56.47, 0.1%, 0.66%

LAB 71.51, -2.5, 8.32

 

CMYK 44 / 18 / 0 / 15

HEX #79B2D8

RGB 121 178 216

HSL 204, 0.55%, 0.66%

LAB 70.08, -8.6, -24.97

 

CMYK 44 / 30 / 0 / 15

HEX #7998D8

RGB 121 152 216

HSL 220.42, 0.55%, 0.66%

LAB 62.91, 5.91, -36.05

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 35 / 44 / 0 / 15

HEX #8C79D8

RGB 140 121 216

HSL 252, 0.55%, 0.66%

LAB 56.3, 28.99, -46.35

 

CMYK 24 / 44 / 0 / 15

HEX #A579D8

RGB 165 121 216

HSL 267.79, 0.55%, 0.66%

LAB 58.63, 35.83, -42.51

 

CMYK 71 / 66 / 0 / 23

HEX #3942C5

RGB 57 66 197

HSL 236.14, 0.55%, 0.5%

LAB 35.59, 39.87, -69.16

 

CMYK 57 / 54 / 0 / 19

HEX #5960CF

RGB 89 96 207

HSL 236.44, 0.55%, 0.58%

LAB 45.63, 29.59, -58.53

 

CMYK 44 / 41 / 0 / 15

HEX #797FD8

RGB 121 127 216

HSL 236.21, 0.55%, 0.66%

LAB 56.29, 20.58, -46.46

 

CMYK 32 / 30 / 0 / 12

HEX #999DE1

RGB 153 157 225

HSL 236.67, 0.55%, 0.74%

LAB 66.77, 14.11, -34.87

 

CMYK 21 / 20 / 0 / 8

HEX #B9BCEB

RGB 185 188 235

HSL 236.4, 0.56%, 0.82%

LAB 77.45, 8.72, -23.68

 

CMYK 44 / 42 / 0 / 15

HEX #787ED8

RGB 120 126 216

HSL 236.25, 0.55%, 0.66%

LAB 55.96, 20.93, -46.98

 

CMYK 0 / 44 / 6 / 15

HEX #D879CB

RGB 216 121 203

HSL 308.21, 0.55%, 0.66%

LAB 63.82, 48.31, -26.68

 

CMYK 24 / 0 / 44 / 15

HEX #A5D879

RGB 165 216 121

HSL 92.21, 0.55%, 0.66%

LAB 81.01, -32.76, 41.48

 

CMYK 44 / 42 / 0 / 15

HEX #787ED8

RGB 120 126 216

HSL 236.25, 0.55%, 0.66%

LAB 55.96, 20.93, -46.98

 

CMYK 0 / 44 / 41 / 15

HEX #D8797F

RGB 216 121 127

HSL 356.21, 0.55%, 0.66%

LAB 61.49, 37.51, 13.16

 

CMYK 41 / 0 / 44 / 15

HEX #7FD879

RGB 127 216 121

HSL 116.21, 0.55%, 0.66%

LAB 79.04, -45.38, 38.58

 

CMYK 44 / 42 / 0 / 15

HEX #787ED8

RGB 120 126 216

HSL 236.25, 0.55%, 0.66%

LAB 55.96, 20.93, -46.98

 

CMYK 0 / 44 / 6 / 15

HEX #D879CB

RGB 216 121 203

HSL 308.21, 0.55%, 0.66%

LAB 63.82, 48.31, -26.68

 

CMYK 0 / 3 / 44 / 15

HEX #D8D279

RGB 216 210 121

HSL 56.21, 0.55%, 0.66%

LAB 82.95, -10.32, 44.68

 

CMYK 44 / 0 / 38 / 15

HEX #79D885

RGB 121 216 133

HSL 127.58, 0.55%, 0.66%

LAB 78.97, -45.33, 32.38

 

CMYK 44 / 42 / 0 / 15

HEX #787ED8

RGB 120 126 216

HSL 236.25, 0.55%, 0.66%

LAB 55.96, 20.93, -46.98

 

CMYK 0 / 44 / 19 / 15

HEX #D879AF

RGB 216 121 175

HSL 325.89, 0.55%, 0.66%

LAB 62.82, 43.79, -12.36

 

CMYK 0 / 3 / 44 / 15

HEX #D8D279

RGB 216 210 121

HSL 56.21, 0.55%, 0.66%

LAB 82.95, -10.32, 44.68

 

CMYK 44 / 0 / 25 / 15

HEX #79D8A2

RGB 121 216 162

HSL 145.89, 0.55%, 0.66%

LAB 79.49, -40.17, 18.02

 

Description

Color code: HEX #787ED84C | qconv.com Color code: HEX #787ED84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 126 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 126 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 13 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 13% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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