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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787EC6CE it is the complementary color #878139CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787EC6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787EC6CE shade: #7D7EC1CE, #8E90D4CE, #9FA2E7CE, #B0B4FACE and #C1C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787EC6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787EC6CE shade: #787EC6CE, #676CB3CE, #565AA0CE, #45488DCE and #34367ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787EC6CE shade: #767CC6, #8676C6, #9B76C6, #B176C6 and #C676C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787EC6CE shade: #767CC6 and #7676C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787EC6CE shade matches the following richer shades: #767CC6, #676FD6, #5762E5 and #4755F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787EC6CE shade: #767CC6, #868AB6, #9697A6, #A5A497 and #B5B287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787EC6CE shade: #76A7C6, #7692C6, #767DC6, #8576C6 and #9A76C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787EC6CE shade: #454CA5, #5961BA, #767CC6, #9398D2 and #B1B4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787EC6CE shade: #787EC6, #C676BD and #9DC676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787EC6CE shade: #787EC6, #C6767D and #7DC676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787EC6CE shade: #787EC6, #C676BD, #C6BF76 and #76C680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787EC6CE shade: #787EC6, #C676A5, #C6BF76 and #76C697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 29 / 0 / 18

HEX #787EC6CE

RGBA 120 126 198 0.81

HSLA 235.38, 0.41%, 0.62%, 0.81

LABA 55.06, 15.75, -38.22, 0.81

 

Complementary color

CMYK 0 / 4 / 47 / 38

HEX #878139CE

RGBA 135 129 57 0.81

HSLA 55.38, 0.41%, 0.38%, 0.81

LABA 53.11, -7.7, 39.14, 0.81

 

CMYK 29 / 28 / 0 / 20

HEX #7D7EC1CE

RGBA 125 126 193 0.81

HSLA 239.12, 0.35%, 0.62%, 0.81

LABA 55.21, 15.74, -35.12, 0.81

 

CMYK 27 / 26 / 0 / 14

HEX #8E90D4CE

RGBA 142 144 212 0.81

HSLA 238.29, 0.45%, 0.69%, 0.81

LABA 62.04, 15.08, -35.07, 0.81

 

CMYK 25 / 24 / 0 / 8

HEX #9FA2E7CE

RGBA 159 162 231 0.81

HSLA 237.5, 0.6%, 0.76%, 0.81

LABA 68.74, 14.51, -35.07, 0.81

 

CMYK 24 / 23 / 0 / 2

HEX #B0B4FACE

RGBA 176 180 250 0.81

HSLA 236.76, 0.88%, 0.84%, 0.81

LABA 75.31, 13.99, -35.1, 0.81

 

CMYK 20 / 18 / 0 / 0

HEX #C1C6FFCE

RGBA 193 198 255 0.81

HSLA 235.16, 1%, 0.88%, 0.81

LABA 81.26, 10.25, -28.52, 0.81

 

CMYK 32 / 29 / 0 / 18

HEX #787EC6CE

RGBA 120 126 198 0.81

HSLA 235.38, 0.41%, 0.62%, 0.81

LABA 55.06, 15.75, -38.22, 0.81

 

CMYK 34 / 32 / 0 / 24

HEX #676CB3CE

RGBA 103 108 179 0.81

HSLA 236.05, 0.33%, 0.55%, 0.81

LABA 48.09, 16.59, -38.37, 0.81

 

CMYK 37 / 35 / 0 / 30

HEX #565AA0CE

RGBA 86 90 160 0.81

HSLA 236.76, 0.3%, 0.48%, 0.81

LABA 40.94, 17.6, -38.58, 0.81

 

CMYK 41 / 40 / 0 / 36

HEX #45488DCE

RGBA 69 72 141 0.81

HSLA 237.5, 0.34%, 0.41%, 0.81

LABA 33.61, 18.84, -38.87, 0.81

 

CMYK 46 / 45 / 0 / 42

HEX #34367ACE

RGBA 52 54 122 0.81

HSLA 238.29, 0.4%, 0.34%, 0.81

LABA 26.08, 20.42, -39.22, 0.81

 

CMYK 40 / 37 / 0 / 22

HEX #767CC6

RGB 118 124 198

HSL 235.5, 0.41%, 0.62%

LAB 54.39, 16.41, -39.29

 

CMYK 32 / 40 / 0 / 22

HEX #8676C6

RGB 134 118 198

HSL 252, 0.41%, 0.62%

LAB 54.14, 24.35, -39.6

 

CMYK 22 / 40 / 0 / 22

HEX #9B76C6

RGB 155 118 198

HSL 267.75, 0.41%, 0.62%

LAB 56.09, 30.41, -36.39

 

CMYK 11 / 40 / 0 / 22

HEX #B176C6

RGB 177 118 198

HSL 284.25, 0.41%, 0.62%

LAB 58.4, 37.03, -32.62

 

CMYK 0 / 40 / 0 / 22

HEX #C676C6

RGB 198 118 198

HSL 300, 0.41%, 0.62%

LAB 60.82, 43.46, -28.68

 

CMYK 40 / 37 / 0 / 22

HEX #767CC6

RGB 118 124 198

HSL 235.5, 0.41%, 0.62%

LAB 54.39, 16.41, -39.29

 

CMYK 40 / 40 / 0 / 22

HEX #7676C6

RGB 118 118 198

HSL 240, 0.41%, 0.62%

LAB 52.82, 20, -41.75

 

CMYK 40 / 37 / 0 / 22

HEX #767CC6

RGB 118 124 198

HSL 235.5, 0.41%, 0.62%

LAB 54.39, 16.41, -39.29

 

CMYK 52 / 48 / 0 / 16

HEX #676FD6

RGB 103 111 214

HSL 235.68, 0.58%, 0.62%

LAB 50.81, 25.46, -54.13

 

CMYK 62 / 57 / 0 / 10

HEX #5762E5

RGB 87 98 229

HSL 235.35, 0.73%, 0.62%

LAB 47.52, 35.24, -67.99

 

CMYK 71 / 65 / 0 / 4

HEX #4755F5

RGB 71 85 245

HSL 235.17, 0.9%, 0.62%

LAB 44.84, 46.26, -81.39

 

CMYK 40 / 37 / 0 / 22

HEX #767CC6

RGB 118 124 198

HSL 235.5, 0.41%, 0.62%

LAB 54.39, 16.41, -39.29

 

CMYK 26 / 24 / 0 / 29

HEX #868AB6

RGB 134 138 182

HSL 235, 0.25%, 0.62%

LAB 58.62, 8.5, -23.5

 

CMYK 10 / 9 / 0 / 35

HEX #9697A6

RGB 150 151 166

HSL 236.25, 0.08%, 0.62%

LAB 62.82, 2.68, -7.97

 

CMYK 0 / 1 / 8 / 35

HEX #A5A497

RGB 165 164 151

HSL 55.71, 0.07%, 0.62%

LAB 67.12, -2.01, 6.87

 

CMYK 0 / 2 / 25 / 29

HEX #B5B287

RGB 181 178 135

HSL 56.09, 0.24%, 0.62%

LAB 71.83, -5.95, 22.42

 

CMYK 40 / 16 / 0 / 22

HEX #76A7C6

RGB 118 167 198

HSL 203.25, 0.41%, 0.62%

LAB 66.19, -8.3, -21.01

 

CMYK 40 / 26 / 0 / 22

HEX #7692C6

RGB 118 146 198

HSL 219, 0.41%, 0.62%

LAB 60.33, 3.48, -30.02

 

CMYK 40 / 37 / 0 / 22

HEX #767DC6

RGB 118 125 198

HSL 234.75, 0.41%, 0.62%

LAB 54.65, 15.81, -38.87

 

CMYK 33 / 40 / 0 / 22

HEX #8576C6

RGB 133 118 198

HSL 251.25, 0.41%, 0.62%

LAB 54.05, 24.07, -39.74

 

CMYK 22 / 40 / 0 / 22

HEX #9A76C6

RGB 154 118 198

HSL 267, 0.41%, 0.62%

LAB 55.99, 30.12, -36.55

 

CMYK 58 / 54 / 0 / 35

HEX #454CA5

RGB 69 76 165

HSL 235.63, 0.41%, 0.46%

LAB 36.27, 24.33, -49.11

 

CMYK 52 / 48 / 0 / 27

HEX #5961BA

RGB 89 97 186

HSL 235.05, 0.41%, 0.54%

LAB 44.54, 22.16, -48.13

 

CMYK 40 / 37 / 0 / 22

HEX #767CC6

RGB 118 124 198

HSL 235.5, 0.41%, 0.62%

LAB 54.39, 16.41, -39.29

 

CMYK 30 / 28 / 0 / 18

HEX #9398D2

RGB 147 152 210

HSL 235.24, 0.41%, 0.7%

LAB 64.41, 11.41, -30.24

 

CMYK 20 / 19 / 0 / 13

HEX #B1B4DE

RGB 177 180 222

HSL 236, 0.41%, 0.78%

LAB 74.36, 7.69, -21.4

 

CMYK 39 / 36 / 0 / 22

HEX #787EC6

RGB 120 126 198

HSL 235.38, 0.41%, 0.62%

LAB 55.06, 15.75, -38.22

 

CMYK 0 / 40 / 5 / 22

HEX #C676BD

RGB 198 118 189

HSL 306.75, 0.41%, 0.62%

LAB 60.46, 41.83, -24.12

 

CMYK 21 / 0 / 40 / 22

HEX #9DC676

RGB 157 198 118

HSL 90.75, 0.41%, 0.62%

LAB 75.37, -27.53, 35.71

 

CMYK 39 / 36 / 0 / 22

HEX #787EC6

RGB 120 126 198

HSL 235.38, 0.41%, 0.62%

LAB 55.06, 15.75, -38.22

 

CMYK 0 / 40 / 37 / 22

HEX #C6767D

RGB 198 118 125

HSL 354.75, 0.41%, 0.62%

LAB 58.46, 32.15, 9.71

 

CMYK 37 / 0 / 40 / 22

HEX #7DC676

RGB 125 198 118

HSL 114.75, 0.41%, 0.62%

LAB 73.58, -38.58, 33.06

 

CMYK 39 / 36 / 0 / 22

HEX #787EC6

RGB 120 126 198

HSL 235.38, 0.41%, 0.62%

LAB 55.06, 15.75, -38.22

 

CMYK 0 / 40 / 5 / 22

HEX #C676BD

RGB 198 118 189

HSL 306.75, 0.41%, 0.62%

LAB 60.46, 41.83, -24.12

 

CMYK 0 / 4 / 40 / 22

HEX #C6BF76

RGB 198 191 118

HSL 54.75, 0.41%, 0.62%

LAB 76.42, -8.12, 37.67

 

CMYK 40 / 0 / 35 / 22

HEX #76C680

RGB 118 198 128

HSL 127.5, 0.41%, 0.62%

LAB 73.41, -39.17, 27.59

 

CMYK 39 / 36 / 0 / 22

HEX #787EC6

RGB 120 126 198

HSL 235.38, 0.41%, 0.62%

LAB 55.06, 15.75, -38.22

 

CMYK 0 / 40 / 17 / 22

HEX #C676A5

RGB 198 118 165

HSL 324.75, 0.41%, 0.62%

LAB 59.6, 37.77, -11.71

 

CMYK 0 / 4 / 40 / 22

HEX #C6BF76

RGB 198 191 118

HSL 54.75, 0.41%, 0.62%

LAB 76.42, -8.12, 37.67

 

CMYK 40 / 0 / 24 / 22

HEX #76C697

RGB 118 198 151

HSL 144.75, 0.41%, 0.62%

LAB 73.85, -34.98, 15.99

 

Description

Color code: HEX #787EC6CE | qconv.com Color code: HEX #787EC6CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 126 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 126 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 29 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 29% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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