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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7872AC it is the complementary color #878D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7872AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7872AC shade: #7D72A7, #8E84BA, #9F96CD, #B0A8E0 and #C1BAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7872AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7872AC shade: #7872AC, #676099, #564E86, #453C73 and #342A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7872AC shade: #7872AC, #8772AC, #9772AC, #A772AC and #AC72A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7872AC shade: #7872AC and #7272AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7872AC shade matches the following richer shades: #7872AC, #695FBE, #5B4DD0, #4C3BE2 and #3E29F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7872AC shade: #7872AC, #86849A, #949688, #A3A876 and #B1BA63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7872AC shade: #728BAC, #727BAC, #7772AC, #8772AC and #9772AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7872AC shade: #514B80, #615A9A, #7872AC, #918CBB and #A9A6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7872AC shade: #7872AC, #AC729A and #83AC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7872AC shade: #7872AC, #AC7772 and #72AC77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7872AC shade: #7872AC, #AC729A, #A6AC72 and #72AC83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7872AC shade: #7872AC, #AC7289, #A6AC72 and #72AC95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

Complementary color

CMYK 4 / 0 / 41 / 45

HEX #878D53

RGB 135 141 83

HSL 66.21, 0.26%, 0.44%

LAB 56.9, -11.6, 30.17

 

CMYK 25 / 32 / 0 / 35

HEX #7D72A7

RGB 125 114 167

HSL 252.45, 0.23%, 0.55%

LAB 50.9, 16.04, -26.85

 

CMYK 24 / 29 / 0 / 27

HEX #8E84BA

RGB 142 132 186

HSL 251.11, 0.28%, 0.62%

LAB 57.85, 15.46, -26.92

 

CMYK 22 / 27 / 0 / 20

HEX #9F96CD

RGB 159 150 205

HSL 249.82, 0.35%, 0.7%

LAB 64.64, 14.94, -27.04

 

CMYK 21 / 25 / 0 / 12

HEX #B0A8E0

RGB 176 168 224

HSL 248.57, 0.47%, 0.77%

LAB 71.29, 14.47, -27.18

 

CMYK 21 / 23 / 0 / 5

HEX #C1BAF3

RGB 193 186 243

HSL 247.37, 0.7%, 0.84%

LAB 77.83, 14.04, -27.35

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 33 / 37 / 0 / 40

HEX #676099

RGB 103 96 153

HSL 247.37, 0.23%, 0.49%

LAB 43.58, 16.52, -30.16

 

CMYK 36 / 42 / 0 / 47

HEX #564E86

RGB 86 78 134

HSL 248.57, 0.26%, 0.42%

LAB 36.27, 17.37, -30.27

 

CMYK 40 / 48 / 0 / 55

HEX #453C73

RGB 69 60 115

HSL 249.82, 0.31%, 0.34%

LAB 28.73, 18.4, -30.46

 

CMYK 46 / 56 / 0 / 62

HEX #342A60

RGB 52 42 96

HSL 251.11, 0.39%, 0.27%

LAB 20.94, 19.68, -30.73

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 22 / 34 / 0 / 33

HEX #8772AC

RGB 135 114 172

HSL 261.72, 0.26%, 0.56%

LAB 52.02, 20.42, -27.94

 

CMYK 12 / 34 / 0 / 33

HEX #9772AC

RGB 151 114 172

HSL 278.28, 0.26%, 0.56%

LAB 53.59, 25.55, -25.39

 

CMYK 3 / 34 / 0 / 33

HEX #A772AC

RGB 167 114 172

HSL 294.83, 0.26%, 0.56%

LAB 55.31, 30.79, -22.6

 

CMYK 0 / 34 / 6 / 33

HEX #AC72A1

RGB 172 114 161

HSL 311.38, 0.26%, 0.56%

LAB 55.46, 30.37, -15.95

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 34 / 34 / 0 / 33

HEX #7272AC

RGB 114 114 172

HSL 240, 0.26%, 0.56%

LAB 50.2, 14.01, -30.91

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 45 / 50 / 0 / 25

HEX #695FBE

RGB 105 95 190

HSL 246.32, 0.42%, 0.56%

LAB 45.5, 28.33, -48.85

 

CMYK 56 / 63 / 0 / 18

HEX #5B4DD0

RGB 91 77 208

HSL 246.41, 0.58%, 0.56%

LAB 41.35, 41.79, -66.03

 

CMYK 66 / 74 / 0 / 11

HEX #4C3BE2

RGB 76 59 226

HSL 246.11, 0.74%, 0.56%

LAB 38.12, 55.29, -81.69

 

CMYK 75 / 83 / 0 / 4

HEX #3E29F5

RGB 62 41 245

HSL 246.18, 0.91%, 0.56%

LAB 36.37, 67.95, -95.4

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 13 / 14 / 0 / 40

HEX #86849A

RGB 134 132 154

HSL 245.45, 0.1%, 0.56%

LAB 55.99, 5.35, -11.46

 

CMYK 1 / 0 / 9 / 41

HEX #949688

RGB 148 150 136

HSL 68.57, 0.06%, 0.56%

LAB 61.56, -3.34, 7.13

 

CMYK 3 / 0 / 30 / 34

HEX #A3A876

RGB 163 168 118

HSL 66, 0.22%, 0.56%

LAB 67.35, -10.08, 25.3

 

CMYK 5 / 0 / 47 / 27

HEX #B1BA63

RGB 177 186 99

HSL 66.21, 0.39%, 0.56%

LAB 73.13, -16.03, 42.78

 

CMYK 34 / 19 / 0 / 33

HEX #728BAC

RGB 114 139 172

HSL 214.14, 0.26%, 0.56%

LAB 57.1, -0.72, -20.27

 

CMYK 34 / 28 / 0 / 33

HEX #727BAC

RGB 114 123 172

HSL 230.69, 0.26%, 0.56%

LAB 52.64, 8.63, -27.12

 

CMYK 31 / 34 / 0 / 33

HEX #7772AC

RGB 119 114 172

HSL 245.17, 0.26%, 0.56%

LAB 50.61, 15.5, -30.25

 

CMYK 22 / 34 / 0 / 33

HEX #8772AC

RGB 135 114 172

HSL 261.72, 0.26%, 0.56%

LAB 52.02, 20.42, -27.94

 

CMYK 12 / 34 / 0 / 33

HEX #9772AC

RGB 151 114 172

HSL 278.28, 0.26%, 0.56%

LAB 53.59, 25.55, -25.39

 

CMYK 37 / 41 / 0 / 50

HEX #514B80

RGB 81 75 128

HSL 246.79, 0.26%, 0.4%

LAB 34.68, 16.05, -29.11

 

CMYK 37 / 42 / 0 / 40

HEX #615A9A

RGB 97 90 154

HSL 246.56, 0.26%, 0.48%

LAB 41.51, 18.77, -34.04

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 22 / 25 / 0 / 27

HEX #918CBB

RGB 145 140 187

HSL 246.38, 0.26%, 0.64%

LAB 60.22, 12.01, -23.82

 

CMYK 17 / 18 / 0 / 20

HEX #A9A6CB

RGB 169 166 203

HSL 244.86, 0.26%, 0.72%

LAB 69.48, 8.65, -18.45

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 0 / 34 / 10 / 33

HEX #AC729A

RGB 172 114 154

HSL 318.62, 0.26%, 0.56%

LAB 55.21, 29.12, -12.26

 

CMYK 24 / 0 / 34 / 33

HEX #83AC72

RGB 131 172 114

HSL 102.41, 0.26%, 0.56%

LAB 66.17, -24.89, 25.48

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 0 / 31 / 34 / 33

HEX #AC7772

RGB 172 119 114

HSL 5.17, 0.26%, 0.56%

LAB 55.26, 20.11, 11.12

 

CMYK 34 / 0 / 31 / 33

HEX #72AC77

RGB 114 172 119

HSL 125.17, 0.26%, 0.56%

LAB 65.29, -29.94, 21.43

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 0 / 34 / 10 / 33

HEX #AC729A

RGB 172 114 154

HSL 318.62, 0.26%, 0.56%

LAB 55.21, 29.12, -12.26

 

CMYK 3 / 0 / 34 / 33

HEX #A6AC72

RGB 166 172 114

HSL 66.21, 0.26%, 0.56%

LAB 68.63, -11.52, 29.18

 

CMYK 34 / 0 / 24 / 33

HEX #72AC83

RGB 114 172 131

HSL 137.59, 0.26%, 0.56%

LAB 65.53, -27.73, 15.21

 

CMYK 30 / 34 / 0 / 33

HEX #7872AC

RGB 120 114 172

HSL 246.21, 0.26%, 0.56%

LAB 50.69, 15.8, -30.11

 

CMYK 0 / 34 / 20 / 33

HEX #AC7289

RGB 172 114 137

HSL 336.21, 0.26%, 0.56%

LAB 54.67, 26.27, -3.15

 

CMYK 3 / 0 / 34 / 33

HEX #A6AC72

RGB 166 172 114

HSL 66.21, 0.26%, 0.56%

LAB 68.63, -11.52, 29.18

 

CMYK 34 / 0 / 13 / 33

HEX #72AC95

RGB 114 172 149

HSL 156.21, 0.26%, 0.56%

LAB 65.94, -24.05, 5.85

 

Description

Color code: HEX #7872AC | qconv.com Color code: HEX #7872AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 114 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 114 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 34 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 34% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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