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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #787062 it is the complementary color #878F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #787062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #787062 shade: #7D705D, #8E8270, #9F9483, #B0A696 and #C1B8A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #787062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #787062 shade: #787062, #675E4F, #564C3C, #453A29 and #342816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #787062 shade: #797163, #796B63, #796563 and #796363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #787062 shade: #797163, #797763, #757963, #6F7963 and #697963

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #787062 shade matches the following richer shades: #797163, #8A7551, #9C7A3F, #AE7F2D and #C0841C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #787062 shade: #797163, #676C74, #556786, #436298 and #325DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #787062 shade: #796563, #796B63, #797163, #797663 and #757963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #787062 shade: #4B463E, #625B50, #797163, #8F8676 and #A19A8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #787062 shade: #787062, #667963 and #686379

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #787062 shade: #787062, #637971 and #716379

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #787062 shade: #787062, #667963, #636B79 and #756379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #787062 shade: #787062, #637966, #636B79 and #796376

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

Complementary color

CMYK 14 / 9 / 0 / 38

HEX #878F9D

RGB 135 143 157

HSL 218.18, 0.1%, 0.57%

LAB 59.19, 0.08, -8.39

 

CMYK 0 / 10 / 26 / 51

HEX #7D705D

RGB 125 112 93

HSL 35.63, 0.15%, 0.43%

LAB 47.93, 1.82, 12.42

 

CMYK 0 / 8 / 21 / 44

HEX #8E8270

RGB 142 130 112

HSL 36, 0.12%, 0.5%

LAB 54.95, 1.45, 11.4

 

CMYK 0 / 7 / 18 / 38

HEX #9F9483

RGB 159 148 131

HSL 36.43, 0.13%, 0.57%

LAB 61.82, 1.13, 10.45

 

CMYK 0 / 6 / 15 / 31

HEX #B0A696

RGB 176 166 150

HSL 36.92, 0.14%, 0.64%

LAB 68.54, 0.85, 9.57

 

CMYK 0 / 5 / 12 / 24

HEX #C1B8A9

RGB 193 184 169

HSL 37.5, 0.16%, 0.71%

LAB 75.13, 0.6, 8.75

 

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

CMYK 0 / 9 / 23 / 60

HEX #675E4F

RGB 103 94 79

HSL 37.5, 0.13%, 0.36%

LAB 40.33, 0.9, 9.92

 

CMYK 0 / 12 / 30 / 66

HEX #564C3C

RGB 86 76 60

HSL 36.92, 0.18%, 0.29%

LAB 32.86, 1.32, 11.05

 

CMYK 0 / 16 / 41 / 73

HEX #453A29

RGB 69 58 41

HSL 36.43, 0.25%, 0.22%

LAB 25.11, 1.89, 12.37

 

CMYK 0 / 23 / 58 / 80

HEX #342816

RGB 52 40 22

HSL 36, 0.41%, 0.15%

LAB 17.02, 2.73, 13.93

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 0 / 12 / 18 / 53

HEX #796B63

RGB 121 107 99

HSL 21.82, 0.1%, 0.43%

LAB 46.29, 4.08, 6.49

 

CMYK 0 / 17 / 18 / 53

HEX #796563

RGB 121 101 99

HSL 5.45, 0.1%, 0.43%

LAB 44.62, 7.64, 4.11

 

CMYK 0 / 18 / 18 / 53

HEX #796363

RGB 121 99 99

HSL 0, 0.1%, 0.43%

LAB 44.07, 8.83, 3.32

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 0 / 2 / 18 / 53

HEX #797763

RGB 121 119 99

HSL 54.55, 0.1%, 0.43%

LAB 49.69, -2.91, 11.29

 

CMYK 3 / 0 / 18 / 53

HEX #757963

RGB 117 121 99

HSL 70.91, 0.1%, 0.43%

LAB 49.93, -5.66, 11.58

 

CMYK 8 / 0 / 18 / 53

HEX #6F7963

RGB 111 121 99

HSL 87.27, 0.1%, 0.43%

LAB 49.44, -8.06, 10.83

 

CMYK 13 / 0 / 18 / 53

HEX #697963

RGB 105 121 99

HSL 103.64, 0.1%, 0.43%

LAB 48.98, -10.4, 10.11

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 0 / 15 / 41 / 46

HEX #8A7551

RGB 138 117 81

HSL 37.89, 0.26%, 0.43%

LAB 50.36, 2.84, 22.89

 

CMYK 0 / 22 / 60 / 39

HEX #9C7A3F

RGB 156 122 63

HSL 38.06, 0.42%, 0.43%

LAB 53.33, 6.15, 36.87

 

CMYK 0 / 27 / 74 / 32

HEX #AE7F2D

RGB 174 127 45

HSL 38.14, 0.59%, 0.43%

LAB 56.45, 10.26, 49.49

 

CMYK 0 / 31 / 85 / 25

HEX #C0841C

RGB 192 132 28

HSL 38.05, 0.75%, 0.43%

LAB 59.7, 14.89, 59.52

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 11 / 7 / 0 / 55

HEX #676C74

RGB 103 108 116

HSL 216.92, 0.06%, 0.43%

LAB 45.46, -0.15, -5.11

 

CMYK 37 / 23 / 0 / 47

HEX #556786

RGB 85 103 134

HSL 217.96, 0.22%, 0.43%

LAB 43.29, 1.39, -19.34

 

CMYK 56 / 36 / 0 / 40

HEX #436298

RGB 67 98 152

HSL 218.12, 0.39%, 0.43%

LAB 41.53, 5.29, -32.97

 

CMYK 71 / 45 / 0 / 33

HEX #325DAA

RGB 50 93 170

HSL 218.5, 0.55%, 0.43%

LAB 40.26, 11.67, -45.73

 

CMYK 0 / 17 / 18 / 53

HEX #796563

RGB 121 101 99

HSL 5.45, 0.1%, 0.43%

LAB 44.62, 7.64, 4.11

 

CMYK 0 / 12 / 18 / 53

HEX #796B63

RGB 121 107 99

HSL 21.82, 0.1%, 0.43%

LAB 46.29, 4.08, 6.49

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 0 / 2 / 18 / 53

HEX #797663

RGB 121 118 99

HSL 51.82, 0.1%, 0.43%

LAB 49.4, -2.33, 10.89

 

CMYK 3 / 0 / 18 / 53

HEX #757963

RGB 117 121 99

HSL 70.91, 0.1%, 0.43%

LAB 49.93, -5.66, 11.58

 

CMYK 0 / 7 / 17 / 71

HEX #4B463E

RGB 75 70 62

HSL 36.92, 0.09%, 0.27%

LAB 29.97, 0.51, 5.58

 

CMYK 0 / 7 / 18 / 62

HEX #625B50

RGB 98 91 80

HSL 36.67, 0.1%, 0.35%

LAB 39, 0.75, 7.36

 

CMYK 0 / 7 / 18 / 53

HEX #797163

RGB 121 113 99

HSL 38.18, 0.1%, 0.43%

LAB 47.98, 0.56, 8.89

 

CMYK 0 / 6 / 17 / 44

HEX #8F8676

RGB 143 134 118

HSL 38.4, 0.1%, 0.51%

LAB 56.29, 0.56, 9.83

 

CMYK 0 / 4 / 13 / 37

HEX #A19A8C

RGB 161 154 140

HSL 40, 0.1%, 0.59%

LAB 63.82, 0.07, 8.26

 

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

CMYK 16 / 0 / 18 / 53

HEX #667963

RGB 102 121 99

HSL 111.82, 0.1%, 0.43%

LAB 48.76, -11.55, 9.77

 

CMYK 14 / 18 / 0 / 53

HEX #686379

RGB 104 99 121

HSL 253.64, 0.1%, 0.43%

LAB 43.13, 6.77, -11.6

 

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

CMYK 18 / 0 / 7 / 53

HEX #637971

RGB 99 121 113

HSL 158.18, 0.1%, 0.43%

LAB 48.91, -9.79, 1.71

 

CMYK 7 / 18 / 0 / 53

HEX #716379

RGB 113 99 121

HSL 278.18, 0.1%, 0.43%

LAB 43.97, 10.05, -10.26

 

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

CMYK 16 / 0 / 18 / 53

HEX #667963

RGB 102 121 99

HSL 111.82, 0.1%, 0.43%

LAB 48.76, -11.55, 9.77

 

CMYK 18 / 12 / 0 / 53

HEX #636B79

RGB 99 107 121

HSL 218.18, 0.1%, 0.43%

LAB 45.01, 0.17, -8.82

 

CMYK 3 / 18 / 0 / 53

HEX #756379

RGB 117 99 121

HSL 289.09, 0.1%, 0.43%

LAB 44.36, 11.53, -9.64

 

CMYK 0 / 7 / 18 / 53

HEX #787062

RGB 120 112 98

HSL 38.18, 0.1%, 0.43%

LAB 47.58, 0.56, 8.9

 

CMYK 18 / 0 / 16 / 53

HEX #637966

RGB 99 121 102

HSL 128.18, 0.1%, 0.43%

LAB 48.62, -12.1, 7.78

 

CMYK 18 / 12 / 0 / 53

HEX #636B79

RGB 99 107 121

HSL 218.18, 0.1%, 0.43%

LAB 45.01, 0.17, -8.82

 

CMYK 0 / 18 / 2 / 53

HEX #796376

RGB 121 99 118

HSL 308.18, 0.1%, 0.43%

LAB 44.66, 12.41, -7.33

 

Description

Color code: HEX #787062 | qconv.com Color code: HEX #787062 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 112 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 112 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 18 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 18% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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