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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #786CDDCE it is the complementary color #879322CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #786CDDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #786CDDCE shade: #7D6CD8CE, #8E7EEBCE, #9F90FECE, #B0A2FFCE and #C1B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #786CDDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #786CDDCE shade: #786CDDCE, #675ACACE, #5648B7CE, #4536A4CE and #342491CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #786CDDCE shade: #7A6EDD, #986EDD, #B66EDD, #D46EDD and #DD6EC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #786CDDCE shade: #7A6EDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #786CDDCE shade matches the following richer shades: #7A6EDD, #6F60EC and #6352FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #786CDDCE shade: #7A6EDD, #867DCF, #918BC0, #9C9AB2 and #A8A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #786CDDCE shade: #6E9EDD, #6E81DD, #796EDD, #976EDD and #B56EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #786CDDCE shade: #402FCA, #5B4DD5, #7A6EDD, #9990E5 and #B8B1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #786CDDCE shade: #786CDD, #DD6EBC and #90DD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #786CDDCE shade: #786CDD, #DD796E and #6EDD79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #786CDDCE shade: #786CDD, #DD6EBC, #D2DD6E and #6EDD90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #786CDDCE shade: #786CDD, #DD6E9B, #D2DD6E and #6EDDB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 41 / 0 / 11

HEX #786CDDCE

RGBA 120 108 221 0.81

HSLA 246.37, 0.62%, 0.65%, 0.81

LABA 51.77, 33.13, -56.49, 0.81

 

Complementary color

CMYK 7 / 0 / 62 / 34

HEX #879322CE

RGBA 135 147 34 0.81

HSLA 66.37, 0.62%, 0.35%, 0.81

LABA 58.16, -18.78, 54.09, 0.81

 

CMYK 34 / 41 / 0 / 12

HEX #7D6CD8CE

RGBA 125 108 216 0.81

HSLA 249.44, 0.58%, 0.64%, 0.81

LABA 51.89, 32.85, -53.45, 0.81

 

CMYK 32 / 38 / 0 / 6

HEX #8E7EEBCE

RGBA 142 126 235 0.81

HSLA 248.81, 0.73%, 0.71%, 0.81

LABA 58.67, 31.73, -53.2, 0.81

 

CMYK 30 / 35 / 0 / 0

HEX #9F90FECE

RGBA 159 144 254 0.81

HSLA 248.18, 0.98%, 0.78%, 0.81

LABA 65.34, 30.74, -53, 0.81

 

CMYK 25 / 30 / 0 / 0

HEX #B0A2FFCE

RGBA 176 162 255 0.81

HSLA 249.03, 1%, 0.82%, 0.81

LABA 71.07, 25.27, -44.41, 0.81

 

CMYK 20 / 24 / 0 / 0

HEX #C1B4FFCE

RGBA 193 180 255 0.81

HSLA 250.4, 1%, 0.85%, 0.81

LABA 76.8, 20.07, -35.39, 0.81

 

CMYK 37 / 41 / 0 / 11

HEX #786CDDCE

RGBA 120 108 221 0.81

HSLA 246.37, 0.62%, 0.65%, 0.81

LABA 51.77, 33.13, -56.49, 0.81

 

CMYK 40 / 45 / 0 / 17

HEX #675ACACE

RGBA 103 90 202 0.81

HSLA 246.96, 0.51%, 0.57%, 0.81

LABA 44.89, 34.51, -56.79, 0.81

 

CMYK 43 / 49 / 0 / 23

HEX #5648B7CE

RGBA 86 72 183 0.81

HSLA 247.57, 0.44%, 0.5%, 0.81

LABA 37.9, 36.08, -57.1, 0.81

 

CMYK 47 / 54 / 0 / 29

HEX #4536A4CE

RGBA 69 54 164 0.81

HSLA 248.18, 0.5%, 0.43%, 0.81

LABA 30.84, 37.82, -57.33, 0.81

 

CMYK 52 / 61 / 0 / 35

HEX #342491CE

RGBA 52 36 145 0.81

HSLA 248.81, 0.6%, 0.35%, 0.81

LABA 23.79, 39.64, -57.34, 0.81

 

CMYK 45 / 50 / 0 / 13

HEX #7A6EDD

RGB 122 110 221

HSL 246.49, 0.62%, 0.65%

LAB 52.41, 32.4, -55.45

 

CMYK 31 / 50 / 0 / 13

HEX #986EDD

RGB 152 110 221

HSL 262.7, 0.62%, 0.65%

LAB 55.12, 39.73, -50.96

 

CMYK 18 / 50 / 0 / 13

HEX #B66EDD

RGB 182 110 221

HSL 278.92, 0.62%, 0.65%

LAB 58.34, 47.66, -45.66

 

CMYK 4 / 50 / 0 / 13

HEX #D46EDD

RGB 212 110 221

HSL 295.14, 0.62%, 0.65%

LAB 61.97, 55.85, -39.69

 

CMYK 0 / 50 / 9 / 13

HEX #DD6EC9

RGB 221 110 201

HSL 310.81, 0.62%, 0.65%

LAB 62.29, 54.93, -27.86

 

CMYK 45 / 50 / 0 / 13

HEX #7A6EDD

RGB 122 110 221

HSL 246.49, 0.62%, 0.65%

LAB 52.41, 32.4, -55.45

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 45 / 50 / 0 / 13

HEX #7A6EDD

RGB 122 110 221

HSL 246.49, 0.62%, 0.65%

LAB 52.41, 32.4, -55.45

 

CMYK 53 / 59 / 0 / 7

HEX #6F60EC

RGB 111 96 236

HSL 246.43, 0.79%, 0.65%

LAB 49.25, 42.8, -69.03

 

CMYK 60 / 67 / 0 / 2

HEX #6352FA

RGB 99 82 250

HSL 246.07, 0.94%, 0.65%

LAB 46.43, 53.04, -81.51

 

CMYK 45 / 50 / 0 / 13

HEX #7A6EDD

RGB 122 110 221

HSL 246.49, 0.62%, 0.65%

LAB 52.41, 32.4, -55.45

 

CMYK 35 / 40 / 0 / 19

HEX #867DCF

RGB 134 125 207

HSL 246.59, 0.46%, 0.65%

LAB 56.33, 22.62, -41.26

 

CMYK 24 / 28 / 0 / 25

HEX #918BC0

RGB 145 139 192

HSL 246.79, 0.3%, 0.65%

LAB 60.15, 13.79, -26.75

 

CMYK 12 / 13 / 0 / 30

HEX #9C9AB2

RGB 156 154 178

HSL 245, 0.13%, 0.65%

LAB 64.48, 5.6, -12.19

 

CMYK 0 / 0 / 3 / 34

HEX #A8A8A3

RGB 168 168 163

HSL 60, 0.03%, 0.65%

LAB 68.73, -0.93, 2.57

 

CMYK 50 / 29 / 0 / 13

HEX #6E9EDD

RGB 110 158 221

HSL 214.05, 0.62%, 0.65%

LAB 64.15, 1.29, -36.93

 

CMYK 50 / 42 / 0 / 13

HEX #6E81DD

RGB 110 129 221

HSL 229.73, 0.62%, 0.65%

LAB 56.32, 18.29, -49.26

 

CMYK 45 / 50 / 0 / 13

HEX #796EDD

RGB 121 110 221

HSL 245.95, 0.62%, 0.65%

LAB 52.33, 32.18, -55.59

 

CMYK 32 / 50 / 0 / 13

HEX #976EDD

RGB 151 110 221

HSL 262.16, 0.62%, 0.65%

LAB 55.02, 39.48, -51.13

 

CMYK 18 / 50 / 0 / 13

HEX #B56EDD

RGB 181 110 221

HSL 278.38, 0.62%, 0.65%

LAB 58.22, 47.39, -45.85

 

CMYK 68 / 77 / 0 / 21

HEX #402FCA

RGB 64 47 202

HSL 246.58, 0.62%, 0.49%

LAB 32.67, 52.94, -76.87

 

CMYK 57 / 64 / 0 / 16

HEX #5B4DD5

RGB 91 77 213

HSL 246.18, 0.62%, 0.57%

LAB 41.75, 43.34, -68.26

 

CMYK 45 / 50 / 0 / 13

HEX #7A6EDD

RGB 122 110 221

HSL 246.49, 0.62%, 0.65%

LAB 52.41, 32.4, -55.45

 

CMYK 33 / 37 / 0 / 10

HEX #9990E5

RGB 153 144 229

HSL 246.35, 0.62%, 0.73%

LAB 63.65, 22.58, -41.94

 

CMYK 22 / 25 / 0 / 7

HEX #B8B1ED

RGB 184 177 237

HSL 247, 0.63%, 0.81%

LAB 74.67, 14.9, -29.03

 

CMYK 46 / 51 / 0 / 13

HEX #786CDD

RGB 120 108 221

HSL 246.37, 0.62%, 0.65%

LAB 51.77, 33.13, -56.49

 

CMYK 0 / 50 / 15 / 13

HEX #DD6EBC

RGB 221 110 188

HSL 317.84, 0.62%, 0.65%

LAB 61.79, 52.88, -21.26

 

CMYK 35 / 0 / 50 / 13

HEX #90DD6E

RGB 144 221 110

HSL 101.62, 0.62%, 0.65%

LAB 81.16, -43.58, 46.75

 

CMYK 46 / 51 / 0 / 13

HEX #786CDD

RGB 120 108 221

HSL 246.37, 0.62%, 0.65%

LAB 51.77, 33.13, -56.49

 

CMYK 0 / 45 / 50 / 13

HEX #DD796E

RGB 221 121 110

HSL 5.95, 0.62%, 0.65%

LAB 61.8, 37.68, 23.38

 

CMYK 50 / 0 / 45 / 13

HEX #6EDD79

RGB 110 221 121

HSL 125.95, 0.62%, 0.65%

LAB 79.85, -52.24, 39.46

 

CMYK 46 / 51 / 0 / 13

HEX #786CDD

RGB 120 108 221

HSL 246.37, 0.62%, 0.65%

LAB 51.77, 33.13, -56.49

 

CMYK 0 / 50 / 15 / 13

HEX #DD6EBC

RGB 221 110 188

HSL 317.84, 0.62%, 0.65%

LAB 61.79, 52.88, -21.26

 

CMYK 5 / 0 / 50 / 13

HEX #D2DD6E

RGB 210 221 110

HSL 65.95, 0.62%, 0.65%

LAB 85.27, -19.23, 52.66

 

CMYK 50 / 0 / 35 / 13

HEX #6EDD90

RGB 110 221 144

HSL 138.38, 0.62%, 0.65%

LAB 80.2, -48.53, 28.31

 

CMYK 46 / 51 / 0 / 13

HEX #786CDD

RGB 120 108 221

HSL 246.37, 0.62%, 0.65%

LAB 51.77, 33.13, -56.49

 

CMYK 0 / 50 / 30 / 13

HEX #DD6E9B

RGB 221 110 155

HSL 335.68, 0.62%, 0.65%

LAB 60.68, 48.21, -4.01

 

CMYK 5 / 0 / 50 / 13

HEX #D2DD6E

RGB 210 221 110

HSL 65.95, 0.62%, 0.65%

LAB 85.27, -19.23, 52.66

 

CMYK 50 / 0 / 20 / 13

HEX #6EDDB1

RGB 110 221 177

HSL 156.22, 0.62%, 0.65%

LAB 80.85, -42.07, 11.96

 

Description

Color code: HEX #786CDDCE | qconv.com Color code: HEX #786CDDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 108 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 108 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 41 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 41% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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