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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #786466 it is the complementary color #879B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #786466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #786466 shade: #7D6461, #8E7674, #9F8887, #B09A9A and #C1ACAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #786466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #786466 shade: #786466, #675253, #564040, #452E2D and #341C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #786466 shade: #786466 and #786464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #786466 shade: #786466, #78646B, #786470, #786476 and #746478

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #786466 shade matches the following richer shades: #786466, #895258, #9B4049, #AD2F3B and #BE1D2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #786466 shade: #786466, #667674, #548782, #429990 and #31AB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #786466 shade: #786470, #78646B, #786466, #786764 and #786C64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #786466 shade: #4B3E3F, #615153, #786466, #8E7779 and #A08E8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #786466 shade: #786466, #767864 and #646E78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #786466 shade: #786466, #667864 and #646678

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #786466 shade: #786466, #767864, #647876 and #666478

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #786466 shade: #786466, #707864, #647876 and #6C6478

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

Complementary color

CMYK 13 / 0 / 1 / 39

HEX #879B99

RGB 135 155 153

HSL 174, 0.09%, 0.57%

LAB 62.42, -7.46, -1.35

 

CMYK 0 / 20 / 22 / 51

HEX #7D6461

RGB 125 100 97

HSL 6.43, 0.13%, 0.44%

LAB 44.71, 9.54, 5.5

 

CMYK 0 / 17 / 18 / 44

HEX #8E7674

RGB 142 118 116

HSL 4.62, 0.1%, 0.51%

LAB 51.8, 8.99, 4.59

 

CMYK 0 / 14 / 15 / 38

HEX #9F8887

RGB 159 136 135

HSL 2.5, 0.11%, 0.58%

LAB 58.72, 8.52, 3.75

 

CMYK 0 / 13 / 13 / 31

HEX #B09A9A

RGB 176 154 154

HSL 0, 0.12%, 0.65%

LAB 65.49, 8.11, 2.98

 

CMYK 0 / 11 / 10 / 24

HEX #C1ACAD

RGB 193 172 173

HSL 357.14, 0.14%, 0.72%

LAB 72.13, 7.74, 2.25

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 20 / 19 / 60

HEX #675253

RGB 103 82 83

HSL 357.14, 0.11%, 0.36%

LAB 37.01, 8.9, 2.72

 

CMYK 0 / 26 / 26 / 66

HEX #564040

RGB 86 64 64

HSL 0, 0.15%, 0.29%

LAB 29.45, 9.57, 3.71

 

CMYK 0 / 33 / 35 / 73

HEX #452E2D

RGB 69 46 45

HSL 2.5, 0.21%, 0.22%

LAB 21.61, 10.41, 4.88

 

CMYK 0 / 46 / 50 / 80

HEX #341C1A

RGB 52 28 26

HSL 4.62, 0.33%, 0.15%

LAB 13.44, 11.54, 6.42

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 17 / 17 / 53

HEX #786464

RGB 120 100 100

HSL 0, 0.09%, 0.43%

LAB 44.27, 8, 2.99

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 17 / 11 / 53

HEX #78646B

RGB 120 100 107

HSL 339, 0.09%, 0.43%

LAB 44.47, 9.28, -0.96

 

CMYK 0 / 17 / 7 / 53

HEX #786470

RGB 120 100 112

HSL 324, 0.09%, 0.43%

LAB 44.63, 10.23, -3.76

 

CMYK 0 / 17 / 2 / 53

HEX #786476

RGB 120 100 118

HSL 306, 0.09%, 0.43%

LAB 44.82, 11.43, -7.09

 

CMYK 3 / 17 / 0 / 53

HEX #746478

RGB 116 100 120

HSL 288, 0.09%, 0.43%

LAB 44.49, 10.34, -8.83

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 40 / 36 / 46

HEX #895258

RGB 137 82 88

HSL 353.45, 0.25%, 0.43%

LAB 41.31, 23.76, 6.33

 

CMYK 0 / 59 / 53 / 39

HEX #9B4049

RGB 155 64 73

HSL 354.07, 0.42%, 0.43%

LAB 39.78, 38.81, 13.9

 

CMYK 0 / 73 / 66 / 32

HEX #AD2F3B

RGB 173 47 59

HSL 354.29, 0.57%, 0.43%

LAB 39.97, 51.31, 23.46

 

CMYK 0 / 85 / 76 / 25

HEX #BE1D2D

RGB 190 29 45

HSL 354.04, 0.74%, 0.43%

LAB 41.24, 60.96, 34.29

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 14 / 0 / 2 / 54

HEX #667674

RGB 102 118 116

HSL 172.5, 0.07%, 0.43%

LAB 48.31, -6.35, -0.91

 

CMYK 38 / 0 / 4 / 47

HEX #548782

RGB 84 135 130

HSL 174.12, 0.23%, 0.43%

LAB 52.76, -18.29, -2.73

 

CMYK 57 / 0 / 6 / 40

HEX #429990

RGB 66 153 144

HSL 173.79, 0.4%, 0.43%

LAB 57.99, -28.28, -3.16

 

CMYK 71 / 0 / 7 / 33

HEX #31AB9F

RGB 49 171 159

HSL 174.1, 0.55%, 0.43%

LAB 63.58, -35.6, -3.45

 

CMYK 0 / 17 / 7 / 53

HEX #786470

RGB 120 100 112

HSL 324, 0.09%, 0.43%

LAB 44.63, 10.23, -3.76

 

CMYK 0 / 17 / 11 / 53

HEX #78646B

RGB 120 100 107

HSL 339, 0.09%, 0.43%

LAB 44.47, 9.28, -0.96

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 14 / 17 / 53

HEX #786764

RGB 120 103 100

HSL 9, 0.09%, 0.43%

LAB 45.1, 6.21, 4.18

 

CMYK 0 / 10 / 17 / 53

HEX #786C64

RGB 120 108 100

HSL 24, 0.09%, 0.43%

LAB 46.5, 3.25, 6.18

 

CMYK 0 / 17 / 16 / 71

HEX #4B3E3F

RGB 75 62 63

HSL 355.38, 0.09%, 0.27%

LAB 27.57, 5.83, 1.49

 

CMYK 0 / 16 / 14 / 62

HEX #615153

RGB 97 81 83

HSL 352.5, 0.09%, 0.35%

LAB 36.08, 7.01, 1.3

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 0 / 16 / 15 / 44

HEX #8E7779

RGB 142 119 121

HSL 354.78, 0.09%, 0.51%

LAB 52.2, 9.27, 2.23

 

CMYK 0 / 11 / 11 / 37

HEX #A08E8F

RGB 160 142 143

HSL 356.67, 0.09%, 0.59%

LAB 60.61, 6.9, 1.92

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 2 / 0 / 17 / 53

HEX #767864

RGB 118 120 100

HSL 66, 0.09%, 0.43%

LAB 49.74, -4.52, 10.75

 

CMYK 17 / 8 / 0 / 53

HEX #646E78

RGB 100 110 120

HSL 210, 0.09%, 0.43%

LAB 45.93, -1.5, -6.83

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 15 / 0 / 17 / 53

HEX #667864

RGB 102 120 100

HSL 114, 0.09%, 0.43%

LAB 48.48, -10.8, 8.79

 

CMYK 17 / 15 / 0 / 53

HEX #646678

RGB 100 102 120

HSL 234, 0.09%, 0.43%

LAB 43.61, 3.28, -10.31

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 2 / 0 / 17 / 53

HEX #767864

RGB 118 120 100

HSL 66, 0.09%, 0.43%

LAB 49.74, -4.52, 10.75

 

CMYK 17 / 0 / 2 / 53

HEX #647876

RGB 100 120 118

HSL 174, 0.09%, 0.43%

LAB 48.82, -7.76, -1.36

 

CMYK 15 / 17 / 0 / 53

HEX #666478

RGB 102 100 120

HSL 246, 0.09%, 0.43%

LAB 43.2, 5.21, -10.9

 

CMYK 0 / 17 / 15 / 53

HEX #786466

RGB 120 100 102

HSL 354, 0.09%, 0.43%

LAB 44.33, 8.36, 1.86

 

CMYK 7 / 0 / 17 / 53

HEX #707864

RGB 112 120 100

HSL 84, 0.09%, 0.43%

LAB 49.25, -6.92, 9.98

 

CMYK 17 / 0 / 2 / 53

HEX #647876

RGB 100 120 118

HSL 174, 0.09%, 0.43%

LAB 48.82, -7.76, -1.36

 

CMYK 10 / 17 / 0 / 53

HEX #6C6478

RGB 108 100 120

HSL 264, 0.09%, 0.43%

LAB 43.74, 7.39, -10.04

 

Description

Color code: HEX #786466 | qconv.com Color code: HEX #786466 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 100 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 100 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 15 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 15% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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