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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #786348 it is the complementary color #879CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #786348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #786348 shade: #7D6343, #8E7556, #9F8769, #B0997C and #C1AB8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #786348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #786348 shade: #786348, #675135, #563F22, #452D0F and #341B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #786348 shade: #796449, #795749, #794A49 and #794949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #786348 shade: #796449, #797149, #747949, #677949 and #5A7949

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #786348 shade matches the following richer shades: #796449, #896639, #986829, #A86A1A and #B86C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #786348 shade: #796449, #696258, #5A6068, #4A5E78 and #3A5C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #786348 shade: #794949, #795649, #796349, #797049 and #757949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #786348 shade: #46392A, #5F4F39, #796449, #937958 and #A78E6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #786348 shade: #786348, #557949 and #504979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #786348 shade: #786348, #497963 and #634979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #786348 shade: #786348, #557949, #495E79 and #6D4979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #786348 shade: #786348, #49794B, #495E79 and #794977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

Complementary color

CMYK 26 / 15 / 0 / 28

HEX #879CB7

RGB 135 156 183

HSL 213.75, 0.25%, 0.62%

LAB 63.63, -1.18, -16.43

 

CMYK 0 / 21 / 46 / 51

HEX #7D6343

RGB 125 99 67

HSL 33.1, 0.3%, 0.38%

LAB 43.78, 5.95, 22.13

 

CMYK 0 / 18 / 39 / 44

HEX #8E7556

RGB 142 117 86

HSL 33.21, 0.25%, 0.45%

LAB 50.86, 5.18, 20.77

 

CMYK 0 / 15 / 34 / 38

HEX #9F8769

RGB 159 135 105

HSL 33.33, 0.22%, 0.52%

LAB 57.77, 4.56, 19.53

 

CMYK 0 / 13 / 30 / 31

HEX #B0997C

RGB 176 153 124

HSL 33.46, 0.25%, 0.59%

LAB 64.54, 4.04, 18.39

 

CMYK 0 / 11 / 26 / 24

HEX #C1AB8F

RGB 193 171 143

HSL 33.6, 0.29%, 0.66%

LAB 71.18, 3.6, 17.35

 

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

CMYK 0 / 21 / 49 / 60

HEX #675135

RGB 103 81 53

HSL 33.6, 0.32%, 0.31%

LAB 36.03, 5.11, 19.92

 

CMYK 0 / 27 / 60 / 66

HEX #563F22

RGB 86 63 34

HSL 33.46, 0.43%, 0.24%

LAB 28.51, 6.17, 21.51

 

CMYK 0 / 35 / 78 / 73

HEX #452D0F

RGB 69 45 15

HSL 33.33, 0.64%, 0.16%

LAB 20.74, 7.66, 23.14

 

CMYK 0 / 48 / 100 / 80

HEX #341B00

RGB 52 27 0

HSL 31.15, 1%, 0.1%

LAB 12.7, 9.78, 19.07

 

CMYK 0 / 17 / 40 / 53

HEX #796449

RGB 121 100 73

HSL 33.75, 0.25%, 0.38%

LAB 43.74, 4.3, 18.47

 

CMYK 0 / 28 / 40 / 53

HEX #795749

RGB 121 87 73

HSL 17.5, 0.25%, 0.38%

LAB 40.18, 12.07, 13.67

 

CMYK 0 / 39 / 40 / 53

HEX #794A49

RGB 121 74 73

HSL 1.25, 0.25%, 0.38%

LAB 36.82, 19.87, 9.03

 

CMYK 0 / 40 / 40 / 53

HEX #794949

RGB 121 73 73

HSL 0, 0.25%, 0.38%

LAB 36.58, 20.46, 8.68

 

CMYK 0 / 17 / 40 / 53

HEX #796449

RGB 121 100 73

HSL 33.75, 0.25%, 0.38%

LAB 43.74, 4.3, 18.47

 

CMYK 0 / 7 / 40 / 53

HEX #797149

RGB 121 113 73

HSL 50, 0.25%, 0.38%

LAB 47.44, -3.28, 23.33

 

CMYK 4 / 0 / 40 / 53

HEX #747949

RGB 116 121 73

HSL 66.25, 0.25%, 0.38%

LAB 49.34, -9.97, 25.69

 

CMYK 15 / 0 / 40 / 53

HEX #677949

RGB 103 121 73

HSL 82.5, 0.25%, 0.38%

LAB 48.31, -15.46, 24.17

 

CMYK 26 / 0 / 40 / 53

HEX #5A7949

RGB 90 121 73

HSL 98.75, 0.25%, 0.38%

LAB 47.4, -20.69, 22.82

 

CMYK 0 / 17 / 40 / 53

HEX #796449

RGB 121 100 73

HSL 33.75, 0.25%, 0.38%

LAB 43.74, 4.3, 18.47

 

CMYK 0 / 26 / 58 / 46

HEX #896639

RGB 137 102 57

HSL 33.75, 0.41%, 0.38%

LAB 45.79, 8.61, 30.62

 

CMYK 0 / 32 / 73 / 40

HEX #986829

RGB 152 104 41

HSL 34.05, 0.58%, 0.38%

LAB 47.93, 13.17, 41.77

 

CMYK 0 / 37 / 85 / 34

HEX #A86A1A

RGB 168 106 26

HSL 33.8, 0.73%, 0.38%

LAB 50.34, 18.64, 51.06

 

CMYK 0 / 41 / 95 / 28

HEX #B86C0A

RGB 184 108 10

HSL 33.79, 0.9%, 0.38%

LAB 52.88, 24.24, 58.35

 

CMYK 0 / 17 / 40 / 53

HEX #796449

RGB 121 100 73

HSL 33.75, 0.25%, 0.38%

LAB 43.74, 4.3, 18.47

 

CMYK 0 / 7 / 16 / 59

HEX #696258

RGB 105 98 88

HSL 35.29, 0.09%, 0.38%

LAB 41.91, 0.9, 6.69

 

CMYK 13 / 8 / 0 / 59

HEX #5A6068

RGB 90 96 104

HSL 214.29, 0.07%, 0.38%

LAB 40.47, -0.51, -5.35

 

CMYK 38 / 22 / 0 / 53

HEX #4A5E78

RGB 74 94 120

HSL 213.91, 0.24%, 0.38%

LAB 39.27, -0.5, -17.09

 

CMYK 57 / 32 / 0 / 47

HEX #3A5C87

RGB 58 92 135

HSL 213.51, 0.4%, 0.38%

LAB 38.38, 1.21, -27.7

 

CMYK 0 / 40 / 40 / 53

HEX #794949

RGB 121 73 73

HSL 0, 0.25%, 0.38%

LAB 36.58, 20.46, 8.68

 

CMYK 0 / 29 / 40 / 53

HEX #795649

RGB 121 86 73

HSL 16.25, 0.25%, 0.38%

LAB 39.92, 12.67, 13.31

 

CMYK 0 / 18 / 40 / 53

HEX #796349

RGB 121 99 73

HSL 32.5, 0.25%, 0.38%

LAB 43.46, 4.89, 18.1

 

CMYK 0 / 7 / 40 / 53

HEX #797049

RGB 121 112 73

HSL 48.75, 0.25%, 0.38%

LAB 47.15, -2.71, 22.96

 

CMYK 3 / 0 / 40 / 53

HEX #757949

RGB 117 121 73

HSL 65, 0.25%, 0.38%

LAB 49.42, -9.54, 25.82

 

CMYK 0 / 19 / 40 / 73

HEX #46392A

RGB 70 57 42

HSL 32.14, 0.25%, 0.22%

LAB 24.94, 3.17, 11.5

 

CMYK 0 / 17 / 40 / 63

HEX #5F4F39

RGB 95 79 57

HSL 34.74, 0.25%, 0.3%

LAB 34.64, 3.13, 15.49

 

CMYK 0 / 17 / 40 / 53

HEX #796449

RGB 121 100 73

HSL 33.75, 0.25%, 0.38%

LAB 43.74, 4.3, 18.47

 

CMYK 0 / 18 / 40 / 42

HEX #937958

RGB 147 121 88

HSL 33.56, 0.25%, 0.46%

LAB 52.49, 5.28, 21.88

 

CMYK 0 / 15 / 35 / 35

HEX #A78E6D

RGB 167 142 109

HSL 34.14, 0.25%, 0.54%

LAB 60.49, 4.47, 21.09

 

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

CMYK 30 / 0 / 40 / 53

HEX #557949

RGB 85 121 73

HSL 105, 0.25%, 0.38%

LAB 47.09, -22.6, 22.34

 

CMYK 34 / 40 / 0 / 53

HEX #504979

RGB 80 73 121

HSL 248.75, 0.25%, 0.38%

LAB 33.67, 14.99, -26.36

 

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

CMYK 40 / 0 / 18 / 53

HEX #497963

RGB 73 121 99

HSL 152.5, 0.25%, 0.38%

LAB 46.96, -21.7, 6.98

 

CMYK 18 / 40 / 0 / 53

HEX #634979

RGB 99 73 121

HSL 272.5, 0.25%, 0.38%

LAB 35.59, 21.13, -23.22

 

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

CMYK 30 / 0 / 40 / 53

HEX #557949

RGB 85 121 73

HSL 105, 0.25%, 0.38%

LAB 47.09, -22.6, 22.34

 

CMYK 40 / 22 / 0 / 53

HEX #495E79

RGB 73 94 121

HSL 213.75, 0.25%, 0.38%

LAB 39.25, -0.51, -17.75

 

CMYK 10 / 40 / 0 / 53

HEX #6D4979

RGB 109 73 121

HSL 285, 0.25%, 0.38%

LAB 36.74, 24.49, -21.35

 

CMYK 0 / 18 / 40 / 53

HEX #786348

RGB 120 99 72

HSL 33.75, 0.25%, 0.38%

LAB 43.34, 4.32, 18.51

 

CMYK 40 / 0 / 38 / 53

HEX #49794B

RGB 73 121 75

HSL 122.5, 0.25%, 0.38%

LAB 46.44, -26.57, 20.23

 

CMYK 40 / 22 / 0 / 53

HEX #495E79

RGB 73 94 121

HSL 213.75, 0.25%, 0.38%

LAB 39.25, -0.51, -17.75

 

CMYK 0 / 40 / 2 / 53

HEX #794977

RGB 121 73 119

HSL 302.5, 0.25%, 0.38%

LAB 38.13, 28.18, -17.84

 

Description

Color code: HEX #786348 | qconv.com Color code: HEX #786348 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 99 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 99 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 40 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 40% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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