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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7859DF it is the complementary color #87A620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7859DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7859DF shade: #7D59DA, #8E6BED, #9F7DFF, #B08FFF and #C1A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7859DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7859DF shade: #7859DF, #6747CC, #5635B9, #4523A6 and #341193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7859DF shade: #7758DF, #9C58DF, #C058DF, #DF58DA and #DF58B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7859DF shade: #7758DF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7859DF shade matches the following richer shades: #7758DF and #6F48EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7859DF shade: #7758DF, #8068CF, #8978BF, #9188AF and #9A989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7859DF shade: #5883DF, #585FDF, #7558DF, #9958DF and #BD58DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7859DF shade: #4925C0, #5B35D9, #7758DF, #937BE6 and #B09DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7859DF shade: #7859DF, #DF58A7 and #71DF58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7859DF shade: #7859DF, #DF7558 and #58DF75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7859DF shade: #7859DF, #DF58A7, #C2DF58 and #58DF90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7859DF shade: #7859DF, #DF587E, #C2DF58 and #58DFB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

Complementary color

CMYK 19 / 0 / 81 / 35

HEX #87A620

RGB 135 166 32

HSL 73.88, 0.68%, 0.39%

LAB 63.78, -28.32, 59.84

 

CMYK 43 / 59 / 0 / 15

HEX #7D59DA

RGB 125 89 218

HSL 256.74, 0.64%, 0.6%

LAB 47.71, 44.4, -61.3

 

CMYK 40 / 55 / 0 / 7

HEX #8E6BED

RGB 142 107 237

HSL 256.15, 0.78%, 0.67%

LAB 54.43, 43.17, -61.1

 

CMYK 38 / 51 / 0 / 0

HEX #9F7DFF

RGB 159 125 255

HSL 255.69, 1%, 0.75%

LAB 61.01, 41.76, -60.44

 

CMYK 31 / 44 / 0 / 0

HEX #B08FFF

RGB 176 143 255

HSL 257.68, 1%, 0.78%

LAB 66.59, 35.93, -51.46

 

CMYK 24 / 37 / 0 / 0

HEX #C1A1FF

RGB 193 161 255

HSL 260.43, 1%, 0.82%

LAB 72.26, 30.56, -42.45

 

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

CMYK 50 / 65 / 0 / 20

HEX #6747CC

RGB 103 71 204

HSL 254.44, 0.57%, 0.54%

LAB 40.82, 46.15, -64.55

 

CMYK 54 / 71 / 0 / 27

HEX #5635B9

RGB 86 53 185

HSL 255, 0.55%, 0.47%

LAB 34.04, 47.54, -64.57

 

CMYK 58 / 79 / 0 / 35

HEX #4523A6

RGB 69 35 166

HSL 255.57, 0.65%, 0.39%

LAB 27.35, 48.69, -64.26

 

CMYK 65 / 88 / 0 / 42

HEX #341193

RGB 52 17 147

HSL 256.15, 0.79%, 0.32%

LAB 20.97, 49.05, -63.24

 

CMYK 47 / 61 / 0 / 13

HEX #7758DF

RGB 119 88 223

HSL 253.78, 0.68%, 0.61%

LAB 47.27, 45.12, -64.87

 

CMYK 30 / 61 / 0 / 13

HEX #9C58DF

RGB 156 88 223

HSL 270.22, 0.68%, 0.61%

LAB 51.12, 53.06, -58.47

 

CMYK 14 / 61 / 0 / 13

HEX #C058DF

RGB 192 88 223

HSL 286.22, 0.68%, 0.61%

LAB 55.6, 61.49, -51.06

 

CMYK 0 / 61 / 2 / 13

HEX #DF58DA

RGB 223 88 218

HSL 302.22, 0.68%, 0.61%

LAB 59.64, 68.15, -41.56

 

CMYK 0 / 61 / 19 / 13

HEX #DF58B5

RGB 223 88 181

HSL 318.67, 0.68%, 0.61%

LAB 58.04, 62.49, -22.96

 

CMYK 47 / 61 / 0 / 13

HEX #7758DF

RGB 119 88 223

HSL 253.78, 0.68%, 0.61%

LAB 47.27, 45.12, -64.87

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 47 / 61 / 0 / 13

HEX #7758DF

RGB 119 88 223

HSL 253.78, 0.68%, 0.61%

LAB 47.27, 45.12, -64.87

 

CMYK 54 / 70 / 0 / 6

HEX #6F48EF

RGB 111 72 239

HSL 254.01, 0.84%, 0.61%

LAB 44.58, 56.87, -78.33

 

CMYK 47 / 61 / 0 / 13

HEX #7758DF

RGB 119 88 223

HSL 253.78, 0.68%, 0.61%

LAB 47.27, 45.12, -64.87

 

CMYK 38 / 50 / 0 / 19

HEX #8068CF

RGB 128 104 207

HSL 253.98, 0.52%, 0.61%

LAB 50.68, 33.43, -50.24

 

CMYK 28 / 37 / 0 / 25

HEX #8978BF

RGB 137 120 191

HSL 254.37, 0.36%, 0.61%

LAB 54.57, 22.21, -34.91

 

CMYK 17 / 22 / 0 / 31

HEX #9188AF

RGB 145 136 175

HSL 253.85, 0.2%, 0.61%

LAB 58.72, 11.5, -19.3

 

CMYK 3 / 4 / 0 / 38

HEX #9A989F

RGB 154 152 159

HSL 257.14, 0.04%, 0.61%

LAB 63.2, 2.09, -3.41

 

CMYK 61 / 41 / 0 / 13

HEX #5883DF

RGB 88 131 223

HSL 220.89, 0.68%, 0.61%

LAB 55.72, 13.17, -51.42

 

CMYK 61 / 57 / 0 / 13

HEX #585FDF

RGB 88 95 223

HSL 236.89, 0.68%, 0.61%

LAB 46.43, 35.26, -66.36

 

CMYK 48 / 61 / 0 / 13

HEX #7558DF

RGB 117 88 223

HSL 252.89, 0.68%, 0.61%

LAB 47.09, 44.72, -65.18

 

CMYK 31 / 61 / 0 / 13

HEX #9958DF

RGB 153 88 223

HSL 268.89, 0.68%, 0.61%

LAB 50.78, 52.38, -59.04

 

CMYK 15 / 61 / 0 / 13

HEX #BD58DF

RGB 189 88 223

HSL 284.89, 0.68%, 0.61%

LAB 55.2, 60.78, -51.71

 

CMYK 62 / 81 / 0 / 25

HEX #4925C0

RGB 73 37 192

HSL 253.94, 0.68%, 0.45%

LAB 30.75, 55.61, -74.16

 

CMYK 58 / 76 / 0 / 15

HEX #5B35D9

RGB 91 53 217

HSL 253.9, 0.68%, 0.53%

LAB 37.44, 57.36, -77.61

 

CMYK 47 / 61 / 0 / 13

HEX #7758DF

RGB 119 88 223

HSL 253.78, 0.68%, 0.61%

LAB 47.27, 45.12, -64.87

 

CMYK 36 / 47 / 0 / 10

HEX #937BE6

RGB 147 123 230

HSL 253.46, 0.68%, 0.69%

LAB 58.11, 33.37, -51.27

 

CMYK 25 / 33 / 0 / 7

HEX #B09DEC

RGB 176 157 236

HSL 254.43, 0.68%, 0.77%

LAB 69.04, 23.44, -37.23

 

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

CMYK 0 / 61 / 25 / 13

HEX #DF58A7

RGB 223 88 167

HSL 324.89, 0.68%, 0.61%

LAB 57.52, 60.58, -15.66

 

CMYK 49 / 0 / 61 / 13

HEX #71DF58

RGB 113 223 88

HSL 108.89, 0.68%, 0.61%

LAB 80.17, -56.3, 55.26

 

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

CMYK 0 / 48 / 61 / 13

HEX #DF7558

RGB 223 117 88

HSL 12.89, 0.68%, 0.61%

LAB 60.88, 38.73, 34.53

 

CMYK 61 / 0 / 48 / 13

HEX #58DF75

RGB 88 223 117

HSL 132.89, 0.68%, 0.61%

LAB 79.69, -58.84, 41.07

 

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

CMYK 0 / 61 / 25 / 13

HEX #DF58A7

RGB 223 88 167

HSL 324.89, 0.68%, 0.61%

LAB 57.52, 60.58, -15.66

 

CMYK 13 / 0 / 61 / 13

HEX #C2DF58

RGB 194 223 88

HSL 72.89, 0.68%, 0.61%

LAB 84.46, -28.31, 61.22

 

CMYK 61 / 0 / 35 / 13

HEX #58DF90

RGB 88 223 144

HSL 144.89, 0.68%, 0.61%

LAB 80.1, -54.34, 28.05

 

CMYK 46 / 60 / 0 / 13

HEX #7859DF

RGB 120 89 223

HSL 253.88, 0.68%, 0.61%

LAB 47.58, 44.75, -64.37

 

CMYK 0 / 61 / 43 / 13

HEX #DF587E

RGB 223 88 126

HSL 343.11, 0.68%, 0.61%

LAB 56.26, 55.86, 6.49

 

CMYK 13 / 0 / 61 / 13

HEX #C2DF58

RGB 194 223 88

HSL 72.89, 0.68%, 0.61%

LAB 84.46, -28.31, 61.22

 

CMYK 61 / 0 / 17 / 13

HEX #58DFB9

RGB 88 223 185

HSL 163.11, 0.68%, 0.61%

LAB 80.93, -45.74, 7.75

 

Description

Color code: HEX #7859DF | qconv.com Color code: HEX #7859DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 89 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 89 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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