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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7857BF it is the complementary color #87A840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7857BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7857BF shade: #7D57BA, #8E69CD, #9F7BE0, #B08DF3 and #C19FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7857BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7857BF shade: #7857BF, #6745AC, #563399, #452186 and #340F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7857BF shade: #7959C0, #9559C0, #B159C0, #C059B3 and #C05997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7857BF shade: #7959C0, #5E59C0 and #5959C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7857BF shade matches the following richer shades: #7959C0, #7346D2, #6C33E5 and #6521F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7857BF shade: #7959C0, #806BAD, #877E9B, #8E9088 and #95A376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7857BF shade: #596FC0, #5E59C0, #7959C0, #9559C0 and #B059C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7857BF shade: #533690, #6442AD, #7959C0, #9177CB and #A994D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7857BF shade: #7857BF, #C0598B and #61C059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7857BF shade: #7857BF, #C07959 and #59C079

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7857BF shade: #7857BF, #C0598B, #9FC059 and #59C08E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7857BF shade: #7857BF, #C0596C, #9FC059 and #59C0AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

Complementary color

CMYK 20 / 0 / 62 / 34

HEX #87A840

RGB 135 168 64

HSL 79.04, 0.45%, 0.45%

LAB 64.58, -27.33, 48.68

 

CMYK 33 / 53 / 0 / 27

HEX #7D57BA

RGB 125 87 186

HSL 263.03, 0.42%, 0.54%

LAB 45.25, 36.95, -46.83

 

CMYK 31 / 49 / 0 / 20

HEX #8E69CD

RGB 142 105 205

HSL 262.2, 0.5%, 0.61%

LAB 52.13, 35.93, -46.71

 

CMYK 29 / 45 / 0 / 12

HEX #9F7BE0

RGB 159 123 224

HSL 261.39, 0.62%, 0.68%

LAB 58.9, 34.98, -46.61

 

CMYK 28 / 42 / 0 / 5

HEX #B08DF3

RGB 176 141 243

HSL 260.59, 0.81%, 0.75%

LAB 65.55, 34.11, -46.53

 

CMYK 24 / 38 / 0 / 0

HEX #C19FFF

RGB 193 159 255

HSL 261.25, 1%, 0.81%

LAB 71.79, 31.67, -43.17

 

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

CMYK 40 / 60 / 0 / 33

HEX #6745AC

RGB 103 69 172

HSL 259.81, 0.43%, 0.47%

LAB 38.05, 38.22, -50.26

 

CMYK 44 / 67 / 0 / 40

HEX #563399

RGB 86 51 153

HSL 260.59, 0.5%, 0.4%

LAB 30.99, 39.43, -50.35

 

CMYK 49 / 75 / 0 / 47

HEX #452186

RGB 69 33 134

HSL 261.39, 0.6%, 0.33%

LAB 23.92, 40.5, -50.22

 

CMYK 55 / 87 / 0 / 55

HEX #340F73

RGB 52 15 115

HSL 262.2, 0.77%, 0.25%

LAB 17.03, 40.89, -49.5

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 22 / 54 / 0 / 25

HEX #9559C0

RGB 149 89 192

HSL 274.95, 0.45%, 0.55%

LAB 48.69, 43.58, -44.68

 

CMYK 8 / 54 / 0 / 25

HEX #B159C0

RGB 177 89 192

HSL 291.26, 0.45%, 0.55%

LAB 52.17, 51.13, -38.93

 

CMYK 0 / 54 / 7 / 25

HEX #C059B3

RGB 192 89 179

HSL 307.57, 0.45%, 0.55%

LAB 53.61, 52.97, -29.03

 

CMYK 0 / 54 / 21 / 25

HEX #C05997

RGB 192 89 151

HSL 323.88, 0.45%, 0.55%

LAB 52.49, 48.56, -14.36

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 51 / 54 / 0 / 25

HEX #5E59C0

RGB 94 89 192

HSL 242.91, 0.45%, 0.55%

LAB 43.26, 30.13, -53.67

 

CMYK 54 / 54 / 0 / 25

HEX #5959C0

RGB 89 89 192

HSL 240, 0.45%, 0.55%

LAB 42.88, 29.08, -54.31

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 45 / 67 / 0 / 18

HEX #7346D2

RGB 115 70 210

HSL 259.29, 0.61%, 0.55%

LAB 42.27, 50.58, -65.58

 

CMYK 53 / 78 / 0 / 10

HEX #6C33E5

RGB 108 51 229

HSL 259.21, 0.77%, 0.55%

LAB 39.94, 63.6, -80.31

 

CMYK 59 / 87 / 0 / 3

HEX #6521F8

RGB 101 33 248

HSL 258.98, 0.94%, 0.55%

LAB 38.95, 74.05, -92.71

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 26 / 38 / 0 / 32

HEX #806BAD

RGB 128 107 173

HSL 259.09, 0.29%, 0.55%

LAB 49.64, 22.66, -32.28

 

CMYK 13 / 19 / 0 / 39

HEX #877E9B

RGB 135 126 155

HSL 258.62, 0.13%, 0.55%

LAB 54.49, 9.4, -14.3

 

CMYK 1 / 0 / 6 / 44

HEX #8E9088

RGB 142 144 136

HSL 75, 0.03%, 0.55%

LAB 59.41, -2.26, 3.99

 

CMYK 9 / 0 / 28 / 36

HEX #95A376

RGB 149 163 118

HSL 78.67, 0.2%, 0.55%

LAB 64.88, -12.92, 21.79

 

CMYK 54 / 42 / 0 / 25

HEX #596FC0

RGB 89 111 192

HSL 227.18, 0.45%, 0.55%

LAB 48.63, 15.38, -45.08

 

CMYK 51 / 54 / 0 / 25

HEX #5E59C0

RGB 94 89 192

HSL 242.91, 0.45%, 0.55%

LAB 43.26, 30.13, -53.67

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 22 / 54 / 0 / 25

HEX #9559C0

RGB 149 89 192

HSL 274.95, 0.45%, 0.55%

LAB 48.69, 43.58, -44.68

 

CMYK 8 / 54 / 0 / 25

HEX #B059C0

RGB 176 89 192

HSL 290.68, 0.45%, 0.55%

LAB 52.04, 50.86, -39.15

 

CMYK 42 / 63 / 0 / 44

HEX #533690

RGB 83 54 144

HSL 259.33, 0.45%, 0.39%

LAB 30.62, 34.47, -45.45

 

CMYK 42 / 62 / 0 / 32

HEX #6442AD

RGB 100 66 173

HSL 259.07, 0.45%, 0.47%

LAB 37.16, 39.55, -52.32

 

CMYK 37 / 54 / 0 / 25

HEX #7959C0

RGB 121 89 192

HSL 258.64, 0.45%, 0.55%

LAB 45.66, 36.38, -49.69

 

CMYK 29 / 41 / 0 / 20

HEX #9177CB

RGB 145 119 203

HSL 258.57, 0.45%, 0.63%

LAB 55.61, 28.15, -40.06

 

CMYK 21 / 31 / 0 / 16

HEX #A994D7

RGB 169 148 215

HSL 258.81, 0.46%, 0.71%

LAB 65.37, 21.49, -31.39

 

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

CMYK 0 / 54 / 28 / 25

HEX #C0598B

RGB 192 89 139

HSL 330.87, 0.45%, 0.55%

LAB 52.08, 46.87, -7.88

 

CMYK 49 / 0 / 54 / 25

HEX #61C059

RGB 97 192 89

HSL 115.34, 0.45%, 0.55%

LAB 70.15, -48.5, 42.97

 

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

CMYK 0 / 37 / 54 / 25

HEX #C07959

RGB 192 121 89

HSL 18.64, 0.45%, 0.55%

LAB 57.66, 24.37, 29.04

 

CMYK 54 / 0 / 37 / 25

HEX #59C079

RGB 89 192 121

HSL 138.64, 0.45%, 0.55%

LAB 70.32, -45.75, 26.93

 

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

CMYK 0 / 54 / 28 / 25

HEX #C0598B

RGB 192 89 139

HSL 330.87, 0.45%, 0.55%

LAB 52.08, 46.87, -7.88

 

CMYK 17 / 0 / 54 / 25

HEX #9FC059

RGB 159 192 89

HSL 79.22, 0.45%, 0.55%

LAB 73.41, -27.17, 47.64

 

CMYK 54 / 0 / 26 / 25

HEX #59C08E

RGB 89 192 142

HSL 150.87, 0.45%, 0.55%

LAB 70.72, -41.67, 16.28

 

CMYK 37 / 54 / 0 / 25

HEX #7857BF

RGB 120 87 191

HSL 259.04, 0.45%, 0.55%

LAB 45.04, 37.03, -50.1

 

CMYK 0 / 54 / 44 / 25

HEX #C0596C

RGB 192 89 108

HSL 348.93, 0.45%, 0.55%

LAB 51.19, 43.14, 9.3

 

CMYK 17 / 0 / 54 / 25

HEX #9FC059

RGB 159 192 89

HSL 79.22, 0.45%, 0.55%

LAB 73.41, -27.17, 47.64

 

CMYK 54 / 0 / 10 / 25

HEX #59C0AD

RGB 89 192 173

HSL 168.93, 0.45%, 0.55%

LAB 71.45, -34.56, 0.49

 

Description

Color code: HEX #7857BF | qconv.com Color code: HEX #7857BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 87 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 87 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 54 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 54% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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