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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784FE1 it is the complementary color #87B01E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784FE1 shade: #7D4FDC, #8E61EF, #9F73FF, #B085FF and #C197FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784FE1 shade: #784FE1, #673DCE, #562BBB, #4519A8 and #340795

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784FE1 shade: #7951E1, #A051E1, #C751E1, #E151D4 and #E151AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784FE1 shade: #7951E1, #5251E1 and #5151E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784FE1 shade matches the following richer shades: #7951E1 and #7240F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784FE1 shade: #7951E1, #8061D1, #8872C0, #8F82B0 and #96939F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784FE1 shade: #5177E1, #5151E1, #7751E1, #9E51E1 and #C451E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784FE1 shade: #4D20BF, #5E2DDB, #7951E1, #9474E7 and #AF97ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784FE1 shade: #784FE1, #E1519E and #64E151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784FE1 shade: #784FE1, #E17751 and #51E177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784FE1 shade: #784FE1, #E1519E, #BBE151 and #51E194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784FE1 shade: #784FE1, #E15172, #BBE151 and #51E1C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

Complementary color

CMYK 23 / 0 / 83 / 31

HEX #87B01E

RGB 135 176 30

HSL 76.85, 0.71%, 0.4%

LAB 66.74, -33.12, 63.02

 

CMYK 43 / 64 / 0 / 14

HEX #7D4FDC

RGB 125 79 220

HSL 259.57, 0.67%, 0.59%

LAB 45.8, 50.41, -65.54

 

CMYK 41 / 59 / 0 / 6

HEX #8E61EF

RGB 142 97 239

HSL 259.01, 0.82%, 0.66%

LAB 52.43, 49.24, -65.43

 

CMYK 38 / 55 / 0 / 0

HEX #9F73FF

RGB 159 115 255

HSL 258.86, 1%, 0.73%

LAB 58.84, 47.31, -63.92

 

CMYK 31 / 48 / 0 / 0

HEX #B085FF

RGB 176 133 255

HSL 261.15, 1%, 0.76%

LAB 64.34, 41.48, -55.03

 

CMYK 24 / 41 / 0 / 0

HEX #C197FF

RGB 193 151 255

HSL 264.23, 1%, 0.8%

LAB 69.96, 36.08, -46.05

 

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

CMYK 50 / 70 / 0 / 19

HEX #673DCE

RGB 103 61 206

HSL 257.38, 0.6%, 0.52%

LAB 39.03, 52.05, -68.61

 

CMYK 54 / 77 / 0 / 27

HEX #562BBB

RGB 86 43 187

HSL 257.92, 0.63%, 0.45%

LAB 32.47, 53.07, -68.33

 

CMYK 59 / 85 / 0 / 34

HEX #4519A8

RGB 69 25 168

HSL 258.46, 0.74%, 0.38%

LAB 26.12, 53.46, -67.51

 

CMYK 65 / 95 / 0 / 42

HEX #340795

RGB 52 7 149

HSL 259.01, 0.91%, 0.31%

LAB 20.25, 52.5, -65.67

 

CMYK 46 / 64 / 0 / 12

HEX #7951E1

RGB 121 81 225

HSL 256.67, 0.71%, 0.6%

LAB 46.16, 49.93, -67.81

 

CMYK 29 / 64 / 0 / 12

HEX #A051E1

RGB 160 81 225

HSL 272.92, 0.71%, 0.6%

LAB 50.45, 57.88, -60.66

 

CMYK 12 / 64 / 0 / 12

HEX #C751E1

RGB 199 81 225

HSL 289.17, 0.71%, 0.6%

LAB 55.55, 66.57, -52.21

 

CMYK 0 / 64 / 6 / 12

HEX #E151D4

RGB 225 81 212

HSL 305.42, 0.71%, 0.6%

LAB 58.65, 70.47, -39.71

 

CMYK 0 / 64 / 23 / 12

HEX #E151AD

RGB 225 81 173

HSL 321.67, 0.71%, 0.6%

LAB 56.99, 64.83, -19.93

 

CMYK 46 / 64 / 0 / 12

HEX #7951E1

RGB 121 81 225

HSL 256.67, 0.71%, 0.6%

LAB 46.16, 49.93, -67.81

 

CMYK 64 / 64 / 0 / 12

HEX #5251E1

RGB 82 81 225

HSL 240.42, 0.71%, 0.6%

LAB 42.94, 43.42, -73.2

 

CMYK 64 / 64 / 0 / 12

HEX #5151E1

RGB 81 81 225

HSL 240, 0.71%, 0.6%

LAB 42.87, 43.28, -73.31

 

CMYK 46 / 64 / 0 / 12

HEX #7951E1

RGB 121 81 225

HSL 256.67, 0.71%, 0.6%

LAB 46.16, 49.93, -67.81

 

CMYK 53 / 74 / 0 / 5

HEX #7240F2

RGB 114 64 242

HSL 256.85, 0.87%, 0.6%

LAB 43.73, 62.03, -81.41

 

CMYK 46 / 64 / 0 / 12

HEX #7951E1

RGB 121 81 225

HSL 256.67, 0.71%, 0.6%

LAB 46.16, 49.93, -67.81

 

CMYK 39 / 54 / 0 / 18

HEX #8061D1

RGB 128 97 209

HSL 256.61, 0.55%, 0.6%

LAB 49.18, 38.05, -53.78

 

CMYK 29 / 41 / 0 / 25

HEX #8872C0

RGB 136 114 192

HSL 256.92, 0.38%, 0.6%

LAB 53.03, 25.71, -37.89

 

CMYK 19 / 26 / 0 / 31

HEX #8F82B0

RGB 143 130 176

HSL 256.96, 0.23%, 0.6%

LAB 57.02, 14.55, -22.48

 

CMYK 6 / 8 / 0 / 38

HEX #96939F

RGB 150 147 159

HSL 255, 0.06%, 0.6%

LAB 61.53, 3.47, -5.92

 

CMYK 64 / 47 / 0 / 12

HEX #5177E1

RGB 81 119 225

HSL 224.17, 0.71%, 0.6%

LAB 52.26, 19.94, -58.09

 

CMYK 64 / 64 / 0 / 12

HEX #5151E1

RGB 81 81 225

HSL 240, 0.71%, 0.6%

LAB 42.87, 43.28, -73.31

 

CMYK 47 / 64 / 0 / 12

HEX #7751E1

RGB 119 81 225

HSL 255.83, 0.71%, 0.6%

LAB 45.97, 49.55, -68.13

 

CMYK 30 / 64 / 0 / 12

HEX #9E51E1

RGB 158 81 225

HSL 272.08, 0.71%, 0.6%

LAB 50.2, 57.45, -61.07

 

CMYK 13 / 64 / 0 / 12

HEX #C451E1

RGB 196 81 225

HSL 287.92, 0.71%, 0.6%

LAB 55.13, 65.89, -52.89

 

CMYK 60 / 83 / 0 / 25

HEX #4D20BF

RGB 77 32 191

HSL 256.98, 0.71%, 0.44%

LAB 30.33, 57.78, -74.25

 

CMYK 57 / 79 / 0 / 14

HEX #5E2DDB

RGB 94 45 219

HSL 256.9, 0.71%, 0.52%

LAB 36.69, 61.82, -79.99

 

CMYK 46 / 64 / 0 / 12

HEX #7951E1

RGB 121 81 225

HSL 256.67, 0.71%, 0.6%

LAB 46.16, 49.93, -67.81

 

CMYK 36 / 50 / 0 / 9

HEX #9474E7

RGB 148 116 231

HSL 256.7, 0.71%, 0.68%

LAB 56.64, 37.9, -54.18

 

CMYK 26 / 36 / 0 / 7

HEX #AF97ED

RGB 175 151 237

HSL 256.74, 0.7%, 0.76%

LAB 67.55, 26.76, -40.12

 

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

CMYK 0 / 64 / 30 / 12

HEX #E1519E

RGB 225 81 158

HSL 327.92, 0.71%, 0.6%

LAB 56.45, 62.94, -12.01

 

CMYK 56 / 0 / 64 / 12

HEX #64E151

RGB 100 225 81

HSL 112.08, 0.71%, 0.6%

LAB 80.27, -61.17, 58.19

 

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

CMYK 0 / 47 / 64 / 12

HEX #E17751

RGB 225 119 81

HSL 15.83, 0.71%, 0.6%

LAB 61.48, 38.02, 39.12

 

CMYK 64 / 0 / 47 / 12

HEX #51E177

RGB 81 225 119

HSL 135.83, 0.71%, 0.6%

LAB 80.14, -60.69, 40.63

 

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

CMYK 0 / 64 / 30 / 12

HEX #E1519E

RGB 225 81 158

HSL 327.92, 0.71%, 0.6%

LAB 56.45, 62.94, -12.01

 

CMYK 17 / 0 / 64 / 12

HEX #BBE151

RGB 187 225 81

HSL 75.83, 0.71%, 0.6%

LAB 84.49, -32.48, 63.99

 

CMYK 64 / 0 / 34 / 12

HEX #51E194

RGB 81 225 148

HSL 147.92, 0.71%, 0.6%

LAB 80.59, -55.71, 26.62

 

CMYK 47 / 65 / 0 / 12

HEX #784FE1

RGB 120 79 225

HSL 256.85, 0.71%, 0.6%

LAB 45.66, 50.82, -68.62

 

CMYK 0 / 64 / 49 / 12

HEX #E15172

RGB 225 81 114

HSL 346.25, 0.71%, 0.6%

LAB 55.18, 58.36, 12.1

 

CMYK 17 / 0 / 64 / 12

HEX #BBE151

RGB 187 225 81

HSL 75.83, 0.71%, 0.6%

LAB 84.49, -32.48, 63.99

 

CMYK 64 / 0 / 15 / 12

HEX #51E1C0

RGB 81 225 192

HSL 166.25, 0.71%, 0.6%

LAB 81.51, -46.15, 4.86

 

Description

Color code: HEX #784FE1 | qconv.com Color code: HEX #784FE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 79 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 79 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 65 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 65% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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