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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784F85 it is the complementary color #87B07A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784F85 shade: #7D4F80, #8E6193, #9F73A6, #B085B9 and #C197CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784F85 shade: #784F85, #673D72, #562B5F, #45194C and #340739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784F85 shade: #795086, #865084, #865076, #865067 and #865059

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784F85 shade: #795086, #6B5086, #5C5086 and #505086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784F85 shade matches the following richer shades: #795086, #823F97, #8B2EA9, #941CBA and #9D0BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784F85 shade: #795086, #706275, #677363, #5E8452 and #559641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784F85 shade: #5C5086, #6A5086, #785086, #865085 and #865077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784F85 shade: #4A3152, #62416C, #795086, #9060A0 and #A27AAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784F85 shade: #784F85, #865053 and #508663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784F85 shade: #784F85, #867850 and #508678

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784F85 shade: #784F85, #865053, #5E8650 and #508683

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784F85 shade: #784F85, #865E50, #5E8650 and #507886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

Complementary color

CMYK 23 / 0 / 31 / 31

HEX #87B07A

RGB 135 176 122

HSL 105.56, 0.25%, 0.58%

LAB 67.73, -24.18, 23.31

 

CMYK 2 / 38 / 0 / 50

HEX #7D4F80

RGB 125 79 128

HSL 296.33, 0.24%, 0.41%

LAB 40.43, 27.88, -19.8

 

CMYK 3 / 34 / 0 / 42

HEX #8E6193

RGB 142 97 147

HSL 294, 0.2%, 0.48%

LAB 47.5, 27.09, -20.19

 

CMYK 4 / 31 / 0 / 35

HEX #9F73A6

RGB 159 115 166

HSL 291.76, 0.22%, 0.55%

LAB 54.43, 26.35, -20.55

 

CMYK 5 / 28 / 0 / 27

HEX #B085B9

RGB 176 133 185

HSL 289.62, 0.27%, 0.62%

LAB 61.23, 25.67, -20.89

 

CMYK 5 / 26 / 0 / 20

HEX #C197CC

RGB 193 151 204

HSL 287.55, 0.34%, 0.7%

LAB 67.9, 25.05, -21.22

 

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

CMYK 10 / 46 / 0 / 55

HEX #673D72

RGB 103 61 114

HSL 287.55, 0.3%, 0.34%

LAB 32.78, 28.12, -23.19

 

CMYK 9 / 55 / 0 / 63

HEX #562B5F

RGB 86 43 95

HSL 289.62, 0.38%, 0.27%

LAB 25.36, 28.96, -22.8

 

CMYK 9 / 67 / 0 / 70

HEX #45194C

RGB 69 25 76

HSL 291.76, 0.5%, 0.2%

LAB 17.84, 29.59, -22.16

 

CMYK 9 / 88 / 0 / 78

HEX #340739

RGB 52 7 57

HSL 294, 0.78%, 0.13%

LAB 10.39, 29.4, -20.88

 

CMYK 10 / 40 / 0 / 47

HEX #795086

RGB 121 80 134

HSL 285.56, 0.25%, 0.42%

LAB 40.45, 27.23, -23.46

 

CMYK 0 / 40 / 1 / 47

HEX #865084

RGB 134 80 132

HSL 302.22, 0.25%, 0.42%

LAB 41.96, 31.15, -19.79

 

CMYK 0 / 40 / 12 / 47

HEX #865076

RGB 134 80 118

HSL 317.78, 0.25%, 0.42%

LAB 41.4, 28.51, -12.08

 

CMYK 0 / 40 / 23 / 47

HEX #865067

RGB 134 80 103

HSL 334.44, 0.25%, 0.42%

LAB 40.87, 25.95, -3.63

 

CMYK 0 / 40 / 34 / 47

HEX #865059

RGB 134 80 89

HSL 350, 0.25%, 0.42%

LAB 40.45, 23.85, 4.44

 

CMYK 10 / 40 / 0 / 47

HEX #795086

RGB 121 80 134

HSL 285.56, 0.25%, 0.42%

LAB 40.45, 27.23, -23.46

 

CMYK 20 / 40 / 0 / 47

HEX #6B5086

RGB 107 80 134

HSL 270, 0.25%, 0.42%

LAB 38.87, 22.64, -26.04

 

CMYK 31 / 40 / 0 / 47

HEX #5C5086

RGB 92 80 134

HSL 253.33, 0.25%, 0.42%

LAB 37.36, 17.91, -28.51

 

CMYK 40 / 40 / 0 / 47

HEX #505086

RGB 80 80 134

HSL 240, 0.25%, 0.42%

LAB 36.3, 14.34, -30.26

 

CMYK 10 / 40 / 0 / 47

HEX #795086

RGB 121 80 134

HSL 285.56, 0.25%, 0.42%

LAB 40.45, 27.23, -23.46

 

CMYK 14 / 58 / 0 / 41

HEX #823F97

RGB 130 63 151

HSL 285.68, 0.41%, 0.42%

LAB 38.79, 43.17, -36.31

 

CMYK 18 / 73 / 0 / 34

HEX #8B2EA9

RGB 139 46 169

HSL 285.37, 0.57%, 0.42%

LAB 38.39, 56.82, -47.7

 

CMYK 20 / 85 / 0 / 27

HEX #941CBA

RGB 148 28 186

HSL 285.57, 0.74%, 0.42%

LAB 39.02, 67.45, -56.69

 

CMYK 23 / 95 / 0 / 20

HEX #9D0BCB

RGB 157 11 203

HSL 285.63, 0.9%, 0.42%

LAB 40.77, 74.84, -63.74

 

CMYK 10 / 40 / 0 / 47

HEX #795086

RGB 121 80 134

HSL 285.56, 0.25%, 0.42%

LAB 40.45, 27.23, -23.46

 

CMYK 4 / 16 / 0 / 54

HEX #706275

RGB 112 98 117

HSL 284.21, 0.09%, 0.42%

LAB 43.45, 9.42, -8.62

 

CMYK 10 / 0 / 14 / 55

HEX #677363

RGB 103 115 99

HSL 105, 0.07%, 0.42%

LAB 47.03, -7.79, 7.34

 

CMYK 29 / 0 / 38 / 48

HEX #5E8452

RGB 94 132 82

HSL 105.6, 0.23%, 0.42%

LAB 51.26, -23.41, 22.85

 

CMYK 43 / 0 / 57 / 41

HEX #559641

RGB 85 150 65

HSL 105.88, 0.4%, 0.42%

LAB 56.21, -37.47, 37.92

 

CMYK 31 / 40 / 0 / 47

HEX #5C5086

RGB 92 80 134

HSL 253.33, 0.25%, 0.42%

LAB 37.36, 17.91, -28.51

 

CMYK 21 / 40 / 0 / 47

HEX #6A5086

RGB 106 80 134

HSL 268.89, 0.25%, 0.42%

LAB 38.76, 22.32, -26.21

 

CMYK 10 / 40 / 0 / 47

HEX #785086

RGB 120 80 134

HSL 284.44, 0.25%, 0.42%

LAB 40.33, 26.9, -23.65

 

CMYK 0 / 40 / 1 / 47

HEX #865085

RGB 134 80 133

HSL 301.11, 0.25%, 0.42%

LAB 42, 31.35, -20.33

 

CMYK 0 / 40 / 11 / 47

HEX #865077

RGB 134 80 119

HSL 316.67, 0.25%, 0.42%

LAB 41.43, 28.69, -12.64

 

CMYK 10 / 40 / 0 / 68

HEX #4A3152

RGB 74 49 82

HSL 285.45, 0.25%, 0.26%

LAB 24.52, 18.1, -15.68

 

CMYK 9 / 40 / 0 / 58

HEX #62416C

RGB 98 65 108

HSL 286.05, 0.25%, 0.34%

LAB 32.83, 22.65, -19.37

 

CMYK 10 / 40 / 0 / 47

HEX #795086

RGB 121 80 134

HSL 285.56, 0.25%, 0.42%

LAB 40.45, 27.23, -23.46

 

CMYK 10 / 40 / 0 / 37

HEX #9060A0

RGB 144 96 160

HSL 285, 0.25%, 0.5%

LAB 48.05, 31.06, -27.02

 

CMYK 7 / 30 / 0 / 31

HEX #A27AAF

RGB 162 122 175

HSL 285.28, 0.25%, 0.58%

LAB 56.78, 25.21, -22.12

 

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

CMYK 0 / 40 / 38 / 47

HEX #865053

RGB 134 80 83

HSL 356.67, 0.25%, 0.42%

LAB 40.3, 23.04, 7.93

 

CMYK 40 / 0 / 26 / 47

HEX #508663

RGB 80 134 99

HSL 141.11, 0.25%, 0.42%

LAB 51.45, -26.12, 13.33

 

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

CMYK 0 / 10 / 40 / 47

HEX #867850

RGB 134 120 80

HSL 44.44, 0.25%, 0.42%

LAB 50.78, -0.74, 23.94

 

CMYK 40 / 0 / 10 / 47

HEX #508678

RGB 80 134 120

HSL 164.44, 0.25%, 0.42%

LAB 51.96, -21.41, 1.9

 

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

CMYK 0 / 40 / 38 / 47

HEX #865053

RGB 134 80 83

HSL 356.67, 0.25%, 0.42%

LAB 40.3, 23.04, 7.93

 

CMYK 30 / 0 / 40 / 47

HEX #5E8650

RGB 94 134 80

HSL 104.44, 0.25%, 0.42%

LAB 51.85, -24.73, 24.73

 

CMYK 40 / 0 / 2 / 47

HEX #508683

RGB 80 134 131

HSL 176.67, 0.25%, 0.42%

LAB 52.28, -18.64, -4.04

 

CMYK 10 / 41 / 0 / 48

HEX #784F85

RGB 120 79 133

HSL 285.56, 0.25%, 0.42%

LAB 40.05, 27.27, -23.49

 

CMYK 0 / 30 / 40 / 47

HEX #865E50

RGB 134 94 80

HSL 15.56, 0.25%, 0.42%

LAB 43.73, 14.42, 14.53

 

CMYK 30 / 0 / 40 / 47

HEX #5E8650

RGB 94 134 80

HSL 104.44, 0.25%, 0.42%

LAB 51.85, -24.73, 24.73

 

CMYK 40 / 10 / 0 / 47

HEX #507886

RGB 80 120 134

HSL 195.56, 0.25%, 0.42%

LAB 48.08, -10.12, -12.07

 

Description

Color code: HEX #784F85 | qconv.com Color code: HEX #784F85 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 79 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 79 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 41 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 41% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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