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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784E5E it is the complementary color #87B1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784E5E shade: #7D4E59, #8E606C, #9F727F, #B08492 and #C196A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784E5E shade: #784E5E, #673C4B, #562A38, #451825 and #340612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784E5E shade: #784F5E, #784F53 and #784F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784E5E shade: #784F5E, #784F6A, #784F75, #704F78 and #654F78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784E5E shade matches the following richer shades: #784F5E, #883E5B, #992E57, #A91E53 and #B90E4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784E5E shade: #784F5E, #685F62, #586F66, #487F6A and #388F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784E5E shade: #784F75, #784F6A, #784F5F, #784F53 and #78554F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784E5E shade: #462E37, #5F3E4B, #784F5E, #915F72 and #A57587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784E5E shade: #784E5E, #78714F and #4F6F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784E5E shade: #784E5E, #5F784F and #4F5F78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784E5E shade: #784E5E, #78714F, #4F7868 and #4F5678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784E5E shade: #784E5E, #73784F, #4F7868 and #534F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

Complementary color

CMYK 24 / 0 / 9 / 31

HEX #87B1A1

RGB 135 177 161

HSL 157.14, 0.21%, 0.61%

LAB 68.87, -17.47, 3.59

 

CMYK 0 / 38 / 29 / 51

HEX #7D4E59

RGB 125 78 89

HSL 345.96, 0.23%, 0.4%

LAB 38.78, 21.41, 1.87

 

CMYK 0 / 32 / 24 / 44

HEX #8E606C

RGB 142 96 108

HSL 344.35, 0.19%, 0.47%

LAB 45.91, 20.54, 0.82

 

CMYK 0 / 28 / 20 / 38

HEX #9F727F

RGB 159 114 127

HSL 342.67, 0.19%, 0.54%

LAB 52.88, 19.77, -0.09

 

CMYK 0 / 25 / 17 / 31

HEX #B08492

RGB 176 132 146

HSL 340.91, 0.22%, 0.6%

LAB 59.71, 19.09, -0.9

 

CMYK 0 / 22 / 15 / 24

HEX #C196A5

RGB 193 150 165

HSL 339.07, 0.26%, 0.67%

LAB 66.42, 18.47, -1.65

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 0 / 42 / 27 / 60

HEX #673C4B

RGB 103 60 75

HSL 339.07, 0.26%, 0.32%

LAB 30.93, 21.12, -1.02

 

CMYK 0 / 51 / 35 / 66

HEX #562A38

RGB 86 42 56

HSL 340.91, 0.34%, 0.25%

LAB 23.4, 22.12, 0.29

 

CMYK 0 / 65 / 46 / 73

HEX #451825

RGB 69 24 37

HSL 342.67, 0.48%, 0.18%

LAB 15.76, 23.12, 2.14

 

CMYK 0 / 88 / 65 / 80

HEX #340612

RGB 52 6 18

HSL 344.35, 0.79%, 0.11%

LAB 8.16, 23.73, 4.59

 

CMYK 0 / 34 / 22 / 53

HEX #784F5E

RGB 120 79 94

HSL 338.05, 0.21%, 0.39%

LAB 38.54, 19.61, -1.68

 

CMYK 0 / 34 / 31 / 53

HEX #784F53

RGB 120 79 83

HSL 354.15, 0.21%, 0.39%

LAB 38.22, 17.86, 4.72

 

CMYK 0 / 34 / 34 / 53

HEX #784F4F

RGB 120 79 79

HSL 0, 0.21%, 0.39%

LAB 38.11, 17.27, 7.06

 

CMYK 0 / 34 / 22 / 53

HEX #784F5E

RGB 120 79 94

HSL 338.05, 0.21%, 0.39%

LAB 38.54, 19.61, -1.68

 

CMYK 0 / 34 / 12 / 53

HEX #784F6A

RGB 120 79 106

HSL 320.49, 0.21%, 0.39%

LAB 38.94, 21.74, -8.55

 

CMYK 0 / 34 / 3 / 53

HEX #784F75

RGB 120 79 117

HSL 304.39, 0.21%, 0.39%

LAB 39.36, 23.87, -14.73

 

CMYK 7 / 34 / 0 / 53

HEX #704F78

RGB 112 79 120

HSL 288.29, 0.21%, 0.39%

LAB 38.54, 21.66, -17.92

 

CMYK 16 / 34 / 0 / 53

HEX #654F78

RGB 101 79 120

HSL 272.2, 0.21%, 0.39%

LAB 37.33, 17.83, -19.89

 

CMYK 0 / 34 / 22 / 53

HEX #784F5E

RGB 120 79 94

HSL 338.05, 0.21%, 0.39%

LAB 38.54, 19.61, -1.68

 

CMYK 0 / 54 / 33 / 47

HEX #883E5B

RGB 136 62 91

HSL 336.49, 0.37%, 0.39%

LAB 36.81, 34.95, -2.08

 

CMYK 0 / 70 / 43 / 40

HEX #992E57

RGB 153 46 87

HSL 337.01, 0.54%, 0.39%

LAB 36.77, 47.66, 0.75

 

CMYK 0 / 82 / 51 / 34

HEX #A91E53

RGB 169 30 83

HSL 337.12, 0.7%, 0.39%

LAB 37.82, 57.19, 5.22

 

CMYK 0 / 92 / 57 / 27

HEX #B90E4F

RGB 185 14 79

HSL 337.19, 0.86%, 0.39%

LAB 39.9, 64.05, 11.18

 

CMYK 0 / 34 / 22 / 53

HEX #784F5E

RGB 120 79 94

HSL 338.05, 0.21%, 0.39%

LAB 38.54, 19.61, -1.68

 

CMYK 0 / 9 / 6 / 59

HEX #685F62

RGB 104 95 98

HSL 340, 0.05%, 0.39%

LAB 41.23, 4.19, -0.41

 

CMYK 21 / 0 / 8 / 56

HEX #586F66

RGB 88 111 102

HSL 156.52, 0.12%, 0.39%

LAB 44.81, -10.51, 2.21

 

CMYK 43 / 0 / 17 / 50

HEX #487F6A

RGB 72 127 106

HSL 157.09, 0.28%, 0.39%

LAB 49, -23.48, 5.76

 

CMYK 61 / 0 / 23 / 44

HEX #388F6E

RGB 56 143 110

HSL 157.24, 0.44%, 0.39%

LAB 53.61, -34.32, 9.91

 

CMYK 0 / 34 / 3 / 53

HEX #784F75

RGB 120 79 117

HSL 304.39, 0.21%, 0.39%

LAB 39.36, 23.87, -14.73

 

CMYK 0 / 34 / 12 / 53

HEX #784F6A

RGB 120 79 106

HSL 320.49, 0.21%, 0.39%

LAB 38.94, 21.74, -8.55

 

CMYK 0 / 34 / 21 / 53

HEX #784F5F

RGB 120 79 95

HSL 336.59, 0.21%, 0.39%

LAB 38.57, 19.78, -2.26

 

CMYK 0 / 34 / 31 / 53

HEX #784F53

RGB 120 79 83

HSL 354.15, 0.21%, 0.39%

LAB 38.22, 17.86, 4.72

 

CMYK 0 / 29 / 34 / 53

HEX #78554F

RGB 120 85 79

HSL 8.78, 0.21%, 0.39%

LAB 39.67, 13.66, 9.26

 

CMYK 0 / 34 / 21 / 73

HEX #462E37

RGB 70 46 55

HSL 337.5, 0.21%, 0.23%

LAB 22.06, 12.61, -1.28

 

CMYK 0 / 35 / 21 / 63

HEX #5F3E4B

RGB 95 62 75

HSL 336.36, 0.21%, 0.31%

LAB 30.37, 16.6, -1.98

 

CMYK 0 / 34 / 22 / 53

HEX #784F5E

RGB 120 79 94

HSL 338.05, 0.21%, 0.39%

LAB 38.54, 19.61, -1.68

 

CMYK 0 / 34 / 21 / 43

HEX #915F72

RGB 145 95 114

HSL 337.2, 0.21%, 0.47%

LAB 46.2, 23.24, -2.33

 

CMYK 0 / 29 / 18 / 35

HEX #A57587

RGB 165 117 135

HSL 337.5, 0.21%, 0.55%

LAB 54.52, 21.64, -2.29

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 0 / 6 / 34 / 53

HEX #78714F

RGB 120 113 79

HSL 49.76, 0.21%, 0.39%

LAB 47.45, -2.93, 19.89

 

CMYK 34 / 8 / 0 / 53

HEX #4F6F78

RGB 79 111 120

HSL 193.17, 0.21%, 0.39%

LAB 44.78, -9.1, -8.7

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 21 / 0 / 34 / 53

HEX #5F784F

RGB 95 120 79

HSL 96.59, 0.21%, 0.39%

LAB 47.53, -17.25, 19.63

 

CMYK 34 / 21 / 0 / 53

HEX #4F5F78

RGB 79 95 120

HSL 216.59, 0.21%, 0.39%

LAB 39.92, 0.44, -16.06

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 0 / 6 / 34 / 53

HEX #78714F

RGB 120 113 79

HSL 49.76, 0.21%, 0.39%

LAB 47.45, -2.93, 19.89

 

CMYK 34 / 0 / 13 / 53

HEX #4F7868

RGB 79 120 104

HSL 156.59, 0.21%, 0.39%

LAB 47.1, -18.12, 4.25

 

CMYK 34 / 28 / 0 / 53

HEX #4F5678

RGB 79 86 120

HSL 229.76, 0.21%, 0.39%

LAB 37.25, 6.06, -20.17

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 4 / 0 / 34 / 53

HEX #73784F

RGB 115 120 79

HSL 67.32, 0.21%, 0.39%

LAB 49.06, -9.04, 21.93

 

CMYK 34 / 0 / 13 / 53

HEX #4F7868

RGB 79 120 104

HSL 156.59, 0.21%, 0.39%

LAB 47.1, -18.12, 4.25

 

CMYK 31 / 34 / 0 / 53

HEX #534F78

RGB 83 79 120

HSL 245.85, 0.21%, 0.39%

LAB 35.57, 11.8, -22.75

 

Description

Color code: HEX #784E5E | qconv.com Color code: HEX #784E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 78 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 78 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 22 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 22% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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