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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784D32 it is the complementary color #87B2CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784D32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784D32 shade: #7D4D2D, #8E5F40, #9F7153, #B08366 and #C19579

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784D32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784D32 shade: #784D32, #673B1F, #56290C, #451700 and #340500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784D32 shade: #774C32, #773A32 and #773232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784D32 shade: #774C32, #775F32, #777132, #697732 and #577732

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784D32 shade matches the following richer shades: #774C32, #844924, #924616 and #9F4309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784D32 shade: #774C32, #694F3F, #5B524D, #4E565A and #405968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784D32 shade: #77323C, #773A32, #774C32, #775F32 and #777132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784D32 shade: #3C2719, #5A3A25, #774C32, #945F3E and #B1724A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784D32 shade: #784D32, #4E7732 and #323377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784D32 shade: #784D32, #32774C and #4C3277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784D32 shade: #784D32, #4E7732, #325C77 and #5A3277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784D32 shade: #784D32, #3A7732, #325C77 and #6F3277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

Complementary color

CMYK 34 / 13 / 0 / 20

HEX #87B2CD

RGB 135 178 205

HSL 203.14, 0.41%, 0.67%

LAB 70.45, -7.79, -18.3

 

CMYK 0 / 38 / 64 / 51

HEX #7D4D2D

RGB 125 77 45

HSL 24, 0.47%, 0.33%

LAB 37.58, 16.94, 27.17

 

CMYK 0 / 33 / 55 / 44

HEX #8E5F40

RGB 142 95 64

HSL 23.85, 0.38%, 0.4%

LAB 44.67, 15.57, 25.41

 

CMYK 0 / 29 / 48 / 38

HEX #9F7153

RGB 159 113 83

HSL 23.68, 0.31%, 0.47%

LAB 51.62, 14.44, 23.83

 

CMYK 0 / 26 / 42 / 31

HEX #B08366

RGB 176 131 102

HSL 23.51, 0.32%, 0.55%

LAB 58.44, 13.5, 22.42

 

CMYK 0 / 23 / 37 / 24

HEX #C19579

RGB 193 149 121

HSL 23.33, 0.37%, 0.62%

LAB 65.13, 12.7, 21.14

 

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

CMYK 0 / 43 / 70 / 60

HEX #673B1F

RGB 103 59 31

HSL 23.33, 0.54%, 0.26%

LAB 29.69, 16.61, 25.26

 

CMYK 0 / 52 / 86 / 66

HEX #56290C

RGB 86 41 12

HSL 23.51, 0.76%, 0.19%

LAB 22.27, 18.53, 27.05

 

CMYK 0 / 67 / 100 / 73

HEX #451700

RGB 69 23 0

HSL 20, 1%, 0.14%

LAB 14.83, 20.79, 22.47

 

CMYK 0 / 90 / 100 / 80

HEX #340500

RGB 52 5 0

HSL 5.77, 1%, 0.1%

LAB 7.58, 22.97, 11.85

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 51 / 58 / 53

HEX #773A32

RGB 119 58 50

HSL 6.96, 0.41%, 0.33%

LAB 32.21, 25.83, 17.24

 

CMYK 0 / 58 / 58 / 53

HEX #773232

RGB 119 50 50

HSL 0, 0.41%, 0.33%

LAB 30.48, 30.25, 14.96

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 20 / 58 / 53

HEX #775F32

RGB 119 95 50

HSL 39.13, 0.41%, 0.33%

LAB 41.75, 3.83, 29.15

 

CMYK 0 / 5 / 58 / 53

HEX #777132

RGB 119 113 50

HSL 54.78, 0.41%, 0.33%

LAB 46.93, -6.62, 35.21

 

CMYK 12 / 0 / 58 / 53

HEX #697732

RGB 105 119 50

HSL 72.17, 0.41%, 0.33%

LAB 47.53, -16.23, 35.59

 

CMYK 27 / 0 / 58 / 53

HEX #577732

RGB 87 119 50

HSL 87.83, 0.41%, 0.33%

LAB 46.24, -23.88, 33.77

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 45 / 73 / 48

HEX #844924

RGB 132 73 36

HSL 23.13, 0.57%, 0.33%

LAB 37.48, 21.83, 32.36

 

CMYK 0 / 52 / 85 / 43

HEX #924616

RGB 146 70 22

HSL 23.23, 0.74%, 0.33%

LAB 38.81, 28.99, 41.32

 

CMYK 0 / 58 / 94 / 38

HEX #9F4309

RGB 159 67 9

HSL 23.2, 0.89%, 0.33%

LAB 40.25, 35.63, 48.02

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 25 / 40 / 59

HEX #694F3F

RGB 105 79 63

HSL 22.86, 0.25%, 0.33%

LAB 35.9, 8.51, 13.67

 

CMYK 0 / 10 / 15 / 64

HEX #5B524D

RGB 91 82 77

HSL 21.43, 0.08%, 0.33%

LAB 35.59, 2.74, 4.27

 

CMYK 13 / 4 / 0 / 65

HEX #4E565A

RGB 78 86 90

HSL 200, 0.07%, 0.33%

LAB 36.01, -2.22, -3.4

 

CMYK 38 / 14 / 0 / 59

HEX #405968

RGB 64 89 104

HSL 202.5, 0.24%, 0.33%

LAB 36.43, -5.19, -11.61

 

CMYK 0 / 58 / 50 / 53

HEX #77323C

RGB 119 50 60

HSL 351.3, 0.41%, 0.33%

LAB 30.71, 31.22, 8.77

 

CMYK 0 / 51 / 58 / 53

HEX #773A32

RGB 119 58 50

HSL 6.96, 0.41%, 0.33%

LAB 32.21, 25.83, 17.24

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 20 / 58 / 53

HEX #775F32

RGB 119 95 50

HSL 39.13, 0.41%, 0.33%

LAB 41.75, 3.83, 29.15

 

CMYK 0 / 5 / 58 / 53

HEX #777132

RGB 119 113 50

HSL 54.78, 0.41%, 0.33%

LAB 46.93, -6.62, 35.21

 

CMYK 0 / 35 / 58 / 76

HEX #3C2719

RGB 60 39 25

HSL 24, 0.41%, 0.17%

LAB 17.84, 7.92, 13.18

 

CMYK 0 / 36 / 59 / 65

HEX #5A3A25

RGB 90 58 37

HSL 23.77, 0.42%, 0.25%

LAB 27.66, 11.58, 18.74

 

CMYK 0 / 36 / 58 / 53

HEX #774C32

RGB 119 76 50

HSL 22.61, 0.41%, 0.33%

LAB 36.6, 15.23, 22.84

 

CMYK 0 / 36 / 58 / 42

HEX #945F3E

RGB 148 95 62

HSL 23.02, 0.41%, 0.41%

LAB 45.4, 18.03, 27.64

 

CMYK 0 / 36 / 58 / 31

HEX #B1724A

RGB 177 114 74

HSL 23.3, 0.41%, 0.49%

LAB 53.9, 20.72, 32.23

 

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

CMYK 34 / 0 / 58 / 53

HEX #4E7732

RGB 78 119 50

HSL 95.65, 0.41%, 0.33%

LAB 45.69, -27.43, 32.99

 

CMYK 58 / 57 / 0 / 53

HEX #323377

RGB 50 51 119

HSL 239.13, 0.41%, 0.33%

LAB 24.88, 20.96, -39.26

 

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

CMYK 58 / 0 / 36 / 53

HEX #32774C

RGB 50 119 76

HSL 142.61, 0.41%, 0.33%

LAB 44.79, -32.32, 17.28

 

CMYK 36 / 58 / 0 / 53

HEX #4C3277

RGB 76 50 119

HSL 262.61, 0.41%, 0.33%

LAB 27.16, 27.97, -35.47

 

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

CMYK 34 / 0 / 58 / 53

HEX #4E7732

RGB 78 119 50

HSL 95.65, 0.41%, 0.33%

LAB 45.69, -27.43, 32.99

 

CMYK 58 / 23 / 0 / 53

HEX #325C77

RGB 50 92 119

HSL 203.48, 0.41%, 0.33%

LAB 37.23, -6.1, -19.73

 

CMYK 24 / 58 / 0 / 53

HEX #5A3277

RGB 90 50 119

HSL 274.78, 0.41%, 0.33%

LAB 28.87, 31.83, -32.63

 

CMYK 0 / 36 / 58 / 53

HEX #784D32

RGB 120 77 50

HSL 23.14, 0.41%, 0.33%

LAB 36.99, 15.09, 23.36

 

CMYK 51 / 0 / 58 / 53

HEX #3A7732

RGB 58 119 50

HSL 113.04, 0.41%, 0.33%

LAB 44.69, -34.41, 31.56

 

CMYK 58 / 23 / 0 / 53

HEX #325C77

RGB 50 92 119

HSL 203.48, 0.41%, 0.33%

LAB 37.23, -6.1, -19.73

 

CMYK 7 / 58 / 0 / 53

HEX #6F3277

RGB 111 50 119

HSL 293.04, 0.41%, 0.33%

LAB 31.79, 37.86, -27.82

 

Description

Color code: HEX #784D32 | qconv.com Color code: HEX #784D32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 77 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 77 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 58 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 58% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - SoundCloud - Hear th...
Link: https://soundcloud.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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