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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784C3A it is the complementary color #87B3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784C3A shade: #7D4C35, #8E5E48, #9F705B, #B0826E and #C19481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784C3A shade: #784C3A, #673A27, #562814, #451601 and #340400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784C3A shade: #784C3A, #783B3A and #783A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784C3A shade: #784C3A, #785D3A, #786E3A, #72783A and #61783A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784C3A shade matches the following richer shades: #784C3A, #87462C, #95401D, #A43A0F and #B23400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784C3A shade: #784C3A, #6A5248, #5C5857, #4D5E65 and #3F6474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784C3A shade: #783A4A, #783B3A, #784C3A, #785C3A and #786D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784C3A shade: #41291F, #5D3B2D, #784C3A, #945E47 and #AE7057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784C3A shade: #784C3A, #5A783A and #3A4178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784C3A shade: #784C3A, #3A784C and #4C3A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784C3A shade: #784C3A, #5A783A, #3A6778 and #583A78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784C3A shade: #784C3A, #48783A, #3A6778 and #6B3A78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

Complementary color

CMYK 31 / 9 / 0 / 23

HEX #87B3C5

RGB 135 179 197

HSL 197.42, 0.35%, 0.65%

LAB 70.47, -10.32, -13.88

 

CMYK 0 / 39 / 58 / 51

HEX #7D4C35

RGB 125 76 53

HSL 19.17, 0.4%, 0.35%

LAB 37.46, 18.2, 22.3

 

CMYK 0 / 34 / 49 / 44

HEX #8E5E48

RGB 142 94 72

HSL 18.86, 0.33%, 0.42%

LAB 44.55, 16.95, 20.58

 

CMYK 0 / 30 / 43 / 38

HEX #9F705B

RGB 159 112 91

HSL 18.53, 0.27%, 0.49%

LAB 51.51, 15.9, 19.08

 

CMYK 0 / 26 / 38 / 31

HEX #B0826E

RGB 176 130 110

HSL 18.18, 0.29%, 0.56%

LAB 58.34, 15.01, 17.76

 

CMYK 0 / 23 / 33 / 24

HEX #C19481

RGB 193 148 129

HSL 17.81, 0.34%, 0.63%

LAB 65.04, 14.25, 16.57

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 44 / 62 / 60

HEX #673A27

RGB 103 58 39

HSL 17.81, 0.45%, 0.28%

LAB 29.55, 17.85, 20.26

 

CMYK 0 / 53 / 77 / 66

HEX #562814

RGB 86 40 20

HSL 18.18, 0.62%, 0.21%

LAB 22.11, 19.54, 22.51

 

CMYK 0 / 68 / 99 / 73

HEX #451601

RGB 69 22 1

HSL 18.53, 0.97%, 0.14%

LAB 14.63, 21.41, 21.8

 

CMYK 0 / 92 / 100 / 80

HEX #340400

RGB 52 4 0

HSL 4.62, 1%, 0.1%

LAB 7.38, 23.51, 11.57

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 51 / 52 / 53

HEX #783B3A

RGB 120 59 58

HSL 0.97, 0.35%, 0.35%

LAB 32.76, 26.45, 12.9

 

CMYK 0 / 52 / 52 / 53

HEX #783A3A

RGB 120 58 58

HSL 0, 0.35%, 0.35%

LAB 32.53, 27.02, 12.6

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 23 / 52 / 53

HEX #785D3A

RGB 120 93 58

HSL 33.87, 0.35%, 0.35%

LAB 41.42, 6.26, 24.23

 

CMYK 0 / 8 / 52 / 53

HEX #786E3A

RGB 120 110 58

HSL 50.32, 0.35%, 0.35%

LAB 46.25, -3.7, 30.2

 

CMYK 5 / 0 / 52 / 53

HEX #72783A

RGB 114 120 58

HSL 65.81, 0.35%, 0.35%

LAB 48.66, -12.02, 32.97

 

CMYK 19 / 0 / 52 / 53

HEX #61783A

RGB 97 120 58

HSL 82.26, 0.35%, 0.35%

LAB 47.34, -19.36, 31.08

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 48 / 67 / 47

HEX #87462C

RGB 135 70 44

HSL 17.14, 0.51%, 0.35%

LAB 37.32, 25.35, 27.79

 

CMYK 0 / 57 / 81 / 42

HEX #95401D

RGB 149 64 29

HSL 17.5, 0.67%, 0.35%

LAB 38.1, 33.66, 37.52

 

CMYK 0 / 65 / 91 / 36

HEX #A43A0F

RGB 164 58 15

HSL 17.32, 0.83%, 0.35%

LAB 39.5, 41.98, 45.95

 

CMYK 0 / 71 / 100 / 30

HEX #B23400

RGB 178 52 0

HSL 17.53, 1%, 0.35%

LAB 41.09, 49.26, 53.09

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 23 / 32 / 58

HEX #6A5248

RGB 106 82 72

HSL 17.65, 0.19%, 0.35%

LAB 37.05, 8.39, 9.69

 

CMYK 0 / 4 / 5 / 64

HEX #5C5857

RGB 92 88 87

HSL 12, 0.03%, 0.35%

LAB 37.74, 1.41, 1.15

 

CMYK 24 / 7 / 0 / 60

HEX #4D5E65

RGB 77 94 101

HSL 197.5, 0.13%, 0.35%

LAB 38.76, -4.73, -6.15

 

CMYK 46 / 14 / 0 / 55

HEX #3F6474

RGB 63 100 116

HSL 198.11, 0.3%, 0.35%

LAB 40.3, -8.53, -13.13

 

CMYK 0 / 52 / 38 / 53

HEX #783A4A

RGB 120 58 74

HSL 344.52, 0.35%, 0.35%

LAB 32.95, 28.89, 2.87

 

CMYK 0 / 51 / 52 / 53

HEX #783B3A

RGB 120 59 58

HSL 0.97, 0.35%, 0.35%

LAB 32.76, 26.45, 12.9

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 23 / 52 / 53

HEX #785C3A

RGB 120 92 58

HSL 32.9, 0.35%, 0.35%

LAB 41.14, 6.86, 23.88

 

CMYK 0 / 9 / 52 / 53

HEX #786D3A

RGB 120 109 58

HSL 49.35, 0.35%, 0.35%

LAB 45.96, -3.13, 29.85

 

CMYK 0 / 37 / 52 / 75

HEX #41291F

RGB 65 41 31

HSL 17.65, 0.35%, 0.19%

LAB 19.26, 9.81, 11.12

 

CMYK 0 / 37 / 52 / 64

HEX #5D3B2D

RGB 93 59 45

HSL 17.5, 0.35%, 0.27%

LAB 28.5, 13.21, 14.83

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 0 / 36 / 52 / 42

HEX #945E47

RGB 148 94 71

HSL 17.92, 0.35%, 0.43%

LAB 45.3, 19.43, 22.29

 

CMYK 0 / 36 / 50 / 32

HEX #AE7057

RGB 174 112 87

HSL 17.24, 0.35%, 0.51%

LAB 53.25, 21.74, 24.02

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 25 / 0 / 52 / 53

HEX #5A783A

RGB 90 120 58

HSL 89.03, 0.35%, 0.35%

LAB 46.86, -22.24, 30.38

 

CMYK 52 / 46 / 0 / 53

HEX #3A4178

RGB 58 65 120

HSL 233.23, 0.35%, 0.35%

LAB 29.5, 13.7, -32.45

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 52 / 0 / 37 / 53

HEX #3A784C

RGB 58 120 76

HSL 137.42, 0.35%, 0.35%

LAB 45.43, -30.62, 18.19

 

CMYK 37 / 52 / 0 / 53

HEX #4C3A78

RGB 76 58 120

HSL 257.42, 0.35%, 0.35%

LAB 29.21, 23.2, -32.82

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 25 / 0 / 52 / 53

HEX #5A783A

RGB 90 120 58

HSL 89.03, 0.35%, 0.35%

LAB 46.86, -22.24, 30.38

 

CMYK 52 / 14 / 0 / 53

HEX #3A6778

RGB 58 103 120

HSL 196.45, 0.35%, 0.35%

LAB 41.15, -10.39, -14.3

 

CMYK 27 / 52 / 0 / 53

HEX #583A78

RGB 88 58 120

HSL 269.03, 0.35%, 0.35%

LAB 30.54, 26.69, -30.63

 

CMYK 0 / 37 / 52 / 53

HEX #784C3A

RGB 120 76 58

HSL 17.42, 0.35%, 0.35%

LAB 36.87, 16.47, 18.38

 

CMYK 40 / 0 / 52 / 53

HEX #48783A

RGB 72 120 58

HSL 106.45, 0.35%, 0.35%

LAB 45.79, -29.11, 28.84

 

CMYK 52 / 14 / 0 / 53

HEX #3A6778

RGB 58 103 120

HSL 196.45, 0.35%, 0.35%

LAB 41.15, -10.39, -14.3

 

CMYK 11 / 52 / 0 / 53

HEX #6B3A78

RGB 107 58 120

HSL 287.42, 0.35%, 0.35%

LAB 32.94, 32.48, -26.68

 

Description

Color code: HEX #784C3A | qconv.com Color code: HEX #784C3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 52 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 52% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 株式会社 海洋堂
Link: http://www.kaiyodo.co.jp

45% - Massage Therapy, Kit...
Link: http://rmtkw.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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