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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784BCB it is the complementary color #87B434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784BCB shade: #7D4BC6, #8E5DD9, #9F6FEC, #B081FF and #C193FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784BCB shade: #784BCB, #6739B8, #5627A5, #451592 and #34037F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784BCB shade: #7A4DCB, #9C4DCB, #BE4DCB, #CB4DB7 and #CB4D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784BCB shade: #7A4DCB, #574DCB and #4D4DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784BCB shade matches the following richer shades: #7A4DCB, #743BDE and #6E28F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784BCB shade: #7A4DCB, #7F60B9, #8572A6, #8A8594 and #909781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784BCB shade: #4D64CB, #584DCB, #794DCB, #9B4DCB and #BD4DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784BCB shade: #532D99, #6436B9, #7A4DCB, #926DD5 and #AA8DDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784BCB shade: #784BCB, #CB4D86 and #53CB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784BCB shade: #784BCB, #CB794D and #4DCB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784BCB shade: #784BCB, #CB4D86, #9FCB4D and #4DCB93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784BCB shade: #784BCB, #CB4D60, #9FCB4D and #4DCBB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

Complementary color

CMYK 25 / 0 / 71 / 29

HEX #87B434

RGB 135 180 52

HSL 81.09, 0.55%, 0.45%

LAB 68.05, -33.88, 57.24

 

CMYK 37 / 62 / 0 / 22

HEX #7D4BC6

RGB 125 75 198

HSL 264.39, 0.52%, 0.54%

LAB 43.46, 46.77, -56.67

 

CMYK 35 / 57 / 0 / 15

HEX #8E5DD9

RGB 142 93 217

HSL 263.71, 0.62%, 0.61%

LAB 50.2, 45.72, -56.63

 

CMYK 33 / 53 / 0 / 7

HEX #9F6FEC

RGB 159 111 236

HSL 263.04, 0.77%, 0.68%

LAB 56.88, 44.68, -56.53

 

CMYK 31 / 49 / 0 / 0

HEX #B081FF

RGB 176 129 255

HSL 262.38, 1%, 0.75%

LAB 63.47, 43.69, -56.42

 

CMYK 24 / 42 / 0 / 0

HEX #C193FF

RGB 193 147 255

HSL 265.56, 1%, 0.79%

LAB 69.06, 38.28, -47.47

 

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

CMYK 44 / 69 / 0 / 28

HEX #6739B8

RGB 103 57 184

HSL 261.73, 0.53%, 0.47%

LAB 36.5, 48.1, -59.89

 

CMYK 48 / 76 / 0 / 35

HEX #5627A5

RGB 86 39 165

HSL 262.38, 0.62%, 0.4%

LAB 29.78, 48.93, -59.61

 

CMYK 53 / 86 / 0 / 43

HEX #451592

RGB 69 21 146

HSL 263.04, 0.75%, 0.33%

LAB 23.26, 49.08, -58.77

 

CMYK 59 / 98 / 0 / 50

HEX #34037F

RGB 52 3 127

HSL 263.71, 0.95%, 0.25%

LAB 17.12, 48.02, -57.06

 

CMYK 40 / 62 / 0 / 20

HEX #7A4DCB

RGB 122 77 203

HSL 261.43, 0.55%, 0.55%

LAB 43.88, 46.35, -58.9

 

CMYK 23 / 62 / 0 / 20

HEX #9C4DCB

RGB 156 77 203

HSL 277.62, 0.55%, 0.55%

LAB 47.86, 53.99, -52.29

 

CMYK 6 / 62 / 0 / 20

HEX #BE4DCB

RGB 190 77 203

HSL 293.81, 0.55%, 0.55%

LAB 52.47, 62.11, -44.67

 

CMYK 0 / 62 / 10 / 20

HEX #CB4DB7

RGB 203 77 183

HSL 309.52, 0.55%, 0.55%

LAB 53.41, 62.01, -31.53

 

CMYK 0 / 62 / 27 / 20

HEX #CB4D95

RGB 203 77 149

HSL 325.71, 0.55%, 0.55%

LAB 52.03, 57.13, -13.71

 

CMYK 40 / 62 / 0 / 20

HEX #7A4DCB

RGB 122 77 203

HSL 261.43, 0.55%, 0.55%

LAB 43.88, 46.35, -58.9

 

CMYK 57 / 62 / 0 / 20

HEX #574DCB

RGB 87 77 203

HSL 244.76, 0.55%, 0.55%

LAB 40.65, 39.54, -64.3

 

CMYK 62 / 62 / 0 / 20

HEX #4D4DCB

RGB 77 77 203

HSL 240, 0.55%, 0.55%

LAB 39.91, 37.89, -65.53

 

CMYK 40 / 62 / 0 / 20

HEX #7A4DCB

RGB 122 77 203

HSL 261.43, 0.55%, 0.55%

LAB 43.88, 46.35, -58.9

 

CMYK 48 / 73 / 0 / 13

HEX #743BDE

RGB 116 59 222

HSL 260.98, 0.71%, 0.55%

LAB 41.4, 59.36, -73.89

 

CMYK 54 / 83 / 0 / 6

HEX #6E28F0

RGB 110 40 240

HSL 261, 0.87%, 0.55%

LAB 39.79, 70.74, -86.79

 

CMYK 40 / 62 / 0 / 20

HEX #7A4DCB

RGB 122 77 203

HSL 261.43, 0.55%, 0.55%

LAB 43.88, 46.35, -58.9

 

CMYK 31 / 48 / 0 / 27

HEX #7F60B9

RGB 127 96 185

HSL 260.9, 0.39%, 0.55%

LAB 47.47, 31.98, -42.7

 

CMYK 20 / 31 / 0 / 35

HEX #8572A6

RGB 133 114 166

HSL 261.92, 0.23%, 0.55%

LAB 51.58, 18.34, -25.16

 

CMYK 7 / 10 / 0 / 42

HEX #8A8594

RGB 138 133 148

HSL 260, 0.07%, 0.55%

LAB 56.4, 4.88, -7.35

 

CMYK 5 / 0 / 15 / 41

HEX #909781

RGB 144 151 129

HSL 79.09, 0.1%, 0.55%

LAB 61.35, -6.63, 10.74

 

CMYK 62 / 51 / 0 / 20

HEX #4D64CB

RGB 77 100 203

HSL 229.05, 0.55%, 0.55%

LAB 45.64, 23.54, -56.25

 

CMYK 57 / 62 / 0 / 20

HEX #584DCB

RGB 88 77 203

HSL 245.24, 0.55%, 0.55%

LAB 40.73, 39.71, -64.17

 

CMYK 40 / 62 / 0 / 20

HEX #794DCB

RGB 121 77 203

HSL 260.95, 0.55%, 0.55%

LAB 43.78, 46.13, -59.08

 

CMYK 24 / 62 / 0 / 20

HEX #9B4DCB

RGB 155 77 203

HSL 277.14, 0.55%, 0.55%

LAB 47.74, 53.76, -52.5

 

CMYK 7 / 62 / 0 / 20

HEX #BD4DCB

RGB 189 77 203

HSL 293.33, 0.55%, 0.55%

LAB 52.33, 61.87, -44.9

 

CMYK 46 / 71 / 0 / 40

HEX #532D99

RGB 83 45 153

HSL 261.11, 0.55%, 0.39%

LAB 29.45, 42.12, -52.86

 

CMYK 46 / 71 / 0 / 27

HEX #6436B9

RGB 100 54 185

HSL 261.07, 0.55%, 0.47%

LAB 35.69, 49.36, -61.81

 

CMYK 40 / 62 / 0 / 20

HEX #7A4DCB

RGB 122 77 203

HSL 261.43, 0.55%, 0.55%

LAB 43.88, 46.35, -58.9

 

CMYK 31 / 49 / 0 / 16

HEX #926DD5

RGB 146 109 213

HSL 261.35, 0.55%, 0.63%

LAB 53.87, 36.73, -48.47

 

CMYK 23 / 36 / 0 / 13

HEX #AA8DDE

RGB 170 141 222

HSL 261.48, 0.55%, 0.71%

LAB 64.06, 27.39, -37.32

 

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

CMYK 0 / 62 / 34 / 20

HEX #CB4D86

RGB 203 77 134

HSL 332.86, 0.55%, 0.55%

LAB 51.53, 55.27, -5.55

 

CMYK 59 / 0 / 62 / 20

HEX #53CB4D

RGB 83 203 77

HSL 117.14, 0.55%, 0.55%

LAB 72.95, -57.74, 51.61

 

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

CMYK 0 / 40 / 62 / 20

HEX #CB794D

RGB 203 121 77

HSL 20.95, 0.55%, 0.55%

LAB 58.89, 27.94, 37.44

 

CMYK 62 / 0 / 40 / 20

HEX #4DCB79

RGB 77 203 121

HSL 140.95, 0.55%, 0.55%

LAB 73.33, -52.88, 30.84

 

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

CMYK 0 / 62 / 34 / 20

HEX #CB4D86

RGB 203 77 134

HSL 332.86, 0.55%, 0.55%

LAB 51.53, 55.27, -5.55

 

CMYK 22 / 0 / 62 / 20

HEX #9FCB4D

RGB 159 203 77

HSL 80.95, 0.55%, 0.55%

LAB 76.45, -33.42, 56.46

 

CMYK 62 / 0 / 28 / 20

HEX #4DCB93

RGB 77 203 147

HSL 153.33, 0.55%, 0.55%

LAB 73.8, -47.85, 17.83

 

CMYK 41 / 63 / 0 / 20

HEX #784BCB

RGB 120 75 203

HSL 261.09, 0.55%, 0.55%

LAB 43.27, 47.01, -59.91

 

CMYK 0 / 62 / 53 / 20

HEX #CB4D60

RGB 203 77 96

HSL 350.95, 0.55%, 0.55%

LAB 50.51, 51.44, 15.8

 

CMYK 22 / 0 / 62 / 20

HEX #9FCB4D

RGB 159 203 77

HSL 80.95, 0.55%, 0.55%

LAB 76.45, -33.42, 56.46

 

CMYK 62 / 0 / 9 / 20

HEX #4DCBB8

RGB 77 203 184

HSL 170.95, 0.55%, 0.55%

LAB 74.67, -39.14, -0.83

 

Description

Color code: HEX #784BCB | qconv.com Color code: HEX #784BCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 75 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 75 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 63 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 63% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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