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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784BA5 it is the complementary color #87B45A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784BA5 shade: #7D4BA0, #8E5DB3, #9F6FC6, #B081D9 and #C193EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784BA5 shade: #784BA5, #673992, #56277F, #45156C and #340359

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784BA5 shade: #784AA5, #904AA5, #A54AA2, #A54A89 and #A54A71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784BA5 shade: #784AA5, #5F4AA5 and #4A4AA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784BA5 shade matches the following richer shades: #784AA5, #7837B9, #7824CC and #7810E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784BA5 shade: #784AA5, #785E92, #78717F, #78846B and #789858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784BA5 shade: #4A4DA5, #604AA5, #784AA5, #904AA5 and #A54AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784BA5 shade: #4F316C, #633E89, #784AA5, #8C61B8 and #A17DC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784BA5 shade: #784BA5, #A54A66 and #4AA553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784BA5 shade: #784BA5, #A5784A and #4AA578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784BA5 shade: #784BA5, #A54A66, #78A54A and #4AA58A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784BA5 shade: #784BA5, #A54A4A, #78A54A and #4AA5A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

Complementary color

CMYK 25 / 0 / 50 / 29

HEX #87B45A

RGB 135 180 90

HSL 90, 0.38%, 0.53%

LAB 68.41, -30.52, 40.82

 

CMYK 22 / 53 / 0 / 37

HEX #7D4BA0

RGB 125 75 160

HSL 275.29, 0.36%, 0.46%

LAB 41.1, 37.32, -38.09

 

CMYK 21 / 48 / 0 / 30

HEX #8E5DB3

RGB 142 93 179

HSL 274.19, 0.36%, 0.53%

LAB 48.05, 36.43, -38.18

 

CMYK 20 / 44 / 0 / 22

HEX #9F6FC6

RGB 159 111 198

HSL 273.1, 0.43%, 0.61%

LAB 54.88, 35.56, -38.26

 

CMYK 19 / 41 / 0 / 15

HEX #B081D9

RGB 176 129 217

HSL 272.05, 0.54%, 0.68%

LAB 61.6, 34.75, -38.33

 

CMYK 18 / 38 / 0 / 7

HEX #C193EC

RGB 193 147 236

HSL 271.01, 0.7%, 0.75%

LAB 68.21, 33.98, -38.41

 

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

CMYK 29 / 61 / 0 / 43

HEX #673992

RGB 103 57 146

HSL 271.01, 0.44%, 0.4%

LAB 33.74, 38.12, -41.53

 

CMYK 32 / 69 / 0 / 50

HEX #56277F

RGB 86 39 127

HSL 272.05, 0.53%, 0.33%

LAB 26.63, 38.93, -41.31

 

CMYK 36 / 81 / 0 / 58

HEX #45156C

RGB 69 21 108

HSL 273.1, 0.67%, 0.25%

LAB 19.57, 39.22, -40.7

 

CMYK 42 / 97 / 0 / 65

HEX #340359

RGB 52 3 89

HSL 274.19, 0.93%, 0.18%

LAB 12.71, 38.56, -39.43

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 13 / 55 / 0 / 35

HEX #904AA5

RGB 144 74 165

HSL 286.15, 0.38%, 0.47%

LAB 43.57, 44.26, -37.01

 

CMYK 0 / 55 / 2 / 35

HEX #A54AA2

RGB 165 74 162

HSL 301.98, 0.38%, 0.47%

LAB 46.32, 49.54, -30.7

 

CMYK 0 / 55 / 17 / 35

HEX #A54A89

RGB 165 74 137

HSL 318.46, 0.38%, 0.47%

LAB 45.22, 45.32, -17.43

 

CMYK 0 / 55 / 32 / 35

HEX #A54A71

RGB 165 74 113

HSL 334.29, 0.38%, 0.47%

LAB 44.36, 41.84, -4.13

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 42 / 55 / 0 / 35

HEX #5F4AA5

RGB 95 74 165

HSL 253.85, 0.38%, 0.47%

LAB 37.93, 31.36, -46.34

 

CMYK 55 / 55 / 0 / 35

HEX #4A4AA5

RGB 74 74 165

HSL 240, 0.38%, 0.47%

LAB 36.12, 26.63, -49.34

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 35 / 70 / 0 / 27

HEX #7837B9

RGB 120 55 185

HSL 270, 0.54%, 0.47%

LAB 38.25, 52.6, -57.54

 

CMYK 41 / 82 / 0 / 20

HEX #7824CC

RGB 120 36 204

HSL 270, 0.7%, 0.47%

LAB 37.14, 64.7, -70.47

 

CMYK 46 / 93 / 0 / 12

HEX #7810E0

RGB 120 16 224

HSL 270, 0.87%, 0.47%

LAB 37.38, 74.02, -81.62

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 18 / 36 / 0 / 43

HEX #785E92

RGB 120 94 146

HSL 270, 0.22%, 0.47%

LAB 44.34, 21.28, -24.67

 

CMYK 6 / 11 / 0 / 50

HEX #78717F

RGB 120 113 127

HSL 270, 0.06%, 0.47%

LAB 48.68, 5.55, -6.73

 

CMYK 9 / 0 / 19 / 48

HEX #78846B

RGB 120 132 107

HSL 88.8, 0.1%, 0.47%

LAB 53.55, -9.25, 12.04

 

CMYK 21 / 0 / 42 / 40

HEX #789858

RGB 120 152 88

HSL 90, 0.27%, 0.47%

LAB 59.12, -22.78, 30.08

 

CMYK 55 / 53 / 0 / 35

HEX #4A4DA5

RGB 74 77 165

HSL 238.02, 0.38%, 0.47%

LAB 36.89, 24.71, -48.09

 

CMYK 42 / 55 / 0 / 35

HEX #604AA5

RGB 96 74 165

HSL 254.51, 0.38%, 0.47%

LAB 38.02, 31.6, -46.18

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 13 / 55 / 0 / 35

HEX #904AA5

RGB 144 74 165

HSL 286.15, 0.38%, 0.47%

LAB 43.57, 44.26, -37.01

 

CMYK 0 / 55 / 2 / 35

HEX #A54AA2

RGB 165 74 162

HSL 301.98, 0.38%, 0.47%

LAB 46.32, 49.54, -30.7

 

CMYK 27 / 55 / 0 / 58

HEX #4F316C

RGB 79 49 108

HSL 270.51, 0.38%, 0.31%

LAB 26.57, 26.4, -29.37

 

CMYK 28 / 55 / 0 / 46

HEX #633E89

RGB 99 62 137

HSL 269.6, 0.38%, 0.39%

LAB 33.78, 31.88, -35.97

 

CMYK 27 / 55 / 0 / 35

HEX #784AA5

RGB 120 74 165

HSL 270.33, 0.38%, 0.47%

LAB 40.58, 37.74, -41.93

 

CMYK 24 / 47 / 0 / 28

HEX #8C61B8

RGB 140 97 184

HSL 269.66, 0.38%, 0.55%

LAB 48.99, 34.76, -39.62

 

CMYK 18 / 37 / 0 / 23

HEX #A17DC5

RGB 161 125 197

HSL 270, 0.38%, 0.63%

LAB 58.3, 27.98, -32.33

 

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

CMYK 0 / 55 / 38 / 35

HEX #A54A66

RGB 165 74 102

HSL 341.54, 0.38%, 0.47%

LAB 44.03, 40.46, 2.14

 

CMYK 55 / 0 / 50 / 35

HEX #4AA553

RGB 74 165 83

HSL 125.93, 0.38%, 0.47%

LAB 60.77, -44.64, 34.29

 

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

CMYK 0 / 27 / 55 / 35

HEX #A5784A

RGB 165 120 74

HSL 30.33, 0.38%, 0.47%

LAB 53.95, 12.18, 31.98

 

CMYK 55 / 0 / 27 / 35

HEX #4AA578

RGB 74 165 120

HSL 150.33, 0.38%, 0.47%

LAB 61.41, -37.93, 15.28

 

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

CMYK 0 / 55 / 38 / 35

HEX #A54A66

RGB 165 74 102

HSL 341.54, 0.38%, 0.47%

LAB 44.03, 40.46, 2.14

 

CMYK 27 / 0 / 55 / 35

HEX #78A54A

RGB 120 165 74

HSL 89.67, 0.38%, 0.47%

LAB 62.84, -30.82, 41.79

 

CMYK 55 / 0 / 16 / 35

HEX #4AA58A

RGB 74 165 138

HSL 162.2, 0.38%, 0.47%

LAB 61.83, -33.83, 5.84

 

CMYK 27 / 55 / 0 / 35

HEX #784BA5

RGB 120 75 165

HSL 270, 0.38%, 0.47%

LAB 40.8, 37.17, -41.59

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 27 / 0 / 55 / 35

HEX #78A54A

RGB 120 165 74

HSL 89.67, 0.38%, 0.47%

LAB 62.84, -30.82, 41.79

 

CMYK 55 / 0 / 0 / 35

HEX #4AA5A5

RGB 74 165 165

HSL 180, 0.38%, 0.47%

LAB 62.58, -26.8, -8.21

 

Description

Color code: HEX #784BA5 | qconv.com Color code: HEX #784BA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 75 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 75 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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