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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784AE6 it is the complementary color #87B519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784AE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784AE6 shade: #7D4AE1, #8E5CF4, #9F6EFF, #B080FF and #C192FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784AE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784AE6 shade: #784AE6, #6738D3, #5626C0, #4514AD and #34029A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784AE6 shade: #794BE7, #A34BE7, #CD4BE7, #E74BD6 and #E74BAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784AE6 shade: #794BE7, #4F4BE7 and #4B4BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784AE6 shade matches the following richer shades: #794BE7 and #723BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784AE6 shade: #794BE7, #805CD6, #876CC6, #8E7DB5 and #948DA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784AE6 shade: #4B72E7, #4E4BE7, #774BE7, #A14BE7 and #CA4BE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784AE6 shade: #4D1BC5, #5E27E2, #794BE7, #9470EB and #AF94F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784AE6 shade: #784AE6, #E74B9C and #5EE74B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784AE6 shade: #784AE6, #E7774B and #4BE777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784AE6 shade: #784AE6, #E74B9C, #BBE74B and #4BE796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784AE6 shade: #784AE6, #E74B6D, #BBE74B and #4BE7C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

Complementary color

CMYK 25 / 0 / 86 / 29

HEX #87B519

RGB 135 181 25

HSL 77.69, 0.76%, 0.4%

LAB 68.22, -35.58, 65.47

 

CMYK 44 / 67 / 0 / 12

HEX #7D4AE1

RGB 125 74 225

HSL 260.26, 0.72%, 0.59%

LAB 45.21, 54.35, -69.33

 

CMYK 42 / 62 / 0 / 4

HEX #8E5CF4

RGB 142 92 244

HSL 259.74, 0.87%, 0.66%

LAB 51.77, 53.23, -69.31

 

CMYK 38 / 57 / 0 / 0

HEX #9F6EFF

RGB 159 110 255

HSL 260.28, 1%, 0.72%

LAB 57.79, 50.03, -65.6

 

CMYK 31 / 50 / 0 / 0

HEX #B080FF

RGB 176 128 255

HSL 262.68, 1%, 0.75%

LAB 63.25, 44.23, -56.76

 

CMYK 24 / 43 / 0 / 0

HEX #C192FF

RGB 193 146 255

HSL 265.87, 1%, 0.79%

LAB 68.83, 38.82, -47.82

 

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

CMYK 51 / 73 / 0 / 17

HEX #6738D3

RGB 103 56 211

HSL 258.19, 0.64%, 0.52%

LAB 38.58, 55.9, -72.25

 

CMYK 55 / 80 / 0 / 25

HEX #5626C0

RGB 86 38 192

HSL 258.7, 0.67%, 0.45%

LAB 32.19, 56.62, -71.74

 

CMYK 60 / 88 / 0 / 32

HEX #4514AD

RGB 69 20 173

HSL 259.22, 0.79%, 0.38%

LAB 26.11, 56.48, -70.54

 

CMYK 66 / 99 / 0 / 40

HEX #34029A

RGB 52 2 154

HSL 259.74, 0.97%, 0.31%

LAB 20.47, 55.07, -68.4

 

CMYK 48 / 68 / 0 / 9

HEX #794BE7

RGB 121 75 231

HSL 257.69, 0.76%, 0.6%

LAB 45.45, 54.74, -72.36

 

CMYK 29 / 68 / 0 / 9

HEX #A34BE7

RGB 163 75 231

HSL 273.85, 0.76%, 0.6%

LAB 50.2, 62.64, -64.43

 

CMYK 11 / 68 / 0 / 9

HEX #CD4BE7

RGB 205 75 231

HSL 290, 0.76%, 0.6%

LAB 55.87, 71.42, -55.02

 

CMYK 0 / 68 / 7 / 9

HEX #E74BD6

RGB 231 75 214

HSL 306.54, 0.76%, 0.6%

LAB 58.86, 74.42, -40.45

 

CMYK 0 / 68 / 25 / 9

HEX #E74BAD

RGB 231 75 173

HSL 322.31, 0.76%, 0.6%

LAB 57.11, 68.74, -19.65

 

CMYK 48 / 68 / 0 / 9

HEX #794BE7

RGB 121 75 231

HSL 257.69, 0.76%, 0.6%

LAB 45.45, 54.74, -72.36

 

CMYK 66 / 68 / 0 / 9

HEX #4F4BE7

RGB 79 75 231

HSL 241.54, 0.76%, 0.6%

LAB 41.94, 48.45, -78.24

 

CMYK 68 / 68 / 0 / 9

HEX #4B4BE7

RGB 75 75 231

HSL 240, 0.76%, 0.6%

LAB 41.69, 47.96, -78.67

 

CMYK 48 / 68 / 0 / 9

HEX #794BE7

RGB 121 75 231

HSL 257.69, 0.76%, 0.6%

LAB 45.45, 54.74, -72.36

 

CMYK 54 / 76 / 0 / 3

HEX #723BF7

RGB 114 59 247

HSL 257.55, 0.92%, 0.6%

LAB 43.39, 65.61, -84.78

 

CMYK 48 / 68 / 0 / 9

HEX #794BE7

RGB 121 75 231

HSL 257.69, 0.76%, 0.6%

LAB 45.45, 54.74, -72.36

 

CMYK 40 / 57 / 0 / 16

HEX #805CD6

RGB 128 92 214

HSL 257.7, 0.6%, 0.6%

LAB 48.38, 42.27, -57.92

 

CMYK 32 / 45 / 0 / 22

HEX #876CC6

RGB 135 108 198

HSL 258, 0.44%, 0.6%

LAB 51.78, 30.51, -43.31

 

CMYK 22 / 31 / 0 / 29

HEX #8E7DB5

RGB 142 125 181

HSL 258.21, 0.27%, 0.6%

LAB 55.84, 18.33, -27.17

 

CMYK 10 / 15 / 0 / 35

HEX #948DA5

RGB 148 141 165

HSL 257.5, 0.12%, 0.6%

LAB 59.94, 7.43, -11.71

 

CMYK 68 / 51 / 0 / 9

HEX #4B72E7

RGB 75 114 231

HSL 225, 0.76%, 0.6%

LAB 51.04, 24.17, -63.45

 

CMYK 66 / 68 / 0 / 9

HEX #4E4BE7

RGB 78 75 231

HSL 241.15, 0.76%, 0.6%

LAB 41.88, 48.33, -78.35

 

CMYK 48 / 68 / 0 / 9

HEX #774BE7

RGB 119 75 231

HSL 256.92, 0.76%, 0.6%

LAB 45.25, 54.39, -72.69

 

CMYK 30 / 68 / 0 / 9

HEX #A14BE7

RGB 161 75 231

HSL 273.08, 0.76%, 0.6%

LAB 49.95, 62.24, -64.85

 

CMYK 13 / 68 / 0 / 9

HEX #CA4BE7

RGB 202 75 231

HSL 288.85, 0.76%, 0.6%

LAB 55.44, 70.77, -55.73

 

CMYK 61 / 86 / 0 / 23

HEX #4D1BC5

RGB 77 27 197

HSL 257.65, 0.76%, 0.44%

LAB 30.38, 61.15, -77.7

 

CMYK 58 / 83 / 0 / 11

HEX #5E27E2

RGB 94 39 226

HSL 257.65, 0.76%, 0.52%

LAB 36.6, 66, -84.16

 

CMYK 48 / 68 / 0 / 9

HEX #794BE7

RGB 121 75 231

HSL 257.69, 0.76%, 0.6%

LAB 45.45, 54.74, -72.36

 

CMYK 37 / 52 / 0 / 8

HEX #9470EB

RGB 148 112 235

HSL 257.56, 0.75%, 0.68%

LAB 55.97, 41.21, -57.48

 

CMYK 27 / 38 / 0 / 6

HEX #AF94F0

RGB 175 148 240

HSL 257.61, 0.75%, 0.76%

LAB 66.96, 29.18, -42.67

 

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

CMYK 0 / 68 / 32 / 9

HEX #E74B9C

RGB 231 75 156

HSL 328.85, 0.76%, 0.6%

LAB 56.51, 66.7, -10.65

 

CMYK 59 / 0 / 68 / 9

HEX #5EE74B

RGB 94 231 75

HSL 112.69, 0.76%, 0.6%

LAB 81.86, -65.27, 62.25

 

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

CMYK 0 / 48 / 68 / 9

HEX #E7774B

RGB 231 119 75

HSL 16.92, 0.76%, 0.6%

LAB 62.25, 39.98, 43.4

 

CMYK 68 / 0 / 48 / 9

HEX #4BE777

RGB 75 231 119

HSL 136.92, 0.76%, 0.6%

LAB 81.83, -63.95, 42.71

 

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

CMYK 0 / 68 / 32 / 9

HEX #E74B9C

RGB 231 75 156

HSL 328.85, 0.76%, 0.6%

LAB 56.51, 66.7, -10.65

 

CMYK 19 / 0 / 68 / 9

HEX #BBE74B

RGB 187 231 75

HSL 76.92, 0.76%, 0.6%

LAB 86.12, -35.63, 68.01

 

CMYK 68 / 0 / 35 / 9

HEX #4BE796

RGB 75 231 150

HSL 148.85, 0.76%, 0.6%

LAB 82.3, -58.67, 27.87

 

CMYK 48 / 68 / 0 / 10

HEX #784AE6

RGB 120 74 230

HSL 257.69, 0.76%, 0.6%

LAB 45.09, 54.81, -72.39

 

CMYK 0 / 68 / 53 / 9

HEX #E74B6D

RGB 231 75 109

HSL 346.92, 0.76%, 0.6%

LAB 55.2, 62.19, 15.24

 

CMYK 19 / 0 / 68 / 9

HEX #BBE74B

RGB 187 231 75

HSL 76.92, 0.76%, 0.6%

LAB 86.12, -35.63, 68.01

 

CMYK 68 / 0 / 15 / 9

HEX #4BE7C5

RGB 75 231 197

HSL 166.92, 0.76%, 0.6%

LAB 83.27, -48.41, 4.74

 

Description

Color code: HEX #784AE6 | qconv.com Color code: HEX #784AE6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 74 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 74 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 68 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 68% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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