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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78494A it is the complementary color #87B6B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78494A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78494A shade: #7D4945, #8E5B58, #9F6D6B, #B07F7E and #C19191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78494A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78494A shade: #78494A, #673737, #562524, #451311 and #340100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78494A shade: #784A4B and #784A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78494A shade: #784A4B, #784A57, #784A64, #784A70 and #744A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78494A shade matches the following richer shades: #784A4B, #883A3C, #982A2D, #A71B1E and #B70B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78494A shade: #784A4B, #68595A, #596969, #497978 and #398887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78494A shade: #784A64, #784A58, #784A4B, #78544A and #78614A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78494A shade: #452A2B, #5F3A3B, #784A4B, #92595B and #A66E6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78494A shade: #78494A, #70784A and #4A5E78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78494A shade: #78494A, #4B784A and #4A4B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78494A shade: #78494A, #70784A, #4A7877 and #514A78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78494A shade: #78494A, #62784A, #4A7877 and #5F4A78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

Complementary color

CMYK 26 / 0 / 1 / 29

HEX #87B6B5

RGB 135 182 181

HSL 178.72, 0.24%, 0.62%

LAB 70.83, -15.69, -4.55

 

CMYK 0 / 42 / 45 / 51

HEX #7D4945

RGB 125 73 69

HSL 4.29, 0.29%, 0.38%

LAB 37.03, 21.65, 11.9

 

CMYK 0 / 36 / 38 / 44

HEX #8E5B58

RGB 142 91 88

HSL 3.33, 0.23%, 0.45%

LAB 44.14, 20.57, 10.42

 

CMYK 0 / 31 / 33 / 38

HEX #9F6D6B

RGB 159 109 107

HSL 2.31, 0.21%, 0.52%

LAB 51.12, 19.64, 9.16

 

CMYK 0 / 28 / 28 / 31

HEX #B07F7E

RGB 176 127 126

HSL 1.2, 0.24%, 0.59%

LAB 57.96, 18.83, 8.06

 

CMYK 0 / 25 / 25 / 24

HEX #C19191

RGB 193 145 145

HSL 0, 0.28%, 0.66%

LAB 64.67, 18.12, 7.07

 

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

CMYK 0 / 47 / 47 / 60

HEX #673737

RGB 103 55 55

HSL 0, 0.3%, 0.31%

LAB 29.14, 21.31, 9.46

 

CMYK 0 / 57 / 58 / 66

HEX #562524

RGB 86 37 36

HSL 1.2, 0.41%, 0.24%

LAB 21.69, 22.6, 11.54

 

CMYK 0 / 72 / 75 / 73

HEX #451311

RGB 69 19 17

HSL 2.31, 0.6%, 0.17%

LAB 14.24, 23.87, 14.18

 

CMYK 0 / 98 / 100 / 80

HEX #340100

RGB 52 1 0

HSL 1.15, 1%, 0.1%

LAB 6.79, 25.11, 10.71

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 38 / 38 / 53

HEX #784A4A

RGB 120 74 74

HSL 0, 0.24%, 0.38%

LAB 36.72, 19.58, 8.23

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 38 / 28 / 53

HEX #784A57

RGB 120 74 87

HSL 343.04, 0.24%, 0.38%

LAB 37.08, 21.46, 0.56

 

CMYK 0 / 38 / 17 / 53

HEX #784A64

RGB 120 74 100

HSL 326.09, 0.24%, 0.38%

LAB 37.5, 23.63, -6.97

 

CMYK 0 / 38 / 7 / 53

HEX #784A70

RGB 120 74 112

HSL 310.43, 0.24%, 0.38%

LAB 37.95, 25.85, -13.78

 

CMYK 3 / 38 / 0 / 53

HEX #744A78

RGB 116 74 120

HSL 294.78, 0.24%, 0.38%

LAB 37.78, 26.07, -19.04

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 57 / 56 / 47

HEX #883A3C

RGB 136 58 60

HSL 358.46, 0.4%, 0.38%

LAB 35.18, 33.56, 15.33

 

CMYK 0 / 72 / 70 / 40

HEX #982A2D

RGB 152 42 45

HSL 358.36, 0.57%, 0.38%

LAB 35.04, 45.6, 25.18

 

CMYK 0 / 84 / 82 / 35

HEX #A71B1E

RGB 167 27 30

HSL 358.71, 0.72%, 0.38%

LAB 36.16, 54.44, 36.21

 

CMYK 0 / 94 / 92 / 28

HEX #B70B0F

RGB 183 11 15

HSL 358.6, 0.89%, 0.38%

LAB 38.45, 61.38, 46.93

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 14 / 13 / 59

HEX #68595A

RGB 104 89 90

HSL 356, 0.08%, 0.38%

LAB 39.29, 6.29, 1.68

 

CMYK 15 / 0 / 0 / 59

HEX #596969

RGB 89 105 105

HSL 180, 0.08%, 0.38%

LAB 43.13, -6.01, -2.03

 

CMYK 40 / 0 / 1 / 53

HEX #497978

RGB 73 121 120

HSL 178.75, 0.25%, 0.38%

LAB 47.56, -16.5, -4.6

 

CMYK 58 / 0 / 1 / 47

HEX #398887

RGB 57 136 135

HSL 179.24, 0.41%, 0.38%

LAB 52.09, -24.12, -6.74

 

CMYK 0 / 38 / 17 / 53

HEX #784A64

RGB 120 74 100

HSL 326.09, 0.24%, 0.38%

LAB 37.5, 23.63, -6.97

 

CMYK 0 / 38 / 27 / 53

HEX #784A58

RGB 120 74 88

HSL 341.74, 0.24%, 0.38%

LAB 37.11, 21.62, -0.02

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 30 / 38 / 53

HEX #78544A

RGB 120 84 74

HSL 13.04, 0.24%, 0.38%

LAB 39.29, 13.57, 11.81

 

CMYK 0 / 19 / 38 / 53

HEX #78614A

RGB 120 97 74

HSL 30, 0.24%, 0.38%

LAB 42.82, 5.77, 16.62

 

CMYK 0 / 39 / 38 / 73

HEX #452A2B

RGB 69 42 43

HSL 357.78, 0.24%, 0.22%

LAB 20.42, 12.74, 4.57

 

CMYK 0 / 39 / 38 / 63

HEX #5F3A3B

RGB 95 58 59

HSL 358.38, 0.24%, 0.3%

LAB 28.84, 16.54, 6.25

 

CMYK 0 / 38 / 38 / 53

HEX #784A4B

RGB 120 74 75

HSL 358.7, 0.24%, 0.38%

LAB 36.74, 19.71, 7.63

 

CMYK 0 / 39 / 38 / 43

HEX #92595B

RGB 146 89 91

HSL 357.89, 0.24%, 0.46%

LAB 44.25, 23.75, 8.82

 

CMYK 0 / 34 / 33 / 35

HEX #A66E6F

RGB 166 110 111

HSL 358.93, 0.24%, 0.54%

LAB 52.29, 22.41, 8.59

 

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

CMYK 7 / 0 / 38 / 53

HEX #70784A

RGB 112 120 74

HSL 70.43, 0.24%, 0.38%

LAB 48.73, -11, 24.28

 

CMYK 38 / 22 / 0 / 53

HEX #4A5E78

RGB 74 94 120

HSL 213.91, 0.24%, 0.38%

LAB 39.27, -0.5, -17.09

 

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

CMYK 38 / 0 / 38 / 53

HEX #4B784A

RGB 75 120 74

HSL 118.7, 0.24%, 0.38%

LAB 46.21, -25.56, 20.51

 

CMYK 38 / 38 / 0 / 53

HEX #4A4B78

RGB 74 75 120

HSL 238.7, 0.24%, 0.38%

LAB 33.66, 11.56, -25.8

 

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

CMYK 7 / 0 / 38 / 53

HEX #70784A

RGB 112 120 74

HSL 70.43, 0.24%, 0.38%

LAB 48.73, -11, 24.28

 

CMYK 38 / 0 / 1 / 53

HEX #4A7877

RGB 74 120 119

HSL 178.7, 0.24%, 0.38%

LAB 47.26, -15.93, -4.44

 

CMYK 33 / 38 / 0 / 53

HEX #514A78

RGB 81 74 120

HSL 249.13, 0.24%, 0.38%

LAB 33.99, 14.37, -25.23

 

CMYK 0 / 39 / 38 / 53

HEX #78494A

RGB 120 73 74

HSL 358.72, 0.24%, 0.38%

LAB 36.47, 20.18, 7.88

 

CMYK 18 / 0 / 38 / 53

HEX #62784A

RGB 98 120 74

HSL 88.7, 0.24%, 0.38%

LAB 47.65, -16.83, 22.68

 

CMYK 38 / 0 / 1 / 53

HEX #4A7877

RGB 74 120 119

HSL 178.7, 0.24%, 0.38%

LAB 47.26, -15.93, -4.44

 

CMYK 21 / 38 / 0 / 53

HEX #5F4A78

RGB 95 74 120

HSL 267.39, 0.24%, 0.38%

LAB 35.37, 18.92, -22.97

 

Description

Color code: HEX #78494A | qconv.com Color code: HEX #78494A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 73 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 73 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 38 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 38% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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