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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78445C it is the complementary color #87BBA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78445C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78445C shade: #7D4457, #8E566A, #9F687D, #B07A90 and #C18CA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78445C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78445C shade: #78445C, #673249, #562036, #450E23 and #340010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78445C shade: #79445C, #79444E and #794444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78445C shade: #79445C, #79446B, #794479, #6A4479 and #5C4479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78445C shade matches the following richer shades: #79445C, #88355B, #97255A, #A71659 and #B60758

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78445C shade: #79445C, #6A535D, #5A625F, #4B7260 and #3C8161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78445C shade: #794479, #79446B, #79445D, #79444E and #794744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78445C shade: #442634, #5E3548, #79445C, #935371 and #A96685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78445C shade: #78445C, #796B44 and #447279

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78445C shade: #78445C, #5D7944 and #445D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78445C shade: #78445C, #796B44, #447960 and #445279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78445C shade: #78445C, #777944, #447960 and #464479

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

Complementary color

CMYK 28 / 0 / 13 / 27

HEX #87BBA3

RGB 135 187 163

HSL 152.31, 0.28%, 0.63%

LAB 71.78, -22.14, 6.69

 

CMYK 0 / 46 / 30 / 51

HEX #7D4457

RGB 125 68 87

HSL 340, 0.3%, 0.38%

LAB 36.33, 26.95, -0.44

 

CMYK 0 / 39 / 25 / 44

HEX #8E566A

RGB 142 86 106

HSL 338.57, 0.25%, 0.45%

LAB 43.43, 26.02, -1.58

 

CMYK 0 / 35 / 21 / 38

HEX #9F687D

RGB 159 104 125

HSL 337.09, 0.22%, 0.52%

LAB 50.4, 25.16, -2.55

 

CMYK 0 / 31 / 18 / 31

HEX #B07A90

RGB 176 122 144

HSL 335.56, 0.25%, 0.58%

LAB 57.23, 24.38, -3.39

 

CMYK 0 / 27 / 16 / 24

HEX #C18CA3

RGB 193 140 163

HSL 333.96, 0.3%, 0.65%

LAB 63.95, 23.68, -4.15

 

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

CMYK 0 / 51 / 29 / 60

HEX #673249

RGB 103 50 73

HSL 333.96, 0.35%, 0.3%

LAB 28.5, 26.73, -3.3

 

CMYK 0 / 63 / 37 / 66

HEX #562036

RGB 86 32 54

HSL 335.56, 0.46%, 0.23%

LAB 21.12, 27.58, -1.68

 

CMYK 0 / 80 / 49 / 73

HEX #450E23

RGB 69 14 35

HSL 337.09, 0.66%, 0.16%

LAB 13.83, 27.92, 0.82

 

CMYK 0 / 100 / 69 / 80

HEX #340010

RGB 52 0 16

HSL 341.54, 1%, 0.1%

LAB 6.93, 26.84, 3.96

 

CMYK 0 / 44 / 24 / 53

HEX #79445C

RGB 121 68 92

HSL 332.83, 0.28%, 0.37%

LAB 35.93, 26.19, -4.26

 

CMYK 0 / 44 / 36 / 53

HEX #79444E

RGB 121 68 78

HSL 348.68, 0.28%, 0.37%

LAB 35.5, 24.09, 3.99

 

CMYK 0 / 44 / 44 / 53

HEX #794444

RGB 121 68 68

HSL 0, 0.28%, 0.37%

LAB 35.24, 22.79, 9.96

 

CMYK 0 / 44 / 24 / 53

HEX #79445C

RGB 121 68 92

HSL 332.83, 0.28%, 0.37%

LAB 35.93, 26.19, -4.26

 

CMYK 0 / 44 / 12 / 53

HEX #79446B

RGB 121 68 107

HSL 315.85, 0.28%, 0.37%

LAB 36.48, 28.77, -12.88

 

CMYK 0 / 44 / 0 / 53

HEX #794479

RGB 121 68 121

HSL 300, 0.28%, 0.37%

LAB 37.08, 31.47, -20.7

 

CMYK 12 / 44 / 0 / 53

HEX #6A4479

RGB 106 68 121

HSL 283.02, 0.28%, 0.37%

LAB 35.16, 26.51, -23.83

 

CMYK 24 / 44 / 0 / 53

HEX #5C4479

RGB 92 68 121

HSL 267.17, 0.28%, 0.37%

LAB 33.54, 21.96, -26.48

 

CMYK 0 / 44 / 24 / 53

HEX #79445C

RGB 121 68 92

HSL 332.83, 0.28%, 0.37%

LAB 35.93, 26.19, -4.26

 

CMYK 0 / 61 / 33 / 47

HEX #88355B

RGB 136 53 91

HSL 332.53, 0.44%, 0.37%

LAB 35.07, 39.53, -4.64

 

CMYK 0 / 75 / 40 / 41

HEX #97255A

RGB 151 37 90

HSL 332.11, 0.61%, 0.37%

LAB 35.28, 50.76, -3.4

 

CMYK 0 / 87 / 47 / 35

HEX #A71659

RGB 167 22 89

HSL 332.28, 0.77%, 0.37%

LAB 36.95, 59.04, 0.05

 

CMYK 0 / 96 / 52 / 29

HEX #B60758

RGB 182 7 88

HSL 332.23, 0.93%, 0.37%

LAB 39.24, 64.77, 4.4

 

CMYK 0 / 44 / 24 / 53

HEX #79445C

RGB 121 68 92

HSL 332.83, 0.28%, 0.37%

LAB 35.93, 26.19, -4.26

 

CMYK 0 / 22 / 12 / 58

HEX #6A535D

RGB 106 83 93

HSL 333.91, 0.12%, 0.37%

LAB 37.92, 11.36, -2.16

 

CMYK 8 / 0 / 3 / 62

HEX #5A625F

RGB 90 98 95

HSL 157.5, 0.04%, 0.37%

LAB 40.79, -3.75, 0.64

 

CMYK 34 / 0 / 16 / 55

HEX #4B7260

RGB 75 114 96

HSL 152.31, 0.21%, 0.37%

LAB 44.77, -18.04, 5.64

 

CMYK 53 / 0 / 25 / 49

HEX #3C8161

RGB 60 129 97

HSL 152.17, 0.37%, 0.37%

LAB 48.91, -29.87, 10.82

 

CMYK 0 / 44 / 0 / 53

HEX #794479

RGB 121 68 121

HSL 300, 0.28%, 0.37%

LAB 37.08, 31.47, -20.7

 

CMYK 0 / 44 / 12 / 53

HEX #79446B

RGB 121 68 107

HSL 315.85, 0.28%, 0.37%

LAB 36.48, 28.77, -12.88

 

CMYK 0 / 44 / 23 / 53

HEX #79445D

RGB 121 68 93

HSL 331.7, 0.28%, 0.37%

LAB 35.96, 26.35, -4.84

 

CMYK 0 / 44 / 36 / 53

HEX #79444E

RGB 121 68 78

HSL 348.68, 0.28%, 0.37%

LAB 35.5, 24.09, 3.99

 

CMYK 0 / 41 / 44 / 53

HEX #794744

RGB 121 71 68

HSL 3.4, 0.28%, 0.37%

LAB 35.96, 21.02, 10.97

 

CMYK 0 / 44 / 24 / 73

HEX #442634

RGB 68 38 52

HSL 332, 0.28%, 0.21%

LAB 19.49, 16.45, -3.05

 

CMYK 0 / 44 / 23 / 63

HEX #5E3548

RGB 94 53 72

HSL 332.2, 0.28%, 0.29%

LAB 27.83, 21.25, -3.78

 

CMYK 0 / 44 / 24 / 53

HEX #79445C

RGB 121 68 92

HSL 332.83, 0.28%, 0.37%

LAB 35.93, 26.19, -4.26

 

CMYK 0 / 44 / 23 / 42

HEX #935371

RGB 147 83 113

HSL 331.88, 0.28%, 0.45%

LAB 43.63, 30.68, -5.5

 

CMYK 0 / 40 / 21 / 34

HEX #A96685

RGB 169 102 133

HSL 332.24, 0.28%, 0.53%

LAB 51.42, 31.24, -5.65

 

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

CMYK 0 / 12 / 44 / 53

HEX #796B44

RGB 121 107 68

HSL 44.15, 0.28%, 0.37%

LAB 45.63, -0.43, 23.86

 

CMYK 44 / 6 / 0 / 53

HEX #447279

RGB 68 114 121

HSL 187.92, 0.28%, 0.37%

LAB 45.14, -13.75, -8.82

 

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

CMYK 23 / 0 / 44 / 53

HEX #5D7944

RGB 93 121 68

HSL 91.7, 0.28%, 0.37%

LAB 47.52, -20.24, 25.8

 

CMYK 44 / 23 / 0 / 53

HEX #445D79

RGB 68 93 121

HSL 211.7, 0.28%, 0.37%

LAB 38.62, -1.37, -18.74

 

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

CMYK 0 / 12 / 44 / 53

HEX #796B44

RGB 121 107 68

HSL 44.15, 0.28%, 0.37%

LAB 45.63, -0.43, 23.86

 

CMYK 44 / 0 / 21 / 53

HEX #447960

RGB 68 121 96

HSL 151.7, 0.28%, 0.37%

LAB 46.64, -23.92, 8.25

 

CMYK 44 / 32 / 0 / 53

HEX #445279

RGB 68 82 121

HSL 224.15, 0.28%, 0.37%

LAB 35.29, 5.57, -23.9

 

CMYK 0 / 43 / 23 / 53

HEX #78445C

RGB 120 68 92

HSL 332.31, 0.28%, 0.37%

LAB 35.79, 25.8, -4.48

 

CMYK 2 / 0 / 44 / 53

HEX #777944

RGB 119 121 68

HSL 62.26, 0.28%, 0.37%

LAB 49.51, -9.28, 28.74

 

CMYK 44 / 0 / 21 / 53

HEX #447960

RGB 68 121 96

HSL 151.7, 0.28%, 0.37%

LAB 46.64, -23.92, 8.25

 

CMYK 42 / 44 / 0 / 53

HEX #464479

RGB 70 68 121

HSL 242.26, 0.28%, 0.37%

LAB 31.39, 15.27, -30.02

 

Description

Color code: HEX #78445C | qconv.com Color code: HEX #78445C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 68 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 68 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 23 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 23% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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