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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784332 it is the complementary color #87BCCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784332 shade: #7D432D, #8E5540, #9F6753, #B07966 and #C18B79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784332 shade: #784332, #67311F, #561F0C, #450D00 and #340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784332 shade: #774232 and #773232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784332 shade: #774232, #775532, #776832, #737732 and #607732

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784332 shade matches the following richer shades: #774232, #843B24, #923416 and #9F2D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784332 shade: #774232, #69493F, #5B504D, #4E575A and #405E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784332 shade: #773246, #773234, #774232, #775432 and #776732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784332 shade: #3C2219, #5A3225, #774232, #94533E and #B1634A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784332 shade: #784332, #597732 and #323D77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784332 shade: #784332, #327742 and #423277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784332 shade: #784332, #597732, #326777 and #503277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784332 shade: #784332, #447732, #326777 and #643277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

Complementary color

CMYK 34 / 8 / 0 / 20

HEX #87BCCD

RGB 135 188 205

HSL 194.57, 0.41%, 0.67%

LAB 73.24, -13.11, -14.1

 

CMYK 0 / 46 / 64 / 51

HEX #7D432D

RGB 125 67 45

HSL 16.5, 0.47%, 0.33%

LAB 35.13, 22.82, 24.21

 

CMYK 0 / 40 / 55 / 44

HEX #8E5540

RGB 142 85 64

HSL 16.15, 0.38%, 0.4%

LAB 42.18, 21.38, 22.24

 

CMYK 0 / 35 / 48 / 38

HEX #9F6753

RGB 159 103 83

HSL 15.79, 0.31%, 0.47%

LAB 49.13, 20.16, 20.55

 

CMYK 0 / 31 / 42 / 31

HEX #B07966

RGB 176 121 102

HSL 15.41, 0.32%, 0.55%

LAB 55.95, 19.12, 19.08

 

CMYK 0 / 28 / 37 / 24

HEX #C18B79

RGB 193 139 121

HSL 15, 0.37%, 0.62%

LAB 62.66, 18.21, 17.77

 

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

CMYK 0 / 52 / 70 / 60

HEX #67311F

RGB 103 49 31

HSL 15, 0.54%, 0.26%

LAB 27.24, 22.6, 22.4

 

CMYK 0 / 64 / 86 / 66

HEX #561F0C

RGB 86 31 12

HSL 15.41, 0.76%, 0.19%

LAB 19.98, 24.35, 24.55

 

CMYK 0 / 81 / 100 / 73

HEX #450D00

RGB 69 13 0

HSL 11.3, 1%, 0.14%

LAB 12.94, 25.87, 19.98

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 58 / 58 / 53

HEX #773232

RGB 119 50 50

HSL 0, 0.41%, 0.33%

LAB 30.48, 30.25, 14.96

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 29 / 58 / 53

HEX #775532

RGB 119 85 50

HSL 30.43, 0.41%, 0.33%

LAB 38.98, 9.81, 25.8

 

CMYK 0 / 13 / 58 / 53

HEX #776832

RGB 119 104 50

HSL 46.96, 0.41%, 0.33%

LAB 44.31, -1.46, 32.18

 

CMYK 3 / 0 / 58 / 53

HEX #737732

RGB 115 119 50

HSL 63.48, 0.41%, 0.33%

LAB 48.35, -11.78, 36.74

 

CMYK 19 / 0 / 58 / 53

HEX #607732

RGB 96 119 50

HSL 80, 0.41%, 0.33%

LAB 46.86, -20.13, 34.64

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 55 / 73 / 48

HEX #843B24

RGB 132 59 36

HSL 14.38, 0.57%, 0.33%

LAB 34.32, 29.69, 28.84

 

CMYK 0 / 64 / 85 / 43

HEX #923416

RGB 146 52 22

HSL 14.52, 0.74%, 0.33%

LAB 35.25, 38.19, 38.12

 

CMYK 0 / 72 / 94 / 38

HEX #9F2D09

RGB 159 45 9

HSL 14.4, 0.89%, 0.33%

LAB 36.49, 45.64, 45.49

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 30 / 40 / 59

HEX #69493F

RGB 105 73 63

HSL 14.29, 0.25%, 0.33%

LAB 34.25, 12.2, 11.42

 

CMYK 0 / 12 / 15 / 64

HEX #5B504D

RGB 91 80 77

HSL 12.86, 0.08%, 0.33%

LAB 35, 3.98, 3.43

 

CMYK 13 / 3 / 0 / 65

HEX #4E575A

RGB 78 87 90

HSL 195, 0.07%, 0.33%

LAB 36.32, -2.83, -2.95

 

CMYK 38 / 10 / 0 / 59

HEX #405E68

RGB 64 94 104

HSL 195, 0.24%, 0.33%

LAB 38.01, -8.2, -9.22

 

CMYK 0 / 58 / 41 / 53

HEX #773246

RGB 119 50 70

HSL 342.61, 0.41%, 0.33%

LAB 30.99, 32.36, 2.61

 

CMYK 0 / 58 / 56 / 53

HEX #773234

RGB 119 50 52

HSL 358.26, 0.41%, 0.33%

LAB 30.52, 30.43, 13.72

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 29 / 58 / 53

HEX #775432

RGB 119 84 50

HSL 29.57, 0.41%, 0.33%

LAB 38.71, 10.42, 25.47

 

CMYK 0 / 13 / 58 / 53

HEX #776732

RGB 119 103 50

HSL 46.09, 0.41%, 0.33%

LAB 44.02, -0.87, 31.84

 

CMYK 0 / 43 / 58 / 76

HEX #3C2219

RGB 60 34 25

HSL 15.43, 0.41%, 0.17%

LAB 16.38, 11.3, 11.3

 

CMYK 0 / 44 / 59 / 65

HEX #5A3225

RGB 90 50 37

HSL 14.72, 0.42%, 0.25%

LAB 25.53, 16.61, 16.03

 

CMYK 0 / 45 / 58 / 53

HEX #774232

RGB 119 66 50

HSL 13.91, 0.41%, 0.33%

LAB 34.08, 21.19, 19.66

 

CMYK 0 / 44 / 58 / 42

HEX #94533E

RGB 148 83 62

HSL 14.65, 0.41%, 0.41%

LAB 42.51, 24.9, 24.01

 

CMYK 0 / 44 / 58 / 31

HEX #B1634A

RGB 177 99 74

HSL 14.56, 0.41%, 0.49%

LAB 50.41, 29.02, 27.89

 

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

CMYK 25 / 0 / 58 / 53

HEX #597732

RGB 89 119 50

HSL 86.09, 0.41%, 0.33%

LAB 46.38, -23.06, 33.96

 

CMYK 58 / 49 / 0 / 53

HEX #323D77

RGB 50 61 119

HSL 230.43, 0.41%, 0.33%

LAB 27.7, 14.13, -34.72

 

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

CMYK 58 / 0 / 45 / 53

HEX #327742

RGB 50 119 66

HSL 133.91, 0.41%, 0.33%

LAB 44.61, -34.24, 22.74

 

CMYK 45 / 58 / 0 / 53

HEX #423277

RGB 66 50 119

HSL 253.91, 0.41%, 0.33%

LAB 26.07, 25.37, -37.27

 

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

CMYK 25 / 0 / 58 / 53

HEX #597732

RGB 89 119 50

HSL 86.09, 0.41%, 0.33%

LAB 46.38, -23.06, 33.96

 

CMYK 58 / 13 / 0 / 53

HEX #326777

RGB 50 103 119

HSL 193.91, 0.41%, 0.33%

LAB 40.75, -12.62, -14.33

 

CMYK 33 / 58 / 0 / 53

HEX #503277

RGB 80 50 119

HSL 266.09, 0.41%, 0.33%

LAB 27.62, 29.05, -34.69

 

CMYK 0 / 44 / 58 / 53

HEX #784332

RGB 120 67 50

HSL 14.57, 0.41%, 0.33%

LAB 34.47, 21.04, 20.19

 

CMYK 43 / 0 / 58 / 53

HEX #447732

RGB 68 119 50

HSL 104.35, 0.41%, 0.33%

LAB 45.16, -31.1, 32.22

 

CMYK 58 / 13 / 0 / 53

HEX #326777

RGB 50 103 119

HSL 193.91, 0.41%, 0.33%

LAB 40.75, -12.62, -14.33

 

CMYK 16 / 58 / 0 / 53

HEX #643277

RGB 100 50 119

HSL 283.48, 0.41%, 0.33%

LAB 30.21, 34.68, -30.42

 

Description

Color code: HEX #784332 | qconv.com Color code: HEX #784332 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 67 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 67 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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