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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7842363F it is the complementary color #87BDC93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7842363F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7842363F shade: #7D42313F, #8E54443F, #9F66573F, #B0786A3F and #C18A7D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7842363F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7842363F shade: #7842363F, #6730233F, #561E103F, #450C003F and #3400003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7842363F shade: #784236 and #783636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7842363F shade: #784236, #785436, #786536, #787736 and #667836

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7842363F shade matches the following richer shades: #784236, #863928, #94301A and #A2270C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7842363F shade: #784236, #6A4B44, #5C5452, #4E5D60 and #40656E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7842363F shade: #78364E, #78363C, #784136, #785236 and #786436

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7842363F shade: #3F221C, #5B3229, #784236, #945143 and #B06150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7842363F shade: #784236, #5F7836 and #364578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7842363F shade: #784236, #367841 and #413678

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7842363F shade: #784236, #5F7836, #366D78 and #4E3678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7842363F shade: #784236, #4C7836, #366D78 and #623678

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 14 / 13

HEX #7842363F

RGBA 120 66 54 0.25

HSLA 10.91, 0.38%, 0.34%, 0.25

LABA 34.31, 22.01, 17.49, 0.25

 

Complementary color

CMYK 8 / 1 / 0 / 5

HEX #87BDC93F

RGBA 135 189 201 0.25

HSLA 190.91, 0.38%, 0.66%, 0.25

LABA 73.39, -14.62, -11.69, 0.25

 

CMYK 0 / 12 / 15 / 13

HEX #7D42313F

RGBA 125 66 49 0.25

HSLA 13.42, 0.44%, 0.34%, 0.25

LABA 34.96, 23.71, 21.57, 0.25

 

CMYK 0 / 10 / 13 / 11

HEX #8E54443F

RGBA 142 84 68 0.25

HSLA 12.97, 0.35%, 0.41%, 0.25

LABA 42.01, 22.34, 19.62, 0.25

 

CMYK 0 / 9 / 11 / 9

HEX #9F66573F

RGBA 159 102 87 0.25

HSLA 12.5, 0.29%, 0.48%, 0.25

LABA 48.96, 21.16, 17.98, 0.25

 

CMYK 0 / 8 / 10 / 8

HEX #B0786A3F

RGBA 176 120 106 0.25

HSLA 12, 0.31%, 0.55%, 0.25

LABA 55.79, 20.15, 16.56, 0.25

 

CMYK 0 / 7 / 9 / 6

HEX #C18A7D3F

RGBA 193 138 125 0.25

HSLA 11.47, 0.35%, 0.62%, 0.25

LABA 62.5, 19.26, 15.3, 0.25

 

CMYK 0 / 11 / 14 / 13

HEX #7842363F

RGBA 120 66 54 0.25

HSLA 10.91, 0.38%, 0.34%, 0.25

LABA 34.31, 22.01, 17.49, 0.25

 

CMYK 0 / 13 / 17 / 15

HEX #6730233F

RGBA 103 48 35 0.25

HSLA 11.47, 0.49%, 0.27%, 0.25

LABA 27.07, 23.47, 19.69, 0.25

 

CMYK 0 / 16 / 20 / 17

HEX #561E103F

RGBA 86 30 16 0.25

HSLA 12, 0.69%, 0.2%, 0.25

LABA 19.82, 25.08, 22.35, 0.25

 

CMYK 0 / 21 / 25 / 18

HEX #450C003F

RGBA 69 12 0 0.25

HSLA 10.43, 1%, 0.14%, 0.25

LABA 12.79, 26.3, 19.78, 0.25

 

CMYK 0 / 25 / 25 / 20

HEX #3400003F

RGBA 52 0 0 0.25

HSLA 0, 1%, 0.1%, 0.25

LABA 6.59, 25.64, 10.42, 0.25

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 0 / 55 / 55 / 53

HEX #783636

RGB 120 54 54

HSL 0, 0.38%, 0.34%

LAB 31.57, 28.85, 13.87

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 0 / 30 / 55 / 53

HEX #785436

RGB 120 84 54

HSL 27.27, 0.38%, 0.34%

LAB 38.9, 11.25, 23.39

 

CMYK 0 / 16 / 55 / 53

HEX #786536

RGB 120 101 54

HSL 42.73, 0.38%, 0.34%

LAB 43.61, 1.13, 29.2

 

CMYK 0 / 1 / 55 / 53

HEX #787736

RGB 120 119 54

HSL 59.09, 0.38%, 0.34%

LAB 48.83, -9.17, 35.38

 

CMYK 15 / 0 / 55 / 53

HEX #667836

RGB 102 120 54

HSL 76.36, 0.38%, 0.34%

LAB 47.65, -17.67, 33.64

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 0 / 57 / 70 / 47

HEX #863928

RGB 134 57 40

HSL 10.85, 0.54%, 0.34%

LAB 34.29, 31.8, 26.54

 

CMYK 0 / 68 / 82 / 42

HEX #94301A

RGB 148 48 26

HSL 10.82, 0.7%, 0.34%

LAB 34.97, 40.89, 35.96

 

CMYK 0 / 76 / 93 / 36

HEX #A2270C

RGB 162 39 12

HSL 10.8, 0.86%, 0.34%

LAB 36.29, 48.91, 44.58

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 0 / 29 / 36 / 58

HEX #6A4B44

RGB 106 75 68

HSL 11.05, 0.22%, 0.34%

LAB 35.03, 12.11, 9.37

 

CMYK 0 / 9 / 11 / 64

HEX #5C5452

RGB 92 84 82

HSL 12, 0.06%, 0.34%

LAB 36.41, 2.87, 2.34

 

CMYK 19 / 3 / 0 / 62

HEX #4E5D60

RGB 78 93 96

HSL 190, 0.1%, 0.34%

LAB 38.36, -5.02, -3.65

 

CMYK 42 / 8 / 0 / 57

HEX #40656E

RGB 64 101 110

HSL 191.74, 0.26%, 0.34%

LAB 40.45, -10.6, -9.24

 

CMYK 0 / 55 / 35 / 53

HEX #78364E

RGB 120 54 78

HSL 338.18, 0.38%, 0.34%

LAB 32.22, 31.63, -0.79

 

CMYK 0 / 55 / 50 / 53

HEX #78363C

RGB 120 54 60

HSL 354.55, 0.38%, 0.34%

LAB 31.71, 29.45, 10.18

 

CMYK 0 / 46 / 55 / 53

HEX #784136

RGB 120 65 54

HSL 10, 0.38%, 0.34%

LAB 34.07, 22.59, 17.18

 

CMYK 0 / 32 / 55 / 53

HEX #785236

RGB 120 82 54

HSL 25.45, 0.38%, 0.34%

LAB 38.36, 12.46, 22.72

 

CMYK 0 / 17 / 55 / 53

HEX #786436

RGB 120 100 54

HSL 41.82, 0.38%, 0.34%

LAB 43.32, 1.71, 28.85

 

CMYK 0 / 46 / 56 / 75

HEX #3F221C

RGB 63 34 28

HSL 10.29, 0.38%, 0.18%

LAB 16.92, 13.12, 10

 

CMYK 0 / 45 / 55 / 64

HEX #5B3229

RGB 91 50 41

HSL 10.8, 0.38%, 0.26%

LAB 25.76, 17.47, 13.75

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 0 / 45 / 55 / 42

HEX #945143

RGB 148 81 67

HSL 10.37, 0.38%, 0.42%

LAB 42.13, 26.47, 20.54

 

CMYK 0 / 45 / 55 / 31

HEX #B06150

RGB 176 97 80

HSL 10.63, 0.38%, 0.5%

LAB 49.93, 30.21, 23.77

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 21 / 0 / 55 / 53

HEX #5F7836

RGB 95 120 54

HSL 82.73, 0.38%, 0.34%

LAB 47.15, -20.65, 32.91

 

CMYK 55 / 43 / 0 / 53

HEX #364578

RGB 54 69 120

HSL 226.36, 0.38%, 0.34%

LAB 30.39, 10.01, -31.05

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 55 / 0 / 46 / 53

HEX #367841

RGB 54 120 65

HSL 130, 0.38%, 0.34%

LAB 45.08, -33.77, 23.93

 

CMYK 46 / 55 / 0 / 53

HEX #413678

RGB 65 54 120

HSL 250, 0.38%, 0.34%

LAB 27.07, 22.83, -36.3

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 21 / 0 / 55 / 53

HEX #5F7836

RGB 95 120 54

HSL 82.73, 0.38%, 0.34%

LAB 47.15, -20.65, 32.91

 

CMYK 55 / 9 / 0 / 53

HEX #366D78

RGB 54 109 120

HSL 190, 0.38%, 0.34%

LAB 42.88, -14.8, -11.69

 

CMYK 35 / 55 / 0 / 53

HEX #4E3678

RGB 78 54 120

HSL 261.82, 0.38%, 0.34%

LAB 28.42, 26.3, -34.07

 

CMYK 0 / 45 / 55 / 53

HEX #784236

RGB 120 66 54

HSL 10.91, 0.38%, 0.34%

LAB 34.31, 22.01, 17.49

 

CMYK 37 / 0 / 55 / 53

HEX #4C7836

RGB 76 120 54

HSL 100, 0.38%, 0.34%

LAB 45.96, -28.19, 31.2

 

CMYK 55 / 9 / 0 / 53

HEX #366D78

RGB 54 109 120

HSL 190, 0.38%, 0.34%

LAB 42.88, -14.8, -11.69

 

CMYK 18 / 55 / 0 / 53

HEX #623678

RGB 98 54 120

HSL 280, 0.38%, 0.34%

LAB 30.86, 32.06, -30.04

 

Description

Color code: HEX #7842363F | qconv.com Color code: HEX #7842363F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 66 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 66 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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