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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #783DC3 it is the complementary color #87C23C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #783DC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #783DC3 shade: #7D3DBE, #8E4FD1, #9F61E4, #B073F7 and #C185FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #783DC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #783DC3 shade: #783DC3, #672BB0, #56199D, #45078A and #340077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #783DC3 shade: #773CC3, #9C3CC3, #C03CC3, #C33CA1 and #C33C7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #783DC3 shade: #773CC3, #533CC3 and #3C3CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #783DC3 shade matches the following richer shades: #773CC3, #7527D8 and #7313EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #783DC3 shade: #773CC3, #7A51AE, #7C659A, #7F7A85 and #818E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #783DC3 shade: #3C49C3, #523CC3, #763CC3, #9B3CC3 and #BF3CC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #783DC3 shade: #512984, #6432A4, #773CC3, #8D5BCD and #A37BD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #783DC3 shade: #783DC3, #C33C6D and #3CC340

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #783DC3 shade: #783DC3, #C3763C and #3CC376

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #783DC3 shade: #783DC3, #C33C6D, #89C33C and #3CC392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #783DC3 shade: #783DC3, #C33C45, #89C33C and #3CC3BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

Complementary color

CMYK 30 / 0 / 69 / 24

HEX #87C23C

RGB 135 194 60

HSL 86.42, 0.53%, 0.5%

LAB 72.27, -39.66, 58.5

 

CMYK 34 / 68 / 0 / 25

HEX #7D3DBE

RGB 125 61 190

HSL 269.77, 0.51%, 0.49%

LAB 40.27, 51.95, -57.17

 

CMYK 32 / 62 / 0 / 18

HEX #8E4FD1

RGB 142 79 209

HSL 269.08, 0.59%, 0.56%

LAB 46.9, 51.17, -57.37

 

CMYK 30 / 57 / 0 / 11

HEX #9F61E4

RGB 159 97 228

HSL 268.4, 0.71%, 0.64%

LAB 53.52, 50.27, -57.43

 

CMYK 29 / 53 / 0 / 3

HEX #B073F7

RGB 176 115 247

HSL 267.73, 0.89%, 0.71%

LAB 60.08, 49.34, -57.42

 

CMYK 24 / 48 / 0 / 0

HEX #C185FF

RGB 193 133 255

HSL 269.51, 1%, 0.76%

LAB 66.01, 45.88, -52.28

 

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

CMYK 41 / 76 / 0 / 31

HEX #672BB0

RGB 103 43 176

HSL 267.07, 0.61%, 0.43%

LAB 33.45, 52.76, -60.12

 

CMYK 45 / 84 / 0 / 38

HEX #56199D

RGB 86 25 157

HSL 267.73, 0.73%, 0.36%

LAB 27.04, 52.64, -59.24

 

CMYK 50 / 95 / 0 / 46

HEX #45078A

RGB 69 7 138

HSL 268.4, 0.9%, 0.28%

LAB 21.03, 51.15, -57.47

 

CMYK 56 / 100 / 0 / 53

HEX #340077

RGB 52 0 119

HSL 266.22, 1%, 0.23%

LAB 15.81, 47.01, -54.1

 

CMYK 39 / 69 / 0 / 24

HEX #773CC3

RGB 119 60 195

HSL 266.22, 0.53%, 0.5%

LAB 39.74, 52.48, -60.99

 

CMYK 20 / 69 / 0 / 24

HEX #9C3CC3

RGB 156 60 195

HSL 282.67, 0.53%, 0.5%

LAB 44.57, 60.01, -52.94

 

CMYK 2 / 69 / 0 / 24

HEX #C03CC3

RGB 192 60 195

HSL 298.67, 0.53%, 0.5%

LAB 49.95, 67.87, -44.04

 

CMYK 0 / 69 / 17 / 24

HEX #C33CA1

RGB 195 60 161

HSL 315.11, 0.53%, 0.5%

LAB 48.77, 63.34, -25.94

 

CMYK 0 / 69 / 36 / 24

HEX #C33C7D

RGB 195 60 125

HSL 331.11, 0.53%, 0.5%

LAB 47.38, 58.78, -6.42

 

CMYK 39 / 69 / 0 / 24

HEX #773CC3

RGB 119 60 195

HSL 266.22, 0.53%, 0.5%

LAB 39.74, 52.48, -60.99

 

CMYK 57 / 69 / 0 / 24

HEX #533CC3

RGB 83 60 195

HSL 250.22, 0.53%, 0.5%

LAB 36.01, 46.24, -67.24

 

CMYK 69 / 69 / 0 / 24

HEX #3C3CC3

RGB 60 60 195

HSL 240, 0.53%, 0.5%

LAB 34.26, 43.15, -70.18

 

CMYK 39 / 69 / 0 / 24

HEX #773CC3

RGB 119 60 195

HSL 266.22, 0.53%, 0.5%

LAB 39.74, 52.48, -60.99

 

CMYK 46 / 82 / 0 / 15

HEX #7527D8

RGB 117 39 216

HSL 266.44, 0.69%, 0.5%

LAB 38.18, 66.09, -75.72

 

CMYK 51 / 92 / 0 / 7

HEX #7313EC

RGB 115 19 236

HSL 266.54, 0.85%, 0.5%

LAB 38.14, 75.68, -87.23

 

CMYK 39 / 69 / 0 / 24

HEX #773CC3

RGB 119 60 195

HSL 266.22, 0.53%, 0.5%

LAB 39.74, 52.48, -60.99

 

CMYK 30 / 53 / 0 / 32

HEX #7A51AE

RGB 122 81 174

HSL 266.45, 0.36%, 0.5%

LAB 42.88, 36.53, -43.59

 

CMYK 19 / 34 / 0 / 40

HEX #7C659A

RGB 124 101 154

HSL 266.04, 0.21%, 0.5%

LAB 46.88, 20.3, -25.47

 

CMYK 5 / 8 / 0 / 48

HEX #7F7A85

RGB 127 122 133

HSL 267.27, 0.04%, 0.5%

LAB 51.98, 4.12, -5.3

 

CMYK 9 / 0 / 20 / 44

HEX #818E71

RGB 129 142 113

HSL 86.9, 0.11%, 0.5%

LAB 57.27, -10.21, 13.9

 

CMYK 69 / 63 / 0 / 24

HEX #3C49C3

RGB 60 73 195

HSL 234.22, 0.53%, 0.5%

LAB 37.24, 35.2, -65.3

 

CMYK 58 / 69 / 0 / 24

HEX #523CC3

RGB 82 60 195

HSL 249.78, 0.53%, 0.5%

LAB 35.92, 46.09, -67.39

 

CMYK 39 / 69 / 0 / 24

HEX #763CC3

RGB 118 60 195

HSL 265.78, 0.53%, 0.5%

LAB 39.62, 52.29, -61.19

 

CMYK 21 / 69 / 0 / 24

HEX #9B3CC3

RGB 155 60 195

HSL 282.22, 0.53%, 0.5%

LAB 44.43, 59.8, -53.17

 

CMYK 2 / 69 / 0 / 24

HEX #BF3CC3

RGB 191 60 195

HSL 298.22, 0.53%, 0.5%

LAB 49.8, 67.65, -44.3

 

CMYK 39 / 69 / 0 / 48

HEX #512984

RGB 81 41 132

HSL 266.37, 0.53%, 0.34%

LAB 26.74, 38.07, -44.3

 

CMYK 39 / 70 / 0 / 36

HEX #6432A4

RGB 100 50 164

HSL 266.32, 0.53%, 0.42%

LAB 33.29, 45.81, -53.21

 

CMYK 39 / 69 / 0 / 24

HEX #773CC3

RGB 119 60 195

HSL 266.22, 0.53%, 0.5%

LAB 39.74, 52.48, -60.99

 

CMYK 31 / 56 / 0 / 20

HEX #8D5BCD

RGB 141 91 205

HSL 266.32, 0.53%, 0.58%

LAB 48.95, 43.56, -51.79

 

CMYK 24 / 43 / 0 / 16

HEX #A37BD6

RGB 163 123 214

HSL 266.37, 0.53%, 0.66%

LAB 58.8, 33.67, -41.14

 

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

CMYK 0 / 69 / 44 / 24

HEX #C33C6D

RGB 195 60 109

HSL 338.22, 0.53%, 0.5%

LAB 46.89, 57.11, 2.62

 

CMYK 69 / 0 / 67 / 24

HEX #3CC340

RGB 60 195 64

HSL 121.78, 0.53%, 0.5%

LAB 69.73, -61.11, 53.36

 

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

CMYK 0 / 39 / 69 / 24

HEX #C3763C

RGB 195 118 60

HSL 25.78, 0.53%, 0.5%

LAB 56.96, 25.18, 43.79

 

CMYK 69 / 0 / 39 / 24

HEX #3CC376

RGB 60 195 118

HSL 145.78, 0.53%, 0.5%

LAB 70.38, -53.5, 28.44

 

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

CMYK 0 / 69 / 44 / 24

HEX #C33C6D

RGB 195 60 109

HSL 338.22, 0.53%, 0.5%

LAB 46.89, 57.11, 2.62

 

CMYK 30 / 0 / 69 / 24

HEX #89C33C

RGB 137 195 60

HSL 85.78, 0.53%, 0.5%

LAB 72.68, -39.37, 58.95

 

CMYK 69 / 0 / 25 / 24

HEX #3CC392

RGB 60 195 146

HSL 158.22, 0.53%, 0.5%

LAB 70.92, -47.72, 14.28

 

CMYK 38 / 69 / 0 / 24

HEX #783DC3

RGB 120 61 195

HSL 266.42, 0.53%, 0.5%

LAB 40.03, 52.19, -60.51

 

CMYK 0 / 69 / 65 / 24

HEX #C33C45

RGB 195 60 69

HSL 356, 0.53%, 0.5%

LAB 45.99, 53.98, 25.83

 

CMYK 30 / 0 / 69 / 24

HEX #89C33C

RGB 137 195 60

HSL 85.78, 0.53%, 0.5%

LAB 72.68, -39.37, 58.95

 

CMYK 69 / 0 / 5 / 24

HEX #3CC3BA

RGB 60 195 186

HSL 176, 0.53%, 0.5%

LAB 71.92, -37.61, -6.01

 

Description

Color code: HEX #783DC3 | qconv.com Color code: HEX #783DC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 61 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 61 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 69 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 69% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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