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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #783D52 it is the complementary color #87C2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #783D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #783D52 shade: #7D3D4D, #8E4F60, #9F6173, #B07386 and #C18599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #783D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #783D52 shade: #783D52, #672B3F, #56192C, #450719 and #340006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #783D52 shade: #773C51, #773C41 and #773C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #783D52 shade: #773C51, #773C61, #773C71, #6D3C77 and #5D3C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #783D52 shade matches the following richer shades: #773C51, #852D4D, #941F48, #A21044 and #B00240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #783D52 shade: #773C51, #684A55, #5A5959, #4B675D and #3D7661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #783D52 shade: #773C71, #773C61, #773C51, #773C42 and #77463C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #783D52 shade: #40202B, #5B2E3E, #773C51, #924A63 and #AC5977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #783D52 shade: #783D52, #776D3C and #3C6977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #783D52 shade: #783D52, #51773C and #3C5177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #783D52 shade: #783D52, #776D3C, #3C7761 and #3C4677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #783D52 shade: #783D52, #6F773C, #3C7761 and #443C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

Complementary color

CMYK 30 / 0 / 11 / 24

HEX #87C2AD

RGB 135 194 173

HSL 158.64, 0.33%, 0.65%

LAB 74.03, -23.55, 4.49

 

CMYK 0 / 51 / 38 / 51

HEX #7D3D4D

RGB 125 61 77

HSL 345, 0.34%, 0.36%

LAB 34.46, 29.54, 3.22

 

CMYK 0 / 44 / 32 / 44

HEX #8E4F60

RGB 142 79 96

HSL 343.81, 0.29%, 0.43%

LAB 41.51, 28.54, 1.77

 

CMYK 0 / 39 / 28 / 38

HEX #9F6173

RGB 159 97 115

HSL 342.58, 0.24%, 0.5%

LAB 48.46, 27.6, 0.58

 

CMYK 0 / 35 / 24 / 31

HEX #B07386

RGB 176 115 134

HSL 341.31, 0.28%, 0.57%

LAB 55.29, 26.74, -0.43

 

CMYK 0 / 31 / 21 / 24

HEX #C18599

RGB 193 133 153

HSL 340, 0.33%, 0.64%

LAB 62.01, 25.95, -1.33

 

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

CMYK 0 / 58 / 39 / 60

HEX #672B3F

RGB 103 43 63

HSL 340, 0.41%, 0.29%

LAB 26.65, 29.23, 0.63

 

CMYK 0 / 71 / 49 / 66

HEX #56192C

RGB 86 25 44

HSL 341.31, 0.55%, 0.22%

LAB 19.46, 29.91, 2.88

 

CMYK 0 / 90 / 64 / 73

HEX #450719

RGB 69 7 25

HSL 342.58, 0.82%, 0.15%

LAB 12.53, 29.71, 6.42

 

CMYK 0 / 100 / 88 / 80

HEX #340006

RGB 52 0 6

HSL 353.08, 1%, 0.1%

LAB 6.71, 26.08, 8.15

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 50 / 45 / 53

HEX #773C41

RGB 119 60 65

HSL 354.92, 0.33%, 0.35%

LAB 33, 26.24, 8.71

 

CMYK 0 / 50 / 50 / 53

HEX #773C3C

RGB 119 60 60

HSL 0, 0.33%, 0.35%

LAB 32.88, 25.68, 11.75

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 50 / 18 / 53

HEX #773C61

RGB 119 60 97

HSL 322.37, 0.33%, 0.35%

LAB 34.02, 30.85, -10.33

 

CMYK 0 / 50 / 5 / 53

HEX #773C71

RGB 119 60 113

HSL 306.1, 0.33%, 0.35%

LAB 34.69, 33.74, -19.42

 

CMYK 8 / 50 / 0 / 53

HEX #6D3C77

RGB 109 60 119

HSL 289.83, 0.33%, 0.35%

LAB 33.59, 31.74, -25

 

CMYK 22 / 50 / 0 / 53

HEX #5D3C77

RGB 93 60 119

HSL 273.56, 0.33%, 0.35%

LAB 31.56, 26.73, -28.35

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 66 / 42 / 48

HEX #852D4D

RGB 133 45 77

HSL 338.18, 0.49%, 0.35%

LAB 32.7, 40.58, 0.83

 

CMYK 0 / 79 / 51 / 42

HEX #941F48

RGB 148 31 72

HSL 338.97, 0.65%, 0.35%

LAB 33.44, 50.14, 5.53

 

CMYK 0 / 90 / 58 / 36

HEX #A21044

RGB 162 16 68

HSL 338.63, 0.82%, 0.35%

LAB 34.94, 57.24, 10.67

 

CMYK 0 / 99 / 64 / 31

HEX #B00240

RGB 176 2 64

HSL 338.62, 0.98%, 0.35%

LAB 37.2, 62.3, 16.82

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 29 / 18 / 59

HEX #684A55

RGB 104 74 85

HSL 338, 0.17%, 0.35%

LAB 35, 14.63, -1.45

 

CMYK 0 / 1 / 1 / 65

HEX #5A5959

RGB 90 89 89

HSL 0, 0.01%, 0.35%

LAB 37.91, 0.4, 0.14

 

CMYK 27 / 0 / 10 / 60

HEX #4B675D

RGB 75 103 93

HSL 158.57, 0.16%, 0.35%

LAB 41.19, -12.65, 2.31

 

CMYK 48 / 0 / 18 / 54

HEX #3D7661

RGB 61 118 97

HSL 157.89, 0.32%, 0.35%

LAB 45.38, -24.18, 5.82

 

CMYK 0 / 50 / 5 / 53

HEX #773C71

RGB 119 60 113

HSL 306.1, 0.33%, 0.35%

LAB 34.69, 33.74, -19.42

 

CMYK 0 / 50 / 18 / 53

HEX #773C61

RGB 119 60 97

HSL 322.37, 0.33%, 0.35%

LAB 34.02, 30.85, -10.33

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 50 / 45 / 53

HEX #773C42

RGB 119 60 66

HSL 353.9, 0.33%, 0.35%

LAB 33.02, 26.36, 8.1

 

CMYK 0 / 41 / 50 / 53

HEX #77463C

RGB 119 70 60

HSL 10.17, 0.33%, 0.35%

LAB 35.26, 19.83, 14.98

 

CMYK 0 / 50 / 33 / 75

HEX #40202B

RGB 64 32 43

HSL 339.38, 0.33%, 0.19%

LAB 16.98, 17.04, -0.49

 

CMYK 0 / 49 / 32 / 64

HEX #5B2E3E

RGB 91 46 62

HSL 338.67, 0.33%, 0.27%

LAB 25.34, 22.66, -0.85

 

CMYK 0 / 50 / 32 / 53

HEX #773C51

RGB 119 60 81

HSL 338.64, 0.33%, 0.35%

LAB 33.45, 28.34, -0.93

 

CMYK 0 / 49 / 32 / 43

HEX #924A63

RGB 146 74 99

HSL 339.17, 0.33%, 0.43%

LAB 41.07, 33.23, -0.66

 

CMYK 0 / 48 / 31 / 33

HEX #AC5977

RGB 172 89 119

HSL 338.31, 0.33%, 0.51%

LAB 48.57, 37.34, -1.45

 

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

CMYK 0 / 8 / 50 / 53

HEX #776D3C

RGB 119 109 60

HSL 49.83, 0.33%, 0.35%

LAB 45.89, -3.38, 28.64

 

CMYK 50 / 12 / 0 / 53

HEX #3C6977

RGB 60 105 119

HSL 194.24, 0.33%, 0.35%

LAB 41.84, -11.35, -12.64

 

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

CMYK 32 / 0 / 50 / 53

HEX #51773C

RGB 81 119 60

HSL 98.64, 0.33%, 0.35%

LAB 46, -25.03, 28.13

 

CMYK 50 / 32 / 0 / 53

HEX #3C5177

RGB 60 81 119

HSL 218.64, 0.33%, 0.35%

LAB 34.35, 3.33, -24.17

 

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

CMYK 0 / 8 / 50 / 53

HEX #776D3C

RGB 119 109 60

HSL 49.83, 0.33%, 0.35%

LAB 45.89, -3.38, 28.64

 

CMYK 50 / 0 / 18 / 53

HEX #3C7761

RGB 60 119 97

HSL 157.63, 0.33%, 0.35%

LAB 45.66, -24.96, 6.21

 

CMYK 50 / 41 / 0 / 53

HEX #3C4677

RGB 60 70 119

HSL 229.83, 0.33%, 0.35%

LAB 31.05, 10.54, -29.35

 

CMYK 0 / 49 / 32 / 53

HEX #783D52

RGB 120 61 82

HSL 338.64, 0.33%, 0.35%

LAB 33.86, 28.3, -0.96

 

CMYK 7 / 0 / 50 / 53

HEX #6F773C

RGB 111 119 60

HSL 68.14, 0.33%, 0.35%

LAB 48.13, -12.58, 31.22

 

CMYK 50 / 0 / 18 / 53

HEX #3C7761

RGB 60 119 97

HSL 157.63, 0.33%, 0.35%

LAB 45.66, -24.96, 6.21

 

CMYK 43 / 50 / 0 / 53

HEX #443C77

RGB 68 60 119

HSL 248.14, 0.33%, 0.35%

LAB 28.88, 19.36, -32.76

 

Description

Color code: HEX #783D52 | qconv.com Color code: HEX #783D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 61 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 61 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 32 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 32% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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