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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7834CB it is the complementary color #87CB34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7834CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7834CB shade: #7D34C6, #8E46D9, #9F58EC, #B06AFF and #C17CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7834CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7834CB shade: #7834CB, #6722B8, #5610A5, #450092 and #34007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7834CB shade: #7834CB, #A134CB, #C934CB, #CB34A4 and #CB347B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7834CB shade: #7834CB, #4F34CB and #3434CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7834CB shade matches the following richer shades: #7834CB, #7620DF and #740BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7834CB shade: #7834CB, #7A49B6, #7C5EA1, #7E728D and #808778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7834CB shade: #3441CB, #5034CB, #7834CB, #A034CB and #C834CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7834CB shade: #512389, #652CAA, #7834CB, #8E55D3 and #A476DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7834CB shade: #7834CB, #CB3469 and #34CB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7834CB shade: #7834CB, #CB7834 and #34CB78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7834CB shade: #7834CB, #CB3469, #87CB34 and #34CB96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7834CB shade: #7834CB, #CB343C, #87CB34 and #34CBC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

Complementary color

CMYK 33 / 0 / 74 / 20

HEX #87CB34

RGB 135 203 52

HSL 87.02, 0.59%, 0.5%

LAB 74.89, -44.07, 63.99

 

CMYK 37 / 74 / 0 / 22

HEX #7D34C6

RGB 125 52 198

HSL 270, 0.58%, 0.49%

LAB 39.4, 58, -63.26

 

CMYK 35 / 68 / 0 / 15

HEX #8E46D9

RGB 142 70 217

HSL 269.39, 0.66%, 0.56%

LAB 45.83, 57.54, -63.69

 

CMYK 33 / 63 / 0 / 7

HEX #9F58EC

RGB 159 88 236

HSL 268.78, 0.8%, 0.64%

LAB 52.29, 56.8, -63.89

 

CMYK 31 / 58 / 0 / 0

HEX #B06AFF

RGB 176 106 255

HSL 268.19, 1%, 0.71%

LAB 58.75, 55.93, -63.96

 

CMYK 24 / 51 / 0 / 0

HEX #C17CFF

RGB 193 124 255

HSL 271.6, 1%, 0.74%

LAB 64.14, 50.66, -55.25

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 44 / 82 / 0 / 28

HEX #6722B8

RGB 103 34 184

HSL 267.6, 0.69%, 0.43%

LAB 32.89, 58.35, -65.78

 

CMYK 48 / 90 / 0 / 35

HEX #5610A5

RGB 86 16 165

HSL 268.19, 0.82%, 0.35%

LAB 26.92, 57.28, -64.3

 

CMYK 53 / 100 / 0 / 43

HEX #450092

RGB 69 0 146

HSL 268.36, 1%, 0.29%

LAB 21.36, 54.78, -61.91

 

CMYK 59 / 100 / 0 / 50

HEX #34007F

RGB 52 0 127

HSL 264.57, 1%, 0.25%

LAB 16.81, 48.97, -57.57

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 21 / 74 / 0 / 20

HEX #A134CB

RGB 161 52 203

HSL 283.31, 0.59%, 0.5%

LAB 44.72, 65.75, -57.3

 

CMYK 1 / 74 / 0 / 20

HEX #C934CB

RGB 201 52 203

HSL 299.21, 0.59%, 0.5%

LAB 50.9, 73.7, -47.06

 

CMYK 0 / 74 / 19 / 20

HEX #CB34A4

RGB 203 52 164

HSL 315.5, 0.59%, 0.5%

LAB 49.29, 68.41, -26.8

 

CMYK 0 / 74 / 39 / 20

HEX #CB347B

RGB 203 52 123

HSL 331.79, 0.59%, 0.5%

LAB 47.73, 63.57, -4.54

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 61 / 74 / 0 / 20

HEX #4F34CB

RGB 79 52 203

HSL 250.73, 0.59%, 0.5%

LAB 34.86, 52.35, -73.8

 

CMYK 74 / 74 / 0 / 20

HEX #3434CB

RGB 52 52 203

HSL 240, 0.59%, 0.5%

LAB 32.91, 49.55, -77.08

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 47 / 86 / 0 / 13

HEX #7620DF

RGB 118 32 223

HSL 267.02, 0.75%, 0.5%

LAB 38.22, 70.03, -79.67

 

CMYK 52 / 95 / 0 / 4

HEX #740BF4

RGB 116 11 244

HSL 267.04, 0.91%, 0.5%

LAB 38.7, 78.73, -90.83

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 33 / 60 / 0 / 29

HEX #7A49B6

RGB 122 73 182

HSL 266.97, 0.43%, 0.5%

LAB 41.66, 43.07, -50.26

 

CMYK 23 / 42 / 0 / 37

HEX #7C5EA1

RGB 124 94 161

HSL 266.87, 0.26%, 0.5%

LAB 45.45, 26.2, -31.84

 

CMYK 11 / 19 / 0 / 45

HEX #7E728D

RGB 126 114 141

HSL 266.67, 0.11%, 0.5%

LAB 49.97, 10.19, -13.03

 

CMYK 5 / 0 / 11 / 47

HEX #808778

RGB 128 135 120

HSL 88, 0.06%, 0.5%

LAB 55.35, -5.49, 7.18

 

CMYK 74 / 68 / 0 / 20

HEX #3441CB

RGB 52 65 203

HSL 234.83, 0.59%, 0.5%

LAB 35.64, 42.01, -72.59

 

CMYK 61 / 74 / 0 / 20

HEX #5034CB

RGB 80 52 203

HSL 251.13, 0.59%, 0.5%

LAB 34.95, 52.47, -73.65

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 21 / 74 / 0 / 20

HEX #A034CB

RGB 160 52 203

HSL 282.91, 0.59%, 0.5%

LAB 44.58, 65.55, -57.54

 

CMYK 1 / 74 / 0 / 20

HEX #C834CB

RGB 200 52 203

HSL 298.81, 0.59%, 0.5%

LAB 50.74, 73.5, -47.32

 

CMYK 41 / 74 / 0 / 46

HEX #512389

RGB 81 35 137

HSL 267.06, 0.59%, 0.34%

LAB 26.03, 42.51, -48.57

 

CMYK 41 / 74 / 0 / 33

HEX #652CAA

RGB 101 44 170

HSL 267.14, 0.59%, 0.42%

LAB 32.85, 50.45, -57.51

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 33 / 60 / 0 / 17

HEX #8E55D3

RGB 142 85 211

HSL 267.14, 0.59%, 0.58%

LAB 48.2, 48.53, -56.43

 

CMYK 25 / 46 / 0 / 14

HEX #A476DC

RGB 164 118 220

HSL 267.06, 0.59%, 0.66%

LAB 58.05, 38.18, -45.68

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 0 / 74 / 48 / 20

HEX #CB3469

RGB 203 52 105

HSL 338.94, 0.59%, 0.5%

LAB 47.2, 61.88, 5.7

 

CMYK 74 / 0 / 70 / 20

HEX #34CB3C

RGB 52 203 60

HSL 123.18, 0.59%, 0.5%

LAB 72.07, -65.42, 57.37

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 0 / 41 / 74 / 20

HEX #CB7834

RGB 203 120 52

HSL 27.02, 0.59%, 0.5%

LAB 58.39, 27.05, 49.48

 

CMYK 74 / 0 / 41 / 20

HEX #34CB78

RGB 52 203 120

HSL 147.02, 0.59%, 0.5%

LAB 72.76, -57.33, 30.5

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 0 / 74 / 48 / 20

HEX #CB3469

RGB 203 52 105

HSL 338.94, 0.59%, 0.5%

LAB 47.2, 61.88, 5.7

 

CMYK 33 / 0 / 74 / 20

HEX #87CB34

RGB 135 203 52

HSL 87.02, 0.59%, 0.5%

LAB 74.89, -44.07, 63.99

 

CMYK 74 / 0 / 26 / 20

HEX #34CB96

RGB 52 203 150

HSL 158.94, 0.59%, 0.5%

LAB 73.31, -51.19, 15.47

 

CMYK 41 / 74 / 0 / 20

HEX #7834CB

RGB 120 52 203

HSL 267.02, 0.59%, 0.5%

LAB 39.17, 58.34, -66.56

 

CMYK 0 / 74 / 70 / 20

HEX #CB343C

RGB 203 52 60

HSL 356.82, 0.59%, 0.5%

LAB 46.28, 58.89, 31.89

 

CMYK 33 / 0 / 74 / 20

HEX #87CB34

RGB 135 203 52

HSL 87.02, 0.59%, 0.5%

LAB 74.89, -44.07, 63.99

 

CMYK 74 / 0 / 4 / 20

HEX #34CBC3

RGB 52 203 195

HSL 176.82, 0.59%, 0.5%

LAB 74.43, -39.72, -7.18

 

Description

Color code: HEX #7834CB | qconv.com Color code: HEX #7834CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 52 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 52 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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