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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78325F it is the complementary color #87CDA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78325F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78325F shade: #7D325A, #8E446D, #9F5680, #B06893 and #C17AA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78325F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78325F shade: #78325F, #67204C, #560E39, #450026 and #340013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78325F shade: #77325E, #77324B, #773239 and #773232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78325F shade: #77325E, #773271, #6A3277, #573277 and #453277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78325F shade matches the following richer shades: #77325E, #842462, #921666 and #9F096A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78325F shade: #77325E, #693F5A, #5B4D56, #4E5A52 and #40684E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78325F shade: #6A3277, #773271, #77325F, #77324C and #77323A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78325F shade: #3C1930, #5A2547, #77325E, #943E75 and #B14A8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78325F shade: #78325F, #775832 and #327773

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78325F shade: #78325F, #5F7732 and #325F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78325F shade: #78325F, #775832, #32774A and #325177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78325F shade: #78325F, #776C32, #32774A and #323C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

Complementary color

CMYK 34 / 0 / 22 / 20

HEX #87CDA0

RGB 135 205 160

HSL 141.43, 0.41%, 0.67%

LAB 76.89, -31.51, 15.55

 

CMYK 0 / 60 / 28 / 51

HEX #7D325A

RGB 125 50 90

HSL 328, 0.43%, 0.34%

LAB 32.66, 37.17, -7.81

 

CMYK 0 / 52 / 23 / 44

HEX #8E446D

RGB 142 68 109

HSL 326.76, 0.35%, 0.41%

LAB 39.56, 36.49, -9.18

 

CMYK 0 / 46 / 19 / 38

HEX #9F5680

RGB 159 86 128

HSL 325.48, 0.3%, 0.48%

LAB 46.43, 35.68, -10.25

 

CMYK 0 / 41 / 16 / 31

HEX #B06893

RGB 176 104 147

HSL 324.17, 0.31%, 0.55%

LAB 53.21, 34.86, -11.14

 

CMYK 0 / 37 / 14 / 24

HEX #C17AA6

RGB 193 122 166

HSL 322.82, 0.36%, 0.62%

LAB 59.9, 34.06, -11.9

 

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

CMYK 0 / 69 / 26 / 60

HEX #67204C

RGB 103 32 76

HSL 322.82, 0.53%, 0.26%

LAB 25.07, 36.61, -10.45

 

CMYK 0 / 84 / 34 / 66

HEX #560E39

RGB 86 14 57

HSL 324.17, 0.72%, 0.2%

LAB 18.31, 36.06, -7.99

 

CMYK 0 / 100 / 45 / 73

HEX #450026

RGB 69 0 38

HSL 326.96, 1%, 0.14%

LAB 11.99, 33.84, -4.13

 

CMYK 0 / 100 / 63 / 80

HEX #340013

RGB 52 0 19

HSL 338.08, 1%, 0.1%

LAB 7.02, 27.13, 2.3

 

CMYK 0 / 58 / 21 / 53

HEX #77325E

RGB 119 50 94

HSL 321.74, 0.41%, 0.33%

LAB 31.83, 35.77, -11.73

 

CMYK 0 / 58 / 37 / 53

HEX #77324B

RGB 119 50 75

HSL 338.26, 0.41%, 0.33%

LAB 31.14, 33, -0.43

 

CMYK 0 / 58 / 52 / 53

HEX #773239

RGB 119 50 57

HSL 353.91, 0.41%, 0.33%

LAB 30.64, 30.91, 10.62

 

CMYK 0 / 58 / 58 / 53

HEX #773232

RGB 119 50 50

HSL 0, 0.41%, 0.33%

LAB 30.48, 30.25, 14.96

 

CMYK 0 / 58 / 21 / 53

HEX #77325E

RGB 119 50 94

HSL 321.74, 0.41%, 0.33%

LAB 31.83, 35.77, -11.73

 

CMYK 0 / 58 / 5 / 53

HEX #773271

RGB 119 50 113

HSL 305.22, 0.41%, 0.33%

LAB 32.69, 39.06, -22.53

 

CMYK 11 / 58 / 0 / 53

HEX #6A3277

RGB 106 50 119

HSL 288.7, 0.41%, 0.33%

LAB 31.06, 36.41, -29.02

 

CMYK 27 / 58 / 0 / 53

HEX #573277

RGB 87 50 119

HSL 272.17, 0.41%, 0.33%

LAB 28.48, 30.98, -33.27

 

CMYK 42 / 58 / 0 / 53

HEX #453277

RGB 69 50 119

HSL 256.52, 0.41%, 0.33%

LAB 26.39, 26.13, -36.75

 

CMYK 0 / 58 / 21 / 53

HEX #77325E

RGB 119 50 94

HSL 321.74, 0.41%, 0.33%

LAB 31.83, 35.77, -11.73

 

CMYK 0 / 73 / 26 / 48

HEX #842462

RGB 132 36 98

HSL 321.25, 0.57%, 0.33%

LAB 31.92, 46.71, -13.97

 

CMYK 0 / 85 / 30 / 43

HEX #921666

RGB 146 22 102

HSL 321.29, 0.74%, 0.33%

LAB 33.23, 55.21, -14.3

 

CMYK 0 / 94 / 33 / 38

HEX #9F096A

RGB 159 9 106

HSL 321.2, 0.89%, 0.33%

LAB 35.22, 60.94, -13.6

 

CMYK 0 / 58 / 21 / 53

HEX #77325E

RGB 119 50 94

HSL 321.74, 0.41%, 0.33%

LAB 31.83, 35.77, -11.73

 

CMYK 0 / 40 / 14 / 59

HEX #693F5A

RGB 105 63 90

HSL 321.43, 0.25%, 0.33%

LAB 32.47, 22.69, -8.38

 

CMYK 0 / 15 / 5 / 64

HEX #5B4D56

RGB 91 77 86

HSL 321.43, 0.08%, 0.33%

LAB 34.4, 7.63, -3.13

 

CMYK 13 / 0 / 9 / 65

HEX #4E5A52

RGB 78 90 82

HSL 140, 0.07%, 0.33%

LAB 37.01, -6.46, 3.04

 

CMYK 38 / 0 / 25 / 59

HEX #40684E

RGB 64 104 78

HSL 141, 0.24%, 0.33%

LAB 40.48, -20.37, 10.28

 

CMYK 11 / 58 / 0 / 53

HEX #6A3277

RGB 106 50 119

HSL 288.7, 0.41%, 0.33%

LAB 31.06, 36.41, -29.02

 

CMYK 0 / 58 / 5 / 53

HEX #773271

RGB 119 50 113

HSL 305.22, 0.41%, 0.33%

LAB 32.69, 39.06, -22.53

 

CMYK 0 / 58 / 20 / 53

HEX #77325F

RGB 119 50 95

HSL 320.87, 0.41%, 0.33%

LAB 31.87, 35.93, -12.31

 

CMYK 0 / 58 / 36 / 53

HEX #77324C

RGB 119 50 76

HSL 337.39, 0.41%, 0.33%

LAB 31.17, 33.13, -1.04

 

CMYK 0 / 58 / 51 / 53

HEX #77323A

RGB 119 50 58

HSL 353.04, 0.41%, 0.33%

LAB 30.66, 31.01, 10.01

 

CMYK 0 / 58 / 20 / 76

HEX #3C1930

RGB 60 25 48

HSL 320.57, 0.41%, 0.17%

LAB 14.79, 20.7, -7.41

 

CMYK 0 / 59 / 21 / 65

HEX #5A2547

RGB 90 37 71

HSL 321.51, 0.42%, 0.25%

LAB 23.51, 28.95, -9.67

 

CMYK 0 / 58 / 21 / 53

HEX #77325E

RGB 119 50 94

HSL 321.74, 0.41%, 0.33%

LAB 31.83, 35.77, -11.73

 

CMYK 0 / 58 / 21 / 42

HEX #943E75

RGB 148 62 117

HSL 321.63, 0.41%, 0.41%

LAB 39.62, 42.76, -13.97

 

CMYK 0 / 58 / 21 / 31

HEX #B14A8C

RGB 177 74 140

HSL 321.55, 0.41%, 0.49%

LAB 47.16, 49.47, -16.13

 

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

CMYK 0 / 26 / 58 / 53

HEX #775832

RGB 119 88 50

HSL 33.04, 0.41%, 0.33%

LAB 39.8, 8.01, 26.8

 

CMYK 58 / 0 / 3 / 53

HEX #327773

RGB 50 119 115

HSL 176.52, 0.41%, 0.33%

LAB 45.78, -22.6, -4.36

 

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

CMYK 20 / 0 / 58 / 53

HEX #5F7732

RGB 95 119 50

HSL 80.87, 0.41%, 0.33%

LAB 46.79, -20.55, 34.54

 

CMYK 58 / 20 / 0 / 53

HEX #325F77

RGB 50 95 119

HSL 200.87, 0.41%, 0.33%

LAB 38.19, -7.92, -18.25

 

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

CMYK 0 / 26 / 58 / 53

HEX #775832

RGB 119 88 50

HSL 33.04, 0.41%, 0.33%

LAB 39.8, 8.01, 26.8

 

CMYK 58 / 0 / 38 / 53

HEX #32774A

RGB 50 119 74

HSL 140.87, 0.41%, 0.33%

LAB 44.75, -32.73, 18.38

 

CMYK 58 / 32 / 0 / 53

HEX #325177

RGB 50 81 119

HSL 213.04, 0.41%, 0.33%

LAB 33.76, 0.8, -25.13

 

CMYK 0 / 58 / 21 / 53

HEX #78325F

RGB 120 50 95

HSL 321.43, 0.41%, 0.33%

LAB 32.03, 36.26, -12.05

 

CMYK 0 / 9 / 58 / 53

HEX #776C32

RGB 119 108 50

HSL 50.43, 0.41%, 0.33%

LAB 45.47, -3.77, 33.53

 

CMYK 58 / 0 / 38 / 53

HEX #32774A

RGB 50 119 74

HSL 140.87, 0.41%, 0.33%

LAB 44.75, -32.73, 18.38

 

CMYK 58 / 50 / 0 / 53

HEX #323C77

RGB 50 60 119

HSL 231.3, 0.41%, 0.33%

LAB 27.41, 14.81, -35.19

 

Description

Color code: HEX #78325F | qconv.com Color code: HEX #78325F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 50 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 50 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 21 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 21% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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