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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #782941 it is the complementary color #87D6BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #782941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #782941 shade: #7D293C, #8E3B4F, #9F4D62, #B05F75 and #C17188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #782941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #782941 shade: #782941, #67172E, #56051B, #450008 and #340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #782941 shade: #7A2A42, #7A2A2C and #7A2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #782941 shade: #7A2A42, #7A2A57, #7A2A6D, #712A7A and #5B2A7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #782941 shade matches the following richer shades: #7A2A42, #871C3D, #940F38 and #A10232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #782941 shade: #7A2A42, #6C3747, #5F444C, #525151 and #455E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #782941 shade: #7A2A6E, #7A2A58, #7A2A43, #7A2A2E and #7A3B2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #782941 shade: #3C1521, #5B1F31, #7A2A42, #983453 and #B73F63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #782941 shade: #782941, #7A702A and #2A637A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #782941 shade: #782941, #437A2A and #2A437A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #782941 shade: #782941, #7A702A, #2A7A60 and #2A337A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #782941 shade: #782941, #6B7A2A, #2A7A60 and #382A7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

Complementary color

CMYK 37 / 0 / 11 / 16

HEX #87D6BE

RGB 135 214 190

HSL 161.77, 0.49%, 0.68%

LAB 80.16, -29.65, 4.2

 

CMYK 0 / 67 / 52 / 51

HEX #7D293C

RGB 125 41 60

HSL 346.43, 0.51%, 0.33%

LAB 30.09, 37.9, 8.06

 

CMYK 0 / 58 / 44 / 44

HEX #8E3B4F

RGB 142 59 79

HSL 345.54, 0.41%, 0.39%

LAB 36.82, 37.19, 5.68

 

CMYK 0 / 52 / 38 / 38

HEX #9F4D62

RGB 159 77 98

HSL 344.63, 0.35%, 0.46%

LAB 43.6, 36.28, 3.86

 

CMYK 0 / 46 / 34 / 31

HEX #B05F75

RGB 176 95 117

HSL 343.7, 0.34%, 0.53%

LAB 50.33, 35.33, 2.39

 

CMYK 0 / 41 / 30 / 24

HEX #C17188

RGB 193 113 136

HSL 342.75, 0.39%, 0.6%

LAB 57, 34.4, 1.16

 

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

CMYK 0 / 78 / 55 / 60

HEX #67172E

RGB 103 23 46

HSL 342.75, 0.63%, 0.25%

LAB 22.63, 36.83, 6.46

 

CMYK 0 / 94 / 69 / 66

HEX #56051B

RGB 86 5 27

HSL 343.7, 0.89%, 0.18%

LAB 16.34, 35.83, 10.76

 

CMYK 0 / 100 / 88 / 73

HEX #450008

RGB 69 0 8

HSL 353.04, 1%, 0.14%

LAB 11.15, 31.62, 14.29

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 66 / 46 / 52

HEX #7A2A42

RGB 122 42 66

HSL 342, 0.49%, 0.32%

LAB 29.88, 37, 3.72

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 0 / 66 / 66 / 52

HEX #7A2A2A

RGB 122 42 42

HSL 0, 0.49%, 0.32%

LAB 29.31, 34.85, 18.73

 

CMYK 0 / 66 / 46 / 52

HEX #7A2A42

RGB 122 42 66

HSL 342, 0.49%, 0.32%

LAB 29.88, 37, 3.72

 

CMYK 0 / 66 / 29 / 52

HEX #7A2A57

RGB 122 42 87

HSL 326.25, 0.49%, 0.32%

LAB 30.6, 39.63, -9.02

 

CMYK 0 / 66 / 11 / 52

HEX #7A2A6D

RGB 122 42 109

HSL 309.75, 0.49%, 0.32%

LAB 31.57, 43.06, -21.7

 

CMYK 7 / 66 / 0 / 52

HEX #712A7A

RGB 113 42 122

HSL 293.25, 0.49%, 0.32%

LAB 30.81, 43, -31.23

 

CMYK 25 / 66 / 0 / 52

HEX #5B2A7A

RGB 91 42 122

HSL 276.75, 0.49%, 0.32%

LAB 27.53, 37.31, -36.66

 

CMYK 0 / 66 / 46 / 52

HEX #7A2A42

RGB 122 42 66

HSL 342, 0.49%, 0.32%

LAB 29.88, 37, 3.72

 

CMYK 0 / 79 / 55 / 47

HEX #871C3D

RGB 135 28 61

HSL 341.5, 0.66%, 0.32%

LAB 30.2, 46.34, 7.84

 

CMYK 0 / 90 / 62 / 42

HEX #940F38

RGB 148 15 56

HSL 341.5, 0.82%, 0.32%

LAB 31.63, 52.95, 13.56

 

CMYK 0 / 99 / 69 / 37

HEX #A10232

RGB 161 2 50

HSL 341.89, 0.98%, 0.32%

LAB 33.67, 57.87, 20.7

 

CMYK 0 / 66 / 46 / 52

HEX #7A2A42

RGB 122 42 66

HSL 342, 0.49%, 0.32%

LAB 29.88, 37, 3.72

 

CMYK 0 / 49 / 34 / 58

HEX #6C3747

RGB 108 55 71

HSL 341.89, 0.33%, 0.32%

LAB 30.34, 25.49, 0.81

 

CMYK 0 / 28 / 20 / 63

HEX #5F444C

RGB 95 68 76

HSL 342.22, 0.17%, 0.32%

LAB 32.01, 13.02, -0.22

 

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

 

CMYK 27 / 0 / 7 / 63

HEX #455E57

RGB 69 94 87

HSL 163.2, 0.15%, 0.32%

LAB 37.77, -11.03, 0.97

 

CMYK 0 / 66 / 10 / 52

HEX #7A2A6E

RGB 122 42 110

HSL 309, 0.49%, 0.32%

LAB 31.62, 43.23, -22.26

 

CMYK 0 / 66 / 28 / 52

HEX #7A2A58

RGB 122 42 88

HSL 325.5, 0.49%, 0.32%

LAB 30.64, 39.77, -9.61

 

CMYK 0 / 66 / 45 / 52

HEX #7A2A43

RGB 122 42 67

HSL 341.25, 0.49%, 0.32%

LAB 29.91, 37.11, 3.1

 

CMYK 0 / 66 / 62 / 52

HEX #7A2A2E

RGB 122 42 46

HSL 357, 0.49%, 0.32%

LAB 29.39, 35.15, 16.23

 

CMYK 0 / 52 / 66 / 52

HEX #7A3B2A

RGB 122 59 42

HSL 12.75, 0.49%, 0.32%

LAB 32.77, 25.88, 23.04

 

CMYK 0 / 65 / 45 / 76

HEX #3C1521

RGB 60 21 33

HSL 341.54, 0.48%, 0.16%

LAB 13.27, 20.64, 1.26

 

CMYK 0 / 66 / 46 / 64

HEX #5B1F31

RGB 91 31 49

HSL 342, 0.49%, 0.24%

LAB 21.67, 29.33, 2.7

 

CMYK 0 / 66 / 46 / 52

HEX #7A2A42

RGB 122 42 66

HSL 342, 0.49%, 0.32%

LAB 29.88, 37, 3.72

 

CMYK 0 / 66 / 45 / 40

HEX #983453

RGB 152 52 83

HSL 341.4, 0.49%, 0.4%

LAB 37.4, 44.39, 4.19

 

CMYK 0 / 66 / 46 / 28

HEX #B73F63

RGB 183 63 99

HSL 342, 0.49%, 0.48%

LAB 44.97, 51.26, 5.73

 

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

CMYK 0 / 8 / 66 / 52

HEX #7A702A

RGB 122 112 42

HSL 52.5, 0.49%, 0.32%

LAB 46.83, -5.29, 39.15

 

CMYK 66 / 19 / 0 / 52

HEX #2A637A

RGB 42 99 122

HSL 197.25, 0.49%, 0.32%

LAB 39.28, -10.96, -18.44

 

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

CMYK 45 / 0 / 66 / 52

HEX #437A2A

RGB 67 122 42

HSL 101.25, 0.49%, 0.32%

LAB 46.01, -33.71, 37.12

 

CMYK 66 / 45 / 0 / 52

HEX #2A437A

RGB 42 67 122

HSL 221.25, 0.49%, 0.32%

LAB 29.19, 9.43, -34.27

 

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

CMYK 0 / 8 / 66 / 52

HEX #7A702A

RGB 122 112 42

HSL 52.5, 0.49%, 0.32%

LAB 46.83, -5.29, 39.15

 

CMYK 66 / 0 / 21 / 52

HEX #2A7A60

RGB 42 122 96

HSL 160.5, 0.49%, 0.32%

LAB 45.98, -30.92, 7.18

 

CMYK 66 / 58 / 0 / 52

HEX #2A337A

RGB 42 51 122

HSL 233.25, 0.49%, 0.32%

LAB 24.53, 20.46, -41.76

 

CMYK 0 / 66 / 46 / 53

HEX #782941

RGB 120 41 65

HSL 341.77, 0.49%, 0.32%

LAB 29.31, 36.67, 3.52

 

CMYK 12 / 0 / 66 / 52

HEX #6B7A2A

RGB 107 122 42

HSL 71.25, 0.49%, 0.32%

LAB 48.53, -17.63, 40.58

 

CMYK 66 / 0 / 21 / 52

HEX #2A7A60

RGB 42 122 96

HSL 160.5, 0.49%, 0.32%

LAB 45.98, -30.92, 7.18

 

CMYK 54 / 66 / 0 / 52

HEX #382A7A

RGB 56 42 122

HSL 250.5, 0.49%, 0.32%

LAB 23.34, 29.19, -43.63

 

Description

Color code: HEX #782941 | qconv.com Color code: HEX #782941 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 41 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 41 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 46 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 46% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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