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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7826B6 it is the complementary color #87D949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7826B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7826B6 shade: #7D26B1, #8E38C4, #9F4AD7, #B05CEA and #C16EFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7826B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7826B6 shade: #7826B6, #6714A3, #560290, #45007D and #34006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7826B6 shade: #7826B5, #9E26B5, #B526A5, #B5267F and #B52659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7826B6 shade: #7826B5, #5126B5, #2B26B5 and #2626B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7826B6 shade matches the following richer shades: #7826B5, #7A15C7 and #7C03D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7826B6 shade: #7826B5, #7538A3, #734A91, #705C80 and #6E6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7826B6 shade: #2B26B5, #5126B5, #7726B5, #9D26B5 and #B526A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7826B6 shade: #4B1871, #611F93, #7826B5, #8E31D3 and #A053DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7826B6 shade: #7826B6, #B52648 and #26B53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7826B6 shade: #7826B6, #B57726 and #26B577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7826B6 shade: #7826B6, #B52648, #64B526 and #26B594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7826B6 shade: #7826B6, #B53026, #64B526 and #26ABB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

Complementary color

CMYK 38 / 0 / 66 / 15

HEX #87D949

RGB 135 217 73

HSL 94.17, 0.65%, 0.57%

LAB 79.19, -48.51, 60.66

 

CMYK 29 / 79 / 0 / 31

HEX #7D26B1

RGB 125 38 177

HSL 277.55, 0.65%, 0.42%

LAB 35.83, 58.78, -56.7

 

CMYK 28 / 71 / 0 / 23

HEX #8E38C4

RGB 142 56 196

HSL 276.86, 0.56%, 0.49%

LAB 42.1, 59.03, -57.61

 

CMYK 26 / 66 / 0 / 16

HEX #9F4AD7

RGB 159 74 215

HSL 276.17, 0.64%, 0.57%

LAB 48.48, 58.73, -58.15

 

CMYK 25 / 61 / 0 / 8

HEX #B05CEA

RGB 176 92 234

HSL 275.49, 0.77%, 0.64%

LAB 54.89, 58.14, -58.48

 

CMYK 24 / 57 / 0 / 1

HEX #C16EFD

RGB 193 110 253

HSL 274.83, 0.97%, 0.71%

LAB 61.29, 57.4, -58.68

 

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

CMYK 37 / 88 / 0 / 36

HEX #6714A3

RGB 103 20 163

HSL 274.83, 0.78%, 0.36%

LAB 29.48, 57.91, -58.79

 

CMYK 40 / 99 / 0 / 44

HEX #560290

RGB 86 2 144

HSL 275.49, 0.97%, 0.29%

LAB 23.79, 55.49, -56.58

 

CMYK 45 / 100 / 0 / 51

HEX #45007D

RGB 69 0 125

HSL 273.12, 1%, 0.25%

LAB 19, 49.95, -52.6

 

CMYK 51 / 100 / 0 / 58

HEX #34006A

RGB 52 0 106

HSL 269.43, 1%, 0.21%

LAB 14.23, 43.85, -48.25

 

CMYK 34 / 79 / 0 / 29

HEX #7826B5

RGB 120 38 181

HSL 274.41, 0.65%, 0.43%

LAB 35.43, 58.8, -59.76

 

CMYK 13 / 79 / 0 / 29

HEX #9E26B5

RGB 158 38 181

HSL 290.35, 0.65%, 0.43%

LAB 41.2, 65.62, -50.14

 

CMYK 0 / 79 / 9 / 29

HEX #B526A5

RGB 181 38 165

HSL 306.71, 0.65%, 0.43%

LAB 44.13, 67.64, -35.75

 

CMYK 0 / 79 / 30 / 29

HEX #B5267F

RGB 181 38 127

HSL 322.66, 0.65%, 0.43%

LAB 42.37, 62.57, -15.45

 

CMYK 0 / 79 / 51 / 29

HEX #B52659

RGB 181 38 89

HSL 338.6, 0.65%, 0.43%

LAB 41.11, 58.75, 6.4

 

CMYK 34 / 79 / 0 / 29

HEX #7826B5

RGB 120 38 181

HSL 274.41, 0.65%, 0.43%

LAB 35.43, 58.8, -59.76

 

CMYK 55 / 79 / 0 / 29

HEX #5126B5

RGB 81 38 181

HSL 258.04, 0.65%, 0.43%

LAB 30.57, 53.03, -67.91

 

CMYK 76 / 79 / 0 / 29

HEX #2B26B5

RGB 43 38 181

HSL 242.1, 0.65%, 0.43%

LAB 27.4, 49.22, -73.26

 

CMYK 79 / 79 / 0 / 29

HEX #2626B5

RGB 38 38 181

HSL 240, 0.65%, 0.43%

LAB 27.11, 48.88, -73.74

 

CMYK 34 / 79 / 0 / 29

HEX #7826B5

RGB 120 38 181

HSL 274.41, 0.65%, 0.43%

LAB 35.43, 58.8, -59.76

 

CMYK 39 / 89 / 0 / 22

HEX #7A15C7

RGB 122 21 199

HSL 274.04, 0.81%, 0.43%

LAB 35.59, 67.93, -70.09

 

CMYK 43 / 99 / 0 / 15

HEX #7C03D8

RGB 124 3 216

HSL 274.08, 0.97%, 0.43%

LAB 36.57, 74.42, -78.34

 

CMYK 34 / 79 / 0 / 29

HEX #7826B5

RGB 120 38 181

HSL 274.41, 0.65%, 0.43%

LAB 35.43, 58.8, -59.76

 

CMYK 28 / 66 / 0 / 36

HEX #7538A3

RGB 117 56 163

HSL 274.21, 0.49%, 0.43%

LAB 36.47, 46.19, -47.35

 

CMYK 21 / 49 / 0 / 43

HEX #734A91

RGB 115 74 145

HSL 274.65, 0.32%, 0.43%

LAB 38.88, 31.43, -32.66

 

CMYK 13 / 28 / 0 / 50

HEX #705C80

RGB 112 92 128

HSL 273.33, 0.16%, 0.43%

LAB 42.24, 15.54, -17.13

 

CMYK 0 / 1 / 0 / 57

HEX #6E6D6E

RGB 110 109 110

HSL 300, 0%, 0.43%

LAB 46.15, 0.59, -0.43

 

CMYK 76 / 79 / 0 / 29

HEX #2B26B5

RGB 43 38 181

HSL 242.1, 0.65%, 0.43%

LAB 27.4, 49.22, -73.26

 

CMYK 55 / 79 / 0 / 29

HEX #5126B5

RGB 81 38 181

HSL 258.04, 0.65%, 0.43%

LAB 30.57, 53.03, -67.91

 

CMYK 34 / 79 / 0 / 29

HEX #7726B5

RGB 119 38 181

HSL 273.99, 0.65%, 0.43%

LAB 35.29, 58.64, -60

 

CMYK 13 / 79 / 0 / 29

HEX #9D26B5

RGB 157 38 181

HSL 289.93, 0.65%, 0.43%

LAB 41.04, 65.43, -50.41

 

CMYK 0 / 79 / 8 / 29

HEX #B526A7

RGB 181 38 167

HSL 305.87, 0.65%, 0.43%

LAB 44.23, 67.94, -36.78

 

CMYK 34 / 79 / 0 / 56

HEX #4B1871

RGB 75 24 113

HSL 274.38, 0.65%, 0.27%

LAB 21.36, 40.33, -40.99

 

CMYK 34 / 79 / 0 / 42

HEX #611F93

RGB 97 31 147

HSL 274.14, 0.65%, 0.35%

LAB 28.45, 49.71, -50.73

 

CMYK 34 / 79 / 0 / 29

HEX #7826B5

RGB 120 38 181

HSL 274.41, 0.65%, 0.43%

LAB 35.43, 58.8, -59.76

 

CMYK 33 / 77 / 0 / 17

HEX #8E31D3

RGB 142 49 211

HSL 274.44, 0.65%, 0.51%

LAB 42.23, 65.08, -66.08

 

CMYK 27 / 62 / 0 / 14

HEX #A053DB

RGB 160 83 219

HSL 273.97, 0.65%, 0.59%

LAB 50.42, 55.55, -57.3

 

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

CMYK 0 / 79 / 60 / 29

HEX #B52648

RGB 181 38 72

HSL 345.73, 0.65%, 0.43%

LAB 40.7, 57.49, 16.57

 

CMYK 79 / 0 / 66 / 29

HEX #26B53E

RGB 38 181 62

HSL 130.07, 0.65%, 0.43%

LAB 64.81, -60.16, 48.72

 

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

CMYK 0 / 34 / 79 / 29

HEX #B57726

RGB 181 119 38

HSL 33.99, 0.65%, 0.43%

LAB 55.23, 17.54, 51.52

 

CMYK 79 / 0 / 34 / 29

HEX #26B577

RGB 38 181 119

HSL 153.99, 0.65%, 0.43%

LAB 65.59, -51.07, 21.42

 

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

CMYK 0 / 79 / 60 / 29

HEX #B52648

RGB 181 38 72

HSL 345.73, 0.65%, 0.43%

LAB 40.7, 57.49, 16.57

 

CMYK 45 / 0 / 79 / 29

HEX #64B526

RGB 100 181 38

HSL 93.99, 0.65%, 0.43%

LAB 66.44, -47.75, 59.81

 

CMYK 79 / 0 / 18 / 29

HEX #26B594

RGB 38 181 148

HSL 166.15, 0.65%, 0.43%

LAB 66.21, -44.29, 6.47

 

CMYK 34 / 79 / 0 / 29

HEX #7826B6

RGB 120 38 182

HSL 274.17, 0.65%, 0.43%

LAB 35.51, 59.03, -60.22

 

CMYK 0 / 73 / 79 / 29

HEX #B53026

RGB 181 48 38

HSL 4.2, 0.65%, 0.43%

LAB 41.34, 52.52, 37.88

 

CMYK 45 / 0 / 79 / 29

HEX #64B526

RGB 100 181 38

HSL 93.99, 0.65%, 0.43%

LAB 66.44, -47.75, 59.81

 

CMYK 79 / 6 / 0 / 29

HEX #26ABB5

RGB 38 171 181

HSL 184.2, 0.65%, 0.43%

LAB 64.06, -30.36, -15.04

 

Description

Color code: HEX #7826B6 | qconv.com Color code: HEX #7826B6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 38 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 38 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 79 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 79% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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