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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78225A it is the complementary color #87DDA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78225A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78225A shade: #7D2255, #8E3468, #9F467B, #B0588E and #C16AA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78225A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78225A shade: #78225A, #671047, #560034, #450021 and #34000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78225A shade: #772259, #772242, #77222B and #772222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78225A shade: #772259, #772271, #672277, #502277 and #392277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78225A shade matches the following richer shades: #772259, #84155D and #900961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78225A shade: #772259, #6B2E56, #5F3A52, #52474E and #46534A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78225A shade: #662277, #772272, #77225B, #772244 and #77222D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78225A shade: #371029, #571941, #772259, #982B72 and #B8348A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78225A shade: #78225A, #774F22 and #227772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78225A shade: #78225A, #5B7722 and #225B77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78225A shade: #78225A, #774F22, #22773E and #224A77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78225A shade: #78225A, #776922, #22773E and #223077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

Complementary color

CMYK 39 / 0 / 25 / 13

HEX #87DDA5

RGB 135 221 165

HSL 140.93, 0.56%, 0.7%

LAB 81.61, -37.97, 19.48

 

CMYK 0 / 73 / 32 / 51

HEX #7D2255

RGB 125 34 85

HSL 326.37, 0.57%, 0.31%

LAB 29.81, 43.73, -8.84

 

CMYK 0 / 63 / 27 / 44

HEX #8E3468

RGB 142 52 104

HSL 325.33, 0.46%, 0.38%

LAB 36.38, 43.72, -10.85

 

CMYK 0 / 56 / 23 / 38

HEX #9F467B

RGB 159 70 123

HSL 324.27, 0.39%, 0.45%

LAB 43.04, 43.25, -12.33

 

CMYK 0 / 50 / 19 / 31

HEX #B0588E

RGB 176 88 142

HSL 323.18, 0.36%, 0.52%

LAB 49.69, 42.56, -13.48

 

CMYK 0 / 45 / 17 / 24

HEX #C16AA1

RGB 193 106 161

HSL 322.07, 0.41%, 0.59%

LAB 56.31, 41.8, -14.42

 

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

CMYK 0 / 84 / 31 / 60

HEX #671047

RGB 103 16 71

HSL 322.07, 0.73%, 0.23%

LAB 22.69, 42, -10.71

 

CMYK 0 / 100 / 40 / 66

HEX #560034

RGB 86 0 52

HSL 323.72, 1%, 0.17%

LAB 16.63, 39.65, -6.98

 

CMYK 0 / 100 / 52 / 73

HEX #450021

RGB 69 0 33

HSL 331.3, 1%, 0.14%

LAB 11.79, 33.32, -0.67

 

CMYK 0 / 100 / 73 / 80

HEX #34000E

RGB 52 0 14

HSL 343.85, 1%, 0.1%

LAB 6.88, 26.66, 4.95

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 0 / 71 / 45 / 53

HEX #772242

RGB 119 34 66

HSL 337.41, 0.56%, 0.3%

LAB 28.01, 39.59, 0.94

 

CMYK 0 / 71 / 64 / 53

HEX #77222B

RGB 119 34 43

HSL 353.65, 0.56%, 0.3%

LAB 27.41, 37.5, 15.51

 

CMYK 0 / 71 / 71 / 53

HEX #772222

RGB 119 34 34

HSL 0, 0.56%, 0.3%

LAB 27.25, 36.92, 21.21

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 0 / 71 / 5 / 53

HEX #772271

RGB 119 34 113

HSL 304.24, 0.56%, 0.3%

LAB 30.05, 46.33, -26.67

 

CMYK 13 / 71 / 0 / 53

HEX #672277

RGB 103 34 119

HSL 288.71, 0.56%, 0.3%

LAB 27.74, 43.49, -34.33

 

CMYK 33 / 71 / 0 / 53

HEX #502277

RGB 80 34 119

HSL 272.47, 0.56%, 0.3%

LAB 24.26, 38.11, -40.1

 

CMYK 52 / 71 / 0 / 53

HEX #392277

RGB 57 34 119

HSL 256.24, 0.56%, 0.3%

LAB 21.38, 33.32, -44.92

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 0 / 84 / 30 / 48

HEX #84155D

RGB 132 21 93

HSL 321.08, 0.73%, 0.3%

LAB 29.99, 50.91, -13.68

 

CMYK 0 / 94 / 33 / 44

HEX #900961

RGB 144 9 97

HSL 320.89, 0.88%, 0.3%

LAB 31.78, 56.58, -13.33

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 0 / 57 / 20 / 58

HEX #6B2E56

RGB 107 46 86

HSL 320.66, 0.4%, 0.3%

LAB 28.78, 32.5, -11.36

 

CMYK 0 / 39 / 14 / 63

HEX #5F3A52

RGB 95 58 82

HSL 321.08, 0.24%, 0.3%

LAB 29.58, 20.38, -7.7

 

CMYK 0 / 13 / 5 / 68

HEX #52474E

RGB 82 71 78

HSL 321.82, 0.07%, 0.3%

LAB 31.46, 6.07, -2.47

 

CMYK 16 / 0 / 11 / 67

HEX #46534A

RGB 70 83 74

HSL 138.46, 0.08%, 0.3%

LAB 33.95, -7.16, 3.56

 

CMYK 14 / 71 / 0 / 53

HEX #662277

RGB 102 34 119

HSL 288, 0.56%, 0.3%

LAB 27.57, 43.25, -34.6

 

CMYK 0 / 71 / 4 / 53

HEX #772272

RGB 119 34 114

HSL 303.53, 0.56%, 0.3%

LAB 30.11, 46.5, -27.22

 

CMYK 0 / 71 / 24 / 53

HEX #77225B

RGB 119 34 91

HSL 319.76, 0.56%, 0.3%

LAB 28.96, 42.8, -14.17

 

CMYK 0 / 71 / 43 / 53

HEX #772244

RGB 119 34 68

HSL 336, 0.56%, 0.3%

LAB 28.07, 39.81, -0.3

 

CMYK 0 / 71 / 62 / 53

HEX #77222D

RGB 119 34 45

HSL 352.24, 0.56%, 0.3%

LAB 27.45, 37.65, 14.23

 

CMYK 0 / 71 / 25 / 78

HEX #371029

RGB 55 16 41

HSL 321.54, 0.55%, 0.14%

LAB 11.57, 22.8, -7.29

 

CMYK 0 / 71 / 25 / 66

HEX #571941

RGB 87 25 65

HSL 321.29, 0.55%, 0.22%

LAB 20.45, 33.08, -10.29

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 0 / 72 / 25 / 40

HEX #982B72

RGB 152 43 114

HSL 320.92, 0.56%, 0.38%

LAB 37.15, 51.8, -15.82

 

CMYK 0 / 72 / 25 / 28

HEX #B8348A

RGB 184 52 138

HSL 320.91, 0.56%, 0.46%

LAB 44.92, 60.26, -18.24

 

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

CMYK 0 / 34 / 71 / 53

HEX #774F22

RGB 119 79 34

HSL 31.76, 0.56%, 0.3%

LAB 37.17, 12.19, 32.58

 

CMYK 71 / 0 / 4 / 53

HEX #227772

RGB 34 119 114

HSL 176.47, 0.56%, 0.3%

LAB 45.29, -25.84, -4.55

 

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

CMYK 24 / 0 / 71 / 53

HEX #5B7722

RGB 91 119 34

HSL 79.76, 0.56%, 0.3%

LAB 46.36, -23.65, 41.46

 

CMYK 71 / 24 / 0 / 53

HEX #225B77

RGB 34 91 119

HSL 199.76, 0.56%, 0.3%

LAB 36.28, -8.71, -21.26

 

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

CMYK 0 / 34 / 71 / 53

HEX #774F22

RGB 119 79 34

HSL 31.76, 0.56%, 0.3%

LAB 37.17, 12.19, 32.58

 

CMYK 71 / 0 / 48 / 53

HEX #22773E

RGB 34 119 62

HSL 139.76, 0.56%, 0.3%

LAB 44.06, -38.62, 24.17

 

CMYK 71 / 38 / 0 / 53

HEX #224A77

RGB 34 74 119

HSL 211.76, 0.56%, 0.3%

LAB 30.81, 2.07, -29.84

 

CMYK 0 / 72 / 25 / 53

HEX #78225A

RGB 120 34 90

HSL 320.93, 0.56%, 0.3%

LAB 29.1, 42.94, -13.29

 

CMYK 0 / 12 / 71 / 53

HEX #776922

RGB 119 105 34

HSL 50.12, 0.56%, 0.3%

LAB 44.43, -3.22, 40.24

 

CMYK 71 / 0 / 48 / 53

HEX #22773E

RGB 34 119 62

HSL 139.76, 0.56%, 0.3%

LAB 44.06, -38.62, 24.17

 

CMYK 71 / 60 / 0 / 53

HEX #223077

RGB 34 48 119

HSL 230.12, 0.56%, 0.3%

LAB 22.95, 20.03, -42.44

 

Description

Color code: HEX #78225A | qconv.com Color code: HEX #78225A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 34 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 34 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 25 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 25% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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