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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78207F it is the complementary color #87DF80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78207F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78207F shade: #7D207A, #8E328D, #9F44A0, #B056B3 and #C168C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78207F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78207F shade: #78207F, #670E6C, #560059, #450046 and #340033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78207F shade: #77207E, #7E206C, #7E2052, #7E2039 and #7E2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78207F shade: #77207E, #5E207E, #44207E, #2B207E and #20207E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78207F shade matches the following richer shades: #77207E, #82138B and #8D0698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78207F shade: #77207E, #6D2C72, #623965, #574658 and #4C534B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78207F shade: #44207E, #5D207E, #77207E, #7E206D and #7E2054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78207F shade: #390F3C, #58175D, #77207E, #97289F and #B630C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78207F shade: #78207F, #7E2B20 and #207E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78207F shade: #78207F, #7E7720 and #207E77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78207F shade: #78207F, #7E2B20, #287E20 and #20737E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78207F shade: #78207F, #7E4720, #287E20 and #20577E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

Complementary color

CMYK 39 / 0 / 43 / 13

HEX #87DF80

RGB 135 223 128

HSL 115.58, 0.6%, 0.69%

LAB 81.56, -44.95, 38.38

 

CMYK 0 / 74 / 2 / 51

HEX #7D207A

RGB 125 32 122

HSL 301.94, 0.59%, 0.31%

LAB 31.34, 50.12, -30.27

 

CMYK 0 / 65 / 1 / 44

HEX #8E328D

RGB 142 50 141

HSL 300.65, 0.48%, 0.38%

LAB 37.76, 50.55, -31.74

 

CMYK 1 / 58 / 0 / 37

HEX #9F44A0

RGB 159 68 160

HSL 299.35, 0.4%, 0.45%

LAB 44.29, 50.37, -32.75

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 3 / 47 / 0 / 22

HEX #C168C6

RGB 193 104 198

HSL 296.81, 0.45%, 0.59%

LAB 57.38, 49.23, -34.06

 

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

CMYK 5 / 87 / 0 / 58

HEX #670E6C

RGB 103 14 108

HSL 296.81, 0.77%, 0.24%

LAB 24.58, 48.32, -32.33

 

CMYK 3 / 100 / 0 / 65

HEX #560059

RGB 86 0 89

HSL 297.98, 1%, 0.17%

LAB 18.8, 45.04, -29.25

 

CMYK 1 / 100 / 0 / 73

HEX #450046

RGB 69 0 70

HSL 299.14, 1%, 0.14%

LAB 13.87, 38.54, -24.34

 

CMYK 0 / 100 / 2 / 80

HEX #340033

RGB 52 0 51

HSL 301.15, 1%, 0.1%

LAB 8.73, 31.75, -19.16

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 0 / 75 / 14 / 51

HEX #7E206C

RGB 126 32 108

HSL 311.49, 0.59%, 0.31%

LAB 30.76, 48.06, -22.27

 

CMYK 0 / 75 / 35 / 51

HEX #7E2052

RGB 126 32 82

HSL 328.09, 0.59%, 0.31%

LAB 29.61, 44.42, -7.16

 

CMYK 0 / 75 / 55 / 51

HEX #7E2039

RGB 126 32 57

HSL 344.04, 0.59%, 0.31%

LAB 28.81, 41.79, 8.29

 

CMYK 0 / 75 / 75 / 51

HEX #7E2020

RGB 126 32 32

HSL 0, 0.59%, 0.31%

LAB 28.31, 40.09, 24.09

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 25 / 75 / 0 / 51

HEX #5E207E

RGB 94 32 126

HSL 279.57, 0.59%, 0.31%

LAB 26.5, 43.83, -40.82

 

CMYK 46 / 75 / 0 / 51

HEX #44207E

RGB 68 32 126

HSL 262.98, 0.59%, 0.31%

LAB 22.89, 38.57, -46.85

 

CMYK 66 / 75 / 0 / 51

HEX #2B207E

RGB 43 32 126

HSL 247.02, 0.59%, 0.31%

LAB 20.25, 34.49, -51.28

 

CMYK 75 / 75 / 0 / 51

HEX #20207E

RGB 32 32 126

HSL 240, 0.59%, 0.31%

LAB 19.42, 33.15, -52.68

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 6 / 86 / 0 / 45

HEX #82138B

RGB 130 19 139

HSL 295.5, 0.76%, 0.31%

LAB 31.98, 57.88, -39.83

 

CMYK 7 / 96 / 0 / 40

HEX #8D0698

RGB 141 6 152

HSL 295.48, 0.92%, 0.31%

LAB 34.11, 64.16, -44.3

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 4 / 61 / 0 / 55

HEX #6D2C72

RGB 109 44 114

HSL 295.71, 0.44%, 0.31%

LAB 30.08, 39.34, -27.38

 

CMYK 3 / 44 / 0 / 60

HEX #623965

RGB 98 57 101

HSL 295.91, 0.28%, 0.31%

LAB 30.55, 25.97, -18.46

 

CMYK 1 / 20 / 0 / 65

HEX #574658

RGB 87 70 88

HSL 296.67, 0.11%, 0.31%

LAB 32.06, 10.89, -7.94

 

CMYK 8 / 0 / 10 / 67

HEX #4C534B

RGB 76 83 75

HSL 112.5, 0.05%, 0.31%

LAB 34.46, -4.54, 3.73

 

CMYK 46 / 75 / 0 / 51

HEX #44207E

RGB 68 32 126

HSL 262.98, 0.59%, 0.31%

LAB 22.89, 38.57, -46.85

 

CMYK 26 / 75 / 0 / 51

HEX #5D207E

RGB 93 32 126

HSL 278.94, 0.59%, 0.31%

LAB 26.35, 43.62, -41.08

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 0 / 75 / 13 / 51

HEX #7E206D

RGB 126 32 109

HSL 310.85, 0.59%, 0.31%

LAB 30.81, 48.22, -22.83

 

CMYK 0 / 75 / 33 / 51

HEX #7E2054

RGB 126 32 84

HSL 326.81, 0.59%, 0.31%

LAB 29.69, 44.67, -8.36

 

CMYK 5 / 75 / 0 / 76

HEX #390F3C

RGB 57 15 60

HSL 296, 0.6%, 0.15%

LAB 12.85, 27.73, -19.06

 

CMYK 5 / 75 / 0 / 64

HEX #58175D

RGB 88 23 93

HSL 295.71, 0.6%, 0.23%

LAB 21.86, 39.21, -27

 

CMYK 6 / 75 / 0 / 51

HEX #77207E

RGB 119 32 126

HSL 295.53, 0.59%, 0.31%

LAB 30.55, 49.43, -34.11

 

CMYK 5 / 75 / 0 / 38

HEX #97289F

RGB 151 40 159

HSL 295.97, 0.6%, 0.39%

LAB 38.9, 59.67, -40.77

 

CMYK 5 / 75 / 0 / 25

HEX #B630C0

RGB 182 48 192

HSL 295.83, 0.6%, 0.47%

LAB 46.8, 69.24, -47.41

 

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

CMYK 0 / 66 / 75 / 51

HEX #7E2B20

RGB 126 43 32

HSL 7.02, 0.59%, 0.31%

LAB 30.08, 35.28, 26.12

 

CMYK 75 / 0 / 36 / 51

HEX #207E51

RGB 32 126 81

HSL 151.28, 0.59%, 0.31%

LAB 46.74, -38.06, 16.94

 

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

CMYK 0 / 6 / 75 / 51

HEX #7E7720

RGB 126 119 32

HSL 55.53, 0.59%, 0.31%

LAB 49.17, -7.97, 46.02

 

CMYK 75 / 0 / 6 / 51

HEX #207E77

RGB 32 126 119

HSL 175.53, 0.59%, 0.31%

LAB 47.7, -28.09, -3.95

 

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

CMYK 0 / 66 / 75 / 51

HEX #7E2B20

RGB 126 43 32

HSL 7.02, 0.59%, 0.31%

LAB 30.08, 35.28, 26.12

 

CMYK 68 / 0 / 75 / 51

HEX #287E20

RGB 40 126 32

HSL 114.89, 0.59%, 0.31%

LAB 46.28, -44.01, 41.45

 

CMYK 75 / 9 / 0 / 51

HEX #20737E

RGB 32 115 126

HSL 187.02, 0.59%, 0.31%

LAB 44.34, -20.23, -13.15

 

CMYK 6 / 75 / 0 / 50

HEX #78207F

RGB 120 32 127

HSL 295.58, 0.6%, 0.31%

LAB 30.78, 49.84, -34.36

 

CMYK 0 / 44 / 75 / 51

HEX #7E4720

RGB 126 71 32

HSL 24.89, 0.59%, 0.31%

LAB 36.07, 20.08, 32.74

 

CMYK 68 / 0 / 75 / 51

HEX #287E20

RGB 40 126 32

HSL 114.89, 0.59%, 0.31%

LAB 46.28, -44.01, 41.45

 

CMYK 75 / 31 / 0 / 51

HEX #20577E

RGB 32 87 126

HSL 204.89, 0.59%, 0.31%

LAB 35.26, -3.96, -27.16

 

Description

Color code: HEX #78207F | qconv.com Color code: HEX #78207F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 32 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 32 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 75 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 75% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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