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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #780D3E it is the complementary color #87F2C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #780D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #780D3E shade: #7D0D39, #8E1F4C, #9F315F, #B04372 and #C15585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #780D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #780D3E shade: #780D3E, #67002B, #560018, #450005 and #340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #780D3E shade: #770D3E, #770D21 and #770D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #780D3E shade: #770D3E, #770D5A, #770D77, #5B0D77 and #3E0D77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #780D3E shade matches the following richer shades: #770D3E and #82033D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #780D3E shade: #770D3E, #6D183F, #622340, #572D41 and #4C3841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #780D3E shade: #770D77, #770D5B, #770D3F, #770D22 and #77140D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #780D3E shade: #2D0517, #52092B, #770D3E, #9C1151 and #C21664

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #780D3E shade: #780D3E, #775B0D and #0D6977

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #780D3E shade: #780D3E, #3F770D and #0D3F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #780D3E shade: #780D3E, #775B0D, #0D7746 and #0D2A77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #780D3E shade: #780D3E, #74770D, #0D7746 and #110D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

Complementary color

CMYK 44 / 0 / 20 / 5

HEX #87F2C1

RGB 135 242 193

HSL 152.52, 0.8%, 0.74%

LAB 88.21, -41.91, 14.14

 

CMYK 0 / 90 / 54 / 51

HEX #7D0D39

RGB 125 13 57

HSL 336.43, 0.81%, 0.27%

LAB 26.57, 47.23, 5.12

 

CMYK 0 / 78 / 46 / 44

HEX #8E1F4C

RGB 142 31 76

HSL 335.68, 0.64%, 0.34%

LAB 32.38, 48.77, 1.22

 

CMYK 0 / 69 / 40 / 38

HEX #9F315F

RGB 159 49 95

HSL 334.91, 0.53%, 0.41%

LAB 38.54, 49.16, -1.62

 

CMYK 0 / 62 / 35 / 31

HEX #B04372

RGB 176 67 114

HSL 334.13, 0.45%, 0.48%

LAB 44.88, 48.91, -3.77

 

CMYK 0 / 56 / 31 / 24

HEX #C15585

RGB 193 85 133

HSL 333.33, 0.47%, 0.55%

LAB 51.3, 48.35, -5.46

 

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

CMYK 0 / 100 / 58 / 60

HEX #67002B

RGB 103 0 43

HSL 334.95, 1%, 0.2%

LAB 20.27, 43.06, 5.26

 

CMYK 0 / 100 / 72 / 66

HEX #560018

RGB 86 0 24

HSL 343.26, 1%, 0.17%

LAB 15.72, 37.24, 12.15

 

CMYK 0 / 100 / 93 / 73

HEX #450005

RGB 69 0 5

HSL 355.65, 1%, 0.14%

LAB 11.11, 31.49, 15.45

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 89 / 48 / 53

HEX #770D3E

RGB 119 13 62

HSL 332.26, 0.8%, 0.26%

LAB 25.44, 46.05, -0.1

 

CMYK 0 / 89 / 72 / 53

HEX #770D21

RGB 119 13 33

HSL 348.68, 0.8%, 0.26%

LAB 24.7, 43.93, 18.76

 

CMYK 0 / 89 / 89 / 53

HEX #770D0D

RGB 119 13 13

HSL 0, 0.8%, 0.26%

LAB 24.45, 43.17, 30.9

 

CMYK 0 / 89 / 48 / 53

HEX #770D3E

RGB 119 13 62

HSL 332.26, 0.8%, 0.26%

LAB 25.44, 46.05, -0.1

 

CMYK 0 / 89 / 24 / 53

HEX #770D5A

RGB 119 13 90

HSL 316.42, 0.8%, 0.26%

LAB 26.59, 49.27, -17.18

 

CMYK 0 / 89 / 0 / 53

HEX #770D77

RGB 119 13 119

HSL 300, 0.8%, 0.26%

LAB 28.23, 53.64, -33.39

 

CMYK 24 / 89 / 0 / 53

HEX #5B0D77

RGB 91 13 119

HSL 284.15, 0.8%, 0.26%

LAB 23.15, 48.43, -41.83

 

CMYK 48 / 89 / 0 / 53

HEX #3E0D77

RGB 62 13 119

HSL 267.74, 0.8%, 0.26%

LAB 18.56, 43.97, -49.52

 

CMYK 0 / 89 / 48 / 53

HEX #770D3E

RGB 119 13 62

HSL 332.26, 0.8%, 0.26%

LAB 25.44, 46.05, -0.1

 

CMYK 0 / 98 / 53 / 49

HEX #82033D

RGB 130 3 61

HSL 332.6, 0.95%, 0.26%

LAB 27.15, 50.68, 3.37

 

CMYK 0 / 89 / 48 / 53

HEX #770D3E

RGB 119 13 62

HSL 332.26, 0.8%, 0.26%

LAB 25.44, 46.05, -0.1

 

CMYK 0 / 78 / 42 / 57

HEX #6D183F

RGB 109 24 63

HSL 332.47, 0.64%, 0.26%

LAB 24.52, 40.08, -2.36

 

CMYK 0 / 64 / 35 / 62

HEX #622340

RGB 98 35 64

HSL 332.38, 0.47%, 0.26%

LAB 24.22, 31.76, -3.72

 

CMYK 0 / 48 / 25 / 66

HEX #572D41

RGB 87 45 65

HSL 331.43, 0.32%, 0.26%

LAB 24.59, 22.15, -4.04

 

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 0 / 89 / 0 / 53

HEX #770D77

RGB 119 13 119

HSL 300, 0.8%, 0.26%

LAB 28.23, 53.64, -33.39

 

CMYK 0 / 89 / 24 / 53

HEX #770D5B

RGB 119 13 91

HSL 315.85, 0.8%, 0.26%

LAB 26.64, 49.4, -17.76

 

CMYK 0 / 89 / 47 / 53

HEX #770D3F

RGB 119 13 63

HSL 331.7, 0.8%, 0.26%

LAB 25.47, 46.15, -0.73

 

CMYK 0 / 89 / 71 / 53

HEX #770D22

RGB 119 13 34

HSL 348.11, 0.8%, 0.26%

LAB 24.72, 43.98, 18.11

 

CMYK 0 / 83 / 89 / 53

HEX #77140D

RGB 119 20 13

HSL 3.96, 0.8%, 0.26%

LAB 25.11, 41.29, 31.54

 

CMYK 0 / 89 / 49 / 82

HEX #2D0517

RGB 45 5 23

HSL 333, 0.8%, 0.1%

LAB 6.58, 21.98, -1.29

 

CMYK 0 / 89 / 48 / 68

HEX #52092B

RGB 82 9 43

HSL 332.05, 0.8%, 0.18%

LAB 16.32, 34.79, -1.05

 

CMYK 0 / 89 / 48 / 53

HEX #770D3E

RGB 119 13 62

HSL 332.26, 0.8%, 0.26%

LAB 25.44, 46.05, -0.1

 

CMYK 0 / 89 / 48 / 39

HEX #9C1151

RGB 156 17 81

HSL 332.37, 0.8%, 0.34%

LAB 34.11, 56.55, 0.83

 

CMYK 0 / 89 / 48 / 24

HEX #C21664

RGB 194 22 100

HSL 332.79, 0.8%, 0.42%

LAB 42.71, 66.6, 2.11

 

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

CMYK 0 / 24 / 89 / 53

HEX #775B0D

RGB 119 91 13

HSL 44.15, 0.8%, 0.26%

LAB 40.3, 4.06, 44.43

 

CMYK 89 / 12 / 0 / 53

HEX #0D6977

RGB 13 105 119

HSL 187.92, 0.8%, 0.26%

LAB 40.44, -19.28, -14.89

 

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

CMYK 47 / 0 / 89 / 53

HEX #3F770D

RGB 63 119 13

HSL 91.7, 0.8%, 0.26%

LAB 44.63, -35.84, 46.38

 

CMYK 89 / 47 / 0 / 53

HEX #0D3F77

RGB 13 63 119

HSL 211.7, 0.8%, 0.26%

LAB 26.66, 6.84, -36.49

 

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

CMYK 0 / 24 / 89 / 53

HEX #775B0D

RGB 119 91 13

HSL 44.15, 0.8%, 0.26%

LAB 40.3, 4.06, 44.43

 

CMYK 89 / 0 / 41 / 53

HEX #0D7746

RGB 13 119 70

HSL 152.26, 0.8%, 0.26%

LAB 43.83, -39.98, 19.29

 

CMYK 89 / 65 / 0 / 53

HEX #0D2A77

RGB 13 42 119

HSL 223.58, 0.8%, 0.26%

LAB 20.34, 21.87, -46.75

 

CMYK 0 / 89 / 48 / 53

HEX #780D3E

RGB 120 13 62

HSL 332.52, 0.8%, 0.26%

LAB 25.65, 46.32, 0.24

 

CMYK 3 / 0 / 89 / 53

HEX #74770D

RGB 116 119 13

HSL 61.7, 0.8%, 0.26%

LAB 48.18, -13.38, 50.8

 

CMYK 89 / 0 / 41 / 53

HEX #0D7746

RGB 13 119 70

HSL 152.26, 0.8%, 0.26%

LAB 43.83, -39.98, 19.29

 

CMYK 86 / 89 / 0 / 53

HEX #110D77

RGB 17 13 119

HSL 242.26, 0.8%, 0.26%

LAB 14.05, 39.99, -57.12

 

Description

Color code: HEX #780D3E | qconv.com Color code: HEX #780D3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 13 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 13 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 48 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 48% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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