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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7806A4 it is the complementary color #87F95B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7806A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7806A4 shade: #7D069F, #8E18B2, #9F2AC5, #B03CD8 and #C14EEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7806A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7806A4 shade: #7806A4, #670091, #56007E, #45006B and #340058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7806A4 shade: #7706A2, #A106A2, #A2067A, #A2064F and #A20625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7806A4 shade: #7706A2, #4D06A2, #2206A2 and #0606A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7806A4 shade matches the following richer shades: #7706A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7806A4 shade: #7706A2, #711495, #6B2187, #652F7A and #5F3C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7806A4 shade: #2306A2, #4C06A2, #7606A2, #A006A2 and #A2067B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7806A4 shade: #3D0353, #5A047B, #7706A2, #9407CA and #B109F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7806A4 shade: #7806A4, #A20613 and #06A237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7806A4 shade: #7806A4, #A27606 and #06A276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7806A4 shade: #7806A4, #A20613, #32A206 and #06A295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7806A4 shade: #7806A4, #A22806, #32A206 and #0680A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

Complementary color

CMYK 46 / 0 / 63 / 2

HEX #87F95B

RGB 135 249 91

HSL 103.29, 0.93%, 0.67%

LAB 88.76, -59.69, 63.79

 

CMYK 21 / 96 / 0 / 38

HEX #7D069F

RGB 125 6 159

HSL 286.67, 0.93%, 0.32%

LAB 31.79, 62.88, -52.45

 

CMYK 20 / 87 / 0 / 30

HEX #8E18B2

RGB 142 24 178

HSL 285.97, 0.76%, 0.4%

LAB 37.15, 65.9, -55.04

 

CMYK 19 / 79 / 0 / 23

HEX #9F2AC5

RGB 159 42 197

HSL 285.29, 0.65%, 0.47%

LAB 42.85, 67.56, -56.86

 

CMYK 19 / 72 / 0 / 15

HEX #B03CD8

RGB 176 60 216

HSL 284.62, 0.67%, 0.54%

LAB 48.78, 68.28, -58.11

 

CMYK 18 / 67 / 0 / 8

HEX #C14EEB

RGB 193 78 235

HSL 283.95, 0.8%, 0.61%

LAB 54.85, 68.41, -58.99

 

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

CMYK 29 / 100 / 0 / 43

HEX #670091

RGB 103 0 145

HSL 282.62, 1%, 0.28%

LAB 26.53, 58.15, -52.6

 

CMYK 32 / 100 / 0 / 51

HEX #56007E

RGB 86 0 126

HSL 280.95, 1%, 0.25%

LAB 21.89, 52.13, -48.38

 

CMYK 36 / 100 / 0 / 58

HEX #45006B

RGB 69 0 107

HSL 278.69, 1%, 0.21%

LAB 17.12, 45.95, -44.06

 

CMYK 41 / 100 / 0 / 65

HEX #340058

RGB 52 0 88

HSL 275.45, 1%, 0.17%

LAB 12.19, 39.58, -39.61

 

CMYK 27 / 96 / 0 / 36

HEX #7706A2

RGB 119 6 162

HSL 283.46, 0.93%, 0.33%

LAB 31.02, 62.59, -55.57

 

CMYK 1 / 96 / 0 / 36

HEX #A106A2

RGB 161 6 162

HSL 299.62, 0.93%, 0.33%

LAB 38.4, 69.13, -43.27

 

CMYK 0 / 96 / 25 / 36

HEX #A2067A

RGB 162 6 122

HSL 315.38, 0.93%, 0.33%

LAB 36.4, 63.8, -21.84

 

CMYK 0 / 96 / 51 / 36

HEX #A2064F

RGB 162 6 79

HSL 331.92, 0.93%, 0.33%

LAB 34.75, 59.46, 3.22

 

CMYK 0 / 96 / 77 / 36

HEX #A20625

RGB 162 6 37

HSL 348.08, 0.93%, 0.33%

LAB 33.87, 57.04, 29.31

 

CMYK 27 / 96 / 0 / 36

HEX #7706A2

RGB 119 6 162

HSL 283.46, 0.93%, 0.33%

LAB 31.02, 62.59, -55.57

 

CMYK 52 / 96 / 0 / 36

HEX #4D06A2

RGB 77 6 162

HSL 267.31, 0.93%, 0.33%

LAB 24.69, 57.84, -66.2

 

CMYK 79 / 96 / 0 / 36

HEX #2206A2

RGB 34 6 162

HSL 250.77, 0.93%, 0.33%

LAB 20.36, 55.3, -73.52

 

CMYK 96 / 96 / 0 / 36

HEX #0606A2

RGB 6 6 162

HSL 240, 0.93%, 0.33%

LAB 19.13, 54.73, -75.6

 

CMYK 27 / 96 / 0 / 36

HEX #7706A2

RGB 119 6 162

HSL 283.46, 0.93%, 0.33%

LAB 31.02, 62.59, -55.57

 

CMYK 27 / 96 / 0 / 36

HEX #7706A2

RGB 119 6 162

HSL 283.46, 0.93%, 0.33%

LAB 31.02, 62.59, -55.57

 

CMYK 24 / 87 / 0 / 42

HEX #711495

RGB 113 20 149

HSL 283.26, 0.76%, 0.33%

LAB 29.86, 56.48, -49.56

 

CMYK 21 / 76 / 0 / 47

HEX #6B2187

RGB 107 33 135

HSL 283.53, 0.61%, 0.33%

LAB 29.32, 48.18, -41.82

 

CMYK 17 / 61 / 0 / 52

HEX #652F7A

RGB 101 47 122

HSL 283.2, 0.44%, 0.33%

LAB 29.92, 37.28, -32.76

 

CMYK 12 / 44 / 0 / 58

HEX #5F3C6C

RGB 95 60 108

HSL 283.75, 0.29%, 0.33%

LAB 31.22, 24.7, -21.9

 

CMYK 78 / 96 / 0 / 36

HEX #2306A2

RGB 35 6 162

HSL 251.15, 0.93%, 0.33%

LAB 20.43, 55.33, -73.41

 

CMYK 53 / 96 / 0 / 36

HEX #4C06A2

RGB 76 6 162

HSL 266.92, 0.93%, 0.33%

LAB 24.56, 57.75, -66.42

 

CMYK 27 / 96 / 0 / 36

HEX #7606A2

RGB 118 6 162

HSL 283.08, 0.93%, 0.33%

LAB 30.86, 62.46, -55.84

 

CMYK 1 / 96 / 0 / 36

HEX #A006A2

RGB 160 6 162

HSL 299.23, 0.93%, 0.33%

LAB 38.22, 68.96, -43.57

 

CMYK 0 / 96 / 24 / 36

HEX #A2067B

RGB 162 6 123

HSL 315, 0.93%, 0.33%

LAB 36.45, 63.92, -22.4

 

CMYK 27 / 96 / 0 / 67

HEX #3D0353

RGB 61 3 83

HSL 283.5, 0.93%, 0.17%

LAB 13.72, 38.53, -33.64

 

CMYK 27 / 97 / 0 / 52

HEX #5A047B

RGB 90 4 123

HSL 283.36, 0.94%, 0.25%

LAB 22.62, 51.14, -45.25

 

CMYK 27 / 96 / 0 / 36

HEX #7706A2

RGB 119 6 162

HSL 283.46, 0.93%, 0.33%

LAB 31.02, 62.59, -55.57

 

CMYK 27 / 97 / 0 / 21

HEX #9407CA

RGB 148 7 202

HSL 283.38, 0.93%, 0.41%

LAB 39.09, 73.89, -65.95

 

CMYK 27 / 96 / 0 / 5

HEX #B109F2

RGB 177 9 242

HSL 283.26, 0.93%, 0.49%

LAB 46.91, 84.65, -75.88

 

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

CMYK 0 / 96 / 88 / 36

HEX #A20613

RGB 162 6 19

HSL 355, 0.93%, 0.33%

LAB 33.69, 56.53, 39.51

 

CMYK 96 / 0 / 66 / 36

HEX #06A237

RGB 6 162 55

HSL 138.85, 0.93%, 0.33%

LAB 58.18, -57.7, 44.34

 

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

CMYK 0 / 27 / 96 / 36

HEX #A27606

RGB 162 118 6

HSL 43.08, 0.93%, 0.33%

LAB 52.57, 8.69, 57.61

 

CMYK 96 / 0 / 27 / 36

HEX #06A276

RGB 6 162 118

HSL 163.08, 0.93%, 0.33%

LAB 59.15, -46.32, 13.05

 

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

CMYK 0 / 96 / 88 / 36

HEX #A20613

RGB 162 6 19

HSL 355, 0.93%, 0.33%

LAB 33.69, 56.53, 39.51

 

CMYK 69 / 0 / 96 / 36

HEX #32A206

RGB 50 162 6

HSL 103.08, 0.93%, 0.33%

LAB 58.54, -55.55, 59.15

 

CMYK 96 / 0 / 8 / 36

HEX #06A295

RGB 6 162 149

HSL 175, 0.93%, 0.33%

LAB 59.93, -37.95, -3.26

 

CMYK 27 / 96 / 0 / 36

HEX #7806A4

RGB 120 6 164

HSL 283.29, 0.93%, 0.33%

LAB 31.36, 63.12, -56.23

 

CMYK 0 / 75 / 96 / 36

HEX #A22806

RGB 162 40 6

HSL 13.08, 0.93%, 0.33%

LAB 36.39, 48.48, 46.79

 

CMYK 69 / 0 / 96 / 36

HEX #32A206

RGB 50 162 6

HSL 103.08, 0.93%, 0.33%

LAB 58.54, -55.55, 59.15

 

CMYK 96 / 21 / 0 / 36

HEX #0680A2

RGB 6 128 162

HSL 193.08, 0.93%, 0.33%

LAB 49.6, -16.73, -26.36

 

Description

Color code: HEX #7806A4 | qconv.com Color code: HEX #7806A4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 6 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 6 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 96 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 96% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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