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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F819 it is the complementary color #8807E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F819 shade: #7CF814, #8DFF27, #9EFF3A, #AFFF4D and #C0FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F819 shade: #77F819, #66E606, #55D400, #44C200 and #33B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F819 shade: #78F81B, #B4F81B, #EFF81B, #F8C51B and #F88A1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F819 shade: #78F81B, #3DF81B, #1BF835, #1BF871 and #1BF8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F819 shade matches the following richer shades: #78F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F819 shade: #78F81B, #7BE52E, #7ED241, #81BF54 and #84AC67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F819 shade: #F1F81B, #B6F81B, #7BF81B, #40F81B and #1BF831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F819 shade: #52BB06, #64E307, #78F81B, #90F943 and #A8FA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F819 shade: #77F819, #1BF8C5 and #F81BD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F819 shade: #77F819, #1B7BF8 and #F81B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F819 shade: #77F819, #1BF8C5, #981BF8 and #F81B4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F819 shade: #77F819, #1BE9F8, #981BF8 and #F82A1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

Complementary color

CMYK 41 / 97 / 0 / 10

HEX #8807E6

RGB 136 7 230

HSL 274.71, 0.94%, 0.46%

LAB 39.75, 77.97, -81.07

 

CMYK 50 / 0 / 92 / 3

HEX #7CF814

RGB 124 248 20

HSL 92.63, 0.94%, 0.53%

LAB 87.71, -66.18, 82.28

 

CMYK 45 / 0 / 85 / 0

HEX #8DFF27

RGB 141 255 39

HSL 91.67, 1%, 0.58%

LAB 90.47, -63.24, 81.76

 

CMYK 38 / 0 / 77 / 0

HEX #9EFF3A

RGB 158 255 58

HSL 89.54, 1%, 0.61%

LAB 91.28, -57.1, 78.11

 

CMYK 31 / 0 / 70 / 0

HEX #AFFF4D

RGB 175 255 77

HSL 86.97, 1%, 0.65%

LAB 92.21, -50.31, 73.25

 

CMYK 25 / 0 / 62 / 0

HEX #C0FF60

RGB 192 255 96

HSL 83.77, 1%, 0.69%

LAB 93.26, -42.98, 67.48

 

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

CMYK 56 / 0 / 97 / 10

HEX #66E606

RGB 102 230 6

HSL 94.29, 0.95%, 0.46%

LAB 81.53, -66.11, 78.33

 

CMYK 60 / 0 / 100 / 17

HEX #55D400

RGB 85 212 0

HSL 95.94, 1%, 0.42%

LAB 75.46, -64.38, 73.85

 

CMYK 65 / 0 / 100 / 24

HEX #44C200

RGB 68 194 0

HSL 98.97, 1%, 0.38%

LAB 69.34, -62.35, 68.8

 

CMYK 71 / 0 / 100 / 31

HEX #33B000

RGB 51 176 0

HSL 102.61, 1%, 0.35%

LAB 63.14, -60.01, 63.7

 

CMYK 52 / 0 / 89 / 3

HEX #78F81B

RGB 120 248 27

HSL 94.75, 0.94%, 0.54%

LAB 87.59, -67.14, 81.15

 

CMYK 27 / 0 / 89 / 3

HEX #B4F81B

RGB 180 248 27

HSL 78.46, 0.94%, 0.54%

LAB 90.28, -47.65, 84.48

 

CMYK 4 / 0 / 89 / 3

HEX #EFF81B

RGB 239 248 27

HSL 62.44, 0.94%, 0.54%

LAB 94.13, -24.52, 89.18

 

CMYK 0 / 21 / 89 / 3

HEX #F8C51B

RGB 248 197 27

HSL 46.15, 0.94%, 0.54%

LAB 81.82, 4.58, 79.92

 

CMYK 0 / 44 / 89 / 3

HEX #F88A1B

RGB 248 138 27

HSL 30.14, 0.94%, 0.54%

LAB 68.18, 35.33, 69.52

 

CMYK 52 / 0 / 89 / 3

HEX #78F81B

RGB 120 248 27

HSL 94.75, 0.94%, 0.54%

LAB 87.59, -67.14, 81.15

 

CMYK 75 / 0 / 89 / 3

HEX #3DF81B

RGB 61 248 27

HSL 110.77, 0.94%, 0.54%

LAB 86.11, -79.41, 79.31

 

CMYK 89 / 0 / 79 / 3

HEX #1BF835

RGB 27 248 53

HSL 127.06, 0.94%, 0.54%

LAB 85.82, -81.65, 73.2

 

CMYK 89 / 0 / 54 / 3

HEX #1BF871

RGB 27 248 113

HSL 143.35, 0.94%, 0.54%

LAB 86.29, -75.8, 50.85

 

CMYK 89 / 0 / 31 / 3

HEX #1BF8AC

RGB 27 248 172

HSL 159.37, 0.94%, 0.54%

LAB 87.17, -65.47, 23.14

 

CMYK 52 / 0 / 89 / 3

HEX #78F81B

RGB 120 248 27

HSL 94.75, 0.94%, 0.54%

LAB 87.59, -67.14, 81.15

 

CMYK 52 / 0 / 89 / 3

HEX #78F81B

RGB 120 248 27

HSL 94.75, 0.94%, 0.54%

LAB 87.59, -67.14, 81.15

 

CMYK 46 / 0 / 80 / 10

HEX #7BE52E

RGB 123 229 46

HSL 94.75, 0.78%, 0.54%

LAB 82.08, -58.73, 72.37

 

CMYK 40 / 0 / 69 / 18

HEX #7ED241

RGB 126 210 65

HSL 94.76, 0.62%, 0.54%

LAB 76.62, -49.23, 60.94

 

CMYK 32 / 0 / 56 / 25

HEX #81BF54

RGB 129 191 84

HSL 94.77, 0.46%, 0.54%

LAB 71.26, -38.42, 47.02

 

CMYK 23 / 0 / 40 / 33

HEX #84AC67

RGB 132 172 103

HSL 94.78, 0.29%, 0.54%

LAB 66.05, -26.14, 31.19

 

CMYK 3 / 0 / 89 / 3

HEX #F1F81B

RGB 241 248 27

HSL 61.9, 0.94%, 0.54%

LAB 94.28, -23.71, 89.36

 

CMYK 27 / 0 / 89 / 3

HEX #B6F81B

RGB 182 248 27

HSL 77.92, 0.94%, 0.54%

LAB 90.39, -46.91, 84.62

 

CMYK 50 / 0 / 89 / 3

HEX #7BF81B

RGB 123 248 27

HSL 93.94, 0.94%, 0.54%

LAB 87.69, -66.31, 81.28

 

CMYK 74 / 0 / 89 / 3

HEX #40F81B

RGB 64 248 27

HSL 109.95, 0.94%, 0.54%

LAB 86.16, -78.98, 79.37

 

CMYK 89 / 0 / 80 / 3

HEX #1BF831

RGB 27 248 49

HSL 125.97, 0.94%, 0.54%

LAB 85.8, -81.87, 74.26

 

CMYK 56 / 0 / 97 / 27

HEX #52BB06

RGB 82 187 6

HSL 94.81, 0.94%, 0.38%

LAB 67.54, -56.45, 66.84

 

CMYK 56 / 0 / 97 / 11

HEX #64E307

RGB 100 227 7

HSL 94.64, 0.94%, 0.46%

LAB 80.55, -65.59, 77.44

 

CMYK 52 / 0 / 89 / 3

HEX #78F81B

RGB 120 248 27

HSL 94.75, 0.94%, 0.54%

LAB 87.59, -67.14, 81.15

 

CMYK 42 / 0 / 73 / 2

HEX #90F943

RGB 144 249 67

HSL 94.62, 0.94%, 0.62%

LAB 88.96, -58.76, 72.93

 

CMYK 33 / 0 / 57 / 2

HEX #A8FA6B

RGB 168 250 107

HSL 94.41, 0.93%, 0.7%

LAB 90.67, -48.27, 59.63

 

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

CMYK 89 / 0 / 21 / 3

HEX #1BF8C5

RGB 27 248 197

HSL 166.15, 0.94%, 0.54%

LAB 87.68, -59.82, 10.98

 

CMYK 0 / 89 / 15 / 3

HEX #F81BD3

RGB 248 27 211

HSL 310.05, 0.94%, 0.54%

LAB 57.5, 89.1, -40.68

 

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

CMYK 89 / 50 / 0 / 3

HEX #1B7BF8

RGB 27 123 248

HSL 213.94, 0.94%, 0.54%

LAB 53.14, 20.09, -69.6

 

CMYK 0 / 89 / 50 / 3

HEX #F81B7B

RGB 248 27 123

HSL 333.94, 0.94%, 0.54%

LAB 54.21, 80.26, 5.92

 

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

CMYK 89 / 0 / 21 / 3

HEX #1BF8C5

RGB 27 248 197

HSL 166.15, 0.94%, 0.54%

LAB 87.68, -59.82, 10.98

 

CMYK 39 / 89 / 0 / 3

HEX #981BF8

RGB 152 27 248

HSL 273.94, 0.94%, 0.54%

LAB 44.57, 80.42, -83.24

 

CMYK 0 / 89 / 68 / 3

HEX #F81B4F

RGB 248 27 79

HSL 345.88, 0.94%, 0.54%

LAB 53.28, 77.67, 31.14

 

CMYK 52 / 0 / 90 / 3

HEX #77F819

RGB 119 248 25

HSL 94.71, 0.94%, 0.54%

LAB 87.55, -67.46, 81.41

 

CMYK 89 / 6 / 0 / 3

HEX #1BE9F8

RGB 27 233 248

HSL 184.07, 0.94%, 0.54%

LAB 84.63, -39.68, -20.22

 

CMYK 39 / 89 / 0 / 3

HEX #981BF8

RGB 152 27 248

HSL 273.94, 0.94%, 0.54%

LAB 44.57, 80.42, -83.24

 

CMYK 0 / 83 / 89 / 3

HEX #F82A1B

RGB 248 42 27

HSL 4.07, 0.94%, 0.54%

LAB 53.7, 73.45, 58.91

 

Description

Color code: HEX #77F819 | qconv.com Color code: HEX #77F819 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 248 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 248 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 90 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 90% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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