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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F4D6 it is the complementary color #880B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F4D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F4D6 shade: #7CF4D1, #8DFFE4, #9EFFF7, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F4D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F4D6 shade: #77F4D6, #66E2C3, #55D0B0, #44BE9D and #33AC8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F4D6 shade: #76F4D6, #76F4B4, #76F492, #7CF476 and #9EF476

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F4D6 shade: #76F4D6, #76F0F4, #76CEF4, #76ACF4 and #768AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F4D6 shade matches the following richer shades: #76F4D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F4D6 shade: #76F4D6, #82E8D0, #8EDCC9, #9AD0C3 and #A6C4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F4D6 shade: #76F491, #76F4B3, #76F4D4, #76F2F4 and #76D0F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F4D6 shade: #2AEEBF, #50F1CA, #76F4D6, #9CF7E1 and #C3FAED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F4D6 shade: #77F4D6, #767CF4 and #F4A276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F4D6 shade: #77F4D6, #D476F4 and #F4D476

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F4D6 shade: #77F4D6, #767CF4, #F47696 and #F4EE76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F4D6 shade: #77F4D6, #9676F4, #F47696 and #D4F476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

Complementary color

CMYK 0 / 92 / 70 / 47

HEX #880B29

RGB 136 11 41

HSL 345.6, 0.85%, 0.29%

LAB 28.47, 49.55, 18.91

 

CMYK 49 / 0 / 14 / 4

HEX #7CF4D1

RGB 124 244 209

HSL 162.5, 0.85%, 0.72%

LAB 88.73, -42.03, 6.5

 

CMYK 45 / 0 / 11 / 0

HEX #8DFFE4

RGB 141 255 228

HSL 165.79, 1%, 0.78%

LAB 92.92, -38.79, 2.79

 

CMYK 38 / 0 / 3 / 0

HEX #9EFFF7

RGB 158 255 247

HSL 175.05, 1%, 0.81%

LAB 94.1, -30.36, -5.22

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

CMYK 55 / 0 / 14 / 11

HEX #66E2C3

RGB 102 226 195

HSL 165, 0.68%, 0.64%

LAB 82.46, -41.99, 4.72

 

CMYK 59 / 0 / 15 / 18

HEX #55D0B0

RGB 85 208 176

HSL 164.39, 0.57%, 0.57%

LAB 76.18, -41.9, 5.7

 

CMYK 64 / 0 / 17 / 25

HEX #44BE9D

RGB 68 190 157

HSL 163.77, 0.48%, 0.51%

LAB 69.82, -41.69, 6.78

 

CMYK 70 / 0 / 20 / 33

HEX #33AC8A

RGB 51 172 138

HSL 163.14, 0.54%, 0.44%

LAB 63.38, -41.3, 7.98

 

CMYK 52 / 0 / 12 / 4

HEX #76F4D6

RGB 118 244 214

HSL 165.71, 0.85%, 0.71%

LAB 88.64, -42.21, 3.75

 

CMYK 52 / 0 / 26 / 4

HEX #76F4B4

RGB 118 244 180

HSL 149.52, 0.85%, 0.71%

LAB 87.9, -49.49, 20.32

 

CMYK 52 / 0 / 40 / 4

HEX #76F492

RGB 118 244 146

HSL 133.33, 0.85%, 0.71%

LAB 87.3, -55.55, 36.74

 

CMYK 49 / 0 / 52 / 4

HEX #7CF476

RGB 124 244 118

HSL 117.14, 0.85%, 0.71%

LAB 87.14, -57.98, 50.06

 

CMYK 35 / 0 / 52 / 4

HEX #9EF476

RGB 158 244 118

HSL 100.95, 0.85%, 0.71%

LAB 88.58, -47.9, 52.13

 

CMYK 52 / 0 / 12 / 4

HEX #76F4D6

RGB 118 244 214

HSL 165.71, 0.85%, 0.71%

LAB 88.64, -42.21, 3.75

 

CMYK 52 / 2 / 0 / 4

HEX #76F0F4

RGB 118 240 244

HSL 181.9, 0.85%, 0.71%

LAB 88.31, -33.04, -12.42

 

CMYK 52 / 16 / 0 / 4

HEX #76CEF4

RGB 118 206 244

HSL 198.1, 0.85%, 0.71%

LAB 78.77, -16.28, -26.84

 

CMYK 52 / 30 / 0 / 4

HEX #76ACF4

RGB 118 172 244

HSL 214.29, 0.85%, 0.71%

LAB 69.39, 2.06, -41.34

 

CMYK 52 / 43 / 0 / 4

HEX #768AF4

RGB 118 138 244

HSL 230.48, 0.85%, 0.71%

LAB 60.39, 21.75, -55.55

 

CMYK 52 / 0 / 12 / 4

HEX #76F4D6

RGB 118 244 214

HSL 165.71, 0.85%, 0.71%

LAB 88.64, -42.21, 3.75

 

CMYK 52 / 0 / 12 / 4

HEX #76F4D6

RGB 118 244 214

HSL 165.71, 0.85%, 0.71%

LAB 88.64, -42.21, 3.75

 

CMYK 44 / 0 / 10 / 9

HEX #82E8D0

RGB 130 232 208

HSL 165.88, 0.69%, 0.71%

LAB 85.51, -35.41, 2.4

 

CMYK 35 / 0 / 9 / 14

HEX #8EDCC9

RGB 142 220 201

HSL 165.38, 0.53%, 0.71%

LAB 82.46, -28.2, 1.73

 

CMYK 26 / 0 / 6 / 18

HEX #9AD0C3

RGB 154 208 195

HSL 165.56, 0.36%, 0.71%

LAB 79.57, -20.14, 0.79

 

CMYK 15 / 0 / 4 / 23

HEX #A6C4BD

RGB 166 196 189

HSL 166, 0.2%, 0.71%

LAB 76.84, -11.47, 0.12

 

CMYK 52 / 0 / 41 / 4

HEX #76F491

RGB 118 244 145

HSL 132.86, 0.85%, 0.71%

LAB 87.29, -55.71, 37.22

 

CMYK 52 / 0 / 27 / 4

HEX #76F4B3

RGB 118 244 179

HSL 149.05, 0.85%, 0.71%

LAB 87.88, -49.68, 20.81

 

CMYK 52 / 0 / 13 / 4

HEX #76F4D4

RGB 118 244 212

HSL 164.76, 0.85%, 0.71%

LAB 88.59, -42.67, 4.72

 

CMYK 52 / 1 / 0 / 4

HEX #76F2F4

RGB 118 242 244

HSL 180.95, 0.85%, 0.71%

LAB 88.87, -33.98, -11.58

 

CMYK 52 / 15 / 0 / 4

HEX #76D0F4

RGB 118 208 244

HSL 197.14, 0.85%, 0.71%

LAB 79.33, -17.31, -25.99

 

CMYK 82 / 0 / 20 / 7

HEX #2AEEBF

RGB 42 238 191

HSL 165.61, 0.85%, 0.55%

LAB 84.69, -56.43, 9.86

 

CMYK 67 / 0 / 16 / 5

HEX #50F1CA

RGB 80 241 202

HSL 165.47, 0.85%, 0.63%

LAB 86.44, -50.65, 6.7

 

CMYK 52 / 0 / 12 / 4

HEX #76F4D6

RGB 118 244 214

HSL 165.71, 0.85%, 0.71%

LAB 88.64, -42.21, 3.75

 

CMYK 37 / 0 / 9 / 3

HEX #9CF7E1

RGB 156 247 225

HSL 165.49, 0.85%, 0.79%

LAB 91.25, -32.01, 1.99

 

CMYK 22 / 0 / 5 / 2

HEX #C3FAED

RGB 195 250 237

HSL 165.82, 0.85%, 0.87%

LAB 94.35, -19.9, 0.54

 

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

CMYK 52 / 49 / 0 / 4

HEX #767CF4

RGB 118 124 244

HSL 237.14, 0.85%, 0.71%

LAB 56.88, 30.07, -61.16

 

CMYK 0 / 34 / 52 / 4

HEX #F4A276

RGB 244 162 118

HSL 20.95, 0.85%, 0.71%

LAB 73.79, 25.79, 35.24

 

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

CMYK 13 / 52 / 0 / 4

HEX #D476F4

RGB 212 118 244

HSL 284.76, 0.85%, 0.71%

LAB 64.55, 56.31, -48.41

 

CMYK 0 / 13 / 52 / 4

HEX #F4D476

RGB 244 212 118

HSL 44.76, 0.85%, 0.71%

LAB 85.82, -0.36, 50.19

 

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

CMYK 52 / 49 / 0 / 4

HEX #767CF4

RGB 118 124 244

HSL 237.14, 0.85%, 0.71%

LAB 56.88, 30.07, -61.16

 

CMYK 0 / 52 / 39 / 4

HEX #F47696

RGB 244 118 150

HSL 344.76, 0.85%, 0.71%

LAB 65.27, 51.4, 5.93

 

CMYK 0 / 2 / 52 / 4

HEX #F4EE76

RGB 244 238 118

HSL 57.14, 0.85%, 0.71%

LAB 92.44, -13.41, 58.05

 

CMYK 51 / 0 / 12 / 4

HEX #77F4D6

RGB 119 244 214

HSL 165.6, 0.85%, 0.71%

LAB 88.68, -42, 3.8

 

CMYK 39 / 52 / 0 / 4

HEX #9676F4

RGB 150 118 244

HSL 255.24, 0.85%, 0.71%

LAB 58.01, 40.68, -59.21

 

CMYK 0 / 52 / 39 / 4

HEX #F47696

RGB 244 118 150

HSL 344.76, 0.85%, 0.71%

LAB 65.27, 51.4, 5.93

 

CMYK 13 / 0 / 52 / 4

HEX #D4F476

RGB 212 244 118

HSL 75.24, 0.85%, 0.71%

LAB 91.69, -28.75, 56.59

 

Description

Color code: HEX #77F4D6 | qconv.com Color code: HEX #77F4D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 244 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 244 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 12% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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