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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F0C2 it is the complementary color #880F3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F0C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F0C2 shade: #7CF0BD, #8DFFD0, #9EFFE3, #AFFFF6 and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F0C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F0C2 shade: #77F0C2, #66DEAF, #55CC9C, #44BA89 and #33A876

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F0C2 shade: #75F0C1, #75F0A0, #75F07F, #8CF075 and #ADF075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F0C2 shade: #75F0C1, #75F0E2, #75DCF0, #75BBF0 and #759AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F0C2 shade matches the following richer shades: #75F0C1 and #69FCC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F0C2 shade: #75F0C1, #82E3BE, #8ED7BB, #9ACBB8 and #A7BEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F0C2 shade: #75F080, #75F0A0, #75F0C1, #75F0E1 and #75DDF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F0C2 shade: #2BE7A0, #50ECB0, #75F0C1, #9AF4D2 and #C0F8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F0C2 shade: #77F0C2, #758CF0 and #F09075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F0C2 shade: #77F0C2, #C175F0 and #F0C175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F0C2 shade: #77F0C2, #758CF0, #F075A4 and #F0D975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F0C2 shade: #77F0C2, #8475F0, #F075A4 and #E1F075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

Complementary color

CMYK 0 / 89 / 55 / 47

HEX #880F3D

RGB 136 15 61

HSL 337.19, 0.8%, 0.3%

LAB 29.19, 50.09, 6.45

 

CMYK 48 / 0 / 21 / 6

HEX #7CF0BD

RGB 124 240 189

HSL 153.62, 0.79%, 0.71%

LAB 87.13, -44.56, 14.63

 

CMYK 45 / 0 / 18 / 0

HEX #8DFFD0

RGB 141 255 208

HSL 155.26, 1%, 0.78%

LAB 92.46, -43.08, 12.44

 

CMYK 38 / 0 / 11 / 0

HEX #9EFFE3

RGB 158 255 227

HSL 162.68, 1%, 0.81%

LAB 93.6, -34.78, 4.38

 

CMYK 31 / 0 / 4 / 0

HEX #AFFFF6

RGB 175 255 246

HSL 173.25, 1%, 0.84%

LAB 94.86, -26.15, -3.49

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

CMYK 54 / 0 / 21 / 13

HEX #66DEAF

RGB 102 222 175

HSL 156.5, 0.65%, 0.64%

LAB 80.83, -44.75, 12.94

 

CMYK 58 / 0 / 24 / 20

HEX #55CC9C

RGB 85 204 156

HSL 155.8, 0.54%, 0.57%

LAB 74.52, -44.74, 14.07

 

CMYK 63 / 0 / 26 / 27

HEX #44BA89

RGB 68 186 137

HSL 155.08, 0.46%, 0.5%

LAB 68.13, -44.62, 15.29

 

CMYK 70 / 0 / 30 / 34

HEX #33A876

RGB 51 168 118

HSL 154.36, 0.53%, 0.43%

LAB 61.67, -44.3, 16.64

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 51 / 0 / 33 / 6

HEX #75F0A0

RGB 117 240 160

HSL 140.98, 0.8%, 0.7%

LAB 86.33, -51.82, 28.4

 

CMYK 51 / 0 / 47 / 6

HEX #75F07F

RGB 117 240 127

HSL 124.88, 0.8%, 0.7%

LAB 85.82, -57.07, 44.12

 

CMYK 42 / 0 / 51 / 6

HEX #8CF075

RGB 140 240 117

HSL 108.78, 0.8%, 0.7%

LAB 86.59, -51.98, 50

 

CMYK 28 / 0 / 51 / 6

HEX #ADF075

RGB 173 240 117

HSL 92.68, 0.8%, 0.7%

LAB 88.2, -41.25, 52.32

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 51 / 0 / 6 / 6

HEX #75F0E2

RGB 117 240 226

HSL 173.17, 0.8%, 0.7%

LAB 87.77, -37.77, -3.79

 

CMYK 51 / 8 / 0 / 6

HEX #75DCF0

RGB 117 220 240

HSL 189.76, 0.8%, 0.7%

LAB 82.52, -24.66, -19.01

 

CMYK 51 / 22 / 0 / 6

HEX #75BBF0

RGB 117 187 240

HSL 205.85, 0.8%, 0.7%

LAB 73.29, -7.61, -33.11

 

CMYK 51 / 36 / 0 / 6

HEX #759AF0

RGB 117 154 240

HSL 221.95, 0.8%, 0.7%

LAB 64.31, 10.92, -47.14

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 58 / 0 / 22 / 1

HEX #69FCC4

RGB 105 252 196

HSL 157.14, 0.96%, 0.7%

LAB 90.14, -52.27, 15.17

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 43 / 0 / 16 / 11

HEX #82E3BE

RGB 130 227 190

HSL 157.11, 0.63%, 0.7%

LAB 83.65, -37.06, 9.2

 

CMYK 34 / 0 / 13 / 16

HEX #8ED7BB

RGB 142 215 187

HSL 156.99, 0.48%, 0.7%

LAB 80.71, -28.8, 6.63

 

CMYK 24 / 0 / 9 / 20

HEX #9ACBB8

RGB 154 203 184

HSL 156.73, 0.32%, 0.7%

LAB 77.9, -19.91, 4.27

 

CMYK 12 / 0 / 5 / 25

HEX #A7BEB5

RGB 167 190 181

HSL 156.52, 0.15%, 0.7%

LAB 75.06, -9.6, 1.88

 

CMYK 51 / 0 / 47 / 6

HEX #75F080

RGB 117 240 128

HSL 125.37, 0.8%, 0.7%

LAB 85.84, -56.93, 43.66

 

CMYK 51 / 0 / 33 / 6

HEX #75F0A0

RGB 117 240 160

HSL 140.98, 0.8%, 0.7%

LAB 86.33, -51.82, 28.4

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 51 / 0 / 6 / 6

HEX #75F0E1

RGB 117 240 225

HSL 172.68, 0.8%, 0.7%

LAB 87.75, -38.01, -3.31

 

CMYK 51 / 8 / 0 / 6

HEX #75DDF0

RGB 117 221 240

HSL 189.27, 0.8%, 0.7%

LAB 82.8, -25.16, -18.59

 

CMYK 81 / 0 / 31 / 9

HEX #2BE7A0

RGB 43 231 160

HSL 157.34, 0.8%, 0.54%

LAB 81.95, -60.71, 22.16

 

CMYK 66 / 0 / 25 / 7

HEX #50ECB0

RGB 80 236 176

HSL 156.92, 0.8%, 0.62%

LAB 84.4, -54.52, 17.35

 

CMYK 51 / 0 / 20 / 6

HEX #75F0C1

RGB 117 240 193

HSL 157.07, 0.8%, 0.7%

LAB 86.97, -45.34, 12.29

 

CMYK 37 / 0 / 14 / 4

HEX #9AF4D2

RGB 154 244 210

HSL 157.33, 0.8%, 0.78%

LAB 89.96, -34.33, 7.92

 

CMYK 23 / 0 / 8 / 3

HEX #C0F8E3

RGB 192 248 227

HSL 157.5, 0.8%, 0.86%

LAB 93.4, -21.82, 4.31

 

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

CMYK 51 / 42 / 0 / 6

HEX #758CF0

RGB 117 140 240

HSL 228.78, 0.8%, 0.7%

LAB 60.63, 19.13, -52.96

 

CMYK 0 / 40 / 51 / 6

HEX #F09075

RGB 240 144 117

HSL 13.17, 0.8%, 0.7%

LAB 69.3, 33.59, 29.85

 

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

CMYK 20 / 51 / 0 / 6

HEX #C175F0

RGB 193 117 240

HSL 277.07, 0.8%, 0.7%

LAB 61.96, 51.01, -50.45

 

CMYK 0 / 20 / 51 / 6

HEX #F0C175

RGB 240 193 117

HSL 37.07, 0.8%, 0.7%

LAB 80.71, 7.77, 44.36

 

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

CMYK 51 / 42 / 0 / 6

HEX #758CF0

RGB 117 140 240

HSL 228.78, 0.8%, 0.7%

LAB 60.63, 19.13, -52.96

 

CMYK 0 / 51 / 32 / 6

HEX #F075A4

RGB 240 117 164

HSL 337.07, 0.8%, 0.7%

LAB 64.91, 52.18, -2.65

 

CMYK 0 / 10 / 51 / 6

HEX #F0D975

RGB 240 217 117

HSL 48.78, 0.8%, 0.7%

LAB 86.72, -4.6, 51.67

 

CMYK 50 / 0 / 19 / 6

HEX #77F0C2

RGB 119 240 194

HSL 157.19, 0.8%, 0.7%

LAB 87.06, -44.68, 11.91

 

CMYK 45 / 51 / 0 / 6

HEX #8475F0

RGB 132 117 240

HSL 247.32, 0.8%, 0.7%

LAB 56.01, 36.02, -60.29

 

CMYK 0 / 51 / 32 / 6

HEX #F075A4

RGB 240 117 164

HSL 337.07, 0.8%, 0.7%

LAB 64.91, 52.18, -2.65

 

CMYK 6 / 0 / 51 / 6

HEX #E1F075

RGB 225 240 117

HSL 67.32, 0.8%, 0.7%

LAB 91.51, -21.94, 57.06

 

Description

Color code: HEX #77F0C2 | qconv.com Color code: HEX #77F0C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 240 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 240 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 19 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 19% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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