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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77F09E it is the complementary color #880F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77F09E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77F09E shade: #7CF099, #8DFFAC, #9EFFBF, #AFFFD2 and #C0FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77F09E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77F09E shade: #77F09E, #66DE8B, #55CC78, #44BA65 and #33A852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77F09E shade: #75F09D, #75F07C, #90F075, #B1F075 and #D2F075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77F09E shade: #75F09D, #75F0BE, #75F0DF, #75E0F0 and #75BFF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77F09E shade matches the following richer shades: #75F09D and #69FC98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77F09E shade: #75F09D, #82E3A1, #8ED7A6, #9ACBAA and #A7BEAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77F09E shade: #90F075, #75F07B, #75F09C, #75F0BD and #75F0DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77F09E shade: #2BE768, #50EC82, #75F09D, #9AF4B7 and #C0F8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77F09E shade: #77F09E, #75B0F0 and #F07580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77F09E shade: #77F09E, #9C75F0 and #F09C75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77F09E shade: #77F09E, #75B0F0, #F075C9 and #F0B575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77F09E shade: #77F09E, #758CF0, #F075C9 and #F0D975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

Complementary color

CMYK 0 / 89 / 29 / 47

HEX #880F61

RGB 136 15 97

HSL 319.34, 0.8%, 0.3%

LAB 30.49, 53.74, -15.44

 

CMYK 48 / 0 / 36 / 6

HEX #7CF099

RGB 124 240 153

HSL 135, 0.79%, 0.71%

LAB 86.46, -51.29, 32.16

 

CMYK 45 / 0 / 33 / 0

HEX #8DFFAC

RGB 141 255 172

HSL 136.32, 1%, 0.78%

LAB 91.76, -49.87, 29.81

 

CMYK 38 / 0 / 25 / 0

HEX #9EFFBF

RGB 158 255 191

HSL 140.41, 1%, 0.81%

LAB 92.82, -41.88, 21.76

 

CMYK 31 / 0 / 18 / 0

HEX #AFFFD2

RGB 175 255 210

HSL 146.25, 1%, 0.84%

LAB 94.01, -33.49, 13.82

 

CMYK 25 / 0 / 10 / 0

HEX #C0FFE5

RGB 192 255 229

HSL 155.24, 1%, 0.88%

LAB 95.32, -24.8, 6.05

 

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

CMYK 54 / 0 / 37 / 13

HEX #66DE8B

RGB 102 222 139

HSL 138.5, 0.65%, 0.64%

LAB 80.14, -51.77, 30.74

 

CMYK 58 / 0 / 41 / 20

HEX #55CC78

RGB 85 204 120

HSL 137.65, 0.54%, 0.57%

LAB 73.85, -51.73, 32.08

 

CMYK 63 / 0 / 46 / 27

HEX #44BA65

RGB 68 186 101

HSL 136.78, 0.46%, 0.5%

LAB 67.49, -51.53, 33.51

 

CMYK 70 / 0 / 51 / 34

HEX #33A852

RGB 51 168 82

HSL 135.9, 0.53%, 0.43%

LAB 61.06, -51.05, 35.01

 

CMYK 51 / 0 / 35 / 6

HEX #75F09D

RGB 117 240 157

HSL 139.51, 0.8%, 0.7%

LAB 86.27, -52.35, 29.85

 

CMYK 51 / 0 / 48 / 6

HEX #75F07C

RGB 117 240 124

HSL 123.41, 0.8%, 0.7%

LAB 85.78, -57.48, 45.51

 

CMYK 40 / 0 / 51 / 6

HEX #90F075

RGB 144 240 117

HSL 106.83, 0.8%, 0.7%

LAB 86.77, -50.76, 50.26

 

CMYK 26 / 0 / 51 / 6

HEX #B1F075

RGB 177 240 117

HSL 90.73, 0.8%, 0.7%

LAB 88.42, -39.85, 52.64

 

CMYK 13 / 0 / 51 / 6

HEX #D2F075

RGB 210 240 117

HSL 74.63, 0.8%, 0.7%

LAB 90.46, -27.72, 55.56

 

CMYK 51 / 0 / 35 / 6

HEX #75F09D

RGB 117 240 157

HSL 139.51, 0.8%, 0.7%

LAB 86.27, -52.35, 29.85

 

CMYK 51 / 0 / 21 / 6

HEX #75F0BE

RGB 117 240 190

HSL 155.61, 0.8%, 0.7%

LAB 86.91, -45.98, 13.76

 

CMYK 51 / 0 / 7 / 6

HEX #75F0DF

RGB 117 240 223

HSL 171.71, 0.8%, 0.7%

LAB 87.69, -38.5, -2.34

 

CMYK 51 / 7 / 0 / 6

HEX #75E0F0

RGB 117 224 240

HSL 187.8, 0.8%, 0.7%

LAB 83.64, -26.63, -17.31

 

CMYK 51 / 20 / 0 / 6

HEX #75BFF0

RGB 117 191 240

HSL 203.9, 0.8%, 0.7%

LAB 74.4, -9.76, -31.4

 

CMYK 51 / 0 / 35 / 6

HEX #75F09D

RGB 117 240 157

HSL 139.51, 0.8%, 0.7%

LAB 86.27, -52.35, 29.85

 

CMYK 58 / 0 / 40 / 1

HEX #69FC98

RGB 105 252 152

HSL 139.18, 0.96%, 0.7%

LAB 89.34, -60.63, 36.36

 

CMYK 51 / 0 / 35 / 6

HEX #75F09D

RGB 117 240 157

HSL 139.51, 0.8%, 0.7%

LAB 86.27, -52.35, 29.85

 

CMYK 43 / 0 / 29 / 11

HEX #82E3A1

RGB 130 227 161

HSL 139.18, 0.63%, 0.7%

LAB 83.05, -42.78, 23.52

 

CMYK 34 / 0 / 23 / 16

HEX #8ED7A6

RGB 142 215 166

HSL 139.73, 0.48%, 0.7%

LAB 80.24, -32.96, 17.1

 

CMYK 24 / 0 / 16 / 20

HEX #9ACBAA

RGB 154 203 170

HSL 139.59, 0.32%, 0.7%

LAB 77.57, -22.67, 11.31

 

CMYK 12 / 0 / 8 / 25

HEX #A7BEAE

RGB 167 190 174

HSL 138.26, 0.15%, 0.7%

LAB 74.89, -10.95, 5.43

 

CMYK 40 / 0 / 51 / 6

HEX #90F075

RGB 144 240 117

HSL 106.83, 0.8%, 0.7%

LAB 86.77, -50.76, 50.26

 

CMYK 51 / 0 / 49 / 6

HEX #75F07B

RGB 117 240 123

HSL 122.93, 0.8%, 0.7%

LAB 85.77, -57.62, 45.97

 

CMYK 51 / 0 / 35 / 6

HEX #75F09C

RGB 117 240 156

HSL 139.02, 0.8%, 0.7%

LAB 86.26, -52.52, 30.34

 

CMYK 51 / 0 / 21 / 6

HEX #75F0BD

RGB 117 240 189

HSL 155.12, 0.8%, 0.7%

LAB 86.89, -46.19, 14.25

 

CMYK 51 / 0 / 8 / 6

HEX #75F0DD

RGB 117 240 221

HSL 170.73, 0.8%, 0.7%

LAB 87.64, -38.98, -1.37

 

CMYK 81 / 0 / 55 / 9

HEX #2BE768

RGB 43 231 104

HSL 139.47, 0.8%, 0.54%

LAB 81.11, -70.47, 48.78

 

CMYK 66 / 0 / 45 / 7

HEX #50EC82

RGB 80 236 130

HSL 139.23, 0.8%, 0.62%

LAB 83.6, -63.15, 39.64

 

CMYK 51 / 0 / 35 / 6

HEX #75F09D

RGB 117 240 157

HSL 139.51, 0.8%, 0.7%

LAB 86.27, -52.35, 29.85

 

CMYK 37 / 0 / 25 / 4

HEX #9AF4B7

RGB 154 244 183

HSL 139.33, 0.8%, 0.78%

LAB 89.39, -39.57, 21.07

 

CMYK 23 / 0 / 15 / 3

HEX #C0F8D2

RGB 192 248 210

HSL 139.29, 0.8%, 0.86%

LAB 93.01, -25.03, 12.54

 

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

CMYK 51 / 27 / 0 / 6

HEX #75B0F0

RGB 117 176 240

HSL 211.22, 0.8%, 0.7%

LAB 70.26, -1.58, -37.81

 

CMYK 0 / 51 / 47 / 6

HEX #F07580

RGB 240 117 128

HSL 354.63, 0.8%, 0.7%

LAB 64, 48.27, 16.59

 

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

CMYK 35 / 51 / 0 / 6

HEX #9C75F0

RGB 156 117 240

HSL 259.02, 0.8%, 0.7%

LAB 58.11, 41.63, -56.79

 

CMYK 0 / 35 / 51 / 6

HEX #F09C75

RGB 240 156 117

HSL 19.02, 0.8%, 0.7%

LAB 71.95, 27.29, 33.31

 

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

CMYK 51 / 27 / 0 / 6

HEX #75B0F0

RGB 117 176 240

HSL 211.22, 0.8%, 0.7%

LAB 70.26, -1.58, -37.81

 

CMYK 0 / 51 / 16 / 6

HEX #F075C9

RGB 240 117 201

HSL 319.02, 0.8%, 0.7%

LAB 66.11, 57.21, -21.78

 

CMYK 0 / 25 / 51 / 6

HEX #F0B575

RGB 240 181 117

HSL 31.22, 0.8%, 0.7%

LAB 77.79, 14.07, 40.73

 

CMYK 50 / 0 / 34 / 6

HEX #77F09E

RGB 119 240 158

HSL 139.34, 0.8%, 0.7%

LAB 86.36, -51.69, 29.47

 

CMYK 51 / 42 / 0 / 6

HEX #758CF0

RGB 117 140 240

HSL 228.78, 0.8%, 0.7%

LAB 60.63, 19.13, -52.96

 

CMYK 0 / 51 / 16 / 6

HEX #F075C9

RGB 240 117 201

HSL 319.02, 0.8%, 0.7%

LAB 66.11, 57.21, -21.78

 

CMYK 0 / 10 / 51 / 6

HEX #F0D975

RGB 240 217 117

HSL 48.78, 0.8%, 0.7%

LAB 86.72, -4.6, 51.67

 

Description

Color code: HEX #77F09E | qconv.com Color code: HEX #77F09E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 240 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 240 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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