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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77EC5E it is the complementary color #8813A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77EC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77EC5E shade: #7CEC59, #8DFE6C, #9EFF7F, #AFFF92 and #C0FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77EC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77EC5E shade: #77EC5E, #66DA4B, #55C838, #44B625 and #33A412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77EC5E shade: #78EC5F, #9EEC5F, #C4EC5F, #EAEC5F and #ECC85F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77EC5E shade: #78EC5F, #5FEC6C, #5FEC92, #5FECB9 and #5FECDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77EC5E shade matches the following richer shades: #78EC5F and #6FFB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77EC5E shade: #78EC5F, #81DE6E, #8BCF7C, #94C18B and #9DB299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77EC5E shade: #C4EC5F, #9FEC5F, #79EC5F, #5FEC6B and #5FEC91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77EC5E shade: #3DDF1A, #59E83A, #78EC5F, #97F184 and #B6F5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77EC5E shade: #77EC5E, #5FEAEC and #EC5FB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77EC5E shade: #77EC5E, #5F79EC and #EC5F79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77EC5E shade: #77EC5E, #5FEAEC, #D25FEC and #EC625F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77EC5E shade: #77EC5E, #5FC0EC, #D25FEC and #EC8C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

Complementary color

CMYK 16 / 88 / 0 / 37

HEX #8813A1

RGB 136 19 161

HSL 289.44, 0.79%, 0.35%

LAB 34.55, 62.84, -49.11

 

CMYK 47 / 0 / 62 / 7

HEX #7CEC59

RGB 124 236 89

HSL 105.71, 0.79%, 0.64%

LAB 84.48, -58.07, 59.78

 

CMYK 44 / 0 / 57 / 0

HEX #8DFE6C

RGB 141 254 108

HSL 106.44, 0.99%, 0.71%

LAB 90.61, -58.25, 58.81

 

CMYK 38 / 0 / 50 / 0

HEX #9EFF7F

RGB 158 255 127

HSL 105.47, 1%, 0.75%

LAB 91.83, -51.45, 51.91

 

CMYK 31 / 0 / 43 / 0

HEX #AFFF92

RGB 175 255 146

HSL 104.04, 1%, 0.79%

LAB 92.89, -43.72, 44.41

 

CMYK 25 / 0 / 35 / 0

HEX #C0FFA5

RGB 192 255 165

HSL 102, 1%, 0.82%

LAB 94.07, -35.55, 36.83

 

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

CMYK 53 / 0 / 66 / 15

HEX #66DA4B

RGB 102 218 75

HSL 108.67, 0.66%, 0.57%

LAB 78.15, -58.66, 58.36

 

CMYK 58 / 0 / 72 / 22

HEX #55C838

RGB 85 200 56

HSL 107.92, 0.57%, 0.5%

LAB 71.91, -58.08, 58.93

 

CMYK 63 / 0 / 80 / 29

HEX #44B625

RGB 68 182 37

HSL 107.17, 0.66%, 0.43%

LAB 65.61, -57.13, 58.91

 

CMYK 69 / 0 / 89 / 36

HEX #33A412

RGB 51 164 18

HSL 106.44, 0.8%, 0.36%

LAB 59.25, -55.66, 57.82

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 1 / 0 / 60 / 7

HEX #EAEC5F

RGB 234 236 95

HSL 60.85, 0.79%, 0.65%

LAB 90.92, -18.12, 66.17

 

CMYK 0 / 15 / 60 / 7

HEX #ECC85F

RGB 236 200 95

HSL 44.68, 0.79%, 0.65%

LAB 81.82, 0.77, 56.15

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 60 / 0 / 38 / 7

HEX #5FEC92

RGB 95 236 146

HSL 141.7, 0.79%, 0.65%

LAB 84.22, -57.61, 32.56

 

CMYK 60 / 0 / 22 / 7

HEX #5FECB9

RGB 95 236 185

HSL 158.3, 0.79%, 0.65%

LAB 84.96, -49.93, 13.51

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDF

RGB 95 236 223

HSL 174.47, 0.79%, 0.65%

LAB 85.88, -40.88, -5.08

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 56 / 0 / 68 / 2

HEX #6FFB51

RGB 111 251 81

HSL 109.41, 0.96%, 0.65%

LAB 88.43, -67.68, 67.08

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 42 / 0 / 50 / 13

HEX #81DE6E

RGB 129 222 110

HSL 109.82, 0.63%, 0.65%

LAB 80.76, -48.76, 46.09

 

CMYK 33 / 0 / 40 / 19

HEX #8BCF7C

RGB 139 207 124

HSL 109.16, 0.46%, 0.65%

LAB 77.02, -37.2, 34.59

 

CMYK 23 / 0 / 28 / 24

HEX #94C18B

RGB 148 193 139

HSL 110, 0.3%, 0.65%

LAB 73.74, -25.24, 22.49

 

CMYK 12 / 0 / 14 / 30

HEX #9DB299

RGB 157 178 153

HSL 110.4, 0.14%, 0.65%

LAB 70.39, -12.04, 10.35

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 49 / 0 / 60 / 7

HEX #79EC5F

RGB 121 236 95

HSL 108.94, 0.79%, 0.65%

LAB 84.42, -58.33, 57.14

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6B

RGB 95 236 107

HSL 125.11, 0.79%, 0.65%

LAB 83.7, -63.44, 50.75

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC91

RGB 95 236 145

HSL 141.28, 0.79%, 0.65%

LAB 84.21, -57.79, 33.04

 

CMYK 73 / 0 / 88 / 13

HEX #3DDF1A

RGB 61 223 26

HSL 109.34, 0.79%, 0.49%

LAB 78.37, -72.11, 72.87

 

CMYK 62 / 0 / 75 / 9

HEX #59E83A

RGB 89 232 58

HSL 109.31, 0.79%, 0.57%

LAB 81.92, -68.02, 68.28

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 37 / 0 / 45 / 5

HEX #97F184

RGB 151 241 132

HSL 109.54, 0.8%, 0.73%

LAB 87.56, -47.15, 44.19

 

CMYK 26 / 0 / 31 / 4

HEX #B6F5A9

RGB 182 245 169

HSL 109.74, 0.79%, 0.81%

LAB 90.83, -33.71, 30.41

 

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

CMYK 60 / 1 / 0 / 7

HEX #5FEAEC

RGB 95 234 236

HSL 180.85, 0.79%, 0.65%

LAB 85.67, -36.56, -12.23

 

CMYK 0 / 60 / 25 / 7

HEX #EC5FB2

RGB 236 95 178

HSL 324.68, 0.79%, 0.65%

LAB 60.99, 62.77, -16.57

 

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

CMYK 60 / 49 / 0 / 7

HEX #5F79EC

RGB 95 121 236

HSL 228.94, 0.79%, 0.65%

LAB 54.2, 24.86, -61.1

 

CMYK 0 / 60 / 49 / 7

HEX #EC5F79

RGB 236 95 121

HSL 348.94, 0.79%, 0.65%

LAB 59.34, 56.5, 14.06

 

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

CMYK 60 / 1 / 0 / 7

HEX #5FEAEC

RGB 95 234 236

HSL 180.85, 0.79%, 0.65%

LAB 85.67, -36.56, -12.23

 

CMYK 11 / 60 / 0 / 7

HEX #D25FEC

RGB 210 95 236

HSL 288.94, 0.79%, 0.65%

LAB 59.84, 65.14, -51.46

 

CMYK 0 / 58 / 60 / 7

HEX #EC625F

RGB 236 98 95

HSL 1.28, 0.79%, 0.65%

LAB 59.34, 53.14, 29.06

 

CMYK 50 / 0 / 60 / 7

HEX #77EC5E

RGB 119 236 94

HSL 109.44, 0.79%, 0.65%

LAB 84.34, -58.98, 57.46

 

CMYK 60 / 19 / 0 / 7

HEX #5FC0EC

RGB 95 192 236

HSL 198.72, 0.79%, 0.65%

LAB 73.67, -15.88, -30.44

 

CMYK 11 / 60 / 0 / 7

HEX #D25FEC

RGB 210 95 236

HSL 288.94, 0.79%, 0.65%

LAB 59.84, 65.14, -51.46

 

CMYK 0 / 41 / 60 / 7

HEX #EC8C5F

RGB 236 140 95

HSL 19.15, 0.79%, 0.65%

LAB 67.59, 32.37, 39.41

 

Description

Color code: HEX #77EC5E | qconv.com Color code: HEX #77EC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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