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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77E830 it is the complementary color #8817CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77E830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77E830 shade: #7CE82B, #8DFA3E, #9EFF51, #AFFF64 and #C0FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77E830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77E830 shade: #77E830, #66D61D, #55C40A, #44B200 and #33A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77E830 shade: #77E830, #A9E830, #DAE830, #E8C430 and #E89330

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77E830 shade: #77E830, #46E830, #30E84D, #30E87E and #30E8B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77E830 shade matches the following richer shades: #77E830 and #73FB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77E830 shade: #77E830, #7CD543, #80C356, #84B068 and #889E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77E830 shade: #DCE830, #ABE830, #7AE830, #49E830 and #30E849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77E830 shade: #51B214, #62D718, #77E830, #90EC56 and #A8F07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77E830 shade: #77E830, #30E8C3 and #E830C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77E830 shade: #77E830, #307AE8 and #E8307A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77E830 shade: #77E830, #30E8C3, #9F30E8 and #E83055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77E830 shade: #77E830, #30D6E8, #9F30E8 and #E84330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

Complementary color

CMYK 34 / 89 / 0 / 19

HEX #8817CF

RGB 136 23 207

HSL 276.85, 0.8%, 0.45%

LAB 38.47, 70.93, -69.95

 

CMYK 47 / 0 / 81 / 9

HEX #7CE82B

RGB 124 232 43

HSL 94.29, 0.8%, 0.54%

LAB 83.01, -59.69, 74.01

 

CMYK 44 / 0 / 75 / 2

HEX #8DFA3E

RGB 141 250 62

HSL 94.79, 0.95%, 0.61%

LAB 89.1, -60.35, 74.61

 

CMYK 38 / 0 / 68 / 0

HEX #9EFF51

RGB 158 255 81

HSL 93.45, 1%, 0.66%

LAB 91.41, -55.75, 70.74

 

CMYK 31 / 0 / 61 / 0

HEX #AFFF64

RGB 175 255 100

HSL 90.97, 1%, 0.7%

LAB 92.38, -48.63, 64.62

 

CMYK 25 / 0 / 53 / 0

HEX #C0FF77

RGB 192 255 119

HSL 87.79, 1%, 0.73%

LAB 93.48, -41, 57.93

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 52 / 0 / 86 / 16

HEX #66D61D

RGB 102 214 29

HSL 96.32, 0.76%, 0.48%

LAB 76.68, -60.02, 71.28

 

CMYK 57 / 0 / 95 / 23

HEX #55C40A

RGB 85 196 10

HSL 95.81, 0.9%, 0.4%

LAB 70.48, -58.75, 68.81

 

CMYK 62 / 0 / 100 / 30

HEX #44B200

RGB 68 178 0

HSL 97.08, 1%, 0.35%

LAB 64.22, -57.02, 64.74

 

CMYK 68 / 0 / 100 / 37

HEX #33A000

RGB 51 160 0

HSL 100.88, 1%, 0.31%

LAB 57.89, -54.84, 59.53

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 27 / 0 / 79 / 9

HEX #A9E830

RGB 169 232 48

HSL 80.54, 0.8%, 0.55%

LAB 85.18, -44.27, 75.48

 

CMYK 6 / 0 / 79 / 9

HEX #DAE830

RGB 218 232 48

HSL 64.57, 0.8%, 0.55%

LAB 88.37, -25.02, 79.53

 

CMYK 0 / 16 / 79 / 9

HEX #E8C430

RGB 232 196 48

HSL 48.26, 0.8%, 0.55%

LAB 80.09, -1.23, 72.68

 

CMYK 0 / 37 / 79 / 9

HEX #E89330

RGB 232 147 48

HSL 32.28, 0.8%, 0.55%

LAB 68.19, 24.6, 61.94

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 70 / 0 / 79 / 9

HEX #46E830

RGB 70 232 48

HSL 112.83, 0.8%, 0.55%

LAB 81.42, -72.37, 70.64

 

CMYK 79 / 0 / 67 / 9

HEX #30E84D

RGB 48 232 77

HSL 129.46, 0.8%, 0.55%

LAB 81.22, -73.37, 60.51

 

CMYK 79 / 0 / 46 / 9

HEX #30E87E

RGB 48 232 126

HSL 145.43, 0.8%, 0.55%

LAB 81.76, -66.98, 39.12

 

CMYK 79 / 0 / 24 / 9

HEX #30E8B0

RGB 48 232 176

HSL 161.74, 0.8%, 0.55%

LAB 82.63, -57.09, 14.8

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 54 / 0 / 88 / 2

HEX #73FB1E

RGB 115 251 30

HSL 96.92, 0.97%, 0.55%

LAB 88.32, -69.42, 81.22

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 42 / 0 / 69 / 16

HEX #7CD543

RGB 124 213 67

HSL 96.58, 0.63%, 0.55%

LAB 77.45, -50.94, 61.01

 

CMYK 34 / 0 / 56 / 24

HEX #80C356

RGB 128 195 86

HSL 96.88, 0.48%, 0.55%

LAB 72.42, -40.33, 47.43

 

CMYK 25 / 0 / 41 / 31

HEX #84B068

RGB 132 176 104

HSL 96.67, 0.31%, 0.55%

LAB 67.24, -27.95, 32.2

 

CMYK 14 / 0 / 22 / 38

HEX #889E7B

RGB 136 158 123

HSL 97.71, 0.15%, 0.55%

LAB 62.61, -14.43, 15.77

 

CMYK 5 / 0 / 79 / 9

HEX #DCE830

RGB 220 232 48

HSL 63.91, 0.8%, 0.55%

LAB 88.52, -24.2, 79.71

 

CMYK 26 / 0 / 79 / 9

HEX #ABE830

RGB 171 232 48

HSL 79.89, 0.8%, 0.55%

LAB 85.29, -43.52, 75.62

 

CMYK 47 / 0 / 79 / 9

HEX #7AE830

RGB 122 232 48

HSL 95.87, 0.8%, 0.55%

LAB 82.95, -60.05, 72.61

 

CMYK 69 / 0 / 79 / 9

HEX #49E830

RGB 73 232 48

HSL 111.85, 0.8%, 0.55%

LAB 81.48, -71.84, 70.72

 

CMYK 79 / 0 / 69 / 9

HEX #30E849

RGB 48 232 73

HSL 128.15, 0.8%, 0.55%

LAB 81.19, -73.74, 62.02

 

CMYK 54 / 0 / 89 / 30

HEX #51B214

RGB 81 178 20

HSL 96.84, 0.8%, 0.39%

LAB 64.68, -53.15, 62.44

 

CMYK 54 / 0 / 89 / 16

HEX #62D718

RGB 98 215 24

HSL 96.75, 0.8%, 0.47%

LAB 76.84, -61.63, 72.29

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 39 / 0 / 64 / 7

HEX #90EC56

RGB 144 236 86

HSL 96.8, 0.8%, 0.63%

LAB 85.3, -52.27, 62.14

 

CMYK 30 / 0 / 49 / 6

HEX #A8F07B

RGB 168 240 123

HSL 96.92, 0.8%, 0.71%

LAB 88, -42.3, 49.22

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 79 / 0 / 16 / 9

HEX #30E8C3

RGB 48 232 195

HSL 167.93, 0.8%, 0.55%

LAB 83.06, -52.53, 5.43

 

CMYK 0 / 79 / 16 / 9

HEX #E830C3

RGB 232 48 195

HSL 312.07, 0.8%, 0.55%

LAB 55.29, 80.06, -35.19

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 79 / 47 / 0 / 9

HEX #307AE8

RGB 48 122 232

HSL 215.87, 0.8%, 0.55%

LAB 52.26, 16.21, -62.09

 

CMYK 0 / 79 / 47 / 9

HEX #E8307A

RGB 232 48 122

HSL 335.87, 0.8%, 0.55%

LAB 52.59, 72.2, 3.8

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 79 / 0 / 16 / 9

HEX #30E8C3

RGB 48 232 195

HSL 167.93, 0.8%, 0.55%

LAB 83.06, -52.53, 5.43

 

CMYK 31 / 79 / 0 / 9

HEX #9F30E8

RGB 159 48 232

HSL 276.2, 0.8%, 0.55%

LAB 46.06, 72.64, -71.75

 

CMYK 0 / 79 / 63 / 9

HEX #E83055

RGB 232 48 85

HSL 347.93, 0.8%, 0.55%

LAB 51.75, 69.64, 24.97

 

CMYK 49 / 0 / 79 / 9

HEX #77E830

RGB 119 232 48

HSL 96.85, 0.8%, 0.55%

LAB 82.83, -60.93, 72.47

 

CMYK 79 / 8 / 0 / 9

HEX #30D6E8

RGB 48 214 232

HSL 185.87, 0.8%, 0.55%

LAB 78.78, -34.37, -20.58

 

CMYK 31 / 79 / 0 / 9

HEX #9F30E8

RGB 159 48 232

HSL 276.2, 0.8%, 0.55%

LAB 46.06, 72.64, -71.75

 

CMYK 0 / 71 / 79 / 9

HEX #E84330

RGB 232 67 48

HSL 6.2, 0.8%, 0.55%

LAB 53.37, 62.16, 47.81

 

Description

Color code: HEX #77E830 | qconv.com Color code: HEX #77E830 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 232 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 232 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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