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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77E50F it is the complementary color #881AF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77E50F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77E50F shade: #7CE50A, #8DF71D, #9EFF30, #AFFF43 and #C0FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77E50F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77E50F shade: #77E50F, #66D300, #55C100, #44AF00 and #339D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77E50F shade: #77E60F, #B1E60F, #E6E10F, #E6A70F and #E66C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77E50F shade: #77E60F, #3DE60F, #0FE61A, #0FE654 and #0FE68E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77E50F shade matches the following richer shades: #77E60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77E50F shade: #77E60F, #78D222, #78BF36, #79AB4A and #7A975E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77E50F shade: #E6DF0F, #B4E60F, #7AE60F, #41E60F and #0FE616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77E50F shade: #4F990A, #63BF0C, #77E60F, #8CF22C and #A1F453

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77E50F shade: #77E50F, #0FE6A5 and #E60FD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77E50F shade: #77E50F, #0F7AE6 and #E60F7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77E50F shade: #77E50F, #0FE6A5, #7A0FE6 and #E60F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77E50F shade: #77E50F, #0FE6E6, #7A0FE6 and #E60F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

Complementary color

CMYK 43 / 89 / 0 / 6

HEX #881AF0

RGB 136 26 240

HSL 270.84, 0.88%, 0.52%

LAB 41.63, 77.2, -83.64

 

CMYK 46 / 0 / 96 / 10

HEX #7CE50A

RGB 124 229 10

HSL 88.77, 0.92%, 0.47%

LAB 82.03, -59.47, 78.72

 

CMYK 43 / 0 / 88 / 3

HEX #8DF71D

RGB 141 247 29

HSL 89.17, 0.93%, 0.54%

LAB 88.1, -60.55, 81.59

 

CMYK 38 / 0 / 81 / 0

HEX #9EFF30

RGB 158 255 48

HSL 88.12, 1%, 0.59%

LAB 91.24, -57.54, 80.71

 

CMYK 31 / 0 / 74 / 0

HEX #AFFF43

RGB 175 255 67

HSL 85.53, 1%, 0.63%

LAB 92.15, -50.89, 76.53

 

CMYK 25 / 0 / 66 / 0

HEX #C0FF56

RGB 192 255 86

HSL 82.37, 1%, 0.67%

LAB 93.19, -43.69, 71.28

 

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

CMYK 52 / 0 / 100 / 17

HEX #66D300

RGB 102 211 0

HSL 91, 1%, 0.41%

LAB 75.71, -59.56, 74.28

 

CMYK 56 / 0 / 100 / 24

HEX #55C100

RGB 85 193 0

HSL 93.58, 1%, 0.38%

LAB 69.52, -57.88, 69.16

 

CMYK 61 / 0 / 100 / 31

HEX #44AF00

RGB 68 175 0

HSL 96.69, 1%, 0.34%

LAB 63.25, -56, 63.98

 

CMYK 68 / 0 / 100 / 38

HEX #339D00

RGB 51 157 0

HSL 100.51, 1%, 0.31%

LAB 56.9, -53.84, 58.74

 

CMYK 48 / 0 / 93 / 10

HEX #77E60F

RGB 119 230 15

HSL 90.98, 0.88%, 0.48%

LAB 82.14, -61.27, 78.24

 

CMYK 23 / 0 / 93 / 10

HEX #B1E60F

RGB 177 230 15

HSL 74.79, 0.88%, 0.48%

LAB 84.98, -41.25, 81.72

 

CMYK 0 / 2 / 93 / 10

HEX #E6E10F

RGB 230 225 15

HSL 58.6, 0.88%, 0.48%

LAB 87.34, -17.37, 85.15

 

CMYK 0 / 27 / 93 / 10

HEX #E6A70F

RGB 230 167 15

HSL 42.42, 0.88%, 0.48%

LAB 72.56, 12.37, 74.17

 

CMYK 0 / 53 / 93 / 10

HEX #E66C0F

RGB 230 108 15

HSL 25.95, 0.88%, 0.48%

LAB 59.51, 43.13, 65.01

 

CMYK 48 / 0 / 93 / 10

HEX #77E60F

RGB 119 230 15

HSL 90.98, 0.88%, 0.48%

LAB 82.14, -61.27, 78.24

 

CMYK 73 / 0 / 93 / 10

HEX #3DE60F

RGB 61 230 15

HSL 107.16, 0.88%, 0.48%

LAB 80.53, -74.47, 76.26

 

CMYK 93 / 0 / 89 / 10

HEX #0FE61A

RGB 15 230 26

HSL 123.07, 0.88%, 0.48%

LAB 80.05, -78.64, 74.11

 

CMYK 93 / 0 / 63 / 10

HEX #0FE654

RGB 15 230 84

HSL 139.26, 0.88%, 0.48%

LAB 80.37, -74.59, 56.65

 

CMYK 93 / 0 / 38 / 10

HEX #0FE68E

RGB 15 230 142

HSL 155.44, 0.88%, 0.48%

LAB 81.1, -65.77, 30.21

 

CMYK 48 / 0 / 93 / 10

HEX #77E60F

RGB 119 230 15

HSL 90.98, 0.88%, 0.48%

LAB 82.14, -61.27, 78.24

 

CMYK 48 / 0 / 93 / 10

HEX #77E60F

RGB 119 230 15

HSL 90.98, 0.88%, 0.48%

LAB 82.14, -61.27, 78.24

 

CMYK 43 / 0 / 84 / 18

HEX #78D222

RGB 120 210 34

HSL 90.68, 0.72%, 0.48%

LAB 76.19, -52.91, 70.05

 

CMYK 37 / 0 / 72 / 25

HEX #78BF36

RGB 120 191 54

HSL 91.09, 0.56%, 0.48%

LAB 70.54, -44.16, 58.73

 

CMYK 29 / 0 / 57 / 33

HEX #79AB4A

RGB 121 171 74

HSL 90.93, 0.4%, 0.48%

LAB 64.71, -33.26, 43.99

 

CMYK 19 / 0 / 38 / 41

HEX #7A975E

RGB 122 151 94

HSL 90.53, 0.23%, 0.48%

LAB 59.05, -20.67, 26.78

 

CMYK 0 / 3 / 93 / 10

HEX #E6DF0F

RGB 230 223 15

HSL 58.05, 0.88%, 0.48%

LAB 86.82, -16.39, 84.75

 

CMYK 22 / 0 / 93 / 10

HEX #B4E60F

RGB 180 230 15

HSL 73.95, 0.88%, 0.48%

LAB 85.17, -40.09, 81.94

 

CMYK 47 / 0 / 93 / 10

HEX #7AE60F

RGB 122 230 15

HSL 90.14, 0.88%, 0.48%

LAB 82.25, -60.37, 78.38

 

CMYK 72 / 0 / 93 / 10

HEX #41E60F

RGB 65 230 15

HSL 106.05, 0.88%, 0.48%

LAB 80.6, -73.83, 76.35

 

CMYK 93 / 0 / 90 / 10

HEX #0FE616

RGB 15 230 22

HSL 121.95, 0.88%, 0.48%

LAB 80.04, -78.76, 74.74

 

CMYK 48 / 0 / 93 / 40

HEX #4F990A

RGB 79 153 10

HSL 91.05, 0.88%, 0.32%

LAB 56.55, -44.52, 57.32

 

CMYK 48 / 0 / 94 / 25

HEX #63BF0C

RGB 99 191 12

HSL 90.84, 0.88%, 0.4%

LAB 69.43, -52.88, 67.94

 

CMYK 48 / 0 / 93 / 10

HEX #77E60F

RGB 119 230 15

HSL 90.98, 0.88%, 0.48%

LAB 82.14, -61.27, 78.24

 

CMYK 42 / 0 / 82 / 5

HEX #8CF22C

RGB 140 242 44

HSL 90.91, 0.88%, 0.56%

LAB 86.63, -58.48, 77.26

 

CMYK 34 / 0 / 66 / 4

HEX #A1F453

RGB 161 244 83

HSL 90.93, 0.88%, 0.64%

LAB 88.4, -50.15, 66.9

 

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

CMYK 93 / 0 / 28 / 10

HEX #0FE6A5

RGB 15 230 165

HSL 161.86, 0.88%, 0.48%

LAB 81.52, -60.98, 18.93

 

CMYK 0 / 93 / 9 / 10

HEX #E60FD1

RGB 230 15 209

HSL 305.86, 0.88%, 0.48%

LAB 53.78, 86.93, -45.63

 

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

CMYK 93 / 47 / 0 / 10

HEX #0F7AE6

RGB 15 122 230

HSL 210.14, 0.88%, 0.48%

LAB 51.53, 13.27, -62.16

 

CMYK 0 / 93 / 47 / 10

HEX #E60F7A

RGB 230 15 122

HSL 330.14, 0.88%, 0.48%

LAB 50.18, 77.56, 0.26

 

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

CMYK 93 / 0 / 28 / 10

HEX #0FE6A5

RGB 15 230 165

HSL 161.86, 0.88%, 0.48%

LAB 81.52, -60.98, 18.93

 

CMYK 47 / 93 / 0 / 10

HEX #7A0FE6

RGB 122 15 230

HSL 269.86, 0.88%, 0.48%

LAB 38.19, 75.65, -83.71

 

CMYK 0 / 93 / 66 / 10

HEX #E60F4F

RGB 230 15 79

HSL 342.14, 0.88%, 0.48%

LAB 49.17, 74.8, 25.18

 

CMYK 48 / 0 / 93 / 10

HEX #77E50F

RGB 119 229 15

HSL 90.84, 0.88%, 0.48%

LAB 81.84, -60.9, 78

 

CMYK 93 / 0 / 0 / 10

HEX #0FE6E6

RGB 15 230 230

HSL 180, 0.88%, 0.48%

LAB 83.13, -44.11, -12.99

 

CMYK 47 / 93 / 0 / 10

HEX #7A0FE6

RGB 122 15 230

HSL 269.86, 0.88%, 0.48%

LAB 38.19, 75.65, -83.71

 

CMYK 0 / 93 / 93 / 10

HEX #E60F0F

RGB 230 15 15

HSL 0, 0.88%, 0.48%

LAB 48.51, 72.97, 58.12

 

Description

Color code: HEX #77E50F | qconv.com Color code: HEX #77E50F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 229 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 229 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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